The Dreaded P.D.Q. Bach Collection

~ Veröffentlichung von P.D.Q. Bach (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1Introduction
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Sprecher:
Peter Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
Peter Schickele3:27
2Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Overture
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Cembalo und Trillerpfeife [razzer]:
John Ferrante (tenor) (in 1973-12)
Dampforgel / Calliope und Trillerpfeife [siren]:
Professor Schickele (American composer) (in 1973-12)
Klavier und Trillerpfeife [police whistle]:
David Oei (classical pianist) (in 1973-12)
conductor:
Professor Peter Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Overture (in 1973-12)
Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:26
3Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I am a quaint old innkeeper”
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo Baritongesang [beriberitone], Sprecher und whistling:
Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “I am a quaint old innkeeper” (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:29
4Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Like a lonely pilgrim”
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo Countertenorgesang [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
Sprecher:
Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “Like a lonely pilgrim” (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:55
5Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “My name is Hansel Hunter”
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
foot stomps und Solo Baritongesang [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Hintergrundgesang:
William Walters (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “My name is Hansel Hunter” (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:20
6Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I’m the village idiot”
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo Countertenorgesang [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “I’m the village idiot” (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach0:30
7Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Et expecto”
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo Baritongesang [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
Sprecher:
John Ferrante (tenor) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “Et expecto” (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach2:34
8Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “There’s something about a monk”
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo Baritongesang [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
Solo Countertenorgesang [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “There’s something about a monk” (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach2:10
9Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Do you love me?”
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Hintergrundgesang:
William Walters (in 1973-12)
Solo Baritongesang [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
Solo Countertenorgesang [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Duet: “Do you love me?” (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:31
10Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Interlude: Medical examination
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo Baritongesang [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
Solo Countertenorgesang [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Interlude: Medical examination (in 1973-12)
Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach0:35
11Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I hope you’ll take this friendly advice”
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo Baritongesang [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
Sprecher:
John Ferrante (tenor) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “I hope you’ll take this friendly advice” (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:21
12Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Teddy Nice is my name”
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo Countertenorgesang [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “Teddy Nice is my name” (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach0:48
13Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Jump not to conclusions”
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo Baritongesang [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
Solo Countertenorgesang [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Duet: “Jump not to conclusions” (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:20
14Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Finale: “Just tell me what your name is”
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Cembalo, Trillerpfeife [razzer] und Solo Countertenorgesang [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
Dampforgel / Calliope, Trillerpfeife [siren] und Solo Baritongesang [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
Klavier und Trillerpfeife [police whistle]:
David Oei (classical pianist) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Finale: “Just tell me what your name is” (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach4:08
15The O.K. Chorale from the Toot Suite for calliope four hands, S. 212°
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Dampforgel / Calliope [callioper]:
David Oei (classical pianist) (in 1973-12) und Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
Toot Suite for calliope four hands: The O.K. Chorale (in 1973-12)
Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
Toot Suite for calliope four hands
P.D.Q. Bach3:16
16Introduction
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Sprecher:
Peter Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
Peter Schickele5:01
17“Erotica” Variations, S. 36EE, for banned instruments and piano: Theme: Windbreaker
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo-Naturton-Blechblasinstrument [windbreaker]:
Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Theme: Windbreaker (in 1973-12)
Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach0:47
18“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅰ: Balloons
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo-andere Instrumente [balloons]:
Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Variation Ⅰ: Balloons (in 1973-12)
Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach0:40
19“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅱ: Slide Whistle
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo-Kolbenflöte:
Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Variation Ⅱ: Slide Whistle (in 1973-12)
Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach1:14
20“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅲ: Slide Windbreaker
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo-Zug-Blechblasinstrumente [slide windbreaker]:
Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Variation Ⅲ: Slide Windbreaker (in 1973-12)
Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach0:26
21“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅳ: Lasso D’Amore
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo-Lasso d'Amore:
Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Variation Ⅳ: Lasso D’Amore (in 1973-12)
Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach1:58
22“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅴ: Foghorn, Bell, Kazoo, Gargle
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Klavier:
David Oei (classical pianist) (in 1973-12)
Solo-Blasinstrumente [foghorn], Solo-Glocken, Solo-Kazoo und Solo sonstiger Gesang [gargle]:
Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Variation Ⅴ: Foghorn, Bell, Kazoo, Gargle (in 1973-12)
Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach0:58
23Introduction
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Sprecher:
Peter Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
Peter Schickele1:01
24The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Loving is as easy
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Cello [celloist]:
Peter Rosenfeld (cellist) (in 1973-12)
Baritongesang [singist]:
John Ferrante (tenor) (in 1973-12), John Nelson (American conductor) (in 1973-12) und Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Loving is as easy (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach0:58
25The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Please, kind sir
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Fagott [bassooner]:
Arthur Weisberg (in 1973-12)
Baritongesang [singist]:
John Ferrante (tenor) (in 1973-12) und John Nelson (American conductor) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Please, kind sir (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach1:43
26The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Jane, my Jane
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Cello [celloist]:
Peter Rosenfeld (cellist) (in 1973-12)
Baritongesang [singist]:
John Ferrante (tenor) (in 1973-12), John Nelson (American conductor) (in 1973-12) und Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Jane, my Jane (in 1973-12)
gewidmet:
Pittsburgh, Pennsylvania, Vereinigte Staaten
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach2:38
27The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Golly golly oh
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Fagott [bassooner]:
Arthur Weisberg (in 1973-12)
Baritongesang [singist]:
John Ferrante (tenor) (in 1973-12), John Nelson (American conductor) (in 1973-12) und Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Golly golly oh (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach1:30
28The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Nelly is a nice girl
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Cello [celloist]:
Peter Rosenfeld (cellist) (in 1973-12)
Fagott [bassooner]:
Arthur Weisberg (in 1973-12)
Baritongesang [singist]:
John Ferrante (tenor) (in 1973-12), John Nelson (American conductor) (in 1973-12) und Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Nelly is a nice girl (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach1:52
29The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Encore (Nelly is a nice girl)
recording engineer:
Jeff Zaraya (in 1973-12)
Produzent(in):
Stephen Schmidt (engineer) (in 1973-12)
Mix:
David Baker (engineer Vanguard Classics) (in 1973-12)
Editing:
Joe Spivak (in 1973-12)
Cello [celloist]:
Peter Rosenfeld (cellist) (in 1973-12)
Fagott [bassooner]:
Arthur Weisberg (in 1973-12)
Baritongesang [singist]:
John Ferrante (tenor) (in 1973-12), John Nelson (American conductor) (in 1973-12) und Professor Schickele (American composer) (in 1973-12)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Nelly is a nice girl (in 1973-12)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
Teil von:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach1:30
30In the Vanguard Vault, Part 2
Produzent(in):
Tom Voegeli (producer, engineer)
Sprecher:
Tom Keith (radio actor), Tim Russell (voice actor known for A Prairie Home Companion) und Peter Schickele (American composer)
Peter Schickele4:08
31The “Sanka” Cantata
recorded in:
Fargo, North Dakota, Vereinigte Staaten (am 1953-08-30)
Audio-Engineering:
The Young Ernest Lloyd (am 1953-08-30)
Produzent(in):
Tom Voegeli (producer, engineer)
Bratsche / Viola, Geige / Violine und Baritongesang:
The Young David Schickele (am 1953-08-30)
Cello:
The Young Ernest Lloyd (am 1953-08-30)
Fagott und Klavier:
The Young Peter Schickele (American composer) (am 1953-08-30)
Sprecher:
The Young David Schickele (am 1953-08-30) und The Young Peter Schickele (American composer) (am 1953-08-30)
recording of:
The “Sanka” Cantata (am 1953-08-30)
Texter und Komponist(in):
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
P.D.Q. Bach7:04
32In the Vanguard Vault, Part 3
Produzent(in):
Tom Voegeli (producer, engineer)
Sprecher:
Tom Keith (radio actor), Tim Russell (voice actor known for A Prairie Home Companion) und Peter Schickele (American composer)
Peter Schickele1:13

Nennungen

Veröffentlichung

Fotografie:Jim Kalett
Peter Schaaf (photographer)
Lisl Steiner
Paul Buck Hoeffler (American photographer based in Toronto, Canada since 1971) (von 1967 bis 1970)
Joel Brodsky (in 1973)
liner notes:David Schickele (in 1965)
Peter Schickele (American composer) (von 1966 bis 1996)
Jeff Ehrhart (sound editor, actor, and writer) (in 1996)
Produzent(in):Tom Voegeli (producer, engineer)
remastering:Jeff Zaraya
illustration:Lawrence Widdoes (American composer)
Jules Maidoff (in 1965)
design:Drew Cartwright, Barry Ridge Graphic Design
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Vanguard Records (not for release label use! file releases under its imprint "Vanguard" instead) (in 1996)
Discogs:https://www.discogs.com/release/13753552 [Info]
ASIN:US: B000000EDK [Info]
Allmusic:https://www.allmusic.com/album/release/mr0002729705 [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000999016 [Info]
Wikidata:Q7730898 [Info]