Une cantate imaginaire

~ Uitgave van Bach; Nathalie Stutzmann, Orfeo 55 (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

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#TitelArtiestWaarderingDuur
1Cantate "Am Abend aber desselbigen Sabbats", BWV 42: Sinfonia
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": I. Sinfonia
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
deel van:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach5:09
2Cantate "Freue dich, erloste Schar!", BWV 30: Kommt, ihr angefochtnen Sunder
contraltovocalen:
Nathalie Stutzmann (contralto and conductor)
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder"
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
deel van:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach4:41
3Cantate "Ich freue mich in dir", BWV 133: Getrost!
contraltovocalen:
Nathalie Stutzmann (contralto and conductor)
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir"
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach3:42
4Suite pour orchestra no. 3, BWV 1068: Aria
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
deel van:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:24
5Livre de musique d'Anna Magdalena Bach, BWV 508: Bist du bei mir
contraltovocalen:
Nathalie Stutzmann (contralto and conductor)
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Bist du bei mir, BWV 508 (previously attributed to Bach, catch-all for arrangements)
componist:
Gottfried Heinrich Stölzel (composer)
vroeger toegeschreven aan:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement van:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
deel van:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach3:44
6Cantate "Ich liebe den Hochsten von ganzem Gemute", BWV 174: Sinfonia
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: II. Aria (Alt) „Ich liebe den Höchsten von ganzem Gemüte“
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1729-06-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
deel van:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach5:30
7Cantate "Ich hatte viel Bekummernis": Sinfonia
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
deel van:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:58
8Cantate "Wer mich liebet, der wird mein Wort halten", BWV 74: Nichts kann mich erretten
contraltovocalen:
Nathalie Stutzmann (contralto and conductor)
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VII. Aria (Alt) "Nichts kann mich erretten"
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
deel van:
Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"
Johann Sebastian Bach5:02
9Cantate "Allein zu dir, Herr Jesu Christ", BWV 33: Wie furchtsam wankten meine Schritte
contraltovocalen:
Nathalie Stutzmann (contralto and conductor)
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": III. Aria (Alto) "Wie furchtsam wankten meine Schritte"
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"
Johann Sebastian Bach9:26
10Cantate "Gleichwie der Regen und Schnee vom Himmel fallt", BWV 18: Sinfonia
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach3:09
11Passion selon Saint Matthieu, BWV 244: Erbarme dich
contraltovocalen:
Nathalie Stutzmann (contralto and conductor)
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
orkestrator:
Ton Koopman (conductor, organist and harpsichordist)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
deel van:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:01
12Cantate "Christ lag in Todes Banden", BWV 4: Sinfonia
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Christ lag in Todes Banden, BWV 718
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach Compendium (nummer: BC K 119) en Bach-Werke-Verzeichnis (nummer: BWV 718)
Johann Sebastian Bach1:40
13Cantate "Gott soll allein mein Herze haben", BWV 169: Stirb in mir, Welt und alle deine Liebe
contraltovocalen:
Nathalie Stutzmann (contralto and conductor)
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt"
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1726-10-26)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach4:41
14Cantate "Gloria in excelsis Deo", BWV 191: Gloria in excelsis Deo
contraltovocalen:
Nathalie Stutzmann (contralto and conductor)
koor:
Mikaeli kammarkör (Swedish chamber choir)
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo"
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is gebaseerd op:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is gebaseerd op:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
deel van:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach5:30
15Cantate "Ich bin ein guter Hirt", BWV 85: Jesus ist ein guter Hirt
contraltovocalen:
Nathalie Stutzmann (contralto and conductor)
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 85 "Ich bin ein guter Hirt": II. Aria (Alt) "Jesus ist ein guter Hirt"
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 85 "Ich bin ein guter Hirt"
Johann Sebastian Bach3:25
16Cantate "Himmelskonig, sei willkommen", BWV 182: Sinfonia
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata
had de première in:
Weimar, Thüringen (Thuringia), Duitsland (op 1714-03-25)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] ([anoniem], special purpose artist)
versie van:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
deel van:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach1:55
17Livre de musique d'Anna Magdalena Bach, BWV 505: Vergiss mein nicht, mein allerliebster Gott
contraltovocalen:
Nathalie Stutzmann (contralto and conductor)
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Geistliches Lied, BWV 505 "Vergiß mein nicht, mein allerliebster Gott"
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Bach-Werke-Verzeichnis (nummer: BWV 505)
Johann Sebastian Bach2:49
18Cantate "Herz und Mund und Tat und Leben", BWV 147: Jesus bleibet meine Freude
contraltovocalen:
Nathalie Stutzmann (contralto and conductor)
koor:
Mikaeli kammarkör (Swedish chamber choir)
orkest:
Orfeo 55 (ensemble formed by Nathalie Stutzmann)
was dirigent:
Nathalie Stutzmann (contralto and conductor)
fonografisch auteursrecht (℗):
Universal Music Classics & Jazz France (in 2012)
is een opname van:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1723-07-02)
tekstschrijver:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
deel van:
Classic 100: Piano (2025) (nummer: 15)
deel van:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:00

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auteursrecht (©):Universal Music Classics & Jazz France (in 2012)
ASIN:UK: B009L2WPGU [info]