Une cantate imaginaire

~ Release by Bach; Nathalie Stutzmann, Orfeo 55 (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Cantate "Am Abend aber desselbigen Sabbats", BWV 42: Sinfonia orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": I. Sinfonia composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) part of: Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"	Johann Sebastian Bach		5:09
2	Cantate "Freue dich, erloste Schar!", BWV 30: Kommt, ihr angefochtnen Sunder contralto vocals: Nathalie Stutzmann (contralto and conductor) orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1738) part of: Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)	Johann Sebastian Bach		4:41
3	Cantate "Ich freue mich in dir", BWV 133: Getrost! contralto vocals: Nathalie Stutzmann (contralto and conductor) orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 133 "Ich freue mich in dir"	Johann Sebastian Bach		3:42
4	Suite pour orchestra no. 3, BWV 1068: Aria orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		5:24
5	Livre de musique d'Anna Magdalena Bach, BWV 508: Bist du bei mir contralto vocals: Nathalie Stutzmann (contralto and conductor) orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Bist du bei mir, BWV 508 (previously attributed to Bach, catch-all for arrangements) composer: Gottfried Heinrich Stölzel (composer) previously attributed to: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) part of: Notenbüchlein für Anna Magdalena Bach, Kleine Suite	Johann Sebastian Bach		3:44
6	Cantate "Ich liebe den Hochsten von ganzem Gemute", BWV 174: Sinfonia orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: II. Aria (Alt) „Ich liebe den Höchsten von ganzem Gemüte“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1729-06-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1729) librettist: Christian Friedrich Henrici (in 1728) part of: Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"	Johann Sebastian Bach		5:30
7	Cantate "Ich hatte viel Bekummernis": Sinfonia orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1714) part of: Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)	Johann Sebastian Bach		2:58
8	Cantate "Wer mich liebet, der wird mein Wort halten", BWV 74: Nichts kann mich erretten contralto vocals: Nathalie Stutzmann (contralto and conductor) orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": VII. Aria (Alt) "Nichts kann mich erretten" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) part of: Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten"	Johann Sebastian Bach		5:02
9	Cantate "Allein zu dir, Herr Jesu Christ", BWV 33: Wie furchtsam wankten meine Schritte contralto vocals: Nathalie Stutzmann (contralto and conductor) orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": III. Aria (Alto) "Wie furchtsam wankten meine Schritte" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) part of: Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ"	Johann Sebastian Bach		9:26
10	Cantate "Gleichwie der Regen und Schnee vom Himmel fallt", BWV 18: Sinfonia orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia composer: Johann Sebastian Bach (German Baroque period composer & musician)	Johann Sebastian Bach		3:09
11	Passion selon Saint Matthieu, BWV 244: Erbarme dich contralto vocals: Nathalie Stutzmann (contralto and conductor) orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" orchestrator: Ton Koopman (conductor, organist and harpsichordist) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		7:01
12	Cantate "Christ lag in Todes Banden", BWV 4: Sinfonia orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Christ lag in Todes Banden, BWV 718 composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach Compendium (number: BC K 119) and Bach-Werke-Verzeichnis (number: BWV 718)	Johann Sebastian Bach		1:40
13	Cantate "Gott soll allein mein Herze haben", BWV 169: Stirb in mir, Welt und alle deine Liebe contralto vocals: Nathalie Stutzmann (contralto and conductor) orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1726-10-26) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1726) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 169 "Gott soll allein mein Herze haben"	Johann Sebastian Bach		4:41
14	Cantate "Gloria in excelsis Deo", BWV 191: Gloria in excelsis Deo choir vocals: Mikaeli kammarkör (Swedish chamber choir) contralto vocals: Nathalie Stutzmann (contralto and conductor) orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" premiered in: Leipzig, Sachsen (Saxony), Germany composed in: Leipzig, Sachsen (Saxony), Germany composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1740) is based on: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") is based on: h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") part of: Kantate, BWV 191 "Gloria in excelsis Deo"	Johann Sebastian Bach		5:30
15	Cantate "Ich bin ein guter Hirt", BWV 85: Jesus ist ein guter Hirt contralto vocals: Nathalie Stutzmann (contralto and conductor) orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 85 "Ich bin ein guter Hirt": II. Aria (Alt) "Jesus ist ein guter Hirt" composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1725) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 85 "Ich bin ein guter Hirt"	Johann Sebastian Bach		3:25
16	Cantate "Himmelskonig, sei willkommen", BWV 182: Sinfonia orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata premiered in: Weimar, Thüringen (Thuringia), Germany (on 1714-03-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1714) librettist: [anonymous] (special purpose artist) version of: Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata part of: Kantate, BWV 182 „Himmelskönig, sei willkommen“	Johann Sebastian Bach		1:55
17	Livre de musique d'Anna Magdalena Bach, BWV 505: Vergiss mein nicht, mein allerliebster Gott contralto vocals: Nathalie Stutzmann (contralto and conductor) orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Geistliches Lied, BWV 505 "Vergiß mein nicht, mein allerliebster Gott" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 505)	Johann Sebastian Bach		2:49
18	Cantate "Herz und Mund und Tat und Leben", BWV 147: Jesus bleibet meine Freude choir vocals: Mikaeli kammarkör (Swedish chamber choir) contralto vocals: Nathalie Stutzmann (contralto and conductor) orchestra: Orfeo 55 (ensemble formed by Nathalie Stutzmann) conductor: Nathalie Stutzmann (contralto and conductor) phonographic copyright (℗) by: Universal Music Classics & Jazz France (in 2012) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Classic 100: Piano (2025) (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		4:00

Credits

Release

copyrighted (©) by:	Universal Music Classics & Jazz France (in 2012)

ASIN:	UK: B009L2WPGU [info]

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Release information

Barcode:: 028948100620
Format:: CD
Length:: 1:19:47

Additional details

Type:: Album
Status:: Official
Language:: [Multiple languages]
Script:: Latin
Data quality:: Normal

Labels

Deutsche Grammophon
481 0062
Universal Music France
481 0062

Release events

France
2012

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UK: B009L2WPGU

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Last updated on 2023-12-15 05:00 UTC