101 Pirate Radio Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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3▼CD
Nr.TitelKünstlerBewertungLänge
1A Touch of Velvet a Sting of Brass
recording of:
A Touch Of Velvet - A Sting Of Brass
Komponist(in):
Mark Wirtz
publisher:
Bourne Music und Melodie der Welt (publisher)
Mood Mosaic3:20
2No Milk Today
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1966) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
No Milk Today (in 1966-10)
Texter und Komponist(in):
Graham Gouldman
publisher:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hournew Music Ltd.
Herman’s Hermits4.652:52
3Backstage
recording of:
Backstage
Verfasser(in) und Komponist(in):
Fred Anisfield und Willie Denson
Gene Pitney2:37
4A World Without Love
recording of:
A World Without Love
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!) und Northern Songs Ltd.
Peter & Gordon32:39
5I’ll Never Find Another You
Produzent(in):
Tom Springfield
Interpret(in):
The Seekers (Australian pop quartet) (in 1964)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
I'll Never Find Another You (in 1964)
Texter und Komponist(in):
Tom Springfield
publisher:
Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
The Seekers52:41
6Chapel of Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 279)
recording of:
Chapel of Love
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Dixie Cups42:45
7You’re No Good
recording of:
You’re No Good
Texter und Komponist(in):
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edwin H. Morris & Co. (a division of MPL Communications Inc.)
The Swinging Blue Jeans2:16
8Good Vibrations
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:35
9A Lover’s Concerto
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
A Lover’s Concerto (in 1965)
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
EMI Music Publishing (do not use as a release label!)
basiert auf:
Minuet in G major, BWV Anh. 114 (for keyboard)
The Toys2:39
10The Boy From New York City
Teil von:
The Downloader’s Music Source Book (Nummer: 137)
recording of:
The Boy From New York City
Verfasser(in):
George Davis (US songwriter - singer, doo-wop era) und John Taylor (songwriter & saxophone player John Isaac Taylor)
publisher:
Trio Music Company und フジパシフィックミュージック (Fujipacific Music, Inc.)
The Ad Libs2:58
11The Birds and the Bees
phonographisches Urheberrecht (℗) von:
Era (55-90 US indie) (in 1965)
recording of:
The Birds and the Bees
Texter und Komponist(in):
Barry Stuart
publisher:
Pattern Music Inc. (not to be confused with Pattern Music, Ltd.) und Universal Music Corporation (USA, affiliated with ASCAP)
Jewel Akens42:08
12Tobacco Road
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 40)
cover recording of:
Tobacco Road
Texter und Komponist(in):
John D. Loudermilk
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Nashville Teens2:25
13Have I the Right
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Have I the Right (in 1964)
Verfasser(in):
Alan Blaikley und Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Ivy Music Ltd.
The Honeycombs32:58
14Bread and Butter
recording of:
Bread and Butter (in 1964)
Verfasser(in):
Larry Parks und Jay Turnbow
The Newbeats4.351:59
15Sweet Talkin’ Guy
recording of:
Sweet Talking Guy
Verfasser(in):
Baer, Greenberg, Morris (record executive) und Schwartz (songwriter for and co-founder of Laurie Records)
The Chiffons2:22
16Paper Tiger
cover recording of:
Paper Tiger
Texter und Komponist(in):
John D. Loudermilk
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Sue Thompson2:23
17Walkin’ My Cat Named Dog
recording of:
Walkin’ My Cat Named Dog
Texter und Komponist(in):
Norma Tanega
Norma Tanega2:18
18Message Understood
recording of:
Message Understood
Texter und Komponist(in):
Chris Andrews (UK singer-songwriter)
Sandie Shaw3:10
19Bang Bang (My Baby Shot Me Down)
recording of:
Bang Bang (My Baby Shot Me Down) (original version, first recorded by Cher)
Texter und Komponist(in):
Sonny Bono
publisher:
April Music (private press label?), Chris Marc Music, Cotillion Music Inc. (BMI), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cher32:47
20Terry
recording of:
Terry
Texter und Komponist(in):
Lynn Ripley
Twinkle3:09
21Too Soon to Know
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1966-06-01)
Produzent(in):
Wesley Rose (producer, label executive) und Jim Vienneau
cover recording of:
Too Soon to Know (am 1966-06-01)
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
recording of:
Too Soon to Know
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
Roy Orbison4.52:47
22The Party’s Over
Produzent(in):
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
conductor:
Geoff Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
cover recording of:
The Party’s Over (Bells Are Ringing)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Bells Are Ringing (stage musical)
Shirley Bassey3:32
4▶CD

Nennungen

Veröffentlichung

gedruckt in:the E.U. (Europa)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Virgin Records Ltd. (not for release label use! for company relationships only) (in 2009)
Stamm-Pressung von:www.takt.eu (Polish manufacturer)
Discogs:https://www.discogs.com/release/3490760 [Info]
ASIN:UK: B001VEJ03C [Info]