Shakespeare's Musick

~ Release by Philip Pickett, Musicians of The Globe (see all versions of this release, 1 available)

Annotation

7-CD compilation in the L'Oiseau-Lyre series.

Annotation last modified on 2020-01-24 00:16 UTC.

Tracklist

1▶CD: Shakespeare's Musick: Songs and Dances from Shakespeare's Plays
2▶CD: Oberon, the Faery Prince: A Masque of Prince Henries
3▶CD: Purcell's Shakespeare: Purcell's Setting and Interpolation Made into Shakespeare's Plays
4▶CD: Thomas Linley Jr.: Ode on the Witches and Fairies of Shakespeare
5▼CD: The Enchanted Island - Music for a Restoration "Tempest"
#TitleArtistRatingLength
1The Tempest: The First Musick. Introduction
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Matthew Locke1:24
2The Tempest: The First Musick. Galliard
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Matthew Locke2:02
3The Tempest: The First Musick. Gavot
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Matthew Locke0:50
4The Tempest: The Second Musick. Saraband
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Matthew Locke2:52
5The Tempest: The Second Musick. Lilk
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Matthew Locke1:22
6The Tempest: The Second Musick. Curtain Tune
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
The Tempest: Curtain Tune
composer:
Matthew Locke (English Baroque composer, c. 1621-1677)
part of:
The Tempest
Matthew Locke3:28
7The Tempest: First Act Tune. Rustick Air
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Matthew Locke1:15
8The Tempest: First Act Tune. Flourish of Musick
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Henry Purcell0:35
9The Tempest: Devil's Masque. "Where does the black fiend ambition reside?" (First Devil, Second Devil)
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
baritone vocals [First Devil]:
Roderick Williams (British baritone and composer)
bass vocals [Second Devil]:
Simon Grant (bass-baritone)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
[anonymous]4:07
10The Tempest: Devil's Masque. Air: "Arise, ye subterranean winds" (Second Devil)
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
bass vocals [Second Devil]:
Simon Grant (bass-baritone)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
[anonymous]3:20
11The Tempest: Devil's Masque. Dance of Winds
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Jean‐Baptiste Lully, arr. Peter Holman1:18
12The Tempest: Second Act Tune. Minoit
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Matthew Locke0:49
13The Tempest: Second Act Tune. Song and Chorus: "Come unto these yellow sands" (Ariel)
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Ariel]:
Libby Crabtree
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
[anonymous]1:08
14The Tempest: Second Act Tune. Song and Chorus: "Full fathom five" (Ariel)
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Ariel]:
Libby Crabtree
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
[anonymous]2:43
15The Tempest: Second Act Tune. Air: "Dry those eyes" (Ariel)
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Ariel]:
Libby Crabtree
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
[anonymous]6:28
16The Tempest: Second Act Tune. Dance of the Fantastick Spirits
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
recording of:
The Tempest: Dance of the Fantastick Spirits
composer:
Giovanni Battista Draghi (composer)
G.B. Draught?, arr. Peter Holman1:07
17The Tempest: Second Act Tune. Air: "Kind fortune smiles" (Ariel)
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Ariel]:
Libby Crabtree
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
[anonymous]1:38
18The Tempest: Third Act Tune. Corant
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Matthew Locke1:20
19The Tempest: Third Act Tune. Dance of Spirits
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
John Weldon?, arr. Peter Holman1:15
20The Tempest: Third Act Tune. Air: "Dear pretty youth" (Dorinda)
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Dorinda]:
Helen Parker (vocalist)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Henry Purcell2:14
21The Tempest: Fourth Act Tune. A Martial Jigg
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04, in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom and The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
The Tempest: Fourth Act Tune - A Martial Jigge (in 1995-04)
composer:
Matthew Locke (English Baroque composer, c. 1621-1677)
part of:
The Tempest
Matthew Locke1:13
22The Tempest: Fourth Act Tune. Soft Music on the Rocks
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Henry Purcell1:14
23The Tempest: Masque of Neptune and Amphitrite. "My Lord, great Neptune" (Amphitrite, Neptune, Oceanus, Aeolus, Tethys, Trytons, Nereides)
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
baritone vocals [Neptune]:
Roderick Williams (British baritone and composer)
soprano vocals [Amphitrite]:
Rachel Elliott
soprano vocals [Tethys]:
Nicki Kennedy (soprano)
tenor vocals [Aeolus]:
Paul Agnew (tenor and conductor)
tenor vocals [Oceanus]:
Andrew King (operatic tenor)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Pelham Humfrey3:22
24The Tempest: Masque of Neptune and Amphitrite. Dance of Trytons and Nereides
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Henry Purcell1:16
25The Tempest: Masque of Neptune and Amphitrite. "Great nephew Aeolus" (Amphitrite, Neptune, Oceanus, Aeolus, Tethys, Trytons, Nereides)
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
baritone vocals [Neptune]:
Roderick Williams (British baritone and composer)
soprano vocals [Amphitrite]:
Rachel Elliott
soprano vocals [Tethys]:
Nicki Kennedy (soprano)
tenor vocals [Aeolus]:
Paul Agnew (tenor and conductor)
tenor vocals [Oceanus]:
Andrew King (operatic tenor)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Henry Purcell3:20
26The Tempest: Masque of Neptune and Amphitrite. Dance of Four Trytons
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Henry Purcell1:31
27The Tempest: Masque of Neptune and Amphitrite. "See, see, the heavens smile" (Amphitrite, Neptune, Oceanus, Aeolus, Tethys, Trytons, Nereides)
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
baritone vocals [Neptune]:
Roderick Williams (British baritone and composer)
soprano vocals [Amphitrite]:
Rachel Elliott
soprano vocals [Tethys]:
Nicki Kennedy (soprano)
tenor vocals [Aeolus]:
Paul Agnew (tenor and conductor)
tenor vocals [Oceanus]:
Andrew King (operatic tenor)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Henry Purcell1:25
28The Tempest: Masque of Neptune and Amphitrite. Dance of the Twelve Trytons
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Henry Purcell1:03
29The Tempest: Masque of Neptune and Amphitrite. Song: "Where the bee sucks" (Ariel)
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
soprano vocals [Ariel]:
Libby Crabtree
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Pelham Humfrey1:22
30The Tempest: Conclusion. A Canon 4 in 2
recording engineer:
Jean‐Marie Geijsen
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Matthijs Ruijter (engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble)
conductor:
Philip Pickett (musician) (in 1995-11)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
Matthew Locke2:13
6▶CD: Henry Rowley Bishop: Shakespeare at the Covent Garden
7▶CD: Nutmeg and Ginger: Spicy Ballads from Shakespeare's London