101 Pirate Radio Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1A Touch of Velvet a Sting of Brass
registrazione di:
A Touch Of Velvet - A Sting Of Brass
compositore:
Mark Wirtz
editore:
Bourne Music e Melodie der Welt (publisher)
Mood Mosaic3:20
2No Milk Today
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1966) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966)
registrazione di:
No Milk Today (nel 1966-10)
paroliere e compositore:
Graham Gouldman
editore:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hournew Music Ltd.
Herman’s Hermits4.652:52
3Backstage
registrazione di:
Backstage
autore e compositore:
Fred Anisfield e Willie Denson
Gene Pitney2:37
4A World Without Love
registrazione di:
A World Without Love
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing (do not use as a release label!) e Northern Songs Ltd.
Peter & Gordon32:39
5I’ll Never Find Another You
produttore:
Tom Springfield
esecutore:
The Seekers (Australian pop quartet) (nel 1964)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
registrazione di:
I'll Never Find Another You (nel 1964)
paroliere e compositore:
Tom Springfield
editore:
Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
The Seekers52:41
6Chapel of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 279)
registrazione di:
Chapel of Love
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Dixie Cups42:45
7You’re No Good
registrazione di:
You’re No Good
paroliere e compositore:
Clint Ballard, Jr.
editore:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edwin H. Morris & Co. (a division of MPL Communications Inc.)
The Swinging Blue Jeans2:16
8Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:35
9A Lover’s Concerto
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
A Lover’s Concerto (nel 1965)
autore:
Sandy Linzer e Denny Randell
editore:
EMI Music Publishing (do not use as a release label!)
si basa su:
Minuet in G major, BWV Anh. 114 (for keyboard)
The Toys2:39
10The Boy From New York City
parte di:
The Downloader’s Music Source Book (numero: 137)
registrazione di:
The Boy From New York City
autore:
George Davis (US songwriter - singer, doo-wop era) e John Taylor (songwriter & saxophone player John Isaac Taylor)
editore:
Trio Music Company e フジパシフィックミュージック (Fujipacific Music, Inc.)
The Ad Libs2:58
11The Birds and the Bees
diritti fonografici (℗) detenuti da:
Era (55-90 US indie) (nel 1965)
registrazione di:
The Birds and the Bees
paroliere e compositore:
Barry Stuart
editore:
Pattern Music Inc. (not to be confused with Pattern Music, Ltd.) e Universal Music Corporation (USA, affiliated with ASCAP)
Jewel Akens42:08
12Tobacco Road
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 40)
registrazione cover di:
Tobacco Road
paroliere e compositore:
John D. Loudermilk
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Nashville Teens2:25
13Have I the Right
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
Have I the Right (nel 1964)
autore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Ivy Music Ltd.
The Honeycombs32:58
14Bread and Butter
registrazione di:
Bread and Butter (nel 1964)
autore:
Larry Parks e Jay Turnbow
The Newbeats4.351:59
15Sweet Talkin’ Guy
registrazione di:
Sweet Talking Guy
autore:
Baer, Greenberg, Morris (record executive) e Schwartz (songwriter for and co-founder of Laurie Records)
The Chiffons2:22
16Paper Tiger
registrazione cover di:
Paper Tiger
paroliere e compositore:
John D. Loudermilk
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Sue Thompson2:23
17Walkin’ My Cat Named Dog
registrazione di:
Walkin’ My Cat Named Dog
paroliere e compositore:
Norma Tanega
Norma Tanega2:18
18Message Understood
registrazione di:
Message Understood
paroliere e compositore:
Chris Andrews (UK singer-songwriter)
Sandie Shaw3:10
19Bang Bang (My Baby Shot Me Down)
registrazione di:
Bang Bang (My Baby Shot Me Down) (original version, first recorded by Cher)
paroliere e compositore:
Sonny Bono
editore:
April Music (private press label?), Chris Marc Music, Cotillion Music Inc. (BMI), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cher32:47
20Terry
registrazione di:
Terry
paroliere e compositore:
Lynn Ripley
Twinkle3:09
21Too Soon to Know
registrata a:
Nashville, Tennessee, Stati Uniti (il 1966-06-01)
produttore:
Wesley Rose (producer, label executive) e Jim Vienneau
registrazione cover di:
Too Soon to Know (il 1966-06-01)
paroliere e compositore:
Don Gibson (US songwriter and country musician)
registrazione di:
Too Soon to Know
paroliere e compositore:
Don Gibson (US songwriter and country musician)
Roy Orbison4.52:47
22The Party’s Over
produttore:
Norman Newell
voce:
Shirley Bassey (Welsh singer)
direttore d'orchestra:
Geoff Love
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1959)
registrazione cover di:
The Party’s Over (Bells Are Ringing)
paroliere:
Betty Comden e Adolph Green
compositore:
Jule Styne
editore:
Chappell & Co., Stratford Music Corporation e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Bells Are Ringing (stage musical)
Shirley Bassey3:32
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Accreditamenti

Pubblicazione

stampata a:the E.U. (Europa)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2009)
master in vetro creato da:www.takt.eu (Polish manufacturer)
Discogs:https://www.discogs.com/release/3490760 [info]
ASIN:UK: B001VEJ03C [info]