Léon Bakst: A Life for the Stage

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Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1La boutique fantasque, P. 120: II. Tarentella “La danza”
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
La Boutique fantasque: II. Tarantelle. Allegro con brio – Vivo
Komponist(in):
Ottorino Respighi (composer) und Gioachino Rossini (composer)
basiert auf:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
Teil von:
La boutique fantasque, P. 120
Gioachino Rossini / Ottorino Respighi2:37
2Sylvia, Act 3: no. 16a, Pizzicati
Orchester:
Orchestre de l’Opéra national de Paris
conductor:
Jean-Baptiste Mari (conductor)
recording of:
Sylvia : Acte III. No. 16a. Pizzicati
Komponist(in):
Léo Delibes (French composer)
Teil von:
Sylvia : Acte III
Léo Delibes2:01
3The Fair at Sorochyntsi, Act 3: Gopak
Geige / Violine:
Chloë Hanslip (British classical violinist)
Orchester:
London Symphony Orchestra
conductor:
Paul Mann (British conductor)
Orchestrator(in):
Nick Ingman
phonographisches Urheberrecht (℗) von:
Warner Music UK (formerly Warner Records Ltd., a branch of WEA International) (in 2001)
recording of:
The Fair at Sorochintsï: Hopak
Komponist(in):
Модест Петрович Мусоргский (Modest Mussorgski, composer)
Teil von:
The Fair at Sorochintsï (catch-all)
Modest Mussorgsky1:55
4Carnaval, op. 9: no. 7, Coquette
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Robert Irving (ballet conductor)
recording of:
Carnaval, op. 9: VII. Coquette (for orchestra, Kalafati)
Komponist(in):
Robert Schumann (German classical composer)
arranger:
Василий Калафати
Arrangement von:
Carnaval, op. 9: VII. Coquette
Robert Schumann1:12
5The Nutcracker, op. 71, Act 2: no. 12d, Divertissement. Trepak, Russian Dance
Produzent(in):
John Fraser (UK producer)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1991-10-17 bis 1991-10-20)
conductor:
Mariss Jansons (Latvian conductor) (von 1991-10-17 bis 1991-10-20)
Tonmeister(in):
Mark Vigars (engineer) (von 1991-10-17 bis 1991-10-20)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1991-10-17 bis 1991-10-20)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12d. Дивертисмент (г) Трепак: русский танец (Trepak: Russian dance) (von 1991-10-17 bis 1991-10-20)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky1:06
6Suite from The Good‐Humoured Ladies: IV. Non presto, in tempo di ballo
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Igor Markevitch (conductor)
recording of:
Le donne de buon umore: V. Non presto, in tempo di ballo
Komponist(in):
Domenico Scarlatti (composer)
arranger:
Vincenzo Tommasini
Teil von:
Le donne de buon umore
Domenico Scarlatti2:48
7Parade: Petite fille américaine
Orchester:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Parade: II. Petite fille américaine (for orchestra)
Komponist(in):
Erik Satie (French composer)
Teil von:
Parade
Erik Satie1:46
8The Gods Go a’Begging: II. First Dance (After Teseo, HWV 9)
Orchester:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
George Frideric Handel1:58
9The Firebird, Tableau 2: Disappearance of the Palace and Dissolution of Kashchei’s Enchantments, Animation of the Petrified Warriors, General Thanksgiving
Orchester:
Orchestre de Paris
conductor:
Seiji Ozawa (conductor and composer)
recording of:
L’Oiseau de feu: no. 14: Tableau II, Disparition du palais et des sortilèges de Kastchei / Animation des chevaliers petrifiés / Allégresse générale (The Firebird: Act I, no. 14: Disappearance of Kastchei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing)
Komponist(in):
Игорь Фёдорович Стравинский (Igor Strawinski, Russian composer) (in 1910)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
L’Oiseau de feu (Der Feuervogel)
Igor Stravinsky3:07
10Daphnis et Chloé, M. 57, Pt. 3: Danse générale
Orchester:
Orchestre de l’Opéra national de Paris
conductor:
Philippe Jordan (conductor)
recording of:
Daphnis et Chloé: Tableau III. No. 12. Danse générale (Bacchanale)
Komponist(in):
Maurice Ravel (French composer)
Teil von:
Daphnis et Chloé: Tableau III
Maurice Ravel4:55
11Les sylphides: Waltz, op. 70 no. 1
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Robert Irving (ballet conductor) (in 1959)
recording of:
Les Sylphides: III. Walzer (in G‐flat major, op. 70 no. 1) (orch. Roy Douglas)
Orchestrator(in):
Roy Douglas (British composer, pianist)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Orchestrierung von:
Waltz no. 11 in G‐flat major, op. 70 no. 1
Teil von:
Les Sylphides (orch. by Douglas)
Frédéric Chopin2:06
12The Sleeping Beauty, op. 66, Act 1 “The Spell”: no. 6, Waltz
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (von 1974-04-08 bis 1974-04-09, von 1974-05-09 bis 1974-05-10, am 1974-06-05, am 1974-06-27, am 1974-06-29)
conductor:
André Previn (pianist, conductor, composer, arranger) (von 1974-04-08 bis 1974-04-09, von 1974-05-09 bis 1974-05-10, am 1974-06-05, am 1974-06-27, am 1974-06-29)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
Parlophone Records Limited (not for release label use! a Warner Music Group company)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-04-08 bis 1974-04-09, von 1974-05-09 bis 1974-05-10, am 1974-06-05, am 1974-06-27, am 1974-06-29)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse (von 1974-04-08 bis 1974-06-27)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66: Acte I
Pyotr Ilyich Tchaikovsky4:59
13Lyric Pieces, Book X, op. 71: no. 3, Puck
Klavier:
Daniel Adni (pianist)
recording of:
Lyriske stykker, hefte X, op. 71: No. 3: Smaatrold (Lyrische Stücke X, Op. 71 Nr. 3: Kobold)
Komponist(in):
Edvard Grieg (composer)
Teil von:
Lyriske stykker, hefte X, op. 71 (Lyric pieces, book X, op. 71)
Edvard Grieg1:54
14Die Zauberflöte, K. 620, Act 1: “Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno)
Sound-Engineering:
Michel Lepage (engineer) (von 1995-08-02 bis 1995-08-09)
Produzent(in):
Martin Sauer (engineer/producer)
Soprangesang [Pamina]:
Rosa Mannion (soprano) (von 1995-08-02 bis 1995-08-09)
Tenor-Gesang [Monostatos]:
Steven Cole (US operatic tenor) (von 1995-08-02 bis 1995-08-09)
Tenor-Gesang [Tamino]:
Hans Peter Blochwitz (tenor) (von 1995-08-02 bis 1995-08-09)
Orchester:
Les Arts Florissants (French baroque ensemble) (von 1995-08-02 bis 1995-08-09)
conductor:
William Christie (harpsichordist and conductor) (von 1995-08-02 bis 1995-08-09)
aufgenommen bei:
Salle Olivier-Messiaen in Paris, Île-de-France, Frankreich (von 1995-08-02 bis 1995-08-09)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (von 1995-08-02 bis 1995-08-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:53
15Fortunio, Act 4: “Lorsque je n’étais qu’une enfant” (Jacqueline)
Soprangesang:
Colette Alliot-Lugaz (soprano)
Orchester:
Orchestre de l’Opéra de Lyon
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
teilweise recording of:
Fortunio
Komponist(in):
André Messager (French composer)
Librettist:
Gaston Arman de Caillavet (French lyricist) und Robert de Flers
Premiere bei:
Théâtre national de l’Opéra‐Comique (1898-) in Paris, Île-de-France, Frankreich (am 1907-06-05)
André Messager2:22
16Invitation to the Dance, op. 65, J. 260
Orchester:
Vienna Symphony Orchestra
conductor:
Willi Boskovsky (violinist and conductor)
recording of:
Aufforderung zum Tanz, J. 260 (Invitation to the Dance, J. 260, orchestrated by Berlioz)
Orchestrator(in):
Hector Berlioz (French composer)
Komponist(in):
Carl Maria von Weber (composer)
Teil von:
Catalogue of the Works of Hector Berlioz (Nummer: H. 90)
Orchestrierung von:
Aufforderung zum Tanze, op. 65 (Invitation to the Dance, op. 65, for piano)
Carl Maria von Weber8:50
17Il segreto di Susanna: Intermezzo
Produzent(in):
David Groves (classical music producer at EMI)
Klarinette:
Andrew Marriner (clarinettist) (in 1991-12)
Orchester:
Academy of St Martin in the Fields (in 1991-12)
conductor:
Sir Neville Marriner (conductor) (in 1991-12)
Tonmeister(in):
Mark Vigars (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1991-12)
recording of:
Il segreto di Susanna: Intermezzo (in 1991-12)
Komponist(in):
Ermanno Wolf‐Ferrari (Italian composer)
Teil von:
Il segreto di Susanna
Ermanno Wolf‐Ferrari2:57
18Sadko, Scene 4: Song of the Indian Guest (Version for Cello and Harp)
Cello:
Julian Lloyd Webber (cellist)
Harfe:
Catrin Finch (harpist)
recording of:
Hindu Song from Sadko (catch-all for arrangements)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
Arrangement von:
Sadko: Scene IV. Song of the Indian Guest
Nikolai Rimsky‐Korsakov3:08
19Mignon, Act 1: Romance. “Connais‐tu le pays où fleurit l’oranger ?” (Mignon)
Mezzosoprangesang:
Denyce Graves (American operatic mezzo-soprano)
Orchester:
Orchestre philharmonique de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra)
conductor:
Marc Soustrot (conductor)
recording of:
Mignon : Acte I, no. 4. Romance « Connais-tu le pays ? » (Mignon)
Komponist(in):
Ambroise Thomas (opera composer)
Teil von:
Mignon : Acte I. Dans la cour de quelque auberge
Ambroise Thomas6:03
20Symphonic Fragment from Josephs‐Legende: I. Allegro moderato
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Rudolf Kempe (conductor)
teilweise recording of:
Josephslegende, op. 63
Komponist(in):
Richard Strauss (German composer)
Richard Strauss6:37
21Prélude à l’après‐midi d’un faune, CD 87, L. 86
Produzent(in) und Tonmeister(in):
Tim Handley (engineer/editor/producer) (von 1991-10-16 bis 1991-10-20)
Orchester:
Radion sinfoniaorkesteri (Finnish Radio Symphony Orchestra) (von 1991-10-16 bis 1991-10-20)
conductor:
Jukka‐Pekka Saraste (conductor) (von 1991-10-16 bis 1991-10-20)
aufgenommen bei:
Kulttuuritalo (The Helsinki Hall of Culture, Alppila) in Helsinki, Uusimaa, Finnland (von 1991-10-16 bis 1991-10-20)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (von 1991-10-16 bis 1991-10-20)
Komponist(in):
Claude Debussy (French composer) (von 1891 bis 1894-09)
gewidmet:
Raymond Bonheur (composer, 1861-1939)
Premiere bei:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
Teil von:
Classic 100: Music of France (2012) (Nummer: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (Nummer: L. 86) und Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (Nummer: CD 87)
Claude Debussy8:52
22Mefistofele, Act 1: “Dai campi, dai prati” (Faust, Mefistofele)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
London Symphony Orchestra
conductor:
Julius Rudel (conductor)
recording of:
Mefistofele: Atto I, Scena IIa. “Dai campi, dai prati” (Faust)
Komponist(in) und Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Mefistofele: Atto I
Arrigo Boito2:29
23Le carnaval des animaux: XIII. Le cygne
Produzent(in):
Gréco Casadesus
Cello:
Paul Tortelier (cellist) (von 1979-11-19 bis 1979-11-20)
Klavier:
Maria de la Pau (pianist) (von 1979-11-19 bis 1979-11-20)
Tonmeister(in):
Paul Vavasseur (engineer) (von 1979-11-19 bis 1979-11-20)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1979-11-19 bis 1979-11-20)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello (or violin) + piano, by composer) (von 1979-11-19 bis 1979-11-20)
Komponist(in):
Camille Saint‐Saëns (composer)
Klavier und Geige / Violine arranger:
Camille Saint‐Saëns (composer) (in 1886)
Arrangement von:
Le Carnaval des animaux : XIII. Le Cygne (Der Karneval der Tiere: XIII. Der Schwan, two pianos and cello)
Camille Saint‐Saëns2:52
24Prince Igor, Act 2: Polovtsian Dances. “Uletai na kryliyakh vetra” (Chorus)
Chorgesang:
Sofia National Opera Chorus
Orchester:
Sofia National Opera Orchestra
conductor:
Jerzy Semkow (conductor)
recording of:
Prince Igor: Act II. Polovtsian Dance with Choir
Orchestrator(in):
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) und Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
Komponist(in):
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
Teil von:
Prince Igor: Act II
Alexander Borodin12:50
25Le Martyre de Saint Sébastien, CD 130, L. 124, Fragments symphoniques: I. La cour des lys
Orchester:
Rotterdams Philharmonisch Orkest (Rotterdam Philharmonic Orchestra)
conductor:
James Conlon (conductor)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: I. La Cour des lys
Komponist(in):
Claude Debussy (French composer) (in 1911)
Teil von:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy3:51
26La traviata, Act 3: “Parigi, o cara noi lasceremo” (Violetta, Alfredo)
Produzent(in):
Victor Olof
Soprangesang [Violetta]:
Victoria de los Ángeles (Spanish soprano) (in 1958)
Tenor-Gesang [Alfredo]:
Carlo del Monte (tenor) (in 1958)
Orchester:
Orchestra del Teatro dell’Opera di Roma (in 1958)
conductor:
Tullio Serafin (conductor) (in 1958)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
aufgenommen bei:
Teatro dell’Opera di Roma in Roma (Rom), Roma, Lazio, Italien (in 1958)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) (in 1958)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi4:42
27Faust, Act 3: “Les grands seigneurs ont seuls des airs si résolus” - Air des bijoux. “Ah, je ris de me voir si belle” (Marguerite)
Soprangesang [Marguerite]:
Martha Angelici (soprano)
Orchester:
Orchestre du Théâtre National de l’Opéra‐Comique
recording of:
Faust : Acte III. « Un bouquet ! … Ô Dieu ! que de bijoux ! » … No. 14b « Ah ! Je ris ! » (Marguerite) (Air des bijoux / Jewel Song)
Komponist(in):
Charles Gounod (French composer)
Librettist:
Jules Barbier und Michel Carré (librettist)
Teil von:
Faust : Acte III
Charles Gounod5:47
28La bohème, Act 3: “Donde lieta uscì” (Mimì)
Soprangesang:
Diana Damrau (soprano)
Orchester:
Orchestra del Teatro Regio di Torino
conductor:
Gianandrea Noseda (conductor)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:16
29Mavra: Parasha’s Song. “My Dear Friend” (Transcr. Rostropovich for Cello and Piano)
Cello:
Pierre Fournier (cellist)
Klavier:
Tasso Janopoulo
recording of:
Mavra: Parasha's Song (catch-all for arrangements)
Komponist(in):
Игорь Фёдорович Стравинский (Igor Strawinski, Russian composer)
arranger:
Samuel Dushkin (American violinist and transcriber) und Дмитрий Ситковецкий (Dmitry Sitkovetsky, violinist)
Arrangement von:
Mavra: Parasha's Song (original aria)
Igor Stravinsky3:09
30Orfeo ed Euridice, Wq. 30, Act 3: “Che fiero momento” (Euridice)
Soprangesang [Euridice]:
Elsa Dreisig (soprano)
Orchester:
Il Giardino d’Amore
conductor:
Stefan Plewniak (violinist and conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che fiero momento!” (Euridice)
Komponist(in):
Christoph Willibald Gluck (composer)
Teil von:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:10
31Thaïs, Act 2: “Celle qui vient est plus belle” (La Charmeuse, Crobyle, Myrtale)
recording engineer und Mix:
Hugues Deschaux
Produzent(in):
Aline Blondiau (engineer / producer)
Mezzosoprangesang:
Marianne Crebassa (mezzo-soprano) (von 2017-02-27 bis 2017-03-09)
Soprangesang:
Sabine Devieilhe (soprano) (von 2017-02-27 bis 2017-03-09) und Jodie Devos (Belgian soprano vocalist) (von 2017-02-27 bis 2017-03-09)
Orchester:
Les Siècles (von 2017-02-27 bis 2017-03-09)
conductor:
François‐Xavier Roth (conductor) (von 2017-02-27 bis 2017-03-09)
aufgenommen bei:
Philharmonie de Paris: Salle de répétition no. 1 in Paris, Île-de-France, Frankreich (von 2017-02-27 bis 2017-03-09)
recording of:
Thaïs: Acte II, Scène II. "Celle qui vient est plus belle" (Crobyle, Myrtale) (von 2017-02-27 bis 2017-03-09)
Komponist(in):
Jules Massenet (French Romantic composer)
Teil von:
Thaïs: Acte II
Jules Massenet4:19
32Ballet Suite from die Puppenfee
Orchester:
Wiener Philharmoniker
conductor:
Rudolf Kempe (conductor)
recording of:
Die Puppenfee, Ballett-Suite
Komponist(in):
Josef Bayer
basiert auf:
Die Puppenfee
Josef Bayer10:54
33Istar, variations symphoniques, op. 42
Orchester:
Orchestre national des Pays de la Loire
conductor:
Pierre Dervaux (French conductor and composer)
recording of:
Istar: Variations Symphoniques, op. 42
Komponist(in):
Vincent d’Indy (French composer & teacher) (in 1896)
Teil von:
Works of Vincent d’Indy by opus number (Nummer: op. 42)
Vincent d’Indy13:07
34La Péri: Poème dansé
Orchester:
Orchestre de l’Opéra national de Paris (in 1972-02)
conductor:
Pierre Dervaux (French conductor and composer) (in 1972-02)
recording of:
La Péri (in 1972-02)
Komponist(in):
Paul Dukas (French composer) (in 1911)
Paul Dukas19:17
35Salomé, op. 54: Dance of the Seven Veils
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Salome: Vierte Szene. Tanz der sieben Schleier
Komponist(in):
Richard Strauss (German composer) (von 1903 bis 1905)
Teil von:
Salome (op. 54; TrV 215)
Richard Strauss9:03
36Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
Orchester:
Orchestre de la Suisse Romande (OSR)
conductor:
Armin Jordan (conductor)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (in 1888)
Teil von:
Scheherazade, op. 35
Nikolai Rimsky‐Korsakov10:07
37Boris Godunov, Prologue: Coronation Scene. “Da zdravstvuet tsar’ Boris Feodorovich” (Shuisky, Boris, Chorus)
bass-baritone vocals:
Ruggero Raimondi (bass-baritone)
Chorgesang:
The Choral Arts Society of Washington und Oratorio Society of Washington
Tenor-Gesang:
Kenneth Riegel (tenor)
conductor:
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor)
recording of:
Boris Godunov: Prologue. "I am sick at heart" (Coronation Scene)
Komponist(in) und Librettist:
Модест Петрович Мусоргский (Modest Mussorgski, composer)
Teil von:
Борис Годунов: Prologue (1872 version)
Modest Mussorgsky7:54
38Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Moderato assai - Allegro vivo - Presto
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1956-09-27 bis 1956-09-29)
conductor:
Carlo Maria Giulini (conductor) (von 1956-09-27 bis 1956-09-29)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1956-09-27 bis 1956-09-29)
recording of:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo (1880 revision [commonly performed]) (von 1956-09-27 bis 1956-09-29)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1872)
überarbeitet von:
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1879 bis 1880)
Teil von:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed])
Revision von:
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai — Allegro vivo
Pyotr Ilyich Tchaikovsky8:28
39Tamara
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lovro von Matačić (conductor)
recording of:
Tamara
Komponist(in):
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor) (von 1867 bis 1882)
gewidmet:
Franz Liszt (Hungarian composer, pianist and conductor)
Mily Balakirev21:54
40Jeux, CD 133, L. 126
Produzent(in):
David R. Murray
Editing:
Tony Harrison (producer and sound engineer for classical music)
Orchester:
City of Birmingham Symphony Orchestra (von 1989-02-15 bis 1989-02-17)
conductor:
Simon Rattle (conductor) (von 1989-02-15 bis 1989-02-17)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (von 1989-02-15 bis 1989-02-17)
aufgenommen bei:
Warwick Arts Centre in Coventry, West Midlands, England, Vereinigtes Königreich (von 1989-02-15 bis 1989-02-17)
recording of:
Jeux, L. 126, CD 133 (for orchestra) (von 1989-02-15 bis 1989-02-17)
Komponist(in):
Claude Debussy (French composer) (von 1912-08 bis 1913-04)
gewidmet:
Madame Jacques Durand
Premiere bei:
[concert] (1913-05-15)
Teil von:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (Nummer: L. 126) und Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (Nummer: CD 133)
Claude Debussy19:35