The Dreaded P.D.Q. Bach Collection

~ Release by P.D.Q. Bach (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleArtistRatingLength
1Introduction
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
spoken vocals:
Peter Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
Peter Schickele3:27
2Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Overture
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
calliope and whistle [siren]:
Professor Schickele (American composer) (in 1973-12)
harpsichord and whistle [razzer]:
John Ferrante (tenor) (in 1973-12)
piano and whistle [police whistle]:
David Oei (classical pianist) (in 1973-12)
conductor:
Professor Peter Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Overture (in 1973-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:26
3Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I am a quaint old innkeeper”
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo baritone vocals [beriberitone], spoken vocals and whistling:
Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “I am a quaint old innkeeper” (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:29
4Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Like a lonely pilgrim”
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo countertenor vocals [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
spoken vocals:
Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “Like a lonely pilgrim” (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:55
5Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “My name is Hansel Hunter”
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
foot stomps and solo baritone vocals [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
background vocals:
William Walters (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “My name is Hansel Hunter” (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:20
6Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I’m the village idiot”
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo countertenor vocals [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “I’m the village idiot” (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach0:30
7Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Et expecto”
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo baritone vocals [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
spoken vocals:
John Ferrante (tenor) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “Et expecto” (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach2:34
8Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “There’s something about a monk”
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo baritone vocals [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
solo countertenor vocals [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “There’s something about a monk” (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach2:10
9Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Do you love me?”
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
background vocals:
William Walters (in 1973-12)
solo baritone vocals [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
solo countertenor vocals [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Duet: “Do you love me?” (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:31
10Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Interlude: Medical examination
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo baritone vocals [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
solo countertenor vocals [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Interlude: Medical examination (in 1973-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach0:35
11Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “I hope you’ll take this friendly advice”
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo baritone vocals [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
spoken vocals:
John Ferrante (tenor) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “I hope you’ll take this friendly advice” (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:21
12Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Aria: “Teddy Nice is my name”
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo countertenor vocals [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Aria: “Teddy Nice is my name” (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach0:48
13Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Duet: “Jump not to conclusions”
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo baritone vocals [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
solo countertenor vocals [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Duet: “Jump not to conclusions” (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach1:20
14Hansel and Gretel and Ted and Alice, S. 2ⁿ−1: An opera in one unnatural act: Finale: “Just tell me what your name is”
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
calliope, whistle [siren] and solo baritone vocals [beriberitone]:
Professor Schickele (American composer) (in 1973-12)
harpsichord, whistle [razzer] and solo countertenor vocals [bargain counter tenor]:
John Ferrante (tenor) (in 1973-12)
piano and whistle [police whistle]:
David Oei (classical pianist) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Hansel and Gretel and Ted and Alice: Finale: “Just tell me what your name is” (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Hansel and Gretel and Ted and Alice
P.D.Q. Bach4:08
15The O.K. Chorale from the Toot Suite for calliope four hands, S. 212°
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
calliope [callioper]:
David Oei (classical pianist) (in 1973-12) and Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
Toot Suite for calliope four hands: The O.K. Chorale (in 1973-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Toot Suite for calliope four hands
P.D.Q. Bach3:16
16Introduction
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
spoken vocals:
Peter Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
Peter Schickele5:01
17“Erotica” Variations, S. 36EE, for banned instruments and piano: Theme: Windbreaker
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo natural brass instruments [windbreaker]:
Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Theme: Windbreaker (in 1973-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach0:47
18“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅰ: Balloons
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo other instruments [balloons]:
Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Variation Ⅰ: Balloons (in 1973-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach0:40
19“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅱ: Slide Whistle
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo slide whistle:
Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Variation Ⅱ: Slide Whistle (in 1973-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach1:14
20“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅲ: Slide Windbreaker
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo slide brass instruments [slide windbreaker]:
Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Variation Ⅲ: Slide Windbreaker (in 1973-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach0:26
21“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅳ: Lasso D’Amore
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo lasso d'amore:
Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Variation Ⅳ: Lasso D’Amore (in 1973-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach1:58
22“Erotica” Variations, S. 36EE, for banned instruments and piano: Variation Ⅴ: Foghorn, Bell, Kazoo, Gargle
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
piano:
David Oei (classical pianist) (in 1973-12)
solo bell, solo kazoo, solo wind instruments [foghorn] and solo other vocals [gargle]:
Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
“Erotica” Variations for banned instruments and piano: Variation Ⅴ: Foghorn, Bell, Kazoo, Gargle (in 1973-12)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
“Erotica” Variations for banned instruments and piano
P.D.Q. Bach0:58
23Introduction
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
spoken vocals:
Peter Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
Peter Schickele1:01
24The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Loving is as easy
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
cello [celloist]:
Peter Rosenfeld (cellist) (in 1973-12)
baritone vocals [singist]:
John Ferrante (tenor) (in 1973-12), John Nelson (American conductor) (in 1973-12) and Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Loving is as easy (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach0:58
25The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Please, kind sir
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
bassoon [bassooner]:
Arthur Weisberg (in 1973-12)
baritone vocals [singist]:
John Ferrante (tenor) (in 1973-12) and John Nelson (American conductor) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Please, kind sir (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach1:43
26The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Jane, my Jane
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
cello [celloist]:
Peter Rosenfeld (cellist) (in 1973-12)
baritone vocals [singist]:
John Ferrante (tenor) (in 1973-12), John Nelson (American conductor) (in 1973-12) and Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Jane, my Jane (in 1973-12)
dedicated to:
Pittsburgh, Pennsylvania, United States
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach2:38
27The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Golly golly oh
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
bassoon [bassooner]:
Arthur Weisberg (in 1973-12)
baritone vocals [singist]:
John Ferrante (tenor) (in 1973-12), John Nelson (American conductor) (in 1973-12) and Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Golly golly oh (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach1:30
28The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Nelly is a nice girl
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
bassoon [bassooner]:
Arthur Weisberg (in 1973-12)
cello [celloist]:
Peter Rosenfeld (cellist) (in 1973-12)
baritone vocals [singist]:
John Ferrante (tenor) (in 1973-12), John Nelson (American conductor) (in 1973-12) and Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Nelly is a nice girl (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach1:52
29The Art of the Ground Round, S. 1.19/lb, for three baritones and discontinuo: Encore (Nelly is a nice girl)
recording engineer:
Jeff Zaraya (in 1973-12)
producer:
Stephen Schmidt (engineer) (in 1973-12)
mixer:
David Baker (engineer Vanguard Classics) (in 1973-12)
editor:
Joe Spivak (in 1973-12)
bassoon [bassooner]:
Arthur Weisberg (in 1973-12)
cello [celloist]:
Peter Rosenfeld (cellist) (in 1973-12)
baritone vocals [singist]:
John Ferrante (tenor) (in 1973-12), John Nelson (American conductor) (in 1973-12) and Professor Schickele (American composer) (in 1973-12)
recorded at:
The Town Hall in Theater District, New York, New York, United States (in 1973-12)
live recording of:
The Art of the Ground Round for three baritones and discontinuo: Nelly is a nice girl (in 1973-12)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Art of the Ground Round for three baritones and discontinuo
P.D.Q. Bach1:30
30In the Vanguard Vault, Part 2
producer:
Tom Voegeli (producer, engineer)
spoken vocals:
Tom Keith (radio actor), Tim Russell (voice actor known for A Prairie Home Companion) and Peter Schickele (American composer)
Peter Schickele4:08
31The “Sanka” Cantata
recorded in:
Fargo, North Dakota, United States (on 1953-08-30)
audio engineer:
The Young Ernest Lloyd (on 1953-08-30)
producer:
Tom Voegeli (producer, engineer)
bassoon and piano:
The Young Peter Schickele (American composer) (on 1953-08-30)
cello:
The Young Ernest Lloyd (on 1953-08-30)
viola, violin and baritone vocals:
The Young David Schickele (on 1953-08-30)
spoken vocals:
The Young David Schickele (on 1953-08-30) and The Young Peter Schickele (American composer) (on 1953-08-30)
recording of:
The “Sanka” Cantata (on 1953-08-30)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
P.D.Q. Bach7:04
32In the Vanguard Vault, Part 3
producer:
Tom Voegeli (producer, engineer)
spoken vocals:
Tom Keith (radio actor), Tim Russell (voice actor known for A Prairie Home Companion) and Peter Schickele (American composer)
Peter Schickele1:13

Credits

Release

photography:Jim Kalett
Peter Schaaf (photographer)
Lisl Steiner
Paul Buck Hoeffler (American photographer based in Toronto, Canada since 1971) (from 1967 until 1970)
Joel Brodsky (in 1973)
liner notes:David Schickele (in 1965)
Peter Schickele (American composer) (from 1966 until 1996)
Jeff Ehrhart (sound editor, actor, and writer) (in 1996)
producer:Tom Voegeli (producer, engineer)
remastering:Jeff Zaraya
illustration:Lawrence Widdoes (American composer)
Jules Maidoff (in 1965)
design:Drew Cartwright, Barry Ridge Graphic Design
copyrighted (©) by and phonographic copyright (℗) by:Vanguard Records (not for release label use! file releases under its imprint "Vanguard" instead) (in 1996)
Discogs:https://www.discogs.com/release/13753552 [info]
ASIN:US: B000000EDK [info]
Allmusic:https://www.allmusic.com/album/release/mr0002729705 [info]