| # | Title | Artist | Rating | Length |
|---|
| 1 | Magnificat BWV 243 (1723) - Choeur: "Magnificat anima mea Dominum"- engineer:
- Michel Pierre
- producer:
- Michel Bernard
- bassoon:
- Kate Van Orden (in 1990-01)
- cello:
- Harm Jan Schwitters (in 1990-01) and Ageet Zweistra (in 1990-01)
- flute:
- Patrick Beuckels (in 1990-01) and Marc Hantaï (in 1990-01)
- oboe:
- Taka Kitazato (in 1990-01) and Marcel Ponseele (in 1990-01)
- organ:
- Jan-Willem Jansen (in 1990-01)
- timbales:
- Jean Chamboux (in 1990-01)
- trumpet:
- Jonathan Impett (in 1990-01), Stephen Keavy (in 1990-01) and Léon Petré (in 1990-01)
- viola:
- Christine Angot (in 1990-01) and Galina Zinchenko (in 1990-01)
- violin:
- Peter Van Boxelaere (in 1990-01), Adrian Chamorro (in 1990-01), Myriam Gevers (in 1990-01), Nicolette Moonen (in 1990-01), Martha Moore (in 1990-01) and 寺神戸亮 (in 1990-01)
- alto vocals:
- Gérard Lesne
- bass vocals:
- Peter Kooij
- choir vocals:
- Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
- soprano vocals:
- Agnès Mellon and Barbara Schlick
- tenor vocals:
- Howard Crook
- orchestra:
- La Chapelle Royale (in 1990-01) and Collegium Vocale Gent (in 1990-01)
- conductor:
- Philippe Herreweghe (in 1990-01)
- concertmaster:
- Roy Goodman (in 1990-01)
- recording of:
- Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1990-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen , Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
| Johann Sebastian Bach | | 3:00 |
| 2 | Magnificat BWV 243 (1723) - Aria: "Et exultavit spiritus meus"- engineer:
- Michel Pierre
- producer:
- Michel Bernard
- bassoon:
- Kate Van Orden (in 1990-01)
- cello:
- Harm Jan Schwitters (in 1990-01) and Ageet Zweistra (in 1990-01)
- flute:
- Patrick Beuckels (in 1990-01) and Marc Hantaï (in 1990-01)
- oboe:
- Taka Kitazato (in 1990-01) and Marcel Ponseele (in 1990-01)
- organ:
- Jan-Willem Jansen (in 1990-01)
- timbales:
- Jean Chamboux (in 1990-01)
- trumpet:
- Jonathan Impett (in 1990-01), Stephen Keavy (in 1990-01) and Léon Petré (in 1990-01)
- viola:
- Christine Angot (in 1990-01) and Galina Zinchenko (in 1990-01)
- violin:
- Peter Van Boxelaere (in 1990-01), Adrian Chamorro (in 1990-01), Myriam Gevers (in 1990-01), Nicolette Moonen (in 1990-01), Martha Moore (in 1990-01) and 寺神戸亮 (in 1990-01)
- alto vocals:
- Gérard Lesne
- bass vocals:
- Peter Kooij
- choir vocals:
- Collegium Vocale Gent
- solo soprano vocals:
- Agnès Mellon (in 1990-01)
- soprano vocals:
- Agnès Mellon and Barbara Schlick
- tenor vocals:
- Howard Crook
- orchestra:
- La Chapelle Royale (in 1990-01) and Collegium Vocale Gent (in 1990-01)
- conductor:
- Philippe Herreweghe (in 1990-01)
- concertmaster:
- Roy Goodman (in 1990-01)
- recording of:
- Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1990-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen , Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
| Johann Sebastian Bach | | 2:33 |
| 3 | Magnificat BWV 243 (1723) - Aria: "Quia respexit humilitatem"- engineer:
- Michel Pierre
- producer:
- Michel Bernard
- bassoon:
- Kate Van Orden (in 1990-01)
- cello:
- Harm Jan Schwitters (in 1990-01) and Ageet Zweistra (in 1990-01)
- flute:
- Patrick Beuckels (in 1990-01) and Marc Hantaï (in 1990-01)
- oboe:
- Taka Kitazato (in 1990-01) and Marcel Ponseele (in 1990-01)
- organ:
- Jan-Willem Jansen (in 1990-01)
- timbales:
- Jean Chamboux (in 1990-01)
- trumpet:
- Jonathan Impett (in 1990-01), Stephen Keavy (in 1990-01) and Léon Petré (in 1990-01)
- viola:
- Christine Angot (in 1990-01) and Galina Zinchenko (in 1990-01)
- violin:
- Peter Van Boxelaere (in 1990-01), Adrian Chamorro (in 1990-01), Myriam Gevers (in 1990-01), Nicolette Moonen (in 1990-01), Martha Moore (in 1990-01) and 寺神戸亮 (in 1990-01)
- alto vocals:
- Gérard Lesne
- bass vocals:
- Peter Kooij
- choir vocals:
- Collegium Vocale Gent
- solo soprano vocals:
- Barbara Schlick (in 1990-01)
- soprano vocals:
- Agnès Mellon and Barbara Schlick
- tenor vocals:
- Howard Crook
- orchestra:
- La Chapelle Royale (in 1990-01) and Collegium Vocale Gent (in 1990-01)
- conductor:
- Philippe Herreweghe (in 1990-01)
- concertmaster:
- Roy Goodman (in 1990-01)
- recording of:
- Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1990-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen , Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
| Johann Sebastian Bach | | 2:42 |
| 4 | Magnificat BWV 243 (1723) - Choeur: "Omnes Generationes"- engineer:
- Michel Pierre
- producer:
- Michel Bernard
- bassoon:
- Kate Van Orden (in 1990-01)
- cello:
- Harm Jan Schwitters (in 1990-01) and Ageet Zweistra (in 1990-01)
- flute:
- Patrick Beuckels (in 1990-01) and Marc Hantaï (in 1990-01)
- oboe:
- Taka Kitazato (in 1990-01) and Marcel Ponseele (in 1990-01)
- organ:
- Jan-Willem Jansen (in 1990-01)
- timbales:
- Jean Chamboux (in 1990-01)
- trumpet:
- Jonathan Impett (in 1990-01), Stephen Keavy (in 1990-01) and Léon Petré (in 1990-01)
- viola:
- Christine Angot (in 1990-01) and Galina Zinchenko (in 1990-01)
- violin:
- Peter Van Boxelaere (in 1990-01), Adrian Chamorro (in 1990-01), Myriam Gevers (in 1990-01), Nicolette Moonen (in 1990-01), Martha Moore (in 1990-01) and 寺神戸亮 (in 1990-01)
- alto vocals:
- Gérard Lesne
- bass vocals:
- Peter Kooij
- choir vocals:
- Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
- soprano vocals:
- Agnès Mellon and Barbara Schlick
- tenor vocals:
- Howard Crook
- orchestra:
- La Chapelle Royale (in 1990-01) and Collegium Vocale Gent (in 1990-01)
- conductor:
- Philippe Herreweghe (in 1990-01)
- concertmaster:
- Roy Goodman (in 1990-01)
- recording of:
- Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1990-01)
- premiered in:
- Leipzig, Sachsen , Germany (on 1733-07-02)
- composed in:
- Leipzig, Sachsen , Germany (from 1728 until 1731)
- composer:
- Johann Sebastian Bach
- part of:
- Magnificat D-Dur, BWV 243
| Johann Sebastian Bach | | 1:29 |
| 5 | Matthäus-Passion BWV244 (1727) - Aria a doi cori: "So ist mein Jesu nun gefangen" / Chour: "Sind Blitze, sind Donner in Wolken verschwunden" | Johann Sebastian Bach | | 4:59 |
| 6 | Matthäus-Passion BWV244 (1727) - Evangelista, Jesus: "Und siehe, einer aus denen" | Johann Sebastian Bach | | 2:03 |
| 7 | Matthäus-Passion BWV244 (1727) - Choral: "O Mensch, bewein dein Sünde gross" | Johann Sebastian Bach | | 5:26 |
| 8 | Memorare (1686) - Motet à 2 choeurs pour la chappele du Roy | Henri Dumont | | 8:49 |
| 9 | Messe de Requiem (c. 1700) - Requiem aeternam - Te decet hymnus deux - Requiem aeternam | André Campra | | 6:35 |
| 10 | Miserere H.219 (c. 1690) - Ouverture | Marc‐Antoine Charpentier | | 1:45 |
| 11 | Miserere H.219 (c. 1690) - Miserere mei, Deus | Marc‐Antoine Charpentier | | 3:22 |
| 12 | Dies Irae S.31 (1690) - Coeurs (sopranos): "Dies rae" | Michel‐Richard de Lalande | | 1:20 |
| 13 | Dies Irae S.31 (1690) - Choeur: "Qantus tremor" | Michel‐Richard de Lalande | | 1:07 |
| 14 | Dies Irae S.31 (1690) - Baryton: "Tuba mirum" | Michel‐Richard de Lalande | | 1:25 |
| 15 | Dies Irae S.31 (1690) - Chour: "Mors stupebit" | Michel‐Richard de Lalande | | 1:24 |
| 16 | Dies Irae S.31 (1690) - Haute-contre: "Liber scriptus" | Michel‐Richard de Lalande | | 3:02 |
| 17 | Dies Irae S.31 (1690) - Trios & Choeur: "Recordare Jesu pie" | Michel‐Richard de Lalande | | 2:22 |
| 18 | Grand motet "In convertendo" (1751) - Récit (haute-contre): "in convertendo" | Jean‐Philippe Rameau | | 2:49 |
| 19 | Grand motet "In convertendo" (1751) - Choeur: "Tunc repletum" | Jean‐Philippe Rameau | | 3:32 |
| 20 | Grand motet "In convertendo" (1751) - Duo (soprano et basse): "Magnificat Dominus" | Jean‐Philippe Rameau | | 4:02 |
| 21 | Requiem (c. 1700) - Graduel | Jean Gilles | | 4:24 |
| 22 | Requiem (c. 1700) - Offertoire | Jean Gilles | | 8:45 |