175th Anniversary Edition

~ Release by New York Philharmonic (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Serenade to Music, Act V, Scene 1: Andante sostenuto
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: Andantino (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams2:27
2Serenade to Music, Act V, Scene 1: 'How sweet the moonlight sleeps'
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “How Sweet the Moonlight” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
recording of:
Serenade to Music: “How Sweet the Moonlight” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams2:25
3Serenade to Music, Act V, Scene 1: 'Look how the floor of heaven is thick inlaid'
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Look How the Floor of Heaven…” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:55
4Serenade to Music, Act V, Scene 1: 'Come, ho! and wake Diana with a hymn'
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Come, Ho! and Wake Diana With a Hymn” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:18
5Serenade to Music, Act V, Scene 1: 'l am never merry when I hear sweet music'
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “I Am Never Merry When I Hear Sweet Music” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:22
6Serenade to Music, Act V, Scene 1: 'Music! Hark!'
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Music! Hark!” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:08
7Serenade to Music, Act V, Scene 1: 'How many things by season'
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
tenor vocals:
Charles Bressler (on 1962-09-23), Richard Tucker (tenor) (on 1962-09-23) and Jon Vickers (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “How Many Things by Season…” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:10
8Serenade to Music, Act V, Scene 1: 'Soft stillness and the night'
producer:
John McClure (recording engineer and record producer) (on 1962-09-23)
bass-baritone vocals:
Donald Bell (bass‐baritone) (on 1962-09-23), Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23), Jennie Tourel (mezzo-soprano) (on 1962-09-23) and Shirley Verrett (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23), Lucine Amara (soprano) (on 1962-09-23) and Eileen Farrell (soprano) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Serenade to Music: “Soft Stillness and the night” (on 1962-09-23)
composer:
Ralph Vaughan Williams (English composer)
part of:
Serenade to Music
Ralph Vaughan Williams1:53
9Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Allegro impetuoso 'Veni, creator spiritus'
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:28
10Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend "Imple superna gratia" Tempo I (Allegro impetuoso)
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:20
11Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Etwas drängend - Noch einmal so langsam. (Nicht schleppend) "Infirma nostri corporis"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:52
12Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Tempo I (Allegro, etwas hastig)
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (on 1962-09-23)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:26
13Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend "Infirma nostri corporis"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (on 1962-09-23)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:49
14Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Plötzlich sehr breit und leiden - schaftlichen Ausdrucks - Mit plötzlichem Aufschwung. "Accende lumen sensibus"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler5:40
15Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": 'Veni, creator spiritus' A tempo
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Tu septiformis munere (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:51
16Symphony No. 8 in E-flat major, "Symphony of a Thousand", Part l: Hymnus "Veni, creator spiritus": Wieder frisch. 'Gloria sit Patri Domino'
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
chorus master:
Don Bryant (R&B singer/songwriter) (on 1962-09-23), Abraham Kaplan (conductor and chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:38
17Connotations for Orchestra
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
recording of:
Connotations (on 1962-09-23)
composer:
Aaron Copland (composer) (from 1961 until 1962)
dedicated to:
Leonard Bernstein (American conductor, composer, pianist) and New York Philharmonic
was commissioned by:
New York Philharmonic
premiered by:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23) and New York Philharmonic (on 1962-09-23)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
part of:
Grammy Award: Best Contemporary Classical Composition nominees (number: 1963)
Aaron Copland19:11
18The Star-Spangled Banner
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-09-23)
recording of:
The Star‐Spangled Banner (on 1962-09-23)
anthem of:
United States (from 1931-03-03 to present)
lyricist:
Francis Scott Key (in 1814-09)
composer:
John Stafford Smith (in 1780)
is based on:
The Anacreontic Song
John Stafford Smith1:45
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