Portrait d'un Artiste

~ Veröffentlichung von Philippe Herreweghe (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Magnificat BWV 243 (1723) - Choeur: "Magnificat anima mea Dominum"
Techniker(in):
Michel Pierre (audio engineer)
Produzent(in):
Michel Bernard (engineer / producer)
Bratsche / Viola:
Christine Angot (violinist) (in 1990-01) und Galina Zinchenko (violinist) (in 1990-01)
Cello:
Harm Jan Schwitters (cellist) (in 1990-01) und Ageet Zweistra (in 1990-01)
Fagott:
Kate Van Orden (bassoon) (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) und Marc Hantaï (classical flute player) (in 1990-01)
Geige / Violine:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) und 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
Oboe:
Taka Kitazato (oboist) (in 1990-01) und Marcel Ponseele (oboist) (in 1990-01)
Orgel:
Jan-Willem Jansen (organist) (in 1990-01)
Timbales:
Jean Chamboux (percussionist) (in 1990-01)
Trompete:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) und Léon Petré (Belgian classical trumpeter) (in 1990-01)
Bass-Gesang:
Peter Kooij (Peter Kooy, baritone)
Chorgesang:
Collegium Vocale Gent (in 1990-01) und Ensemble vocal européen de la Chapelle royale (in 1990-01)
Hochgesang:
Gérard Lesne (countertenor)
Soprangesang:
Agnès Mellon (soprano) und Barbara Schlick (soprano)
Tenor-Gesang:
Howard Crook (tenor)
Orchester:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) und Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1990-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1733-07-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1728 bis 1731)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:00
2Magnificat BWV 243 (1723) - Aria: "Et exultavit spiritus meus"
Techniker(in):
Michel Pierre (audio engineer)
Produzent(in):
Michel Bernard (engineer / producer)
Bratsche / Viola:
Christine Angot (violinist) (in 1990-01) und Galina Zinchenko (violinist) (in 1990-01)
Cello:
Harm Jan Schwitters (cellist) (in 1990-01) und Ageet Zweistra (in 1990-01)
Fagott:
Kate Van Orden (bassoon) (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) und Marc Hantaï (classical flute player) (in 1990-01)
Geige / Violine:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) und 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
Oboe:
Taka Kitazato (oboist) (in 1990-01) und Marcel Ponseele (oboist) (in 1990-01)
Orgel:
Jan-Willem Jansen (organist) (in 1990-01)
Timbales:
Jean Chamboux (percussionist) (in 1990-01)
Trompete:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) und Léon Petré (Belgian classical trumpeter) (in 1990-01)
Bass-Gesang:
Peter Kooij (Peter Kooy, baritone)
Chorgesang:
Collegium Vocale Gent
Hochgesang:
Gérard Lesne (countertenor)
Solo Soprangesang:
Agnès Mellon (soprano) (in 1990-01)
Soprangesang:
Agnès Mellon (soprano) und Barbara Schlick (soprano)
Tenor-Gesang:
Howard Crook (tenor)
Orchester:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) und Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1990-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1733-07-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1728 bis 1731)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:33
3Magnificat BWV 243 (1723) - Aria: "Quia respexit humilitatem"
Techniker(in):
Michel Pierre (audio engineer)
Produzent(in):
Michel Bernard (engineer / producer)
Bratsche / Viola:
Christine Angot (violinist) (in 1990-01) und Galina Zinchenko (violinist) (in 1990-01)
Cello:
Harm Jan Schwitters (cellist) (in 1990-01) und Ageet Zweistra (in 1990-01)
Fagott:
Kate Van Orden (bassoon) (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) und Marc Hantaï (classical flute player) (in 1990-01)
Geige / Violine:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) und 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
Oboe:
Taka Kitazato (oboist) (in 1990-01) und Marcel Ponseele (oboist) (in 1990-01)
Orgel:
Jan-Willem Jansen (organist) (in 1990-01)
Timbales:
Jean Chamboux (percussionist) (in 1990-01)
Trompete:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) und Léon Petré (Belgian classical trumpeter) (in 1990-01)
Bass-Gesang:
Peter Kooij (Peter Kooy, baritone)
Chorgesang:
Collegium Vocale Gent
Hochgesang:
Gérard Lesne (countertenor)
Solo Soprangesang:
Barbara Schlick (soprano) (in 1990-01)
Soprangesang:
Agnès Mellon (soprano) und Barbara Schlick (soprano)
Tenor-Gesang:
Howard Crook (tenor)
Orchester:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) und Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1990-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1733-07-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1728 bis 1731)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:42
4Magnificat BWV 243 (1723) - Choeur: "Omnes Generationes"
Techniker(in):
Michel Pierre (audio engineer)
Produzent(in):
Michel Bernard (engineer / producer)
Bratsche / Viola:
Christine Angot (violinist) (in 1990-01) und Galina Zinchenko (violinist) (in 1990-01)
Cello:
Harm Jan Schwitters (cellist) (in 1990-01) und Ageet Zweistra (in 1990-01)
Fagott:
Kate Van Orden (bassoon) (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) und Marc Hantaï (classical flute player) (in 1990-01)
Geige / Violine:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) und 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
Oboe:
Taka Kitazato (oboist) (in 1990-01) und Marcel Ponseele (oboist) (in 1990-01)
Orgel:
Jan-Willem Jansen (organist) (in 1990-01)
Timbales:
Jean Chamboux (percussionist) (in 1990-01)
Trompete:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) und Léon Petré (Belgian classical trumpeter) (in 1990-01)
Bass-Gesang:
Peter Kooij (Peter Kooy, baritone)
Chorgesang:
Collegium Vocale Gent (in 1990-01) und Ensemble vocal européen de la Chapelle royale (in 1990-01)
Hochgesang:
Gérard Lesne (countertenor)
Soprangesang:
Agnès Mellon (soprano) und Barbara Schlick (soprano)
Tenor-Gesang:
Howard Crook (tenor)
Orchester:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) und Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1990-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1733-07-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1728 bis 1731)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:29
5Matthäus-Passion BWV244 (1727) - Aria a doi cori: "So ist mein Jesu nun gefangen" / Chour: "Sind Blitze, sind Donner in Wolken verschwunden"
Chorgesang:
Collegium Vocale Gent (in 1984-09) und Ensemble vocal européen de la Chapelle royale (in 1984-09)
Hochgesang:
René Jacobs (conductor) (in 1984-09)
Soprangesang:
Barbara Schlick (soprano) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
Interpret(in):
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
aufgenommen bei:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (Provinz Westflandern), Flanders (Flämische Region), Belgien (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (in 1984-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:59
6Matthäus-Passion BWV244 (1727) - Evangelista, Jesus: "Und siehe, einer aus denen"
Bass-Gesang:
Ulrik Cold (operatic bass) (in 1984-09)
Tenor-Gesang:
Howard Crook (tenor) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
Interpret(in):
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
aufgenommen bei:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (Provinz Westflandern), Flanders (Flämische Region), Belgien (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1984-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:03
7Matthäus-Passion BWV244 (1727) - Choral: "O Mensch, bewein dein Sünde gross"
Chorgesang:
Collegium Vocale Gent (in 1984-09) und Ensemble vocal européen de la Chapelle royale (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
Interpret(in):
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
aufgenommen bei:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (Provinz Westflandern), Flanders (Flämische Region), Belgien (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1984-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:26
8Memorare (1686) - Motet à 2 choeurs pour la chappele du Roy
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Memorare (grand motet for double choir, strings and continuo)
Komponist(in):
Henri Dumont (South Netherlandish baroque composer) (in 1686)
Henri Dumont8:49
9Messe de Requiem (c. 1700) - Requiem aeternam - Te decet hymnus deux - Requiem aeternam
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Requiem: I. Symphonie, choeur & trio
Komponist(in):
André Campra (French composer)
Teil von:
Missa da Requiem
André Campra6:35
10Miserere H.219 (c. 1690) - Ouverture
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Miserere H. 219: I. Ouverture
Komponist(in):
Marc‐Antoine Charpentier (composer)
Teil von:
Miserere H 219
Marc‐Antoine Charpentier1:45
11Miserere H.219 (c. 1690) - Miserere mei, Deus
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Miserere H. 219: II. Miserere mei, Deus
Komponist(in):
Marc‐Antoine Charpentier (composer)
Teil von:
Miserere H 219
Marc‐Antoine Charpentier3:22
12Dies Irae S.31 (1690) - Coeurs (sopranos): "Dies rae"
conductor:
Philippe Herreweghe (Belgian conductor)
Interpret(in):
La Chapelle Royale (French baroque vocal ensemble)
recording of:
Dies Irae, S.31: I. Dies Irae
Komponist(in):
Michel‐Richard de Lalande (composer)
Teil von:
Dies irae, S. 31
Michel‐Richard de Lalande1:20
13Dies Irae S.31 (1690) - Choeur: "Qantus tremor"
conductor:
Philippe Herreweghe (Belgian conductor)
Interpret(in):
La Chapelle Royale (French baroque vocal ensemble)
recording of:
Dies Irae, S.31: II. Quantus tremor
Komponist(in):
Michel‐Richard de Lalande (composer)
Teil von:
Dies irae, S. 31
Michel‐Richard de Lalande1:07
14Dies Irae S.31 (1690) - Baryton: "Tuba mirum"
conductor:
Philippe Herreweghe (Belgian conductor)
Interpret(in):
La Chapelle Royale (French baroque vocal ensemble)
recording of:
Dies Irae, S.31: III. Tuba mirum
Komponist(in):
Michel‐Richard de Lalande (composer)
Teil von:
Dies irae, S. 31
Michel‐Richard de Lalande1:25
15Dies Irae S.31 (1690) - Chour: "Mors stupebit"
conductor:
Philippe Herreweghe (Belgian conductor)
Interpret(in):
La Chapelle Royale (French baroque vocal ensemble)
recording of:
Dies Irae, S.31: IV. Mors stupebit
Komponist(in):
Michel‐Richard de Lalande (composer)
Teil von:
Dies irae, S. 31
Michel‐Richard de Lalande1:24
16Dies Irae S.31 (1690) - Haute-contre: "Liber scriptus"
conductor:
Philippe Herreweghe (Belgian conductor)
Interpret(in):
La Chapelle Royale (French baroque vocal ensemble)
recording of:
Dies Irae, S.31: V. Liber scriptus
Komponist(in):
Michel‐Richard de Lalande (composer)
Teil von:
Dies irae, S. 31
Michel‐Richard de Lalande3:02
17Dies Irae S.31 (1690) - Trios & Choeur: "Recordare Jesu pie"
conductor:
Philippe Herreweghe (Belgian conductor)
Interpret(in):
La Chapelle Royale (French baroque vocal ensemble)
recording of:
Dies Irae, S.31: VI. Recordare Jesu pie
Komponist(in):
Michel‐Richard de Lalande (composer)
Teil von:
Dies irae, S. 31
Michel‐Richard de Lalande2:22
18Grand motet "In convertendo" (1751) - Récit (haute-contre): "in convertendo"
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
In convertendo: Gravement "In convertendo"
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Teil von:
In convertendo
Jean‐Philippe Rameau2:49
19Grand motet "In convertendo" (1751) - Choeur: "Tunc repletum"
Orchester:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
In convertendo: Gai "Tunc repletum est gaudio os nostrum"
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Teil von:
In convertendo
Jean‐Philippe Rameau3:32
20Grand motet "In convertendo" (1751) - Duo (soprano et basse): "Magnificat Dominus"
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
In convertendo: Lent - Très gai "Magnificavit Dominus"
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Teil von:
In convertendo
Jean‐Philippe Rameau4:02
21Requiem (c. 1700) - Graduel
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Requiem: III. Graduale
Komponist(in):
Jean Gilles
Teil von:
Requiem
Jean Gilles4:24
22Requiem (c. 1700) - Offertoire
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Requiem: IV. Offertorium
Komponist(in):
Jean Gilles
Teil von:
Requiem
Jean Gilles8:45
3▶CD

Nennungen

Veröffentlichung

phonographisches Urheberrecht (℗) von:harmonia mundi s.a. (not for release label use!) (in 1992)
Discogs:https://www.discogs.com/release/12718996 [Info]
ASIN:US: B00004VG3T [Info]