Oper auf Deutsch – legendäre Opernquerschnitte

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Carmen (Querschnitt)
#TitleArtistRatingLength
1Carmen: Vorspiel
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen : Prélude (in 1962-06)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:00
2Carmen: Akt I. „Ha, sie naht” (Carmen, Chor)
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
choir vocals:
Badischer Staatsopernchor (in 1962-06)
contralto vocals [Carmen]:
Gisela Litz (German contralto) (in 1962-06)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen: Erster Akt. Nr. 4 Chor „Kommen wir herbei mit der Glocke Tönen” (Zigarettenarbeiterinnen, Carmen) (in 1962-06)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet1:02
3Carmen: Akt I. Habanera „Ja, die Liebe hat bunte Flügel” (Carmen, Chor)
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
choir vocals:
Badischer Staatsopernchor (in 1962-06)
contralto vocals [Carmen]:
Gisela Litz (German contralto) (in 1962-06)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen: Erster Akt. Nr. 5 Habanera „Ja, die Liebe hat bunte Flügel” (Carmen, Chor) (in 1962-06)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet4:28
4Carmen: Akt I. Duett „Wie, du kommst von der Mutter” (Don José, Micaëla)
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
soprano vocals [Micaëla]:
Rosl Schwaiger (soprano) (in 1962-06)
tenor vocals [Don José]:
Ernst Kozub (tenor) (in 1962-06)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen: Erster Akt. Nr. 7 Duett „Wie? Du kommst von der Mutter” – „Als Botin komm’ ich her” – „Ich seh’ die Mutter dort” (Don José, Micaëla) (in 1962-06)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet8:49
5Carmen: Akt I. Seguidilla und Duett „Draußen am Wall von Sevilla” (Don José, Micaëla)
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
contralto vocals [Carmen]:
Gisela Litz (German contralto) (in 1962-06)
tenor vocals [Don José]:
Ernst Kozub (tenor) (in 1962-06)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen: Erster Akt. Nr. 10 Seguidilla & Duett „Draußen am Wall von Sevilla” (Carmen, Don José) (in 1962-06)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet4:21
6Carmen: Akt II. Zigeunerlied „Was ist des Zigeuners höchste Lust” (Carmen, Frasquita, Mercédès)
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
contralto vocals [Carmen]:
Gisela Litz (German contralto) (in 1962-06)
mezzo-soprano vocals [Mercédès]:
Maria Graf (German mezzo soprano) (in 1962-06)
soprano vocals [Frasquita]:
Angela Kotthoff (German soprano) (in 1962-06)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen: Zweiter Akt. Nr. 12 Zigeunerlied „Was ist Zigeuners höchste Lust” (Carmen, Frasquita, Mercédès) (in 1962-06)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:44
7Carmen: Akt II. „Ein Hoch, ein Hoch dem Torero!” (Chor)
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
choir vocals:
Badischer Staatsopernchor (in 1962-06)
contralto vocals [Carmen]:
Gisela Litz (German contralto) (in 1962-06)
mezzo-soprano vocals [Mercédès]:
Maria Graf (German mezzo soprano) (in 1962-06)
soprano vocals [Frasquita]:
Angela Kotthoff (German soprano) (in 1962-06)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen: Zweiter Akt. Nr. 13 Chor „Ein Hoch, ein Hoch dem Torero!” (Zuniga, Frasquita, Mercédès, Carmen, Moralès, Chor) (in 1962-06)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet0:30
8Carmen: Akt II. „Euren Gruß kann ich wohl erwidern” – „Auf in den Kampf Torero” (Escamillo, Chor)
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
bass vocals [Escamillo]:
Franz Crass (operatic bass) (in 1962-06)
choir vocals:
Badischer Staatsopernchor (in 1962-06)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen: Zweiter Akt. Nr. 14 Torerolied: „Euren Toast kann ich wohl erwidern” – „Auf in den Kampf” (Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor) (in 1962-06)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:49
9Carmen: Akt II. Blumenarie „Hier an dem Herzen treu geborgen” (Don José)
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
tenor vocals [Don José]:
Ernst Kozub (tenor) (in 1962-06)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen: Zweiter Akt. Nr. 17 Blumenarie: „Hier an dem Herzen treu geborgen“ (Carmen, Don José) (in 1962-06)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:04
10Carmen: Akt III. „Ich sag, daß ich furchtlos mich fühle” (Micaëla)
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
soprano vocals [Micaëla]:
Rosl Schwaiger (soprano) (in 1962-06)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen: Dritter Akt. Nr. 22 Rezitativ & Arie „Hier, in der Felsenschlucht sollen die Schmuggler hausen” … „Ich sprach, daß ich furchtlos mich fühle” (Micaëla) (in 1962-06)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
translated version of:
Carmen : Acte III. Récitative « C’est des contrebandiers le refuge ordinaire » (Micaëla, le guide)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet5:19
11Carmen: Akt IV. Marsch „Ha, sie naht! Es ist die Quadrilla” (Chor)
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
choir vocals:
Badischer Staatsopernchor (in 1962-06)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen: Vierter Akt. Nr. 26 Marsch & Chor „Ha, sie naht!” (Chor, Kinderchor, Escamillo, Carmen, Frasquita, Mercédès) (in 1962-06)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
part of:
Carmen: Akt 4 (German translation, Julius Hopp)
Georges Bizet2:22
12Carmen: Akt IV. Schlussduett „José” – „Ich bin’s!” (Carmen, Don José, Chor)
recording engineer:
Cees Huizinga (Recording engineer) and Roelof Vermeulen (Sound engineer)
producer:
Volker Straus (producer/engineer)
choir vocals:
Badischer Staatsopernchor (in 1962-06)
contralto vocals:
Gisela Litz (German contralto) (in 1962-06)
tenor vocals [Don José]:
Ernst Kozub (tenor) (in 1962-06)
orchestra:
Badische Staatskapelle (in 1962-06)
conductor:
Marcel Couraud (conductor) (in 1962-06)
recorded at:
Hochschule für Technik und Wirtschaft (Karlsruhe Institute of Technology) (in 1962-06)
recording of:
Carmen: Vierter Akt. Nr. 27 Duett & Schlusschor „Du bist's?” … „Ich bin’s!” (Carmen, Don José, Chor) (in 1962-06)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur)
part of:
Carmen: Akt 4 (German translation, Julius Hopp)
Georges Bizet8:52
2CD: Tiefland (Querschnitt)
3CD: Cavalleria rusticana / Der Bajazzo (Querschnitte)
4CD: Zar und Zimmermann (Querschnitt)
5CD: Die Hochzeit des Figaro (Querschnitt)
6CD: Hoffmanns Erzählungen (Querschnitt)
7CD: La Bohème (Querschnitt)
8CD: Der Barbier von Sevilla (Querschnitt)
9CD: Eugen Onegin (Querschnitt)
10CD: Mignon (Querschnitt)
11CD: Aida (Querschnitt)
12CD: Die Macht des Schicksals (Querschnitt)
13CD: La Traviata (Querschnitt)
14CD: Nabucco (Querschnitt)
15CD: Rigoletto (Querschnitt)

Credits

Release

ASIN:DE: B07YMDZZS1 [info]