Cello Concerto / Enigma Variations / Symphonies 1 & 2 / Sea Pictures / The Dream of Gerontius / Pomp and Circumstance / Falstaff

~ Release by Edward Elgar; Sir John Barbirolli (see all versions of this release, 1 available)

Annotation

℗ & © «2022 Parlophone Records Limited»
℗ & © «A Warner Classics release»

Annotation last modified on 2024-05-24 10:56 UTC.

Tracklist

1▼Digital Media
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1Cello Concerto in E minor, op. 85: I. Adagio – Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar7:58
2Cello Concerto in E minor, op. 85: II. Lento – Allegro molto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
performer:
Sir John Barbirolli (conductor and cellist)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar4:31
3Cello Concerto in E minor, op. 85: III. Adagio
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar5:16
4Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar12:21
5Sea Pictures, op. 37: No. 1. Slumber Song
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: I. Sea Slumber Song (on 1965-08-30)
lyricist:
Roden Noel
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar5:04
6Sea Pictures, op. 37: No. 2. In Haven
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: II. In Haven (Capri) (on 1965-08-30)
lyricist:
Alice Elgar (English author, married to Edward Elgar)
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar2:06
7Sea Pictures, op. 37: No. 3. Sabbath Morning at Sea
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: III. Sabbath Morning at Sea (on 1965-08-30)
lyricist:
Elizabeth Barrett Browning
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar6:18
8Sea Pictures, op. 37: No. 4. Where Corals Lie
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: IV. Where Corals Lie (on 1965-08-30)
lyricist:
Richard Garnett
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar4:11
9Sea Pictures, op. 37: No. 5. The Swimmer
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (on 1965-08-30)
orchestra:
London Symphony Orchestra (on 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-30)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-30)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-08-30)
recording of:
Sea Pictures, op. 37: V. The Swimmer (on 1965-08-30)
lyricist:
Adam Lindsay Gordon
composer:
Edward Elgar (composer) (in 1899)
part of:
Sea Pictures, op. 37
Edward Elgar6:06
10Introduction and Allegro, op. 47: I. Moderato
producer:
Victor Olof
cello:
William Pleeth (cellist) (from 1962-05-10 until 1962-05-11)
string quartet:
Allegri Quartet (from 1962-05-10 until 1962-05-11)
viola:
Patrick Ireland (violist) (from 1962-05-10 until 1962-05-11)
violin:
James Barton (violinist) (from 1962-05-10 until 1962-05-11) and Eli Goren (violinist) (from 1962-05-10 until 1962-05-11)
orchestra:
Allegri String Quartet and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Introduction and Allegro for Strings, op. 47: I. Moderato - (from 1962-05-10 until 1962-05-11)
composer:
Sir Edward Elgar (Edward Elgar, composer)
part of:
Introduction and Allegro for Strings, op. 47
Edward Elgar3:14
11Introduction and Allegro, op. 47: II. Allegro
producer:
Victor Olof
cello:
William Pleeth (cellist) (from 1962-05-10 until 1962-05-11)
string quartet:
Allegri Quartet (from 1962-05-10 until 1962-05-11)
viola:
Patrick Ireland (violist) (from 1962-05-10 until 1962-05-11)
violin:
James Barton (violinist) (from 1962-05-10 until 1962-05-11) and Eli Goren (violinist) (from 1962-05-10 until 1962-05-11)
orchestra:
Allegri String Quartet and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Introduction and Allegro for Strings, op. 47: II. Allegro - (from 1962-05-10 until 1962-05-11)
composer:
Sir Edward Elgar (Edward Elgar, composer)
part of:
Introduction and Allegro for Strings, op. 47
Edward Elgar3:38
12Introduction and Allegro, op. 47: III. Fugue. Allegro
producer:
Victor Olof
cello:
William Pleeth (cellist) (from 1962-05-10 until 1962-05-11)
string quartet:
Allegri Quartet (from 1962-05-10 until 1962-05-11)
viola:
Patrick Ireland (violist) (from 1962-05-10 until 1962-05-11)
violin:
James Barton (violinist) (from 1962-05-10 until 1962-05-11) and Eli Goren (violinist) (from 1962-05-10 until 1962-05-11)
orchestra:
Allegri String Quartet and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro (from 1962-05-10 until 1962-05-11)
composer:
Sir Edward Elgar (Edward Elgar, composer)
part of:
Introduction and Allegro for Strings, op. 47
Edward Elgar7:09
13Serenade for Strings in E minor, op. 20: I. Allegro piacevole
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar3:59
14Serenade for Strings in E minor, op. 20: II. Larghetto
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar5:59
15Serenade for Strings in E minor, op. 20: III. Allegretto – Come prima
producer:
Victor Olof
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar3:18
16Variations on an Original Theme, op. 36 “Enigma”: Theme
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:39
17Variations on an Original Theme, op. 36 “Enigma”: Introduction - Variation I. L’istesso tempo “C.A.E.”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:39
18Variations on an Original Theme, op. 36 “Enigma”: Variation II. Allegro “H.D.S‐P.”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:49
19Variations on an Original Theme, op. 36 “Enigma”: Variation III. Allegretto “R.B.T.”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:29
20Variations on an Original Theme, op. 36 “Enigma”: Variation IV. Allegro di molto “W.M.B.”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:30
21Variations on an Original Theme, op. 36 “Enigma”: Variation V. Moderato “R.P.A.”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:16
22Variations on an Original Theme, op. 36 “Enigma”: Variation VI. Andantino “Ysobel”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:16
23Variations on an Original Theme, op. 36 “Enigma”: Variation VII. Presto “Troyte”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:04
24Variations on an Original Theme, op. 36 “Enigma”: Variation VIII. Allegretto “W.N.”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:52
25Variations on an Original Theme, op. 36 “Enigma”: Variation IX. Adagio “Nimrod”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1962-05-09 until 1962-08-27)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:30
26Variations on an Original Theme, op. 36 “Enigma”: Variation X. Intermezzo. Allegretto “Dorabella”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:25
27Variations on an Original Theme, op. 36 “Enigma”: Variation XI. Allegro di molto “G.R.S.”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:00
28Variations on an Original Theme, op. 36 “Enigma”: Variation XII. Andante “B.G.N.”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:53
29Variations on an Original Theme, op. 36 “Enigma”: Variation XIII. Romanza. Moderato. “* * *”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:47
30Variations on an Original Theme, op. 36 “Enigma”: Variation XIV. Finale. Allegro “E.D.U.”
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1962-05-09 until 1962-08-27)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar5:35
31Cockaigne Overture, op. 40 “In London Town”
producer:
Victor Olof and James W. Burnett (producer) (in 1962-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-08-27)
recording of:
Cockaigne (In London Town), op. 40 (on 1962-08-27)
composer:
Edward Elgar (composer) (in 1897)
premiered at:
[concert] (1901-06-20)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes) (in 1901)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-06-20)
part of:
Works of Edward Elgar by opus number (number: op. 40)
Edward Elgar14:40
32Symphony no. 1 in A‐flat major, op. 55: I. Andante nobilmente e semplice - Allegro
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-08-28 until 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-08-28 until 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-08-28 until 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice (from 1962-08-28 until 1962-08-29)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar21:42
33Symphony no. 1 in A‐flat major, op. 55: II. Allegro molto
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-08-28 until 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-08-28 until 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-08-28 until 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: II. Allegro molto (from 1962-08-28 until 1962-08-29)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar7:04
34Symphony no. 1 in A‐flat major, op. 55: III. Adagio
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-08-28 until 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-08-28 until 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-08-28 until 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: III. Adagio (from 1962-08-28 until 1962-08-29)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar12:17
35Symphony no. 1 in A‐flat major, op. 55: IV. IV. Lento - Allegro
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-08-28 until 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-08-28 until 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-08-28 until 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro (from 1962-08-28 until 1962-08-29)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar13:01
36Pomp and Circumstance Marches, op. 39: No. 1 in D major
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1988)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (on 1962-08-29)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:40
37Pomp and Circumstance Marches, op. 39: No. 2 in A minor
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-07-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-07-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 2 in A minor (on 1966-07-14)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
composer:
Edward Elgar (composer) (in 1901)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar5:05
38Pomp and Circumstance Marches, op. 39: No. 3 in C minor
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-07-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-07-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 3 in C minor (on 1966-07-14)
composer:
Edward Elgar (composer) (in 1904)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1905-03-08)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:04
39Pomp and Circumstance Marches, op. 39: No. 4 in G major
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (on 1962-08-29)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar5:24
40Pomp and Circumstance Marches, op. 39: No. 5 in C major
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-07-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-07-14)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 5 in C major (on 1966-07-14)
composer:
Edward Elgar (composer) (in 1930)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1930-09-20)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:09
41Symphony no. 2 in E‐flat major, op. 63: I. Allegro vivace e nobilmente
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar19:27
42Symphony no. 2 in E‐flat major, op. 63: II. Larghetto
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in E-flat major, op. 63: II. Larghetto
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar13:52
43Symphony no. 2 in E‐flat major, op. 63: III. Rondo. Presto
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar8:20
44Symphony no. 2 in E‐flat major, op. 63: IV. Moderato e maestoso
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar14:31
45Froissart, op. 19
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Froissart Overture, op. 19
premiered in:
Worcester, Worcestershire, England, United Kingdom (on 1890-09-09)
composer:
Edward Elgar (composer) (in 1890)
part of:
Works of Edward Elgar by opus number (number: op. 19)
Edward Elgar14:16
46Sospiri, op. 70
producer:
Christopher Bishop (conductor/producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-06-16)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-06-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-06-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-06-16)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (on 1966-06-16)
composer:
Edward Elgar (composer) (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
Edward Elgar5:13
47Elegy, op. 58
producer:
Christopher Bishop (conductor/producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-06-16)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-06-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-06-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-06-16)
recording of:
Elegy, op. 58 (on 1966-06-16)
composer:
Edward Elgar (composer) (in 1909)
premiered at:
Mansion House in London (Greater London), England, United Kingdom (on 1909-07-13)
part of:
Works of Edward Elgar by opus number (number: op. 58)
Edward Elgar4:28
48Falstaff, op. 68: I. Falstaff and Prince Henry
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
recording of:
Falstaff, op. 68: I. Falstaff and Prince Henry (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar3:16
49Falstaff, op. 68: II. Eastcheap - Gadshill - The Boar’s Head. Revelry and Sleep
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar13:02
50Falstaff, op. 68: Dream Interlude
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar2:19
51Falstaff, op. 68: III. Falstaff’s March - The Return to Gloucestershire
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar4:24
52Falstaff, op. 68: Interlude. Shallow’s Orchard - The New King - The Hurried Ride to London
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar2:39
53Falstaff, op. 68: IV. King Henry V’s Progress - The Repudiation of Falstaff and His Death
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (on 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1964-06-01)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1964-06-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-06-01)
recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death (on 1964-06-01)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar8:46
54The Dream of Gerontius, op. 38, Pt. 1: Prelude. Lento, mistico
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, I. Prelude (cues 1–21) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar10:14
55The Dream of Gerontius, op. 38, Pt. 1: Jesu, Maria, I Am Near to Death (Gerontius)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar3:59
56The Dream of Gerontius, op. 38, Pt. 1: Kyrie eleison - Holy Mary, Pray for Him (Gerontius, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:21
57The Dream of Gerontius, op. 38, Pt. 1: Rouse Thee, My Fainting Soul (Gerontius, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:00
58The Dream of Gerontius, op. 38, Pt. 1: Be Merciful (Gerontius, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar3:21
59The Dream of Gerontius, op. 38, Pt. 1: Sanctus fortis, Sanctus Deus (Gerontius)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar5:31
60The Dream of Gerontius, op. 38, Pt. 1: I Can No More (Gerontius, chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:07
61The Dream of Gerontius, op. 38, Pt. 1: Rescue Him, O Lord - Noe from the Waters (Gerontius, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:11
62The Dream of Gerontius, op. 38, Pt. 1: Novissima hora est (Chorus, Gerontius)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:32
63The Dream of Gerontius, op. 38, Pt. 1: Proficiscere, anima Christiana (Priest)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass vocals [Priest]:
Kim Borg (operatic bass) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:56
64The Dream of Gerontius, op. 38, Pt. 1: Go in the Name of Angels and Archangels (Chorus, Priest)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
bass vocals [Priest]:
Kim Borg (operatic bass) (from 1964-12-27 until 1964-12-30)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
performer:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar4:43
65The Dream of Gerontius, op. 38, Pt. 2: Andantino
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Apostles, op. 49: Part II: Introduction (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II
partial recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:57
66The Dream of Gerontius, op. 38, Pt. 2: I Went to Sleep (Soul of Gerontius)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar4:10
67The Dream of Gerontius, op. 38, Pt. 2: My Work Is Done (Soul, Angel)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:32
68The Dream of Gerontius, op. 38, Pt. 2: It Is a Member of That Family - All Hail! My Child and Brother (Angel, Soul)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar4:20
69The Dream of Gerontius, op. 38, Pt. 2: A Presage Falls (Angel, Soul)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:54
70The Dream of Gerontius, op. 38, Pt. 2: But Hark! - Low‐Born Clods of Brute Earth (Soul, Angel, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:35
71The Dream of Gerontius, op. 38, Pt. 2: Dispossessed, Aside Thrust (Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:24
72The Dream of Gerontius, op. 38, Pt. 2: The Mind Bold and Independent (Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:18
73The Dream of Gerontius, op. 38, Pt. 2: I See Not These False Spirits - There Was a Mortal (Soul, Angel)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
vocals:
Dame Janet Baker (mezzo‐soprano and alto) and Richard Lewis (Welsh tenor)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar3:31
74The Dream of Gerontius, op. 38, Pt. 2: Praise to the Holiest (Angel, Chorus, Soul)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar3:20
75The Dream of Gerontius, op. 38, Pt. 2: Glory To Him - But Hark! A Grand Mysterious Harmony (Sould, Angel, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:20
76The Dream of Gerontius, op. 38, Pt. 2: And Now the Threshold - Praise for the Holiest (Soul, Angel, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar8:06
77The Dream of Gerontius, op. 38, Pt. 2: Thy Judgement Now Is Near (Angel, Soul)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar3:20
78The Dream of Gerontius, op. 38, Pt. 2: Jesu! By That Shuddering Dread (Angel of the Agony, Soul, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar4:11
79The Dream of Gerontius, op. 38, Pt. 2: I Go Before My Judge - Be Merciful, Be Gracious (Angel of the Agony, Soul, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:34
80The Dream of Gerontius, op. 38, Pt. 2: Praise to His Name! - Take Me Away (Angel, Soul, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar4:57
81The Dream of Gerontius, op. 38, Pt. 2: Lord, Thou Hast Been Our Refuge (Angel, Soul, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
tenor vocals [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:07
82The Dream of Gerontius, op. 38, Pt. 2: Softly and Gently (Angel, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1964-12-27 until 1964-12-30), Hallé Choir (from 1964-12-27 until 1964-12-30) and Sheffield Philharmonic Chorus (from 1964-12-27 until 1964-12-30)
mezzo-soprano vocals [Angel]:
Janet Baker (mezzo‐soprano and alto) (from 1964-12-27 until 1964-12-30)
orchestra:
Hallé Orchestra (from 1964-12-27 until 1964-12-30)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-12-27 until 1964-12-30)
chorus master:
Eric Chadwick (chorus master, organist) (from 1964-12-27 until 1964-12-30) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1964-12-27 until 1964-12-30)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1964-12-27 until 1964-12-30)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137) (from 1964-12-27 until 1964-12-30)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar6:55
83Dream Children, op. 43: I. Andante
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Dream Children, op. 43: I. Andante
composer:
Edward Elgar (composer) (in 1902)
part of:
Dream Children, op. 43
Edward Elgar3:39
843 Bavarian Dances, op. 27: No. 2, Lullaby
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Three Bavarian Dances: No. 2. Lullaby
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
part of:
Three Bavarian Dances, op. 27a
Edward Elgar3:39
85Caractacus, op. 35, Scene 4: “Oh! My Warriors” (Caractacus)
vocals:
Peter Dawson (Australian bass-baritone / songwriter)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Caractacus, op. 35: Scene IV, The Malven Hills: “O My Warriors” (Caractacus, Chorus)
composer:
Sir Edward Elgar (Edward Elgar, composer)
part of:
Caractacus, op. 35
Edward Elgar3:34
86Caractacus, op. 35, Scene 2: Sword Song. “Leap, Leap to Light” (Caractacus)
vocals:
Peter Dawson (Australian bass-baritone / songwriter)
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
Caractacus, op. 35: Scene II, The Sacred Oak Grove by the Tomb of the Kings: “Leap to Light” (Caractacus, Chorus)
composer:
Sir Edward Elgar (Edward Elgar, composer)
part of:
Caractacus, op. 35
part of:
Caractacus, op. 35
Edward Elgar2:42