Party All Night

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Countries excluded

(As of 2020-02-27).

  • Northern America: 🇺🇸 United States (us)
Annotazione modificata l'ultima volta il 2025-01-26 20:36 UTC.

Elenco tracce

1Supporto digitale
#TitoloArtistaValutazioneDurata
1Be the One
tecnico:
John Hanes (audio engineer, mixer) (incarico: engineered for mix)
produttore:
Digital Farm Animals (producer Nick Gale) e Jack Tarrant (incarico: vocal)
tecnico di missaggio:
Serban Ghenea
chitarra :
Jack Tarrant
voce di accompagnamento:
Dua Lipa e Lucy Taylor
voce principale:
Dua Lipa
diritti fonografici (℗) detenuti da:
Dua Lipa Limited (nel 2015)
supporto a vario titolo:
Warner Music UK Limited (not for release label use!) (incarico: under exclusive license to)
registrata presso:
Sony/ATV Recording Studios (London) in London (Greater London), England, Regno Unito, Strongroom 7 in Shoreditch, Hackney, London (Greater London), England, Regno Unito e TaP Studio in London (Greater London), England, Regno Unito
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
video musicali:
Be the One di Dua Lipa
registrazione di:
Be the One
autore:
Digital Farm Animals (producer Nick Gale), Lucy Taylor e Jack Tarrant
editore:
Sony/ATV Music Publishing Ltd. e Stellar Sun Songs
Dua Lipa3.853:22
2I Love It
tecnico di registrazione:
Patrik Berger (voce principale)
programmazione:
Patrik Berger e Style of Eye
produttore:
Patrik Berger, Patrik Berger (voce principale) e Style of Eye
tecnico di missaggio:
Patrik Berger
strumenti:
Patrik Berger e Style of Eye
voce di accompagnamento ospite:
Charli xcx
registrata presso e mixata presso:
Patrik’s House in Stockholm, Stockholms län (Stockholm county), Svezia
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 28), Stereogum: The 200 Best Songs of the 2010s (numero: 117), BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 163) e Pitchfork: The 200 Best Songs of the 2010s (numero: 197)
registrazione di:
I Love It
autore:
Patrik Berger, Charlotte Aitchison (Charli xcx) e Linus Eklöw
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Indiscipline Rights e Universal Music Publishing AB (Sweden)
parte di:
Matuschkes Lieblinge 2012
Icona Pop feat. Charli XCX3.752:35
3High Hopes
tecnico di registrazione:
Peter Cobbin (recording engineer at Abbey Road Studios) e Steve Genewick
supporto a vario titolo:
Ron Cabiltes e Danny Zook
programmazione:
Jonny Coffer (songwriter and producer) e Cook Classics
tecnico:
Suzy Shinn
produttore:
Jake Sinclair
tecnico di missaggio:
Claudius Mittendorfer (engineer, producer, mixer)
basso :
Jake Sinclair
batteria , pianoforte e voce principale:
Brendon Urie
chitarra :
Kenneth Harris (former touring guitarist for Panic! at the Disco) e Jake Sinclair
sassofono :
Ryan Dragon (American trombonist), Jason Fabus, Morgan Jones (saxophone) e Peter Slocombe (saxophonist)
tromba :
Jonathan Bradley (trumpet) e Mike Rocha (trumpeter)
viola :
Robert Brophy (violist), Zach Dellinger, Brian Dembow, Peter Lale (violist), Shawn Mann (violist) e Bruce White (violist)
violino :
Charlie Bisharat (US violinist), Thomas Bowes (violinist), Bruce Dukov, Julie Gigante, Peter Hanson (violinist), Jackie Hartley (violinist), Jessica E. Guideri, Lisa Liu, Maya Magub, Rita Manning (violinist), Serena McKinney, Helen Nightengale, Tom Pigott‐Smith (violinist), Katia Popov, Emlyn Singleton (violinist), Tereza Stanislav (violinist), Cathy Thompson (violinist) e Warren Zielinski (violinist)
violoncello :
Jacob Braun (American cellist), Eric Byers (cellist), Caroline Dale (cellist), Steve Erdody e Tim Gill (cellist)
voce di accompagnamento:
Kenneth Harris (former touring guitarist for Panic! at the Disco), Ilsey Juber (US | pop singer), Suzy Shinn, Jake Sinclair e Brendon Urie
direttore d'orchestra:
Rob Mathes
arrangiatore:
Rob Mathes
primo violino:
Lori Casteel e Mike Casteel
diritti fonografici (℗) detenuti da:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (nel 2018) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2018)
parte di:
Billboard Year-End Hot 100 singles of 2019 (numero: 11), Spotify: Top Hits of 2019 (numero: 47) e BILLIONS CLUB
registrazione di:
High Hopes
autore:
Sam Hollander (writer, producer, songwriter, programming, composer), Ilsey Juber (US | pop singer), Jonas Jeberg, Tayla Parx, Lauren Pritchard (American singer), Jake Sinclair, Brendon Urie, William Lobbin Bean e Jenny Owen Youngs
Panic! at the Disco3.53:12
4Am I Wrong
tecnico di registrazione e programmazione:
William Wiik Larsen
produttore:
William (Will IDAP) Wilk Larsen
tecnico di missaggio:
Poppa Lars
chitarra :
Abdoulie Jallow e Chriss Rune Olsen Angvik
chitarra basso :
Abdoulie Jallow
strumenti:
William Wiik Larsen
voce di accompagnamento:
Maria Sandsdalen
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (dal 2014 a oggi)
parte di:
Billboard Year-End Hot 100 singles of 2014 (numero: 14) e BILLIONS CLUB
registrazione di:
Am I Wrong
autore:
Vincent Dery, Abdoulie Jallow, William Wiik Larsen e Nicolay Sereba
Nico & Vinz3.44:05
5Let You Love Me
programmazione e produttore:
Finn Keane (formerly Easyfun) e Fred (UK producer, songwriter, multi-instrumentalist and DJ)
tecnico:
Daniel Zaidenstadt (engineer, producer)
assistente tecnico di missaggio:
Michael Freeman (UK engineer and recording professional)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
batteria , tastiera e voce di accompagnamento:
Finn Keane (formerly Easyfun) e Fred (UK producer, songwriter, multi-instrumentalist and DJ)
chitarra :
Fred (UK producer, songwriter, multi-instrumentalist and DJ)
voce principale:
Rita Ora
diritti fonografici (℗) detenuti da:
Atlantic Records UK (company credits only; do not use as release label!) (nel 2018)
registrazione di:
Let You Love Me
autore:
Noonie Bao, Finn Keane (formerly Easyfun), Fred Gibson (UK producer, songwriter, multi-instrumentalist and DJ), Isley Juber (US | pop singer), Lotus IV e Rita Sahatçiu Ora
Rita Ora43:11
6Turn Me On
registrazione di:
Turn Me On (Lyttle original)
paroliere:
Daron Jones, Michael Keith (US r&b artist, in 112), Kevin Lyttle, Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker, Raeon Primus e Courtney Sills
compositore:
Arnold Hennings, Daron Jones, Kevin Lyttle e Raeon Primus
Kevin Lyttle4.153:12
7Return of the Mack
produttore:
Phil Chill e Mark Morrison (r&b vocalist)
produttore aggiunto:
Cutfather & Joe
remixer:
Cutfather & Joe
registrazione di:
Return of the Mack
paroliere e compositore:
Mark Morrison (r&b vocalist)
Mark Morrison3.53:33
8Informer
co-produttore:
John Ficarrotta
produttore:
MC Shan (old-school US rapper Shawn Moltke)
voce aggiuntiva:
MC Shan (old-school US rapper Shawn Moltke)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 95)
registrazione di:
Informer
paroliere:
Darrin Kenneth O’Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary e Shawn Moltke (old-school US rapper Shawn Moltke)
autore:
Darrin O'Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary e Shawn Moltke (old-school US rapper Shawn Moltke)
Snow4.54:28
924K Magic
tecnico di registrazione:
Charles Moniz
assistente tecnico:
Jacob Dennis (engineer)
tecnico:
John Hanes (audio engineer, mixer) (incarico: engineered for mix)
produttore:
Shampoo Press & Curl (production group)
produttore aggiunto:
The Stereotypes (R&B/hip hop/dance production team)
tecnico di missaggio:
Serban Ghenea
chitarra :
Dave Foreman
talk box :
Byron “Mr. Talkbox” Chambers e Bruno Mars (US singer)
voce di accompagnamento:
Christopher Brody Brown, James Fauntleroy, Philip Lawrence (urban songwriter/producer, of The Smeezingtons) e Bruno Mars (US singer)
registrata presso:
Glenwood Place Studios in Burbank, California, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
versioni a cappella:
24k Magic di Tufts Beelzebubs (Tufts University all-male a cappella group)
parte di:
Grammy Award: Record of the Year nominees (numero: 2018 winner) e Billboard Year-End Hot 100 singles of 2017 (numero: 16)
registrazione di:
24K Magic
autore:
Christopher Brody Brown, Philip Lawrence (urban songwriter/producer, of The Smeezingtons) e Bruno Mars (US singer)
editore:
BMG Rights Management (see annotation) (dal 2016 a oggi), Late 80’s Music (dal 2016 a oggi), Mars Force Songs, LCC (dal 2016 a oggi), Universal Music Publishing (use ONLY if no country‐specific information is available) (dal 2016 a oggi), WB Music Corp. (1929–2019) (dal 2016 a oggi) e ZZR Music, LCC (dal 2016 a oggi)
Bruno Mars3.753:45
10Good Times (2018 remaster)
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1979)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 68)
registrazione di:
Good Times
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Chic58:06
11Young Hearts Run Free
produttore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Jay Graydon e Ray Parker
chitarra basso :
Scotty Edwards (bassist)
congas :
Eddie Bongo
percussione :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
sintetizzatore :
Monty Stark
tastiera :
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) e Sonny Burke (soul/jazz/funk keyboardist)
vibrafono :
Vic Feldman
voce di accompagnamento:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells e June D. Williams
voce principale:
Candi Staton
arrangiatore:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 424)
registrazione di:
Young Hearts Run Free
paroliere e compositore:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. e IQ Music Ltd.
Candi Staton4.24:09
12Hymn for the Weekend (Seeb remix)
remixer:
Seeb
esecutore:
Coldplay
remix di:
Hymn for the Weekend di Coldplay
registrazione di:
Hymn for the Weekend
autore:
Guy Berryman, Jonny Buckland, Will Champion e Chris Martin (lead singer of Coldplay)
editore:
Reach Music Songs
Coldplay3.53:32
13Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:45
14Feel It Still
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 2017) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2017)
video musicali:
Feel It Still di Portugal. The Man
parte di:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 33), Billboard Year-End Hot 100 singles of 2018 (numero: 33), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2018 winner), Billboard Year-End Hot 100 singles of 2017 (numero: 45), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 386)
registrazione di:
Feel It Still
autore:
Robert Bateman (R&B singer/songwriter/record producer), Zachary Scott Carothers, Frederick Gorman, John Baldwin Gourley, John Hill (producer and songwriter, aka Johnny Rodeo), Brian Holland (Motown producer & songwriter), Eric Howk, Zoe Manville, Kyle O’Quin, Jason Wade Sechrist e Asa Taccone
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
cita la musica di:
Please Mr. Postman
Portugal. The Man4.32:42
15FRIENDS
programmazione e produttore:
Marshmello
tecnico:
Cameron Gower Poole
assistente tecnico di missaggio:
Michael Freeman (US engineer, works with Mark Stent)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
voce:
Anne‐Marie (British singer)
diritti fonografici (℗) detenuti da:
Joytime Collective (nel 2018)
registrata presso:
Sarm Music Village in Ladbroke Grove, Kensington and Chelsea, London (Greater London), England, Regno Unito
mixata presso:
Mixsuite LA in Los Angeles, California, Stati Uniti e Mixsuite UK in London (Greater London), England, Regno Unito
parte di:
Billboard Year-End Hot 100 singles of 2018 (numero: 26) e BILLIONS CLUB
registrazione di:
Friends
autore:
Anne-Marie Nicholson (British singer), Marshmello e Natalie Dunn
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company) e Young & Vicious (APRA)
Marshmello & Anne‐Marie3.653:22
16Treasured Soul (radio edit)
remixer:
Alaia & Gallo (Italian DJ duo)
registrazione di:
Treasured Soul
autore:
Michael Calfan
Michael Calfan2:54
17Groove Is in the Heart
assistente tecnico:
Derek Lategan e Eddie Sancho
tecnico:
Mike Rogers (US producer/engineer, aka Tweekin')
tecnico aggiunto:
Bob Power
produttore:
Deee‐Lite
produttore aggiunto e tecnico di missaggio aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
sassofono :
Maceo Parker (US funk/jazz saxophonist)
trombone :
Fred Wesley
voce:
Q‐Tip (American rapper)
voce di accompagnamento:
Bootsy Collins (US funk musician & songwriter)
arrangiatore:
Deee‐Lite
arrangiatore aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
campionamenti:
Bring Down the Birds di Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Get Up di Vernon Burch
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 68), TV Cream: Real 100 Best Singles Ever (numero: 83) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 233)
registrazione di:
Groove Is in the Heart
autore:
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) e Kier Kirby
compositore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:51
18Running Out
Matoma & Astrid S3:31
19Can’t Get You out of My Head
programmazione degli strumenti:
Rob Davis (songwriter/producer was in Mud)
tecnico e tecnico di missaggio:
Tim Orford
produttore:
Rob Davis (songwriter/producer was in Mud) e Cathy Dennis
chitarra elettrica e tastiera :
Rob Davis (songwriter/producer was in Mud)
voce di accompagnamento e voce principale:
Kylie Minogue
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001) e KDB Pty Limited (nel 2001)
è stato produttore per:
19 Productions
video musicali:
Can’t Get You Out of My Head di Kylie Minogue
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 27), Billboard Year-End Hot 100 singles of 2002 (numero: 45) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 207)
registrazione di:
Can’t Get You Out of My Head
paroliere:
Cathy Dennis
compositore:
Rob Davis (songwriter/producer was in Mud)
editore:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kylie Minogue3.953:50
20Nothing Like This
registrazione di:
Nothing Like This
Blonde & Craig David43:03
21No Worries
Disciples & David Guetta3:28
22Hello Friday
Flo Rida feat. Jason Derulo3:21
23A Little Bit
Dusky Grey2:57
24Good as Hell
programmazione e produttore:
Ricky Reed
tecnico:
Ethan Shumaker
assistente tecnico di missaggio:
Chris Galland e Ike Schultz
tecnico di missaggio:
Manny Marroquin
strumenti:
Ricky Reed
voce:
Lizzo (American rapper, singer and actress)
registrata presso:
Elysian Park in Echo Park, Los Angeles, California, Stati Uniti
mixata presso:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Spotify: Top Hits of 2019 (numero: 23) e Billboard Year-End Hot 100 singles of 2020 (numero: 31)
registrazione di:
Good as Hell
autore:
Eric Frederic e Melissa “Lizzo” Jefferson (American rapper, singer and actress)
editore:
Frederic and Ried Music, Lizzo Music (aka Lizzo Music Publishing - BMI affiliated), Songs from the Boardwalk, Sony/ATV Music Publishing, LLC (1995–2020), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lizzo3.52:39
25That’s the Way (I Like It) (2004 remaster)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:05
26All My Love
Crystal Fighters3:39
27Fly Like an Eagle
produttore:
Seal (English‐born singer and songwriter)
produttore aggiunto:
Craig Kallman, Rashad Smith (US hip-hop & R&B record producer) e Dominique Trenier
produttore esecutivo:
Ken Ross
voce principale:
Seal (English‐born singer and songwriter)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1996), Warner Music Argentina S.A. (nel 2009) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2009)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
campionamenti:
Fly Like an Eagle di Steve Miller Band (American rock band)
registrazione cover di:
Fly Like an Eagle
paroliere e compositore:
Steve Miller (leader of Steve Miller Band)
editore:
P and P Songs Limited e Sailor Music
Seal34:14
28Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) e Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Rufus & Chaka Khan3.74:45
29Chain Reaction
assistente tecnico:
Scott Glasel e John Haig (engineer)
tecnico:
Jack Joseph‐Puig, Karl Richardson e Brian Tench
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
tecnico di missaggio:
Jack Joseph‐Puig
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1985), Maurice Gibb (nel 1985) e Robin Gibb (nel 1985)
registrata presso:
Middle Ear Studio in Miami Beach, Florida, Stati Uniti
registrazione di:
Chain Reaction
compositore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music Publishing Ltd. e Gibb Brothers Music
Diana Ross4.353:50
30Love Shack
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52’s5:23
31Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adattamenti:
Verlga norih
Aretha Franklin4.252:46
32Forget You
video musicali:
Forget You di CeeLo Green
registrazione di:
Forget You
autore:
Brody Brown, CeeLo Green, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine e Bruno Mars (US singer)
revisione di:
Fuck You
CeeLo Green3.353:42
33Hounds of Love
produttore:
Paul Epworth
registrazione cover di:
Hounds of Love
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Futureheads53:02
34La bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987) e Slash Records (company, do not use as release label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.152:52
35Disco Inferno (single edit)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 54)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
The Trammps4.353:11
36Long Train Runnin’
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
chitarra :
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
chitarra steel :
Jeff “Skunk” Baxter
congas , piatti e timbales :
Michael Hossack
membranofono :
John Hartman (drummer for the Doobie Brothers) e Michael Hossack
organo , pianoforte e tastiera :
Bill Payne
percussione :
John Hartman (drummer for the Doobie Brothers) e Ted Templeman
sintetizzatore :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
sintetizzatore ospite :
Malcolm Cecil e Robert Margouleff
voce:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter e Patrick Simmons
arrangiatore archi :
Nick de Caro
arrangiatore basso :
Tiran Porter
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Long Train Runnin’
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (nel 1982) e Warner Chappell Music (publisher as Warner/Chappell Music) (nel 1991)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:27
37Tightrope
Janelle Monáe4:24
38Feel Good Inc.
programmazione:
James Dring
tecnico:
Jason Cox (UK production/engineer)
produttore:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring e Gorillaz (virtual band)
tecnico di missaggio:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) e Gorillaz (virtual band)
chitarra aggiunto:
Simon Tong (The Verve)
voce principale:
De La Soul
video musicali:
Feel Good Inc. di Gorillaz (virtual band)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 40) e BILLIONS CLUB
registrazione di:
Feel Good Inc. (nel 2004)
autore:
Damon Albarn, Brian Burton, Jamie Hewlett e Dave Jolicoeur (Plug 2 of De La Soul)
editore:
80’s Kid Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc. e Underground Animals
Gorillaz3.953:42
39Spread Love (Paddington)
Boston Bun feat. DVNO3:12
40I Wanna Be the Only One
tecnico di missaggio:
Andy Bradfield
voce ospite:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997)
registrazione di:
I Wanna Be the Only One
paroliere:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
compositore:
Rhett Lawrence e BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
editore:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. e Rhettrhyme Music
Eternal feat. BeBe Winans2.53:36
41Freak Like Me (radio edit)
tecnico di registrazione e tecnico di missaggio:
Jamie Staub
produttore:
Mass Order
basso e sintetizzatore [gangsta lead] :
Mark Valentine
chitarra :
Kevin Veney
drum machine e tastiera :
Loren Hill
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1994) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1994)
è stato produttore per:
Double Lady Productions
registrata presso e mixata presso:
Green Street Recording in SoHo, New York, New York, Stati Uniti
edit di:
Freak Like Me di Adina Howard
versioni a cappella:
Freak Like Me (a cappella) di Adina Howard
versioni strumentali:
Freak Like Me (instrumental) di Adina Howard
registrazione di:
Freak Like Me (Adina Howard)
paroliere:
Eugene Hanes, Loren Hill e Marc Valentine
compositore:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) e Gary “Mudbone” Cooper
editore:
Notting Dale Songs, Inc., Rubber Band Music e Universal Music Corp. (USA, affiliated with ASCAP)
si basa su:
I’d Rather Be With You
Adina Howard43:55
42Sweet Love
tecnico:
Barney Perkins
produttore:
Michael J. Powell
produttore esecutivo:
Anita Baker
chitarra :
Greg Moore (US guitarist & songwriter)
chitarra basso :
Freddie Washington (US session bassist)
membranofono :
Ricky Lawson
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Dean Gant
voce di accompagnamento:
Jim Gilstrap, Bunny Hull e Darryl Phinnessee
voce di accompagnamento e voce principale:
Anita Baker
video musicali:
Sweet Love di Anita Baker
registrazione di:
Sweet Love
compositore:
Anita Baker, Gary Bias (jazz saxophonist) e Louis A. Johnson
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:26
43One More Time
produttore:
Thomas Bangalter e Guy‐Manuel de Homem‐Christo
voce:
Romanthony
diritti fonografici (℗) detenuti da:
Daft Life Limited (holding, file NO releases here!) (nel 2001)
campionamenti:
More Spell on You di Eddie Johns
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 43) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 177)
registrazione di:
One More Time
autore:
Thomas Bangalter, Guy‐Manuel de Homem‐Christo e Anthony Wayne Moore
compositore:
Thomas Bangalter
editore:
2P'sW Music, Daft Life Limited (holding, file NO releases here!), Daft Music, Delabel Éditions (publisher; do NOT use as release label), REACH MUSIC SONGS (A Moore), TTufftoney Music, Zomba Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Daft Punk3.655:20
44Girls on Film (2010 remaster)
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1998)
registrazione di:
Girls on Film
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Gloucester Place Music Ltd.
versione di:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:32
45Don’t Walk Away
Jade3:37
46Move On Up
edit di:
Move On Up di Curtis Mayfield
registrazione di:
Move On Up
paroliere e compositore:
Curtis Mayfield
editore:
Camad Music Company (conclusa), Curtom Publishing Co Inc (conclusa), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:45
47Spinning Around
produttore:
Mike Spencer (UK producer)
produttore aggiunto:
7th District Inc.
voce principale:
Kylie Minogue
remixer:
7th District Inc.
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2000)
video musicali:
Spinning Around di Kylie Minogue
registrazione di:
Spinning Around
autore:
Paula Abdul (American singer), Osborne Bingham, Kara DioGuardi e Ira Schickman
editore:
Dinkly B BMD Music, EMI Music Publishing (do not use as a release label!), Funktional What Music e K’Stuff Publishing
Kylie Minogue33:26
48Feel So Good
tecnico di registrazione:
Doug Wilson (engineer)
programmazione aggiuntiva:
J‐Dub (production, real name Jeffrey Walker)
produttore:
Deric “D‐Dot” Angelettie e Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
tecnico di missaggio:
Michael Patterson (engineer)
voce ospite aggiuntiva:
Kelly Price
campionamenti:
Hollywood Swinging di Kool & the Gang
registrazione di:
Feel So Good
autore:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Lawrence Dermer (producer, singer-songwriter, synthesizer player), Joe Galdo (US drummer & percussionist), Robert Spike Mickens, Richard Westfield (Kool & The Gang member), Claydes Smith, Dennis “D.T.” Thomas (Kool & The Gang) e Rafael Vigil
Mase3:24
49Blue Monday ’88
produttore:
Quincy Jones e New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order44:04
50Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
registrazione di:
Glow
paroliere e compositore:
Gary Kemp
Spandau Ballet3.53:51
51I Know Where It’s At
tecnico:
Ruadhri Cushnan
produttore:
Magnus Fiennes, Karl Gordon (British DJ, producer, rapper, and songwriter), Karl Gordon (British DJ, producer, rapper, and songwriter) (altri strumenti [drum loop]) e Cameron McVey
diritti fonografici (℗) detenuti da:
London Records (UK, 1947–1999, re-launched 2011–present) (nel 1997)
campionamenti:
The Fez di Steely Dan (group founded by Walter Becker and Donald Fagen)
registrazione di:
I Know Where It’s At
autore:
Walter Becker, Donald Fagen, Paul Griffin (American pianist, session musician), Karl Gordon (British DJ, producer, rapper, and songwriter) e Shaznay Lewis
editore:
Manuskript (not for release label use! this is only for copyrights and publishing relationships)
All Saints4.54:53
52I Wanna Sex You Up (single mix)Color Me Badd34:04
53Blue Skies
Blinkie & Crazy Cousinz3:13
54Baker Street (edit)
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:07
55December, 1963 (Oh What a Night!)
tecnico di registrazione:
Steve Maslow
produttore:
Bob Gaudio
tecnico di missaggio:
Val Garay
basso :
Don Ciccone
batteria :
Gerry Polci
chitarra :
John Paiva
pianoforte :
Bob Gaudio
tastiera :
Bob Gaudio e Lee Shapiro
voce:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci e John Paiva
arrangiatore archi e arrangiatore ottoni [horns] :
Lee Shapiro
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 64)
registrazione di:
December, 1963 (Oh, What a Night)
paroliere:
Bob Gaudio e Judy Parker
compositore:
Bob Gaudio
editore:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. e Seasons Music Co.
Frankie Valli & The Four Seasons3.853:32
56Every 1’s a Winner
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Infinity Records Inc. (nel 1978)
registrazione di:
Every 1’s a Winner
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated) e RAK Music Publishing Ltd.
Hot Chocolate4.154:04
57Hypnotize (2007 remaster)
tecnico di registrazione:
Axel Niehaus (German-born engineer and producer) e Doug Wilson (engineer)
tecnico:
Lorrenn Argumedes, Rasheed Goodlowe, Lynn Montrose e Steve Jones (engineer R&B / Urban)
produttore:
Deric “D‐Dot” Angelettie, Ron “Amen‐Ra” Lawrence (US hip-hop producer aka Amen-Ra) e Sean “Puffy” Combs (Sean Combs, aka Puff Daddy, P. Diddy)
produttore aggiunto:
Richard “Younglord” Frierson (producer Richard Frierson)
tecnico di missaggio:
Lane Craven e Sean “Puffy” Combs (Sean Combs, aka Puff Daddy, P. Diddy)
editor:
Richard “Younglord” Frierson (producer Richard Frierson)
voce di accompagnamento:
Pam Long
voce principale:
The Notorious B.I.G.
diritti fonografici (℗) detenuti da:
Bad Boy Records LLC (nel 2007) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2007)
è stato produttore per:
Bad Boy Entertainment, Inc. e The Mystery System, Inc.
registrata presso:
Caribbean Sound Basin in Port of Spain, Trinidad e Tobago e Daddy’s House Recording Studios in New York, New York, Stati Uniti
mixata presso:
Daddy’s House Recording Studios in New York, New York, Stati Uniti e The Hit Factory in Manhattan, New York, New York, Stati Uniti
lavorazione tecnica effettuata presso:
Daddy’s House Recording Studios in New York, New York, Stati Uniti
campionamenti:
Rise di Herb Alpert
parte di:
BILLIONS CLUB
registrazione di:
Hypnotize
autore:
Andy Armer, Christopher Wallace (The Notorious B.I.G.), Deric Angelettie, Ron Lawrence (US hip-hop producer aka Amen-Ra), Randy Alpert e Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), B.I.G. Poppa Music, Badazz Music Company, EMI‐April Music Inc., Justin Combs Publishing e Mystery System Music
cita i testi di:
La Di Da Di
The Notorious B.I.G.4.153:50
58Get Ur Freak On
assistente tecnico di registrazione:
Jesse Gorman e Grayson Sumby
tecnico:
Senator Jimmy D (engineer)
produttore:
Missy Elliott (American rapper, singer, dancer & record producer) e Timbaland
assistente tecnico di missaggio:
Jesse Gorman e Steve Penny
tecnico di missaggio:
Jimmy Douglass (engineer)
voce aggiuntiva:
Angie Fisher
voce principale:
Missy Elliott (American rapper, singer, dancer & record producer)
video musicali:
Get Ur Freak On di Missy Elliott (American rapper, singer, dancer & record producer)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 8) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 153)
registrazione di:
Get Ur Freak On
autore:
Melissa Elliott (American rapper, singer, dancer & record producer) e Timothy Mosley
Missy Elliott3.653:56
59Talking to Myself (edit)
Christian Nielsen3:10
60Cheatin’
Nathan Dawe2:58

Accreditamenti

Pubblicazione

diritti fonografici (℗) detenuti da:Rhino UK (company credits only; do NOT use as release label) (nel 2019)
streaming gratuito:https://www.deezer.com/album/122416962 [info] (conclusa)
pagina di streaming:https://music.apple.com/gb/album/1490006589 [info] (conclusa)