Léon Bakst: A Life for the Stage

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «A Warner Classics release»
℗ & © «2024 Parlophone Records Limited»

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Annotation last modified on 2024-12-29 12:54 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1La boutique fantasque, P. 120: II. Tarentella “La danza”
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
La Boutique fantasque: II. Tarantelle. Allegro con brio – Vivo
composer:
Ottorino Respighi (composer) and Gioachino Rossini (composer)
is based on:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
part of:
La boutique fantasque, P. 120
Gioachino Rossini / Ottorino Respighi2:37
2Sylvia, Act 3: no. 16a, Pizzicati
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Jean-Baptiste Mari (conductor)
recording of:
Sylvia : Acte III. No. 16a. Pizzicati
composer:
Léo Delibes (French composer)
part of:
Sylvia : Acte III
Léo Delibes2:01
3The Fair at Sorochyntsi, Act 3: Gopak
violin:
Chloë Hanslip (British classical violinist)
orchestra:
London Symphony Orchestra
conductor:
Paul Mann (British conductor)
orchestrator:
Nick Ingman
phonographic copyright (℗) by:
Warner Music UK (formerly Warner Records Ltd., a branch of WEA International) (in 2001)
recording of:
The Fair at Sorochintsï: Hopak
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
The Fair at Sorochintsï (catch-all)
Modest Mussorgsky1:55
4Carnaval, op. 9: no. 7, Coquette
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Robert Irving (ballet conductor)
recording of:
Carnaval, op. 9: VII. Coquette (for orchestra, Kalafati)
composer:
Robert Schumann (German classical composer)
arranger:
Василий Калафати
arrangement of:
Carnaval, op. 9: VII. Coquette
Robert Schumann1:12
5The Nutcracker, op. 71, Act 2: no. 12d, Divertissement. Trepak, Russian Dance
producer:
John Fraser (UK producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1991-10-17 until 1991-10-20)
conductor:
Mariss Jansons (Latvian conductor) (from 1991-10-17 until 1991-10-20)
balance engineer:
Mark Vigars (engineer) (from 1991-10-17 until 1991-10-20)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1991-10-17 until 1991-10-20)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12d. Дивертисмент (г) Трепак: русский танец (Trepak: Russian dance) (from 1991-10-17 until 1991-10-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:06
6Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Igor Markevitch (conductor)
recording of:
Le donne de buon umore: V. Non presto, in tempo di ballo
composer:
Domenico Scarlatti (composer)
arranger:
Vincenzo Tommasini
part of:
Le donne de buon umore
Domenico Scarlatti2:48
7Parade: Petite fille américaine
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Parade: II. Petite fille américaine (for orchestra)
composer:
Erik Satie (French composer)
part of:
Parade
Erik Satie1:46
8The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9)
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
George Frideric Handel1:58
9The Firebird, Tableau 2: Disappearance of the Palace and Dissolution of Kashchei’s Enchantments, Animation of the Petrified Warriors, General Thanksgiving
orchestra:
Orchestre de Paris
conductor:
Seiji Ozawa (conductor and composer)
recording of:
L’Oiseau de feu: no. 14: Tableau II, Disparition du palais et des sortilèges de Kastchei / Animation des chevaliers petrifiés / Allégresse générale (The Firebird: Act I, no. 14: Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
L’Oiseau de feu (The Firebird)
Igor Stravinsky3:07
10Daphnis et Chloé, M. 57, Pt. 3: Danse générale
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
Philippe Jordan (conductor)
recording of:
Daphnis et Chloé: Tableau III. No. 12. Danse générale (Bacchanale)
composer:
Maurice Ravel (French composer)
part of:
Daphnis et Chloé: Tableau III
Maurice Ravel4:55
11Les sylphides: Waltz, op. 70 no. 1
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Robert Irving (ballet conductor) (in 1959)
recording of:
Les Sylphides: III. Walzer (in G‐flat major, op. 70 no. 1) (orch. Roy Douglas)
orchestrator:
Roy Douglas (British composer, pianist)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
orchestration of:
Waltz no. 11 in G‐flat major, op. 70 no. 1
part of:
Les Sylphides (orch. by Douglas)
Frédéric Chopin2:06
12The Sleeping Beauty, op. 66, Act 1 “The Spell”: no. 6, Waltz
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Parlophone Records Limited (not for release label use! a Warner Music Group company)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-04-08 until 1974-04-09, from 1974-05-09 until 1974-05-10, on 1974-06-05, on 1974-06-27, on 1974-06-29)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse (from 1974-04-08 until 1974-06-27)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky4:59
13Lyric Pieces, Book X, op. 71: no. 3, Puck
piano:
Daniel Adni (pianist)
recording of:
Lyriske stykker, hefte X, op. 71: No. 3: Smaatrold (Lyric Pieces Book 10, op. 71: III. Småtroll (Puck))
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte X, op. 71 (Lyric pieces, book X, op. 71)
Edvard Grieg1:54
14Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)
sound engineer:
Michel Lepage (engineer) (from 1995-08-02 until 1995-08-09)
producer:
Martin Sauer (engineer/producer)
soprano vocals [Pamina]:
Rosa Mannion (soprano) (from 1995-08-02 until 1995-08-09)
tenor vocals [Monostatos]:
Steven Cole (US operatic tenor) (from 1995-08-02 until 1995-08-09)
tenor vocals [Tamino]:
Hans Peter Blochwitz (tenor) (from 1995-08-02 until 1995-08-09)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 1995-08-02 until 1995-08-09)
conductor:
William Christie (harpsichordist and conductor) (from 1995-08-02 until 1995-08-09)
recorded at:
Salle Olivier-Messiaen in Paris, Île-de-France, France (from 1995-08-02 until 1995-08-09)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (from 1995-08-02 until 1995-08-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:53
15Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline)
soprano vocals:
Colette Alliot-Lugaz (soprano)
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
partial recording of:
Fortunio
composer:
André Messager (French composer)
librettist:
Gaston Arman de Caillavet (French lyricist) and Robert de Flers
premiered at:
Théâtre national de l’Opéra‐Comique (1898-) in Paris, Île-de-France, France (on 1907-06-05)
André Messager2:22
16Invitation to the Dance, op. 65, J. 260
orchestra:
Vienna Symphony Orchestra
conductor:
Willi Boskovsky (violinist and conductor)
recording of:
Aufforderung zum Tanz, J. 260 (Invitation to the Dance, J. 260, orchestrated by Berlioz)
orchestrator:
Hector Berlioz (French composer)
composer:
Carl Maria von Weber (composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 90)
orchestration of:
Aufforderung zum Tanze, op. 65 (Invitation to the Dance, op. 65, for piano)
Carl Maria von Weber8:50
17Il segreto di Susanna: Intermezzo
producer:
David Groves (classical music producer at EMI)
clarinet:
Andrew Marriner (clarinettist) (in 1991-12)
orchestra:
Academy of St Martin in the Fields (in 1991-12)
conductor:
Sir Neville Marriner (conductor) (in 1991-12)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1991-12)
recording of:
Il segreto di Susanna: Intermezzo (in 1991-12)
composer:
Ermanno Wolf‐Ferrari (Italian composer)
part of:
Il segreto di Susanna
Ermanno Wolf‐Ferrari2:57
18Sadko, Scene 4: Song of the Indian Guest (Version for Cello and Harp)
cello:
Julian Lloyd Webber (cellist)
harp:
Catrin Finch (harpist)
recording of:
Hindu Song from Sadko (catch-all for arrangements)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
arrangement of:
Sadko: Scene IV. Song of the Indian Guest
Nikolai Rimsky‐Korsakov3:08
19Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon)
mezzo-soprano vocals:
Denyce Graves (American operatic mezzo-soprano)
orchestra:
Orchestre philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra)
conductor:
Marc Soustrot (conductor)
recording of:
Mignon : Acte I, no. 4. Romance « Connais-tu le pays ? » (Mignon)
composer:
Ambroise Thomas (opera composer)
part of:
Mignon : Acte I. Dans la cour de quelque auberge
Ambroise Thomas6:03
20Symphonic Fragment from Josephs‐Legende: I. Allegro moderato
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Rudolf Kempe (conductor)
partial recording of:
Josephslegende, op. 63
composer:
Richard Strauss (German composer)
Richard Strauss6:37
21Prélude à l’après‐midi d’un faune, CD 87, L. 86
producer and balance engineer:
Tim Handley (engineer/editor/producer) (from 1991-10-16 until 1991-10-20)
orchestra:
Radion sinfoniaorkesteri (Finnish Radio Symphony Orchestra) (from 1991-10-16 until 1991-10-20)
conductor:
Jukka‐Pekka Saraste (conductor) (from 1991-10-16 until 1991-10-20)
recorded at:
Kulttuuritalo (The Helsinki Hall of Culture, Alppila) in Helsinki, Uusimaa, Finland (from 1991-10-16 until 1991-10-20)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1991-10-16 until 1991-10-20)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy8:52
22Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Julius Rudel (conductor)
recording of:
Mefistofele: Atto I, Scena IIa. “Dai campi, dai prati” (Faust)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Atto I
Arrigo Boito2:29
23Le carnaval des animaux: XIII. Le cygne
producer:
Gréco Casadesus
cello:
Paul Tortelier (cellist) (from 1979-11-19 until 1979-11-20)
piano:
Maria de la Pau (pianist) (from 1979-11-19 until 1979-11-20)
balance engineer:
Paul Vavasseur (engineer) (from 1979-11-19 until 1979-11-20)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1979-11-19 until 1979-11-20)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello (or violin) + piano, by composer) (from 1979-11-19 until 1979-11-20)
composer:
Camille Saint‐Saëns (composer)
piano and violin arranger:
Camille Saint‐Saëns (composer) (in 1886)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
Camille Saint‐Saëns2:52
24Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus)
choir vocals:
Sofia National Opera Chorus
orchestra:
Sofia National Opera Orchestra
conductor:
Jerzy Semkow (conductor)
recording of:
Prince Igor: Act II. Polovtsian Dance with Choir
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Prince Igor: Act II
Alexander Borodin12:50
25Le Martyre de Saint Sébastien, CD 130, L. 124, Fragments symphoniques: I. La cour des lys
orchestra:
Rotterdams Philharmonisch Orkest (Rotterdam Philharmonic Orchestra)
conductor:
James Conlon (conductor)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: I. La Cour des lys
composer:
Claude Debussy (French composer) (in 1911)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy3:51
26La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo)
producer:
Victor Olof
soprano vocals [Violetta]:
Victoria de los Ángeles (Spanish soprano) (in 1958)
tenor vocals [Alfredo]:
Carlo del Monte (tenor) (in 1958)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1958)
conductor:
Tullio Serafin (conductor) (in 1958)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (in 1958)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) (in 1958)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi4:42
27Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite)
soprano vocals [Marguerite]:
Martha Angelici (soprano)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique
recording of:
Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song)
composer:
Charles Gounod (French composer)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod5:47
28La bohème, Act 3: “Donde lieta uscì” (Mimì)
soprano vocals:
Diana Damrau (soprano)
orchestra:
Orchestra del Teatro Regio di Torino
conductor:
Gianandrea Noseda (conductor)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:16
29Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano)
cello:
Pierre Fournier (cellist)
piano:
Tasso Janopoulo
recording of:
Mavra: Parasha's Song (catch-all for arrangements)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
arranger:
Samuel Dushkin (American violinist and transcriber) and Дмитрий Ситковецкий (Dmitry Sitkovetsky, violinist)
arrangement of:
Mavra: Parasha's Song (original aria)
Igor Stravinsky3:09
30Orfeo ed Euridice, Wq. 30, Act 3: “Che fiero momento” (Euridice)
soprano vocals [Euridice]:
Elsa Dreisig (soprano)
orchestra:
Il Giardino d’Amore
conductor:
Stefan Plewniak (violinist and conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che fiero momento!” (Euridice)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:10
31Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale)
recording engineer and mixer:
Hugues Deschaux
producer:
Aline Blondiau (engineer / producer)
mezzo-soprano vocals:
Marianne Crebassa (mezzo-soprano) (from 2017-02-27 until 2017-03-09)
soprano vocals:
Sabine Devieilhe (soprano) (from 2017-02-27 until 2017-03-09) and Jodie Devos (Belgian soprano vocalist) (from 2017-02-27 until 2017-03-09)
orchestra:
Les Siècles (from 2017-02-27 until 2017-03-09)
conductor:
François‐Xavier Roth (conductor) (from 2017-02-27 until 2017-03-09)
recorded at:
Philharmonie de Paris: Salle de répétition no. 1 in Paris, Île-de-France, France (from 2017-02-27 until 2017-03-09)
recording of:
Thaïs: Acte II, Scène II. "Celle qui vient est plus belle" (Crobyle, Myrtale) (from 2017-02-27 until 2017-03-09)
composer:
Jules Massenet (French Romantic composer)
part of:
Thaïs: Acte II
Jules Massenet4:19
32Ballet Suite from die Puppenfee
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Rudolf Kempe (conductor)
recording of:
Die Puppenfee, Ballett-Suite
composer:
Josef Bayer
is based on:
Die Puppenfee
Josef Bayer10:54
33Istar, variations symphoniques, op. 42
orchestra:
Orchestre national des Pays de la Loire
conductor:
Pierre Dervaux (French conductor and composer)
recording of:
Istar: Variations Symphoniques, op. 42
composer:
Vincent d’Indy (French composer & teacher) (in 1896)
part of:
Works of Vincent d’Indy by opus number (number: op. 42)
Vincent d’Indy13:07
34La Péri: Poème dansé
orchestra:
Orchestre de l’Opéra national de Paris (in 1972-02)
conductor:
Pierre Dervaux (French conductor and composer) (in 1972-02)
recording of:
La Péri (in 1972-02)
composer:
Paul Dukas (French composer) (in 1911)
Paul Dukas19:17
35Salomé, op. 54: Dance of the Seven Veils
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Salome: Vierte Szene. Tanz der sieben Schleier
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss9:03
36Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Armin Jordan (conductor)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky‐Korsakov10:07
37Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus)
bass-baritone vocals:
Ruggero Raimondi (bass-baritone)
choir vocals:
The Choral Arts Society of Washington and Oratorio Society of Washington
tenor vocals:
Kenneth Riegel (tenor)
conductor:
Mstislav Rostropovich (cellist/conductor)
recording of:
Boris Godunov: Prologue. "I am sick at heart" (Coronation Scene)
composer and librettist:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Борис Годунов: Prologue (1872 version)
Modest Mussorgsky7:54
38Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-09-27 until 1956-09-29)
conductor:
Carlo Maria Giulini (conductor) (from 1956-09-27 until 1956-09-29)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-09-27 until 1956-09-29)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo (1880 revision [commonly performed]) (from 1956-09-27 until 1956-09-29)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1872)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1879 until 1880)
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
revision of:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai — Allegro vivo
Pyotr Ilyich Tchaikovsky8:28
39Tamara
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lovro von Matačić (conductor)
recording of:
Tamara
composer:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor) (from 1867 until 1882)
dedicated to:
Franz Liszt (Hungarian composer, pianist and conductor)
Mily Balakirev21:54
40Jeux, CD 133, L. 126
producer:
David R. Murray
editor:
Tony Harrison (producer and sound engineer for classical music)
orchestra:
City of Birmingham Symphony Orchestra (from 1989-02-15 until 1989-02-17)
conductor:
Simon Rattle (conductor) (from 1989-02-15 until 1989-02-17)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1989-02-15 until 1989-02-17)
recorded at:
Warwick Arts Centre in Coventry, West Midlands, England, United Kingdom (from 1989-02-15 until 1989-02-17)
recording of:
Jeux, L. 126, CD 133 (for orchestra) (from 1989-02-15 until 1989-02-17)
composer:
Claude Debussy (French composer) (from 1912-08 until 1913-04)
dedicated to:
Madame Jacques Durand
premiered at:
[concert] (1913-05-15)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 126) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 133)
Claude Debussy19:35