Party All Night

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries excluded

(As of 2020-02-27).

  • Northern America: 🇺🇸 United States (us)
Anmerkung zuletzt geändert am 2025-01-26 20:36 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Be the One
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix)
Produzent(in):
Digital Farm Animals (producer Nick Gale) und Jack Tarrant (Aufgabe: vocal)
Mix:
Serban Ghenea
Gitarre:
Jack Tarrant
Hintergrundgesang:
Dua Lipa und Lucy Taylor
Sologesang:
Dua Lipa
phonographisches Urheberrecht (℗) von:
Dua Lipa Limited (in 2015)
sonstige Unterstützung:
Warner Music UK Limited (not for release label use!) (Aufgabe: under exclusive license to)
aufgenommen bei:
Sony/ATV Recording Studios (London) in London (Greater London), England, Vereinigtes Königreich, Strongroom 7 in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich und TaP Studio in London (Greater London), England, Vereinigtes Königreich
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Be the One von Dua Lipa
recording of:
Be the One
Verfasser(in):
Digital Farm Animals (producer Nick Gale), Lucy Taylor und Jack Tarrant
publisher:
Sony/ATV Music Publishing Ltd. und Stellar Sun Songs
Dua Lipa3.853:22
2I Love It
recording engineer:
Patrik Berger (Sologesang)
Programmierung:
Patrik Berger und Style of Eye
Produzent(in):
Patrik Berger, Patrik Berger (Sologesang) und Style of Eye
Mix:
Patrik Berger
Instrumente:
Patrik Berger und Style of Eye
Gast Hintergrundgesang:
Charli xcx
aufgenommen bei und mixed at:
Patrik’s House in Stockholm, Stockholms län (Stockholm county), Schweden
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 28), Stereogum: The 200 Best Songs of the 2010s (Nummer: 117), BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 163) und Pitchfork: The 200 Best Songs of the 2010s (Nummer: 197)
recording of:
I Love It
Verfasser(in):
Patrik Berger, Charlotte Aitchison (Charli xcx) und Linus Eklöw
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Indiscipline Rights und Universal Music Publishing AB (Sweden)
Teil von:
Matuschkes Lieblinge 2012
Icona Pop feat. Charli XCX3.752:35
3High Hopes
recording engineer:
Peter Cobbin (recording engineer at Abbey Road Studios) und Steve Genewick
sonstige Unterstützung:
Ron Cabiltes und Danny Zook
Programmierung:
Jonny Coffer (songwriter and producer) und Cook Classics
Techniker(in):
Suzy Shinn
Produzent(in):
Jake Sinclair
Mix:
Claudius Mittendorfer (engineer, producer, mixer)
Bass:
Jake Sinclair
Bratsche / Viola:
Robert Brophy (violist), Zach Dellinger, Brian Dembow, Peter Lale (violist), Shawn Mann (violist) und Bruce White (violist)
Cello:
Jacob Braun (American cellist), Eric Byers (cellist), Caroline Dale (cellist), Steve Erdody und Tim Gill (cellist)
Geige / Violine:
Charlie Bisharat (US violinist), Thomas Bowes (violinist), Bruce Dukov, Julie Gigante, Peter Hanson (violinist), Jackie Hartley (violinist), Jessica E. Guideri, Lisa Liu, Maya Magub, Rita Manning (violinist), Serena McKinney, Helen Nightengale, Tom Pigott‐Smith (violinist), Katia Popov, Emlyn Singleton (violinist), Tereza Stanislav (violinist), Cathy Thompson (violinist) und Warren Zielinski (violinist)
Gitarre:
Kenneth Harris (former touring guitarist for Panic! at the Disco) und Jake Sinclair
Klavier, Schlagzeug und Sologesang:
Brendon Urie
Saxophon:
Ryan Dragon (American trombonist), Jason Fabus, Morgan Jones (saxophone) und Peter Slocombe (saxophonist)
Trompete:
Jonathan Bradley (trumpet) und Mike Rocha (trumpeter)
Hintergrundgesang:
Kenneth Harris (former touring guitarist for Panic! at the Disco), Ilsey Juber (US | pop singer), Suzy Shinn, Jake Sinclair und Brendon Urie
conductor:
Rob Mathes
arranger:
Rob Mathes
concertmaster:
Lori Casteel und Mike Casteel
phonographisches Urheberrecht (℗) von:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (in 2018) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2018)
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 11), Spotify: Top Hits of 2019 (Nummer: 47) und BILLIONS CLUB
recording of:
High Hopes
Verfasser(in):
Sam Hollander (writer, producer, songwriter, programming, composer), Ilsey Juber (US | pop singer), Jonas Jeberg, Tayla Parx, Lauren Pritchard (American singer), Jake Sinclair, Brendon Urie, William Lobbin Bean und Jenny Owen Youngs
Panic! at the Disco3.53:12
4Am I Wrong
recording engineer und Programmierung:
William Wiik Larsen
Produzent(in):
William (Will IDAP) Wilk Larsen
Mix:
Poppa Lars
Bassgitarre:
Abdoulie Jallow
Gitarre:
Abdoulie Jallow und Chriss Rune Olsen Angvik
Instrumente:
William Wiik Larsen
Hintergrundgesang:
Maria Sandsdalen
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (vom 2014 bis heute)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 14) und BILLIONS CLUB
recording of:
Am I Wrong
Verfasser(in):
Vincent Dery, Abdoulie Jallow, William Wiik Larsen und Nicolay Sereba
Nico & Vinz3.54:05
5Let You Love Me
Programmierung und Produzent(in):
Finn Keane (formerly Easyfun) und Fred (UK producer, songwriter, multi-instrumentalist and DJ)
Techniker(in):
Daniel Zaidenstadt (engineer, producer)
assistierende(r) Mix:
Michael Freeman (UK engineer and recording professional)
Mix:
Mark “Spike” Stent (producer, engineer)
Gitarre:
Fred (UK producer, songwriter, multi-instrumentalist and DJ)
Keyboard, Schlagzeug und Hintergrundgesang:
Finn Keane (formerly Easyfun) und Fred (UK producer, songwriter, multi-instrumentalist and DJ)
Sologesang:
Rita Ora
phonographisches Urheberrecht (℗) von:
Atlantic Records UK (company credits only; do not use as release label!) (in 2018)
recording of:
Let You Love Me
Verfasser(in):
Noonie Bao, Finn Keane (formerly Easyfun), Fred Gibson (UK producer, songwriter, multi-instrumentalist and DJ), Isley Juber (US | pop singer), Lotus IV und Rita Sahatçiu Ora
Rita Ora43:11
6Turn Me On
recording of:
Turn Me On (Lyttle original)
Texter:
Daron Jones, Michael Keith (US r&b artist, in 112), Kevin Lyttle, Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker, Raeon Primus und Courtney Sills
Komponist(in):
Arnold Hennings, Daron Jones, Kevin Lyttle und Raeon Primus
publisher:
Courtney Sills Publishing Designee und Sony/ATV Music Publishing
Kevin Lyttle4.153:12
7Return of the Mack
Produzent(in):
Phil Chill und Mark Morrison (r&b vocalist)
zusätzliche(r) Produzent(in):
Cutfather & Joe
remixer:
Cutfather & Joe
recording of:
Return of the Mack
Texter und Komponist(in):
Mark Morrison (r&b vocalist)
Mark Morrison3.63:33
8Informer
Koproduzent(in):
John Ficarrotta
Produzent(in):
MC Shan (old-school US rapper Shawn Moltke)
zusätzlich vocals:
MC Shan (old-school US rapper Shawn Moltke)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 95)
recording of:
Informer
Texter:
Darrin Kenneth O’Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary und Shawn Moltke (old-school US rapper Shawn Moltke)
Verfasser(in):
Darrin O'Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary und Shawn Moltke (old-school US rapper Shawn Moltke)
Snow4.54:28
924K Magic
recording engineer:
Charles Moniz
assistierende(r) Techniker(in):
Jacob Dennis (engineer)
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix)
Produzent(in):
Shampoo Press & Curl (production group)
zusätzliche(r) Produzent(in):
The Stereotypes (R&B/hip hop/dance production team)
Mix:
Serban Ghenea
Gitarre:
Dave Foreman
Talkbox:
Byron “Mr. Talkbox” Chambers und Bruno Mars (US singer)
Hintergrundgesang:
Christopher Brody Brown, James Fauntleroy, Philip Lawrence (urban songwriter/producer, of The Smeezingtons) und Bruno Mars (US singer)
aufgenommen bei:
Glenwood Place Studios in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
a cappella versions:
24k Magic von Tufts Beelzebubs (Tufts University all-male a cappella group)
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 2018 winner) und Billboard Year-End Hot 100 singles of 2017 (Nummer: 16)
recording of:
24K Magic
Verfasser(in):
Christopher Brody Brown, Philip Lawrence (urban songwriter/producer, of The Smeezingtons) und Bruno Mars (US singer)
publisher:
BMG Rights Management (see annotation) (vom 2016 bis heute), Late 80’s Music (vom 2016 bis heute), Mars Force Songs, LCC (vom 2016 bis heute), Universal Music Publishing (use ONLY if no country‐specific information is available) (vom 2016 bis heute), WB Music Corp. (1929–2019) (vom 2016 bis heute) und ZZR Music, LCC (vom 2016 bis heute)
Bruno Mars3.83:45
10Good Times (2018 remaster)
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 68)
recording of:
Good Times
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic58:06
11Young Hearts Run Free
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Bassgitarre:
Scotty Edwards (bassist)
Conga:
Eddie Bongo
Gitarre:
Jay Graydon und Ray Parker
Keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) und Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Synthesizer:
Monty Stark
Vibraphon:
Vic Feldman
Hintergrundgesang:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells und June D. Williams
Sologesang:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 424)
recording of:
Young Hearts Run Free
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. und IQ Music Ltd.
Candi Staton4.154:09
12Hymn for the Weekend (Seeb remix)
remixer:
Seeb
Interpret(in):
Coldplay
Remix von:
Hymn for the Weekend von Coldplay
recording of:
Hymn for the Weekend
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
Reach Music Songs
Coldplay3.53:32
13Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.253:45
14Feel It Still
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
Musikvideos:
Feel It Still von Portugal. The Man
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 33), Billboard Year-End Hot 100 singles of 2018 (Nummer: 33), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2018 winner), Billboard Year-End Hot 100 singles of 2017 (Nummer: 45), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 386)
recording of:
Feel It Still
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Zachary Scott Carothers, Frederick Gorman, John Baldwin Gourley, John Hill (producer and songwriter, aka Johnny Rodeo), Brian Holland (Motown producer & songwriter), Eric Howk, Zoe Manville, Kyle O’Quin, Jason Wade Sechrist und Asa Taccone
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
Please Mr. Postman
Portugal. The Man4.252:42
15FRIENDS
Programmierung und Produzent(in):
Marshmello
Techniker(in):
Cameron Gower Poole
assistierende(r) Mix:
Michael Freeman (US engineer, works with Mark Stent)
Mix:
Mark “Spike” Stent (producer, engineer)
vocals:
Anne‐Marie (British singer)
phonographisches Urheberrecht (℗) von:
Joytime Collective (in 2018)
aufgenommen bei:
Sarm Music Village in Ladbroke Grove, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
mixed at:
Mixsuite LA in Los Angeles, California (Kalifornien), Vereinigte Staaten und Mixsuite UK in London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 2018 (Nummer: 26) und BILLIONS CLUB
recording of:
Friends
Verfasser(in):
Anne-Marie Nicholson (British singer), Marshmello und Natalie Dunn
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company) und Young & Vicious (APRA)
Marshmello & Anne‐Marie3.653:22
16Treasured Soul (radio edit)
remixer:
Alaia & Gallo (Italian DJ duo)
recording of:
Treasured Soul
Verfasser(in):
Michael Calfan
Michael Calfan2:54
17Groove Is in the Heart
assistierende(r) Techniker(in):
Derek Lategan und Eddie Sancho
Techniker(in):
Mike Rogers (US producer/engineer, aka Tweekin')
zusätzliche(r) Techniker(in):
Bob Power
Produzent(in):
Deee‐Lite
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Mike Rogers (US producer/engineer, aka Tweekin')
Posaune:
Fred Wesley
Saxophon:
Maceo Parker (US funk/jazz saxophonist)
Hintergrundgesang:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
arranger:
Deee‐Lite
zusätzlich arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
Samples:
Bring Down the Birds von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Get Up von Vernon Burch
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 68), TV Cream: Real 100 Best Singles Ever (Nummer: 83) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 233)
recording of:
Groove Is in the Heart
Verfasser(in):
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) und Kier Kirby
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:51
18Running Out
Matoma & Astrid S3:31
19Can’t Get You out of My Head
drum machine-Programmierung:
Rob Davis (songwriter/producer was in Mud)
Techniker(in) und Mix:
Tim Orford
Produzent(in):
Rob Davis (songwriter/producer was in Mud) und Cathy Dennis
E-Gitarre und Keyboard:
Rob Davis (songwriter/producer was in Mud)
Hintergrundgesang und Sologesang:
Kylie Minogue
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001) und KDB Pty Limited (in 2001)
produced for:
19 Productions
Musikvideos:
Can’t Get You Out of My Head von Kylie Minogue
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 27), Billboard Year-End Hot 100 singles of 2002 (Nummer: 45) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 207)
recording of:
Can’t Get You Out of My Head
Texter:
Cathy Dennis
Komponist(in):
Rob Davis (songwriter/producer was in Mud)
publisher:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kylie Minogue43:50
20Nothing Like This
recording of:
Nothing Like This
Blonde & Craig David43:03
21No Worries
Disciples & David Guetta3:28
22Hello Friday
Flo Rida feat. Jason Derulo3:21
23A Little Bit
Dusky Grey2:57
24Good as Hell
Programmierung und Produzent(in):
Ricky Reed
Techniker(in):
Ethan Shumaker
assistierende(r) Mix:
Chris Galland und Ike Schultz
Mix:
Manny Marroquin
Instrumente:
Ricky Reed
vocals:
Lizzo (American rapper, singer and actress)
aufgenommen bei:
Elysian Park in Echo Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Spotify: Top Hits of 2019 (Nummer: 23) und Billboard Year-End Hot 100 singles of 2020 (Nummer: 31)
recording of:
Good as Hell
Verfasser(in):
Eric Frederic und Melissa “Lizzo” Jefferson (American rapper, singer and actress)
publisher:
Frederic and Ried Music, Lizzo Music (aka Lizzo Music Publishing - BMI affiliated), Songs from the Boardwalk, Sony/ATV Music Publishing, LLC (1995–2020), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lizzo3.52:39
25That’s the Way (I Like It) (2004 remaster)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:05
26All My Love
Crystal Fighters3:39
27Fly Like an Eagle
leitende(r) Produzent(in):
Ken Ross
Produzent(in):
Seal (English‐born singer and songwriter)
zusätzliche(r) Produzent(in):
Craig Kallman, Rashad Smith (US hip-hop & R&B record producer) und Dominique Trenier
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1996), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Samples:
Fly Like an Eagle von Steve Miller Band (American rock band)
cover recording of:
Fly Like an Eagle
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited und Sailor Music
Seal34:14
28Ain’t Nobody
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Bass:
Bobby Watson (bassist)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
Tony Maiden
Keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) und David “Hawk” Wolinski
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Tenorsaxophon:
Gary Herbig und Ernie Watts (jazz and blues saxophonist)
Trompete:
Jerry Hey
zusätzlich Synthesizer:
James Newton Howard (American score composer)
vocals:
Chaka Khan und Tony Maiden
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 88) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 403)
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Rufus & Chaka Khan3.74:45
29Chain Reaction
assistierende(r) Techniker(in):
Scott Glasel und John Haig (engineer)
Techniker(in):
Jack Joseph‐Puig, Karl Richardson und Brian Tench
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Mix:
Jack Joseph‐Puig
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1985), Maurice Gibb (in 1985) und Robin Gibb (in 1985)
aufgenommen bei:
Middle Ear Studio in Miami Beach, Florida, Vereinigte Staaten
recording of:
Chain Reaction
Komponist(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music Publishing Ltd. und Gibb Brothers Music
Diana Ross4.253:50
30Love Shack
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52’s5:23
31Chain of Fools
recorded in:
New York, New York, Vereinigte Staaten
recording engineer und Mix:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano:
Spooner Oldham (am 1967-06-23)
Klavier:
Aretha Franklin (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Chorgesang:
Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
vocals:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
recording of:
Chain of Fools (am 1967-06-23)
Texter und Komponist(in):
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
Aretha Franklin4.252:46
32Forget You
Musikvideos:
Forget You von CeeLo Green
recording of:
Forget You
Verfasser(in):
Brody Brown, CeeLo Green, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine und Bruno Mars (US singer)
Revision von:
Fuck You
CeeLo Green3.53:42
33Hounds of Love
Produzent(in):
Paul Epworth
cover recording of:
Hounds of Love
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Futureheads53:02
34La bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:52
35Disco Inferno (single edit)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 54)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps4.353:11
36Long Train Runnin’
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:27
37Tightrope
Janelle Monáe4:24
38Feel Good Inc.
Programmierung:
James Dring
Techniker(in):
Jason Cox (UK production/engineer)
Produzent(in):
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring und Gorillaz (virtual band)
Mix:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) und Gorillaz (virtual band)
zusätzlich Gitarre:
Simon Tong (The Verve)
Sologesang:
De La Soul
Musikvideos:
Feel Good Inc. von Gorillaz (virtual band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 40) und BILLIONS CLUB
recording of:
Feel Good Inc. (in 2004)
Verfasser(in):
Damon Albarn, Brian Burton, Jamie Hewlett und Dave Jolicoeur (Plug 2 of De La Soul)
publisher:
80’s Kid Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc. und Underground Animals
Gorillaz43:42
39Spread Love (Paddington)
Boston Bun feat. DVNO3:12
40I Wanna Be the Only One
Mix:
Andy Bradfield
Gast vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
Texter:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
Komponist(in):
Rhett Lawrence und BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. und Rhettrhyme Music
Eternal feat. BeBe Winans2.53:36
41Freak Like Me (radio edit)
recording engineer und Mix:
Jamie Staub
Produzent(in):
Mass Order
Bass und Synthesizer [gangsta lead]:
Mark Valentine
drum machine und Keyboard:
Loren Hill
Gitarre:
Kevin Veney
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1994) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
produced for:
Double Lady Productions
aufgenommen bei und mixed at:
Green Street Recording in SoHo, New York, New York, Vereinigte Staaten
Bearbeitung von:
Freak Like Me von Adina Howard
a cappella versions:
Freak Like Me (a cappella) von Adina Howard
instrumental versions:
Freak Like Me (instrumental) von Adina Howard
recording of:
Freak Like Me (Adina Howard)
Texter:
Eugene Hanes, Loren Hill und Marc Valentine
Komponist(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) und Gary “Mudbone” Cooper
publisher:
Notting Dale Songs, Inc., Rubber Band Music und Universal Music Corp. (USA, affiliated with ASCAP)
basiert auf:
I’d Rather Be With You
Adina Howard43:55
42Sweet Love
Techniker(in):
Barney Perkins
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bassgitarre:
Freddie Washington (US session bassist)
Gitarre:
Greg Moore (US guitarist & songwriter)
Keyboard:
Dean Gant
membranophone:
Ricky Lawson
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
Jim Gilstrap, Bunny Hull und Darryl Phinnessee
Hintergrundgesang und Sologesang:
Anita Baker
Musikvideos:
Sweet Love von Anita Baker
recording of:
Sweet Love
Komponist(in):
Anita Baker, Gary Bias (jazz saxophonist) und Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:26
43One More Time
Produzent(in):
Thomas Bangalter und Guy‐Manuel de Homem‐Christo
vocals:
Romanthony
phonographisches Urheberrecht (℗) von:
Daft Life Limited (holding, file NO releases here!) (in 2001)
Samples:
More Spell on You von Eddie Johns
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 43) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 177)
recording of:
One More Time
Verfasser(in):
Thomas Bangalter, Guy‐Manuel de Homem‐Christo und Anthony Wayne Moore
Komponist(in):
Thomas Bangalter
publisher:
2P'sW Music, Daft Life Limited (holding, file NO releases here!), Daft Music, Delabel Éditions (publisher; do NOT use as release label), REACH MUSIC SONGS (A Moore), TTufftoney Music, Zomba Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Daft Punk3.655:20
44Girls on Film (2010 remaster)
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3.753:32
45Don’t Walk Away
Jade3:37
46Move On Up
Bearbeitung von:
Move On Up von Curtis Mayfield
recording of:
Move On Up
Texter und Komponist(in):
Curtis Mayfield
publisher:
Camad Music Company (beendet), Curtom Publishing Co Inc (beendet), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:45
47Spinning Around
Produzent(in):
Mike Spencer (UK producer)
zusätzliche(r) Produzent(in):
7th District Inc.
Sologesang:
Kylie Minogue
remixer:
7th District Inc.
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2000)
Musikvideos:
Spinning Around von Kylie Minogue
recording of:
Spinning Around
Verfasser(in):
Paula Abdul (American singer), Osborne Bingham, Kara DioGuardi und Ira Schickman
publisher:
Dinkly B BMD Music, EMI Music Publishing (do not use as a release label!), Funktional What Music und K’Stuff Publishing
Kylie Minogue3.353:26
48Feel So Good
recording engineer:
Doug Wilson (engineer)
zusätzliche Programmierung:
J‐Dub (production, real name Jeffrey Walker)
Produzent(in):
Deric “D‐Dot” Angelettie und Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Mix:
Michael Patterson (engineer)
zusätzlich Gast vocals:
Kelly Price
Samples:
Hollywood Swinging von Kool & the Gang
recording of:
Feel So Good
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Lawrence Dermer (producer, singer-songwriter, synthesizer player), Joe Galdo (US drummer & percussionist), Robert Spike Mickens, Richard Westfield (Kool & The Gang member), Claydes Smith, Dennis “D.T.” Thomas (Kool & The Gang) und Rafael Vigil
Mase3:24
49Blue Monday ’88
Produzent(in):
Quincy Jones und New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order44:04
50Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
recording of:
Glow
Texter und Komponist(in):
Gary Kemp
Spandau Ballet3.53:51
51I Know Where It’s At
Techniker(in):
Ruadhri Cushnan
Produzent(in):
Magnus Fiennes, Karl Gordon (British DJ, producer, rapper, and songwriter), Karl Gordon (British DJ, producer, rapper, and songwriter) (andere Instrumente [drum loop]) und Cameron McVey
phonographisches Urheberrecht (℗) von:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1997)
Samples:
The Fez von Steely Dan (group founded by Walter Becker and Donald Fagen)
recording of:
I Know Where It’s At
Verfasser(in):
Walter Becker, Donald Fagen, Paul Griffin (American pianist, session musician), Karl Gordon (British DJ, producer, rapper, and songwriter) und Shaznay Lewis
publisher:
Manuskript (not for release label use! this is only for copyrights and publishing relationships)
All Saints4.54:53
52I Wanna Sex You Up (single mix)Color Me Badd34:04
53Blue Skies
Blinkie & Crazy Cousinz3:13
54Baker Street (edit)
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:07
55December, 1963 (Oh What a Night!)
recording engineer:
Steve Maslow
Produzent(in):
Bob Gaudio
Mix:
Val Garay
Bass:
Don Ciccone
Gitarre:
John Paiva
Keyboard:
Bob Gaudio und Lee Shapiro
Klavier:
Bob Gaudio
Schlagzeug:
Gerry Polci
vocals:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci und John Paiva
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Lee Shapiro
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 64)
recording of:
December, 1963 (Oh, What a Night)
Texter:
Bob Gaudio und Judy Parker
Komponist(in):
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
Frankie Valli & The Four Seasons3.853:32
56Every 1’s a Winner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) und RAK Music Publishing Ltd.
Hot Chocolate4.154:04
57Hypnotize (2007 remaster)
recording engineer:
Axel Niehaus (German-born engineer and producer) und Doug Wilson (engineer)
Techniker(in):
Lorrenn Argumedes, Rasheed Goodlowe, Lynn Montrose und Steve Jones (engineer R&B / Urban)
Produzent(in):
Deric “D‐Dot” Angelettie, Ron “Amen‐Ra” Lawrence (US hip-hop producer aka Amen-Ra) und Sean “Puffy” Combs (Sean Combs, aka Puff Daddy, P. Diddy)
zusätzliche(r) Produzent(in):
Richard “Younglord” Frierson (producer Richard Frierson)
Mix:
Lane Craven und Sean “Puffy” Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Editing:
Richard “Younglord” Frierson (producer Richard Frierson)
Hintergrundgesang:
Pam Long
Sologesang:
The Notorious B.I.G.
phonographisches Urheberrecht (℗) von:
Bad Boy Records LLC (in 2007) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2007)
produced for:
Bad Boy Entertainment, Inc. und The Mystery System, Inc.
aufgenommen bei:
Caribbean Sound Basin in Port of Spain, Trinidad und Tobago und Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
mixed at:
Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
engineered at:
Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
Samples:
Rise von Herb Alpert
Teil von:
BILLIONS CLUB
recording of:
Hypnotize
Verfasser(in):
Andy Armer, Christopher Wallace (The Notorious B.I.G.), Deric Angelettie, Ron Lawrence (US hip-hop producer aka Amen-Ra), Randy Alpert und Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), B.I.G. Poppa Music, Badazz Music Company, EMI‐April Music Inc., Justin Combs Publishing und Mystery System Music
quotes lyrics from:
La Di Da Di
The Notorious B.I.G.4.153:50
58Get Ur Freak On
Assistent recording engineer:
Jesse Gorman und Grayson Sumby
Techniker(in):
Senator Jimmy D (engineer)
Produzent(in):
Missy Elliott (American rapper, singer, dancer & record producer) und Timbaland
assistierende(r) Mix:
Jesse Gorman und Steve Penny
Mix:
Jimmy Douglass (engineer)
Sologesang:
Missy Elliott (American rapper, singer, dancer & record producer)
zusätzlich vocals:
Angie Fisher
Musikvideos:
Get Ur Freak On von Missy Elliott (American rapper, singer, dancer & record producer)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 8) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 153)
recording of:
Get Ur Freak On
Verfasser(in):
Melissa Elliott (American rapper, singer, dancer & record producer) und Timothy Mosley
Missy Elliott3.653:56
59Talking to Myself (edit)
Christian Nielsen3:10
60Cheatin’
Nathan Dawe2:58

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:Rhino UK (company credits only; do NOT use as release label) (in 2019)
kostenlos streamen:https://www.deezer.com/album/122416962 [Info] (beendet)
Streaming-Seite:https://music.apple.com/gb/album/1490006589 [Info] (beendet)