175th Anniversary Edition

~ Veröffentlichung von New York Philharmonic (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Serenade to Music, Act V, Scene 1: Andante sostenuto
Produzent(in):
John McClure (recording engineer and record producer) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Serenade to Music: Andantino (am 1962-09-23)
Komponist(in):
Ralph Vaughan Williams (English composer)
Teil von:
Serenade to Music
Ralph Vaughan Williams2:27
2Serenade to Music, Act V, Scene 1: 'How sweet the moonlight sleeps'
Produzent(in):
John McClure (recording engineer and record producer) (am 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (am 1962-09-23), Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23), Jennie Tourel (mezzo-soprano) (am 1962-09-23) und Shirley Verrett (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23), Lucine Amara (soprano) (am 1962-09-23) und Eileen Farrell (soprano) (am 1962-09-23)
Tenor-Gesang:
Charles Bressler (am 1962-09-23), Richard Tucker (tenor) (am 1962-09-23) und Jon Vickers (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Serenade to Music: “How Sweet the Moonlight” (am 1962-09-23)
Komponist(in):
Ralph Vaughan Williams (English composer)
Teil von:
Serenade to Music
recording of:
Serenade to Music: “How Sweet the Moonlight” (am 1962-09-23)
Komponist(in):
Ralph Vaughan Williams (English composer)
Teil von:
Serenade to Music
Ralph Vaughan Williams2:25
3Serenade to Music, Act V, Scene 1: 'Look how the floor of heaven is thick inlaid'
Produzent(in):
John McClure (recording engineer and record producer) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Serenade to Music: “Look How the Floor of Heaven…” (am 1962-09-23)
Komponist(in):
Ralph Vaughan Williams (English composer)
Teil von:
Serenade to Music
Ralph Vaughan Williams1:55
4Serenade to Music, Act V, Scene 1: 'Come, ho! and wake Diana with a hymn'
Produzent(in):
John McClure (recording engineer and record producer) (am 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (am 1962-09-23), Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23), Jennie Tourel (mezzo-soprano) (am 1962-09-23) und Shirley Verrett (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23), Lucine Amara (soprano) (am 1962-09-23) und Eileen Farrell (soprano) (am 1962-09-23)
Tenor-Gesang:
Charles Bressler (am 1962-09-23), Richard Tucker (tenor) (am 1962-09-23) und Jon Vickers (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Serenade to Music: “Come, Ho! and Wake Diana With a Hymn” (am 1962-09-23)
Komponist(in):
Ralph Vaughan Williams (English composer)
Teil von:
Serenade to Music
Ralph Vaughan Williams1:18
5Serenade to Music, Act V, Scene 1: 'l am never merry when I hear sweet music'
Produzent(in):
John McClure (recording engineer and record producer) (am 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (am 1962-09-23), Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23), Jennie Tourel (mezzo-soprano) (am 1962-09-23) und Shirley Verrett (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23), Lucine Amara (soprano) (am 1962-09-23) und Eileen Farrell (soprano) (am 1962-09-23)
Tenor-Gesang:
Charles Bressler (am 1962-09-23), Richard Tucker (tenor) (am 1962-09-23) und Jon Vickers (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Serenade to Music: “I Am Never Merry When I Hear Sweet Music” (am 1962-09-23)
Komponist(in):
Ralph Vaughan Williams (English composer)
Teil von:
Serenade to Music
Ralph Vaughan Williams1:22
6Serenade to Music, Act V, Scene 1: 'Music! Hark!'
Produzent(in):
John McClure (recording engineer and record producer) (am 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (am 1962-09-23), Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23), Jennie Tourel (mezzo-soprano) (am 1962-09-23) und Shirley Verrett (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23), Lucine Amara (soprano) (am 1962-09-23) und Eileen Farrell (soprano) (am 1962-09-23)
Tenor-Gesang:
Charles Bressler (am 1962-09-23), Richard Tucker (tenor) (am 1962-09-23) und Jon Vickers (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Serenade to Music: “Music! Hark!” (am 1962-09-23)
Komponist(in):
Ralph Vaughan Williams (English composer)
Teil von:
Serenade to Music
Ralph Vaughan Williams1:08
7Serenade to Music, Act V, Scene 1: 'How many things by season'
Produzent(in):
John McClure (recording engineer and record producer) (am 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (am 1962-09-23), Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23), Jennie Tourel (mezzo-soprano) (am 1962-09-23) und Shirley Verrett (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23), Lucine Amara (soprano) (am 1962-09-23) und Eileen Farrell (soprano) (am 1962-09-23)
Tenor-Gesang:
Charles Bressler (am 1962-09-23), Richard Tucker (tenor) (am 1962-09-23) und Jon Vickers (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Serenade to Music: “How Many Things by Season…” (am 1962-09-23)
Komponist(in):
Ralph Vaughan Williams (English composer)
Teil von:
Serenade to Music
Ralph Vaughan Williams1:10
8Serenade to Music, Act V, Scene 1: 'Soft stillness and the night'
Produzent(in):
John McClure (recording engineer and record producer) (am 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (am 1962-09-23), Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23), Jennie Tourel (mezzo-soprano) (am 1962-09-23) und Shirley Verrett (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23), Lucine Amara (soprano) (am 1962-09-23) und Eileen Farrell (soprano) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Serenade to Music: “Soft Stillness and the night” (am 1962-09-23)
Komponist(in):
Ralph Vaughan Williams (English composer)
Teil von:
Serenade to Music
Ralph Vaughan Williams1:53
9Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Allegro impetuoso 'Veni, creator spiritus'
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Chorgesang:
Columbus Boychoir (am 1962-09-23), Juilliard Chorus (am 1962-09-23) und Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23) und Jennie Tourel (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23) und Lucine Amara (soprano) (am 1962-09-23)
Tenor-Gesang:
Richard Tucker (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (am 1962-09-23), Abraham Kaplan (conductor and chorus master) (am 1962-09-23) und Hugh Ross (choral director) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (am 1962-09-23)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:28
10Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend "Imple superna gratia" Tempo I (Allegro impetuoso)
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Chorgesang:
Columbus Boychoir (am 1962-09-23), Juilliard Chorus (am 1962-09-23) und Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23) und Jennie Tourel (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23) und Lucine Amara (soprano) (am 1962-09-23)
Tenor-Gesang:
Richard Tucker (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (am 1962-09-23), Abraham Kaplan (conductor and chorus master) (am 1962-09-23) und Hugh Ross (choral director) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (am 1962-09-23)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:20
11Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Etwas drängend - Noch einmal so langsam. (Nicht schleppend) "Infirma nostri corporis"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Chorgesang:
Columbus Boychoir (am 1962-09-23), Juilliard Chorus (am 1962-09-23) und Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23) und Jennie Tourel (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23) und Lucine Amara (soprano) (am 1962-09-23)
Tenor-Gesang:
Richard Tucker (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (am 1962-09-23), Abraham Kaplan (conductor and chorus master) (am 1962-09-23) und Hugh Ross (choral director) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (am 1962-09-23)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:52
12Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Tempo I (Allegro, etwas hastig)
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Chorgesang:
Columbus Boychoir (am 1962-09-23), Juilliard Chorus (am 1962-09-23) und Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23) und Jennie Tourel (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23) und Lucine Amara (soprano) (am 1962-09-23)
Tenor-Gesang:
Richard Tucker (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (am 1962-09-23), Abraham Kaplan (conductor and chorus master) (am 1962-09-23) und Hugh Ross (choral director) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (am 1962-09-23)
Komponist(in):
Gustav Mahler (composer)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:26
13Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend "Infirma nostri corporis"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Chorgesang:
Columbus Boychoir (am 1962-09-23), Juilliard Chorus (am 1962-09-23) und Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23) und Jennie Tourel (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23) und Lucine Amara (soprano) (am 1962-09-23)
Tenor-Gesang:
Richard Tucker (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (am 1962-09-23), Abraham Kaplan (conductor and chorus master) (am 1962-09-23) und Hugh Ross (choral director) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (am 1962-09-23)
Komponist(in):
Gustav Mahler (composer)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:49
14Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Plötzlich sehr breit und leiden - schaftlichen Ausdrucks - Mit plötzlichem Aufschwung. "Accende lumen sensibus"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Chorgesang:
Columbus Boychoir (am 1962-09-23), Juilliard Chorus (am 1962-09-23) und Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23) und Jennie Tourel (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23) und Lucine Amara (soprano) (am 1962-09-23)
Tenor-Gesang:
Richard Tucker (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (am 1962-09-23), Abraham Kaplan (conductor and chorus master) (am 1962-09-23) und Hugh Ross (choral director) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (am 1962-09-23)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler5:40
15Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": 'Veni, creator spiritus' A tempo
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Chorgesang:
Columbus Boychoir (am 1962-09-23), Juilliard Chorus (am 1962-09-23) und Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23) und Jennie Tourel (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23) und Lucine Amara (soprano) (am 1962-09-23)
Tenor-Gesang:
Richard Tucker (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (am 1962-09-23), Abraham Kaplan (conductor and chorus master) (am 1962-09-23) und Hugh Ross (choral director) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Tu septiformis munere (7 Soli, Chor, Knaben Chor) (am 1962-09-23)
Komponist(in):
Gustav Mahler (composer)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (am 1962-09-23)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:51
16Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Wieder frisch. 'Gloria sit Patri Domino'
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (am 1962-09-23) und George London (bass-baritone) (am 1962-09-23)
Chorgesang:
Columbus Boychoir (am 1962-09-23), Juilliard Chorus (am 1962-09-23) und Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (am 1962-09-23)
Mezzosoprangesang:
Lili Chookasian (contralto) (am 1962-09-23) und Jennie Tourel (mezzo-soprano) (am 1962-09-23)
Soprangesang:
Adele Addison (American soprano) (am 1962-09-23) und Lucine Amara (soprano) (am 1962-09-23)
Tenor-Gesang:
Richard Tucker (tenor) (am 1962-09-23)
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (am 1962-09-23), Abraham Kaplan (conductor and chorus master) (am 1962-09-23) und Hugh Ross (choral director) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (am 1962-09-23)
Komponist(in):
Gustav Mahler (composer) (in 1906)
Teil von:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:38
17Connotations for Orchestra
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
aufgenommen bei:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
recording of:
Connotations (am 1962-09-23)
Komponist(in):
Aaron Copland (composer) (von 1961 bis 1962)
gewidmet:
Leonard Bernstein (American conductor, composer, pianist) und New York Philharmonic
was commissioned by:
New York Philharmonic
uraufgeführt von:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23) und New York Philharmonic (am 1962-09-23)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Premiere bei:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten (am 1962-09-23)
Teil von:
Grammy Award: Best Contemporary Classical Composition nominees (Nummer: 1963)
Aaron Copland19:11
18The Star-Spangled Banner
Orchester:
New York Philharmonic (am 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (am 1962-09-23)
recording of:
The Star‐Spangled Banner (am 1962-09-23)
Nationalhymne von:
Vereinigte Staaten (vom 1931-03-03 bis heute)
Texter:
Francis Scott Key (in 1814-09)
Komponist(in):
John Stafford Smith (in 1780)
basiert auf:
The Anacreontic Song
John Stafford Smith1:45
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