Cello Concerto / Enigma Variations / Symphonies 1 & 2 / Sea Pictures / The Dream of Gerontius / Pomp and Circumstance / Falstaff

~ Uitgave van Edward Elgar; Sir John Barbirolli (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Aantekening

℗ & © «2022 Parlophone Records Limited»
℗ & © «A Warner Classics release»

Aantekening het laatst bewerkt op 2024-05-24 10:56 UTC.

Nummerlijst

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#TitelArtiestWaarderingDuur
1Cello Concerto in E minor, op. 85: I. Adagio – Moderato
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (op 1965-08-19)
orkest:
London Symphony Orchestra (op 1965-08-19)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1965-08-19)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1965-08-19)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1965-08-19)
is een opname van:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (op 1965-08-19)
componist:
Edward Elgar (composer) (van 1918 tot 1919)
deel van:
Cello Concerto in E minor, op. 85
Edward Elgar7:58
2Cello Concerto in E minor, op. 85: II. Lento – Allegro molto
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (op 1965-08-19)
orkest:
London Symphony Orchestra (op 1965-08-19)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1965-08-19)
uitvoerend artiest:
Sir John Barbirolli (conductor and cellist)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1965-08-19)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1965-08-19)
is een opname van:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (op 1965-08-19)
componist:
Edward Elgar (composer) (van 1918 tot 1919)
deel van:
Cello Concerto in E minor, op. 85
Edward Elgar4:31
3Cello Concerto in E minor, op. 85: III. Adagio
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (op 1965-08-19)
orkest:
London Symphony Orchestra (op 1965-08-19)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1965-08-19)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1965-08-19)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1965-08-19)
is een opname van:
Cello Concerto in E minor, op. 85: III. Adagio (op 1965-08-19)
componist:
Edward Elgar (composer) (van 1918 tot 1919)
deel van:
Cello Concerto in E minor, op. 85
Edward Elgar5:16
4Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (op 1965-08-19)
orkest:
London Symphony Orchestra (op 1965-08-19)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1965-08-19)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1965-08-19)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1965-08-19)
is een opname van:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (op 1965-08-19)
componist:
Edward Elgar (composer) (van 1918 tot 1919)
deel van:
Cello Concerto in E minor, op. 85
Edward Elgar12:21
5Sea Pictures, op. 37: No. 1. Slumber Song
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-sopraanvocalen:
Janet Baker (mezzo‐soprano and alto) (op 1965-08-30)
orkest:
London Symphony Orchestra (op 1965-08-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1965-08-30)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1965-08-30)
opgenomen bij:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (op 1965-08-30)
is een opname van:
Sea Pictures, op. 37: I. Sea Slumber Song (op 1965-08-30)
tekstschrijver:
Roden Noel
componist:
Edward Elgar (composer) (in 1899)
deel van:
Sea Pictures, op. 37
Edward Elgar5:04
6Sea Pictures, op. 37: No. 2. In Haven
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-sopraanvocalen:
Janet Baker (mezzo‐soprano and alto) (op 1965-08-30)
orkest:
London Symphony Orchestra (op 1965-08-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1965-08-30)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1965-08-30)
opgenomen bij:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (op 1965-08-30)
is een opname van:
Sea Pictures, op. 37: II. In Haven (Capri) (op 1965-08-30)
tekstschrijver:
Alice Elgar (English author, married to Edward Elgar)
componist:
Edward Elgar (composer) (in 1899)
deel van:
Sea Pictures, op. 37
Edward Elgar2:06
7Sea Pictures, op. 37: No. 3. Sabbath Morning at Sea
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-sopraanvocalen:
Janet Baker (mezzo‐soprano and alto) (op 1965-08-30)
orkest:
London Symphony Orchestra (op 1965-08-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1965-08-30)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1965-08-30)
opgenomen bij:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (op 1965-08-30)
is een opname van:
Sea Pictures, op. 37: III. Sabbath Morning at Sea (op 1965-08-30)
tekstschrijver:
Elizabeth Barrett Browning
componist:
Edward Elgar (composer) (in 1899)
deel van:
Sea Pictures, op. 37
Edward Elgar6:18
8Sea Pictures, op. 37: No. 4. Where Corals Lie
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-sopraanvocalen:
Janet Baker (mezzo‐soprano and alto) (op 1965-08-30)
orkest:
London Symphony Orchestra (op 1965-08-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1965-08-30)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1965-08-30)
opgenomen bij:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (op 1965-08-30)
is een opname van:
Sea Pictures, op. 37: IV. Where Corals Lie (op 1965-08-30)
tekstschrijver:
Richard Garnett
componist:
Edward Elgar (composer) (in 1899)
deel van:
Sea Pictures, op. 37
Edward Elgar4:11
9Sea Pictures, op. 37: No. 5. The Swimmer
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-sopraanvocalen:
Janet Baker (mezzo‐soprano and alto) (op 1965-08-30)
orkest:
London Symphony Orchestra (op 1965-08-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1965-08-30)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1965-08-30)
opgenomen bij:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Verenigd Koninkrijk (op 1965-08-30)
is een opname van:
Sea Pictures, op. 37: V. The Swimmer (op 1965-08-30)
tekstschrijver:
Adam Lindsay Gordon
componist:
Edward Elgar (composer) (in 1899)
deel van:
Sea Pictures, op. 37
Edward Elgar6:06
10Introduction and Allegro, op. 47: I. Moderato
producent:
Victor Olof
altviool:
Patrick Ireland (violist) (van 1962-05-10 tot 1962-05-11)
cello:
William Pleeth (cellist) (van 1962-05-10 tot 1962-05-11)
strijkkwartet:
Allegri Quartet (van 1962-05-10 tot 1962-05-11)
viool:
James Barton (violinist) (van 1962-05-10 tot 1962-05-11) en Eli Goren (violinist) (van 1962-05-10 tot 1962-05-11)
orkest:
Allegri String Quartet en Sinfonia of London (John Wilson’s session orchestra) (van 1962-05-10 tot 1962-05-11)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1962-05-10 tot 1962-05-11)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (van 1962-05-10 tot 1962-05-11)
is een opname van:
Introduction and Allegro for Strings, op. 47: I. Moderato - (van 1962-05-10 tot 1962-05-11)
componist:
Sir Edward Elgar (Edward Elgar, composer)
deel van:
Introduction and Allegro for Strings, op. 47
Edward Elgar3:14
11Introduction and Allegro, op. 47: II. Allegro
producent:
Victor Olof
altviool:
Patrick Ireland (violist) (van 1962-05-10 tot 1962-05-11)
cello:
William Pleeth (cellist) (van 1962-05-10 tot 1962-05-11)
strijkkwartet:
Allegri Quartet (van 1962-05-10 tot 1962-05-11)
viool:
James Barton (violinist) (van 1962-05-10 tot 1962-05-11) en Eli Goren (violinist) (van 1962-05-10 tot 1962-05-11)
orkest:
Allegri String Quartet en Sinfonia of London (John Wilson’s session orchestra) (van 1962-05-10 tot 1962-05-11)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1962-05-10 tot 1962-05-11)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (van 1962-05-10 tot 1962-05-11)
is een opname van:
Introduction and Allegro for Strings, op. 47: II. Allegro - (van 1962-05-10 tot 1962-05-11)
componist:
Sir Edward Elgar (Edward Elgar, composer)
deel van:
Introduction and Allegro for Strings, op. 47
Edward Elgar3:38
12Introduction and Allegro, op. 47: III. Fugue. Allegro
producent:
Victor Olof
altviool:
Patrick Ireland (violist) (van 1962-05-10 tot 1962-05-11)
cello:
William Pleeth (cellist) (van 1962-05-10 tot 1962-05-11)
strijkkwartet:
Allegri Quartet (van 1962-05-10 tot 1962-05-11)
viool:
James Barton (violinist) (van 1962-05-10 tot 1962-05-11) en Eli Goren (violinist) (van 1962-05-10 tot 1962-05-11)
orkest:
Allegri String Quartet en Sinfonia of London (John Wilson’s session orchestra) (van 1962-05-10 tot 1962-05-11)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1962-05-10 tot 1962-05-11)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (van 1962-05-10 tot 1962-05-11)
is een opname van:
Introduction and Allegro for Strings, op. 47: III. Fugue: Allegro (van 1962-05-10 tot 1962-05-11)
componist:
Sir Edward Elgar (Edward Elgar, composer)
deel van:
Introduction and Allegro for Strings, op. 47
Edward Elgar7:09
13Serenade for Strings in E minor, op. 20: I. Allegro piacevole
producent:
Victor Olof
orkest:
Sinfonia of London (original Gordon Walker formed orchestra) en Sinfonia of London (John Wilson’s session orchestra) (van 1962-05-10 tot 1962-05-11)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1962-05-10 tot 1962-05-11)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) en Howard Davidson (engineer) (van 1962-05-10 tot 1962-05-11)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (van 1962-05-10 tot 1962-05-11)
is een opname van:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (van 1962-05-10 tot 1962-05-11)
componist:
Edward Elgar (composer) (in 1892)
deel van:
Serenade for Strings in E minor, op. 20
Edward Elgar3:59
14Serenade for Strings in E minor, op. 20: II. Larghetto
producent:
Victor Olof
orkest:
Sinfonia of London (original Gordon Walker formed orchestra) en Sinfonia of London (John Wilson’s session orchestra) (van 1962-05-10 tot 1962-05-11)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1962-05-10 tot 1962-05-11)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) en Howard Davidson (engineer) (van 1962-05-10 tot 1962-05-11)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (van 1962-05-10 tot 1962-05-11)
is een opname van:
Serenade for Strings in E minor, op. 20: II. Larghetto (van 1962-05-10 tot 1962-05-11)
componist:
Edward Elgar (composer) (in 1892)
deel van:
Serenade for Strings in E minor, op. 20
Edward Elgar5:59
15Serenade for Strings in E minor, op. 20: III. Allegretto – Come prima
producent:
Victor Olof
orkest:
Sinfonia of London (John Wilson’s session orchestra) (van 1962-05-10 tot 1962-05-11)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1962-05-10 tot 1962-05-11)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) en Howard Davidson (engineer) (van 1962-05-10 tot 1962-05-11)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (van 1962-05-10 tot 1962-05-11)
is een opname van:
Serenade for Strings in E minor, op. 20: III. Allegretto (van 1962-05-10 tot 1962-05-11)
componist:
Edward Elgar (composer) (in 1892)
deel van:
Serenade for Strings in E minor, op. 20
Edward Elgar3:18
16Variations on an Original Theme, op. 36 “Enigma”: Theme
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:39
17Variations on an Original Theme, op. 36 “Enigma”: Introduction - Variation I. L’istesso tempo “C.A.E.”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
Caroline Alice Elgar (English author, married to Edward Elgar)
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:39
18Variations on an Original Theme, op. 36 “Enigma”: Variation II. Allegro “H.D.S‐P.”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
Hew David Steuart Powell
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:49
19Variations on an Original Theme, op. 36 “Enigma”: Variation III. Allegretto “R.B.T.”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
Richard Baxter Townshend
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:29
20Variations on an Original Theme, op. 36 “Enigma”: Variation IV. Allegro di molto “W.M.B.”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
William Meath Baker
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:30
21Variations on an Original Theme, op. 36 “Enigma”: Variation V. Moderato “R.P.A.”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
Richard Penrose Arnold
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:16
22Variations on an Original Theme, op. 36 “Enigma”: Variation VI. Andantino “Ysobel”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
Isabel Fitton
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:16
23Variations on an Original Theme, op. 36 “Enigma”: Variation VII. Presto “Troyte”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
Arthur Troyte Griffith
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:04
24Variations on an Original Theme, op. 36 “Enigma”: Variation VIII. Allegretto “W.N.”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
Winifred Norbury
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:52
25Variations on an Original Theme, op. 36 “Enigma”: Variation IX. Adagio “Nimrod”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (van 1962-05-09 tot 1962-08-27)
uitgever:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
Augustus J. Jaeger
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:30
26Variations on an Original Theme, op. 36 “Enigma”: Variation X. Intermezzo. Allegretto “Dorabella”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
Dora Penny
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:25
27Variations on an Original Theme, op. 36 “Enigma”: Variation XI. Allegro di molto “G.R.S.”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
George Robertson Sinclair
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:00
28Variations on an Original Theme, op. 36 “Enigma”: Variation XII. Andante “B.G.N.”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
Basil George Nevinson
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:53
29Variations on an Original Theme, op. 36 “Enigma”: Variation XIII. Romanza. Moderato. “* * *”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
toegewijdt aan:
Lady Mary Lygon
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:47
30Variations on an Original Theme, op. 36 “Enigma”: Variation XIV. Finale. Allegro “E.D.U.”
producent:
Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-05-09, op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-05-09, op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's) (op 1962-05-09, op 1962-08-27)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-05-09, op 1962-08-27)
is een opname van:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (van 1962-05-09 tot 1962-08-27)
componist:
Edward Elgar (composer) (in 1899)
deel van:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar5:35
31Cockaigne Overture, op. 40 “In London Town”
producent:
Victor Olof en James W. Burnett (producer) (in 1962-08)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-08-27)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-08-27)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-08-27)
is een opname van:
Cockaigne (In London Town), op. 40 (op 1962-08-27)
componist:
Edward Elgar (composer) (in 1897)
had de première bij:
[concert] (1901-06-20)
uitgever:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes) (in 1901)
had de première bij:
Queen’s Hall in London (Greater London), England, Verenigd Koninkrijk (op 1901-06-20)
deel van:
Works of Edward Elgar by opus number (nummer: op. 40)
Edward Elgar14:40
32Symphony no. 1 in A‐flat major, op. 55: I. Andante nobilmente e semplice - Allegro
producent:
James W. Burnett (producer) en Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (van 1962-08-28 tot 1962-08-29)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1962-08-28 tot 1962-08-29)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (van 1962-08-28 tot 1962-08-29)
is een opname van:
Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice (van 1962-08-28 tot 1962-08-29)
componist:
Edward Elgar (composer) (van 1907 tot 1908)
deel van:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar21:42
33Symphony no. 1 in A‐flat major, op. 55: II. Allegro molto
producent:
James W. Burnett (producer) en Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (van 1962-08-28 tot 1962-08-29)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1962-08-28 tot 1962-08-29)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (van 1962-08-28 tot 1962-08-29)
is een opname van:
Symphony no. 1 in A-flat major, op. 55: II. Allegro molto (van 1962-08-28 tot 1962-08-29)
componist:
Edward Elgar (composer) (van 1907 tot 1908)
deel van:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar7:04
34Symphony no. 1 in A‐flat major, op. 55: III. Adagio
producent:
James W. Burnett (producer) en Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (van 1962-08-28 tot 1962-08-29)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1962-08-28 tot 1962-08-29)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (van 1962-08-28 tot 1962-08-29)
is een opname van:
Symphony no. 1 in A-flat major, op. 55: III. Adagio (van 1962-08-28 tot 1962-08-29)
componist:
Edward Elgar (composer) (van 1907 tot 1908)
deel van:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar12:17
35Symphony no. 1 in A‐flat major, op. 55: IV. IV. Lento - Allegro
producent:
James W. Burnett (producer) en Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (van 1962-08-28 tot 1962-08-29)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1962-08-28 tot 1962-08-29)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (van 1962-08-28 tot 1962-08-29)
is een opname van:
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro (van 1962-08-28 tot 1962-08-29)
componist:
Edward Elgar (composer) (van 1907 tot 1908)
deel van:
Symphony no. 1 in A-flat major, op. 55
Edward Elgar13:01
36Pomp and Circumstance Marches, op. 39: No. 1 in D major
producent:
James W. Burnett (producer) en Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-08-29)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-08-29)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1988)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-08-29)
is een opname van:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (op 1962-08-29)
had de première in:
Liverpool, Merseyside, England, Verenigd Koninkrijk (op 1901-10-19)
uitgever:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
componist:
Edward Elgar (composer) (in 1901)
uitgever:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
deel van:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:40
37Pomp and Circumstance Marches, op. 39: No. 2 in A minor
producent:
Christopher Bishop (conductor/producer)
orkest:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1966-07-14)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1966-07-14)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1966-07-14)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1966-07-14)
is een opname van:
Pomp and Circumstance Military Marches, op. 39: March no. 2 in A minor (op 1966-07-14)
had de première in:
Liverpool, Merseyside, England, Verenigd Koninkrijk (op 1901-10-19)
componist:
Edward Elgar (composer) (in 1901)
deel van:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar5:05
38Pomp and Circumstance Marches, op. 39: No. 3 in C minor
producent:
Christopher Bishop (conductor/producer)
orkest:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1966-07-14)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1966-07-14)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1966-07-14)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1966-07-14)
is een opname van:
Pomp and Circumstance Military Marches, op. 39: March no. 3 in C minor (op 1966-07-14)
componist:
Edward Elgar (composer) (in 1904)
had de première bij:
Queen’s Hall in London (Greater London), England, Verenigd Koninkrijk (op 1905-03-08)
deel van:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:04
39Pomp and Circumstance Marches, op. 39: No. 4 in G major
producent:
James W. Burnett (producer) en Victor Olof
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1962-08-29)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1962-08-29)
balanstechnicus:
Harold Davidson (classical sound engineer, active from late 1950's)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1962-08-29)
is een opname van:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (op 1962-08-29)
componist:
Edward Elgar (composer) (in 1907)
had de première bij:
Queen’s Hall in London (Greater London), England, Verenigd Koninkrijk (op 1907-08-24)
deel van:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar5:24
40Pomp and Circumstance Marches, op. 39: No. 5 in C major
producent:
Christopher Bishop (conductor/producer)
orkest:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1966-07-14)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1966-07-14)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1966-07-14)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1966-07-14)
is een opname van:
Pomp and Circumstance Military Marches, op. 39: March no. 5 in C major (op 1966-07-14)
componist:
Edward Elgar (composer) (in 1930)
had de première bij:
Queen’s Hall in London (Greater London), England, Verenigd Koninkrijk (op 1930-09-20)
deel van:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:09
41Symphony no. 2 in E‐flat major, op. 63: I. Allegro vivace e nobilmente
orkest:
Hallé Orchestra
was dirigent:
Sir John Barbirolli (conductor and cellist)
is een opname van:
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente
componist:
Edward Elgar (composer) (van 1903 tot 1911)
deel van:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar19:27
42Symphony no. 2 in E‐flat major, op. 63: II. Larghetto
orkest:
Hallé Orchestra
was dirigent:
Sir John Barbirolli (conductor and cellist)
is een opname van:
Symphony no. 2 in E-flat major, op. 63: II. Larghetto
componist:
Edward Elgar (composer) (van 1903 tot 1911)
deel van:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar13:52
43Symphony no. 2 in E‐flat major, op. 63: III. Rondo. Presto
orkest:
Hallé Orchestra
was dirigent:
Sir John Barbirolli (conductor and cellist)
is een opname van:
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto
componist:
Edward Elgar (composer) (van 1903 tot 1911)
deel van:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar8:20
44Symphony no. 2 in E‐flat major, op. 63: IV. Moderato e maestoso
orkest:
Hallé Orchestra
was dirigent:
Sir John Barbirolli (conductor and cellist)
is een opname van:
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso
componist:
Edward Elgar (composer) (van 1903 tot 1911)
deel van:
Symphony no. 2 in E-flat major, op. 63
Edward Elgar14:31
45Froissart, op. 19
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
was dirigent:
Sir John Barbirolli (conductor and cellist)
is een opname van:
Froissart Overture, op. 19
had de première in:
Worcester, Worcestershire, England, Verenigd Koninkrijk (op 1890-09-09)
componist:
Edward Elgar (composer) (in 1890)
deel van:
Works of Edward Elgar by opus number (nummer: op. 19)
Edward Elgar14:16
46Sospiri, op. 70
producent:
Christopher Bishop (conductor/producer)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1966-06-16)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1966-06-16)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1966-06-16)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1966-06-16)
is een opname van:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (op 1966-06-16)
componist:
Edward Elgar (composer) (in 1914)
toegewijdt aan:
William Henry Reed
uitgever:
Breitkopf & Härtel
deel van:
Works of Edward Elgar by opus number (nummer: op. 70)
Edward Elgar5:13
47Elegy, op. 58
producent:
Christopher Bishop (conductor/producer)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (op 1966-06-16)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1966-06-16)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1966-06-16)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1966-06-16)
is een opname van:
Elegy, op. 58 (op 1966-06-16)
componist:
Edward Elgar (composer) (in 1909)
had de première bij:
Mansion House in London (Greater London), England, Verenigd Koninkrijk (op 1909-07-13)
deel van:
Works of Edward Elgar by opus number (nummer: op. 58)
Edward Elgar4:28
48Falstaff, op. 68: I. Falstaff and Prince Henry
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orkest:
Hallé Orchestra (op 1964-06-01)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1964-06-01)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1964-06-01)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1964-06-01)
is een opname van:
Falstaff, op. 68: I. Falstaff and Prince Henry (op 1964-06-01)
componist:
Edward Elgar (composer) (in 1913)
deel van:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar3:16
49Falstaff, op. 68: II. Eastcheap - Gadshill - The Boar’s Head. Revelry and Sleep
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orkest:
Hallé Orchestra (op 1964-06-01)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1964-06-01)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1964-06-01)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1964-06-01)
is een gedeeltelijke opname van:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (op 1964-06-01)
componist:
Edward Elgar (composer) (in 1913)
deel van:
Falstaff, op. 68 (Symphonic Study)
is een opname van:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
componist:
Edward Elgar (composer) (in 1913)
deel van:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar13:02
50Falstaff, op. 68: Dream Interlude
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orkest:
Hallé Orchestra (op 1964-06-01)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1964-06-01)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1964-06-01)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1964-06-01)
is een gedeeltelijke opname van:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (op 1964-06-01)
componist:
Edward Elgar (composer) (in 1913)
deel van:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar2:19
51Falstaff, op. 68: III. Falstaff’s March - The Return to Gloucestershire
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orkest:
Hallé Orchestra (op 1964-06-01)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1964-06-01)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1964-06-01)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1964-06-01)
is een gedeeltelijke opname van:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (op 1964-06-01)
componist:
Edward Elgar (composer) (in 1913)
deel van:
Falstaff, op. 68 (Symphonic Study)
is een opname van:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London
componist:
Edward Elgar (composer) (in 1913)
deel van:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar4:24
52Falstaff, op. 68: Interlude. Shallow’s Orchard - The New King - The Hurried Ride to London
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orkest:
Hallé Orchestra (op 1964-06-01)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1964-06-01)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1964-06-01)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1964-06-01)
is een gedeeltelijke opname van:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (op 1964-06-01)
componist:
Edward Elgar (composer) (in 1913)
deel van:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar2:39
53Falstaff, op. 68: IV. King Henry V’s Progress - The Repudiation of Falstaff and His Death
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orkest:
Hallé Orchestra (op 1964-06-01)
was dirigent:
Sir John Barbirolli (conductor and cellist) (op 1964-06-01)
balanstechnicus:
Christopher Parker (classical recording and balance engineer, active from 1950s) (op 1964-06-01)
opgenomen bij:
Kingsway Hall in London (Greater London), England, Verenigd Koninkrijk (op 1964-06-01)
is een opname van:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death (op 1964-06-01)
componist:
Edward Elgar (composer) (in 1913)
deel van:
Falstaff, op. 68 (Symphonic Study)
Edward Elgar8:46
54The Dream of Gerontius, op. 38, Pt. 1: Prelude. Lento, mistico
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een opname van:
The Dream of Gerontius, op. 38: Part I, I. Prelude (cues 1–21) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar10:14
55The Dream of Gerontius, op. 38, Pt. 1: Jesu, Maria, I Am Near to Death (Gerontius)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenorvocalen [Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een opname van:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar3:59
56The Dream of Gerontius, op. 38, Pt. 1: Kyrie eleison - Holy Mary, Pray for Him (Gerontius, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een opname van:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar2:21
57The Dream of Gerontius, op. 38, Pt. 1: Rouse Thee, My Fainting Soul (Gerontius, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar1:00
58The Dream of Gerontius, op. 38, Pt. 1: Be Merciful (Gerontius, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar3:21
59The Dream of Gerontius, op. 38, Pt. 1: Sanctus fortis, Sanctus Deus (Gerontius)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenorvocalen [Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar5:31
60The Dream of Gerontius, op. 38, Pt. 1: I Can No More (Gerontius, chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar2:07
61The Dream of Gerontius, op. 38, Pt. 1: Rescue Him, O Lord - Noe from the Waters (Gerontius, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar2:11
62The Dream of Gerontius, op. 38, Pt. 1: Novissima hora est (Chorus, Gerontius)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een opname van:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar1:32
63The Dream of Gerontius, op. 38, Pt. 1: Proficiscere, anima Christiana (Priest)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
basvocalen [Priest]:
Kim Borg (operatic bass) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar1:56
64The Dream of Gerontius, op. 38, Pt. 1: Go in the Name of Angels and Archangels (Chorus, Priest)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
basvocalen [Priest]:
Kim Borg (operatic bass) (van 1964-12-27 tot 1964-12-30)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
uitvoerend artiest:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar4:43
65The Dream of Gerontius, op. 38, Pt. 2: Andantino
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een opname van:
The Apostles, op. 49: Part II: Introduction (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer)
deel van:
The Apostles, op. 49: Part II
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar1:57
66The Dream of Gerontius, op. 38, Pt. 2: I Went to Sleep (Soul of Gerontius)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar4:10
67The Dream of Gerontius, op. 38, Pt. 2: My Work Is Done (Soul, Angel)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar2:32
68The Dream of Gerontius, op. 38, Pt. 2: It Is a Member of That Family - All Hail! My Child and Brother (Angel, Soul)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar4:20
69The Dream of Gerontius, op. 38, Pt. 2: A Presage Falls (Angel, Soul)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar1:54
70The Dream of Gerontius, op. 38, Pt. 2: But Hark! - Low‐Born Clods of Brute Earth (Soul, Angel, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar1:35
71The Dream of Gerontius, op. 38, Pt. 2: Dispossessed, Aside Thrust (Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar1:24
72The Dream of Gerontius, op. 38, Pt. 2: The Mind Bold and Independent (Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar2:18
73The Dream of Gerontius, op. 38, Pt. 2: I See Not These False Spirits - There Was a Mortal (Soul, Angel)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
vocalen:
Dame Janet Baker (mezzo‐soprano and alto) en Richard Lewis (Welsh tenor)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een opname van:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar3:31
74The Dream of Gerontius, op. 38, Pt. 2: Praise to the Holiest (Angel, Chorus, Soul)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar3:20
75The Dream of Gerontius, op. 38, Pt. 2: Glory To Him - But Hark! A Grand Mysterious Harmony (Sould, Angel, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar2:20
76The Dream of Gerontius, op. 38, Pt. 2: And Now the Threshold - Praise for the Holiest (Soul, Angel, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar8:06
77The Dream of Gerontius, op. 38, Pt. 2: Thy Judgement Now Is Near (Angel, Soul)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar3:20
78The Dream of Gerontius, op. 38, Pt. 2: Jesu! By That Shuddering Dread (Angel of the Agony, Soul, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar4:11
79The Dream of Gerontius, op. 38, Pt. 2: I Go Before My Judge - Be Merciful, Be Gracious (Angel of the Agony, Soul, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar1:34
80The Dream of Gerontius, op. 38, Pt. 2: Praise to His Name! - Take Me Away (Angel, Soul, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar4:57
81The Dream of Gerontius, op. 38, Pt. 2: Lord, Thou Hast Been Our Refuge (Angel, Soul, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
tenorvocalen [Soul of Gerontius]:
Richard Lewis (Welsh tenor) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een gedeeltelijke opname van:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar1:07
82The Dream of Gerontius, op. 38, Pt. 2: Softly and Gently (Angel, Chorus)
producent:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
koor:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (van 1964-12-27 tot 1964-12-30), Hallé Choir (van 1964-12-27 tot 1964-12-30) en Sheffield Philharmonic Chorus (van 1964-12-27 tot 1964-12-30)
mezzo-sopraanvocalen [Angel]:
Janet Baker (mezzo‐soprano and alto) (van 1964-12-27 tot 1964-12-30)
orkest:
Hallé Orchestra (van 1964-12-27 tot 1964-12-30)
was dirigent:
Sir John Barbirolli (conductor and cellist) (van 1964-12-27 tot 1964-12-30)
was koorleider:
Eric Chadwick (chorus master, organist) (van 1964-12-27 tot 1964-12-30) en John McCarthy (British choral conductor, scholar, composer and arranger) (van 1964-12-27 tot 1964-12-30)
balanstechnicus:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
fonografisch auteursrecht (℗):
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
opgenomen bij:
Free Trade Hall in Manchester, Greater Manchester, England, Verenigd Koninkrijk (van 1964-12-27 tot 1964-12-30)
is een opname van:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137) (van 1964-12-27 tot 1964-12-30)
componist:
Edward Elgar (composer) (in 1900)
deel van:
The Dream of Gerontius, op. 38
Edward Elgar6:55
83Dream Children, op. 43: I. Andante
orkest:
Hallé Orchestra
was dirigent:
Sir John Barbirolli (conductor and cellist)
is een opname van:
Dream Children, op. 43: I. Andante
componist:
Edward Elgar (composer) (in 1902)
deel van:
Dream Children, op. 43
Edward Elgar3:39
843 Bavarian Dances, op. 27: No. 2, Lullaby
orkest:
Hallé Orchestra
was dirigent:
Sir John Barbirolli (conductor and cellist)
is een opname van:
Three Bavarian Dances: No. 2. Lullaby
componist en verzorgde het arrangement:
Edward Elgar (composer)
arrangement van:
From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
deel van:
Three Bavarian Dances, op. 27a
Edward Elgar3:39
85Caractacus, op. 35, Scene 4: “Oh! My Warriors” (Caractacus)
vocalen:
Peter Dawson (Australian bass-baritone / songwriter)
was dirigent:
Sir John Barbirolli (conductor and cellist)
is een opname van:
Caractacus, op. 35: Scene IV, The Malven Hills: “O My Warriors” (Caractacus, Chorus)
componist:
Sir Edward Elgar (Edward Elgar, composer)
deel van:
Caractacus, op. 35
Edward Elgar3:34
86Caractacus, op. 35, Scene 2: Sword Song. “Leap, Leap to Light” (Caractacus)
vocalen:
Peter Dawson (Australian bass-baritone / songwriter)
was dirigent:
Sir John Barbirolli (conductor and cellist)
is een opname van:
Caractacus, op. 35: Scene II, The Sacred Oak Grove by the Tomb of the Kings: “Leap to Light” (Caractacus, Chorus)
componist:
Sir Edward Elgar (Edward Elgar, composer)
deel van:
Caractacus, op. 35
deel van:
Caractacus, op. 35
Edward Elgar2:42