Hits of the 70s (100 Songs)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Countries where available (Spotify)

(As of 2020-08-12).

  • Northern America: 🇺🇸 United States (us)
Annotazione modificata l'ultima volta il 2020-08-12 06:47 UTC.

Elenco tracce

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#TitoloArtistaValutazioneDurata
1(Don’t Fear) The Reaper
tecnico di registrazione:
Andy Abrams (nel 1976-03) e Shelly Yakus (nel 1976-03)
tecnico:
Andy Abrams e Shelly Yakus
produttore:
Murray Krugman, David Lucas (US producer, composer & engineer) e Sandy Pearlman
tecnico di missaggio:
Andy Abrams (dal 1975 al 1976) e Shelly Yakus (dal 1975 al 1976)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1976-03)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 55) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 60)
registrazione di:
(Don’t Fear) The Reaper (nel 1976-03)
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:09
2American Woman
produttore:
Nimbus 9 e Jack Richardson
diritti fonografici (℗) detenuti da:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1970) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 3) e Huffington Post: 100 Best Canadian Songs Ever (numero: 4)
registrazione di:
American Woman (dal 1969-08 al 1969-11)
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.15:08
3At Seventeen
Janis Ian4:40
4Back Stabbers
tecnico di registrazione:
Joe Tarsia (engineer) (nel 1972)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1972)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Back Stabbers (nel 1972)
autore:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden e John Whitehead
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:04
5Best of My Love
produttore:
Al McKay
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 334)
registrazione di:
Best of My Love
autore:
Al McKay e Maurice White (Earth, Wind & Fire)
editore:
EMI Songs Ltd.
The Emotions4.153:40
6Black Magic Woman
produttore:
Fred Catero e Carlos Santana
chitarra :
Carlos Santana (il 1970-07-04)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-04)
congas :
Michael Carabello (percussionist) (il 1970-07-04) e Jose Chepito Áreas (il 1970-07-04)
membranofono :
Michael Shrieve (drummer) (il 1970-07-04)
tastiera :
Gregg Rolie (keyboardist and vocalist) (il 1970-07-04)
timbales :
Jose Chepito Áreas (il 1970-07-04)
voce:
Gregg Rolie (keyboardist and vocalist) (il 1970-07-04) e Carlos Santana (il 1970-07-04)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970, nel 1974)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-04)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 28)
registrazione cover di:
Black Magic Woman (il 1970-07-04)
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
Santana3.83:16
7Brandy (You’re a Fine Girl)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 2), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 11) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 40)
registrazione di:
Brandy (You’re a Fine Girl) (nel 1972)
paroliere e compositore:
Elliot Lurie
Looking Glass4.253:02
8Cat Scratch Fever
tecnico:
Tim Geelan e Wayne Tarnowski
produttore:
Cliff Davies (British drummer, songwriter and producer), Lew Futterman e Tom Werman
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (numero: 12) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 32)
registrazione di:
Cat Scratch Fever
paroliere e compositore:
Ted Nugent
editore:
IQ Music Ltd., Magicland Music e Round Hill Works
Ted Nugent3.453:38
9Coconut (remastered 2004)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (nel 1971-06) e Roger Pope (nel 1971-06)
chitarra :
Caleb Quaye (nel 1971-06)
chitarra acustica :
Ian Duck (from 70s punk group “Jet Bronx & The Forbidden”) (nel 1971-06)
chitarra basso :
Herbie Flowers (nel 1971-06)
percussione :
Jim Gordon (US drummer with Derek and the Dominos) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
registrazione di:
Coconut
paroliere e compositore:
Harry Nilsson (US singer-songwriter)
editore:
EMI Blackwood Music, Inc.
Nilsson4.53:51
10Come and Get Your Love
registrazione di:
Come and Get Your Love
paroliere e compositore:
Lolly Vegas
editore:
EMI Blackwood Music Inc., Lolly Vegas Publishing e Novalene Music
Redbone4.453:26
11The Cover of “Rolling Stone”
Dr. Hook2:52
12Dust in the Wind
tecnico:
Jeff Glixman (dal 1977-06 al 1977-07)
tecnico aggiunto:
Terry Diane Becker (engineer)
produttore:
Jeff Glixman (nel 1977-06)
batteria , chimes , gong e timpani :
Phil Ehart (dal 1977-06 al 1977-07)
celesta , organo , sintetizzatore , vibrafono e voce principale:
Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
chitarra acustica e chitarra elettrica :
Kerry Livgren (dal 1977-06 al 1977-07) e Rich Williams (guitarist of Kansas) (dal 1977-06 al 1977-07)
chitarra basso :
Dave Hope (dal 1977-06 al 1977-07)
clavinet e sintetizzatore [synthesizers] :
Kerry Livgren (dal 1977-06 al 1977-07)
percussione [additional percussion] :
Phil Ehart (dal 1977-06 al 1977-07), Kerry Livgren (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
pianoforte :
Kerry Livgren (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
viola , violino [violins] e violoncello :
Robby Steinhardt (dal 1977-06 al 1977-07)
voce di accompagnamento:
Robby Steinhardt (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
arrangiatore:
Kansas (US prog rock band)
diritti fonografici (℗) detenuti da:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978)
registrata presso:
Studio in the Country in Bogalusa, Louisiana, Stati Uniti (dal 1977-06 al 1977-07) e Woodland Studios in Nashville, Tennessee, Stati Uniti (dal 1977-06 al 1977-07)
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (nel 1977-08)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 39)
registrazione di:
Dust in the Wind (dal 1977-06 al 1977-07)
paroliere e compositore:
Kerry Livgren
editore:
Blackwood Music Publishing (1953-02-07–1987-12-30), Don Kirshner Music Inc., Kirshner CBS Music Publishing e Kirshner-Warner Bros Music Ltd.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adattamenti:
As the Sun Rises
Kansas4.13:29
13Got to Be Real
produttore:
David Paich e Marty Paich
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 45)
registrazione di:
Got to Be Real
autore:
Cheryl Lynn (1970s disco singer), David Foster (Canadian music producer, arranger and composer) e David Paich
editore:
Butterfly Gong Music, Hudmar Publishing Co. Inc. e On Board Music (publisher)
Cheryl Lynn55:07
14Hold the Line
tecnico di registrazione:
Dana Latham, Gabe Veltri e Tom Knox
assistente tecnico:
Dana Latham (incarico: assistant) e Gabe Veltri (incarico: assistant)
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
basso :
David Hungate e Michael Porcaro
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08)
percussione :
Jeffrey Porcaro e Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Jean-Michel Byron e Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:56
15I Can Help
tecnico:
Chip Young (American session guitarist, bassist, producer in the genre of country)
produttore:
Billy Swan e Chip Young (American session guitarist, bassist, producer in the genre of country)
basso :
Mike Leech (Nashville session musician and arranger) (nel 1974)
batteria :
Hayward Bishop (nel 1974)
chitarra acustica :
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (nel 1974)
chitarra elettrica :
Chip Young (American session guitarist, bassist, producer in the genre of country) (nel 1974) e Reggie Young (guitarist and songwriter) (nel 1974)
strumenti:
Paul Richmond (engineer) (nel 1974)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1974)
registrata presso:
Youngun Sound Studio in Murfreesboro, Tennessee, Stati Uniti (nel 1974)
registrazione di:
I Can Help (nel 1974)
paroliere e compositore:
Billy Swan
editore:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Billy Swan44:00
16I Can See Clearly Now
produttore:
Johnny Nash (US reggae/pop singer-songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1972) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 165)
registrazione di:
I Can See Clearly Now (nel 1972)
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash4.152:47
17I Go Crazy
produttore:
Phil Benton e Paul Davis (American singer)
voce:
Paul Davis (American singer)
diritti fonografici (℗) detenuti da:
Bang Records (Bert Berns label) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 12)
registrazione di:
I Go Crazy
paroliere e compositore:
Paul Davis (American singer)
editore:
Paul and Jonathan Songs, Sony/ATV Songs LLC e Web IV Music Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis53:53
18Lady Marmalade
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
LaBelle3:56
19Lean on Me
produttore:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) e Bill Withers
basso elettrico :
Melvin Dunlap (nel 1972)
batteria e percussione :
James Gadson (American drummer) (nel 1972)
chitarra elettrica :
Benorce Blackmon (guitarist, producer, writer) (nel 1972)
piano elettrico Wurlitzer :
Ray Jackson (trombonist, pianist and arranger) (nel 1972)
pianoforte e voce principale:
Bill Withers (nel 1972)
arrangiatore archi :
Ray Jackson (trombonist, pianist and arranger)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 236)
registrazione di:
Lean on Me (nel 1972)
paroliere e compositore:
Bill Withers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.254:18
20Long Cool Woman (In a Black Dress)
tecnico:
John Punter
produttore:
The Hollies e Ron Richards
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1971-07-16, dal 1971-07-27 al 1971-07-30)
registrazione di:
Long Cool Woman in a Black Dress (dal 1971-07-16 al 1971-07-30)
autore:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
The Hollies4.153:17
21Lowdown
tecnico:
Tom Perry (engineer)
produttore:
Joe Wissert
batteria :
Jeff Porcaro (nel 1975-09)
chitarra :
Louie Shelton (nel 1975-09) e Fred Tackett (nel 1975-09)
chitarra basso :
David Hungate (nel 1975-09)
corno :
Vincent DeRosa (nel 1975-09)
minimoog e sintetizzatore :
David Paich (nel 1975-09)
ottoni :
Dick Hyde (nel 1975-09)
strumenti a fiato :
Jim Horn (saxophonist, hornist, flutist and oboist) (nel 1975-09), Plas Johnson (nel 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (nel 1975-09) e Bud Shank (nel 1975-09)
tromba :
Chuck Findley (trumpet, trombone, horn player) (nel 1975-09) e Paul Hubinon (nel 1975-09)
voce di accompagnamento:
Jim Gilstrap (nel 1975-09), Augie Johnson (nel 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (nel 1975-09) e Carolyn Willis (nel 1975-09)
voce principale:
Boz Scaggs (nel 1975-09)
direttore d'orchestra:
Sid Sharp (nel 1975-09)
arrangiatore:
David Paich
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 4)
registrazione di:
Lowdown (nel 1975-09)
paroliere:
Boz Scaggs
compositore:
David Paich e Boz Scaggs
editore:
BMG Songs, Inc., Hudmar Publishing Co. Inc. e Kobalt Music Publishing Ltd. (UK)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs45:16
22More Than a Feeling
assistente tecnico:
Bruce Hensal, Deni King (engineer) e Doug Rider
tecnico:
Warren Dewey e Tom Scholz
produttore:
John Boylan e Tom Scholz
assistente tecnico di missaggio:
Steve Hodge (engineer and producer)
batteria e percussione :
Sib Hashian (dal 1975 al 1976)
chitarra [lead guitar] , chitarra [rhythm guitar] , chitarra acustica e chitarra basso :
Tom Scholz (dal 1975 al 1976)
voce principale e voce principale [Harmony]:
Brad Delp (dal 1975 al 1976)
arrangiatore:
Brad Delp e Tom Scholz
co-arrangiatore:
Jim Masdea
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Foxglove Studios in Watertown, Massachusetts, Stati Uniti (nel 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
prima pubblicazione:
More Than a Feeling di Boston (US rock band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 500)
registrazione di:
More Than a Feeling (dal 1975 al 1976)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston3.954:45
23Play That Funky Music
tecnico di missaggio:
Ken Hamann (engineer), Carl Maduri e Robert Parissi (Rob Parissi)
basso elettrico e sintetizzatore :
Allen Wentz (Bass player for wild cherry)
chitarra elettrica :
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat) e Robert W. Parissi (Rob Parissi)
membranofono :
Ronald Beitle (drummer for Wild Cherry)
voce aggiuntiva:
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat), Ronald Beitle (drummer for Wild Cherry) e Allen Wentz (Bass player for wild cherry)
voce principale:
Robert W. Parissi (Rob Parissi)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976, nel 2002)
registrazione di:
Play That Funky Music (nel 1976)
paroliere e compositore:
Robert W. Parissi (Rob Parissi)
editore:
Bema Music (publisher), RWP Music, Sweet City Records Inc. e Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry45:00
24Please Come to Boston (single version)
edit di:
Please Come to Boston di Dave Loggins
registrazione di:
Please Come to Boston
paroliere e compositore:
Dave Loggins
Dave Loggins4:06
25September
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1975, nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 16) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 65)
registrazione di:
September
autore:
Al McKay, Maurice White (Earth, Wind & Fire) e Allee Willis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:35
26Two Tickets to Paradise
tecnico di registrazione:
Andy Johns (nel 1977-06)
assistente tecnico:
Mike Clink (incarico: assistant), Roy Segal (incarico: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (incarico: assistant) e Tom Lubin (incarico: assistant)
tecnico:
Andy Johns (incarico: recording & mixing)
produttore:
Bruce Botnick
tecnico di missaggio:
Andy Johns
armonica (a bocca) , sassofono e voce principale:
Eddie Money
basso :
Lonnie Turner
batteria :
Gary Mallaber
chitarra :
Jimmy Lyon (rock guitarist, worked with Eddie Money)
chitarra basso :
Lonnie Turner
percussione :
Kevin Calhoun (percussionist), Gary Mallaber e Kevin Calhoun (composer)
sassofono contralto :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sassofono tenore :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols e Freddie Webb (keyboardist)
voce:
Eddie Money
voce di accompagnamento:
Randy Nichols
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti (nel 1977-06) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1977-06)
registrazione di:
Two Tickets to Paradise (nel 1977-06)
paroliere e compositore:
Eddie Money
editore:
Cashola Music, Three Wise Boys Music LLC e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.153:58
27Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1972), BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
campionamenti da:
Lexicon Valley #150, “Why Language Can’t Be Tamed” di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Six Continents Music Publishing Inc.
Lou Reed4.254:13
28When Will I See You Again
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Sheila Ferguson (nel 1973), Valerie Holiday (nel 1973) e Fayette Pinkney (nel 1973)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1973)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
registrazione di:
When Will I See You Again (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees42:59
29Wildfire
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1975)
registrazione di:
Wildfire
autore:
Larry Cansler e Michael Martin Murphey
Michael Martin Murphey54:47
30All by Myself
assistente tecnico:
Joey Barbaria
tecnico:
Jack Sherdel
produttore:
Jimmy Ienner (producer)
voce principale:
Eric Carmen (dal 1975-08 al 1975-09)
arrangiatore:
Eric Carmen
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
è stato produttore per:
CAM Productions (US)
registrata presso:
O.D.O. Sound Studios in New York, New York, Stati Uniti (dal 1975-08 al 1975-09)
registrazione di:
All by Myself (dal 1975-08 al 1975-09)
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:51
31Best Thing That Ever Happened to Me
registrazione cover di:
Best Thing That Ever Happened to Me
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:45
32Magnet and Steel (single version)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978)
registrazione di:
Magnet and Steel
autore:
Walter Egan
editore:
EMI April Music Inc.
Walter Egan3:25
33Midnight Blue
tecnico di registrazione:
Bob Schaper
produttore:
Vini Poncia
tecnico di missaggio:
Bill Schnee
batteria e percussione :
Kirk Bruner
chitarra acustica e chitarra elettrica :
David Wolfert
chitarra basso [bass] :
Cooker LoPresti
pianoforte e voce principale:
Melissa Manchester
pianoforte elettrico :
James Newton Howard (American score composer)
voce di accompagnamento:
Melissa Manchester e Vini Poncia
arrangiatore archi :
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975)
mixata presso:
Sound Labs in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Midnight Blue
paroliere:
Carole Bayer Sager
compositore:
Melissa Manchester
editore:
New York Times Music Corp. (publisher) (conclusa), Rumanian Pickleworks Company (conclusa), Alley Music Corp., BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) e Trio Music Company
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Melissa Manchester43:58
34Miracles
tecnico di registrazione:
Jeffrey Husband e Steve Mantoani
tecnico:
Larry Cox (US engineer/producer)
produttore:
Larry Cox (US engineer/producer) e Jefferson Starship
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1975)
registrata presso e mixata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
registrazione di:
Miracles (Jefferson Starship song)
paroliere e compositore:
Marty Balin
Jefferson Starship46:53
35If You Don’t Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (nel 1972)
voce principale:
Harold Melvin (nel 1972)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:26
36Free Ride
registrazione di:
Free Ride
paroliere e compositore:
Dan Hartman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e Silver Steed Music
The Edgar Winter Group4.653:08
37Mississippi Queen
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
registrazione di:
Mississippi Queen
autore:
Corky Laing, Felix Pappalardi, David Rea e Leslie West
editore:
Universal Music Publishing MGB Ltd. e Upfall Music Corp.
Mountain4.12:31
38No Time/ (single version)
assistente tecnico di registrazione:
Ed Schnabl e Russ Vestuto
tecnico di registrazione:
Brian Christian
produttore:
Jack Richardson
arrangiatore:
The Guess Who (Canadian rock band)
registrata presso:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 70)
registrazione di:
No Time (dal 1969-08 al 1969-11)
autore:
Randy Bachman (Canadian guitarist, singer & songwriter) e Burton Cummings
The Guess Who4.43:46
39Rock and Roll, Hoochie Koo
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1973)
registrazione di:
Rock and Roll, Hoochie Koo
paroliere e compositore:
Rick Derringer
editore:
Universal Music Careers
Rick Derringer33:43
40Knock Three Times
produttore:
Dave Appell e The Tokens
arrangiatore:
Norman Bergen
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975)
registrazione di:
Knock Three Times
autore:
Lawrence Russell Brown (lyricist) e Irwin Levine
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tony Orlando & Dawn4.352:58
41Brand New Key
registrazione di:
Brand New Key
paroliere e compositore:
Melanie Anne Safka‐Schekeryk (US singer‐songwriter Melanie Safka)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Melanie2:24
42Seasons in the Sun
produttore:
Terry Jacks
arrangiatore:
Terry Jacks
diritti fonografici (℗) detenuti da:
Bell Records Inc. (record company behind the Bell Records and Mala labels) (nel 1973), Arista Records, LLC (holding company - file NO releases here!) (nel 1974) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980)
è stato produttore per:
Poppy Family Productions Ltd.
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 19)
registrazione cover di:
Seasons in the Sun
paroliere e traduttore:
Rod McKuen
compositore:
Jacques Brel
editore:
E.B. Marks Music Corp. e Francis, Day & Hunter Ltd. (nel 1973)
versione tradotta di:
Le Moribond
registrazione di:
Seasons in the Sun
paroliere e traduttore:
Rod McKuen
compositore:
Jacques Brel
editore:
E.B. Marks Music Corp. e Francis, Day & Hunter Ltd. (nel 1973)
versione tradotta di:
Le Moribond
Terry Jacks3.53:27
43Put Your Hand in the Hand
registrazione cover di:
Put Your Hand in the Hand
paroliere e compositore:
Gene MacLellan
editore:
Ardmore and Beechwood Ltd., Beechwood Music Canada e EMI Blackwood Music Inc.
Ocean2:55
44Didn’t I (Blow Your Mind This Time)
voce:
The Delfonics (nel 1969-11)
orchestra:
The Thom Bell Orchestra (nel 1969-11)
mixata presso:
Longwear Plating in Long Island, New York, Stati Uniti (nel 1969-11)
registrazione di:
Didn’t I (Blow Your Mind This Time) (nel 1969-11)
autore:
Thom Bell (keyboards, songwriter, producer) (nel 1969) e William Hart (of The Delfonics) (nel 1969)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:23
45O‐o‐h Child (Buddha remastered 2001)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 392)
registrazione di:
O‐o‐h Child
paroliere e compositore:
Stan Vincent (1960s/70s pop songwriter)
editore:
Flamingo Music, Kama Sutra Music Inc. (USA branch), Stan Vincent Music, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Five Stairsteps3.83:17
46Jolene (single) (2002 remaster)
tecnico:
Tom Pick
produttore:
Bob Ferguson
banjo :
Bobby Thompson (guitar & banjo player) (il 1972-05-03) e Buck Trent (il 1972-05-03)
basso :
Bobby Dyson (il 1972-05-03)
batteria :
Kenny Malone (session drummer/percussion) (il 1972-05-03)
chitarra :
Dolly Parton (il 1972-05-03)
chitarra [rhythm guitar] :
Dave Kirby (US country singer/songwriter) (il 1972-05-03)
chitarra elettrica :
Jimmy Colvard (American session guitarist) (il 1972-05-03)
chitarra steel :
Stu Basore (il 1972-05-03)
pianoforte :
Hargus "Pig" Robbins (il 1972-05-03)
violino folk :
Johnny Gimble (il 1972-05-03) e Mack Magaha (Bluegrass Fiddler) (il 1972-05-03)
voce:
Dolly Parton (il 1972-05-03)
voce di accompagnamento:
Joe Babcock (il 1972-05-03), Dolores Edgin (il 1972-05-03), June Page (il 1972-05-03) e Hurshel Wiginton (il 1972-05-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1973) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1972-05-03)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 63) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 217)
registrazione di:
Jolene (il 1972-05-03)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. e Velvet Apple Music
Dolly Parton4.252:39
47Behind Closed Doors
tecnico di registrazione:
Lou Bradley (American producer, engineer, also songwriter) (il 1972-11-12)
produttore:
Billy Sherrill (US songwriter/producer/arranger)
voce di accompagnamento:
The Nashville Edition (il 1972-11-12)
voce principale:
Charlie Rich (US country singer) (il 1972-11-12)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1974)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1972-11-12)
registrazione di:
Behind Closed Doors (il 1972-11-12)
paroliere e compositore:
Kenny O’Dell
editore:
House of Gold Music, Inc.
Charlie Rich52:56
48Blue Eyes Crying in the Rain
tecnico:
Phil York
produttore:
Willie Nelson
armonica (a bocca) :
Mickey Raphael (nel 1975-02)
basso :
Bee Spears (nel 1975-02)
batteria :
Billy English (US drummer/percussionist for Willie Nelson) (nel 1975-02) e Paul English (US drummer for Willie Nelson) (nel 1975-02)
chitarra :
Bucky Meadows (American session musician) (nel 1975-02), Willie Nelson (nel 1975-02) e Jody Payne (nel 1975-02)
mandolino :
Jody Payne (nel 1975-02)
pianoforte :
Bobbie Nelson (nel 1975-02)
voce:
Willie Nelson (nel 1975-02)
arrangiatore:
Willie Nelson
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2003)
registrata presso:
Autumn Sound Studios in Garland, Texas, Stati Uniti (nel 1975-02)
parte di:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (numero: 16), Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 27), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 253) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 302)
registrazione cover di:
Blue Eyes Crying in the Rain (nel 1975-02)
paroliere e compositore:
Fred Rose (songwriter)
editore:
Campbell Connelly & Co. Ltd., Milene Music (publisher) e Sony/ATV Milene Music
Willie Nelson3.82:18
49Take This Job and Shove It
Johnny Paycheck2:36
50When You’re Hot, You’re Hot
registrazione di:
When You’re Hot, You’re Hot
paroliere e compositore:
Jerry Reed
Jerry Reed2:20
51He Ain’t Heavy, He’s My Brother
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e The Hollies Ltd. (dal 1969 al 1970)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1969-06-25)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 46)
registrazione cover di:
He Ain’t Heavy, He’s My Brother (il 1969-06-25)
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:18
52One Less Bell to Answer (remastered 2000)
The 5th Dimension3:30
53Always and Forever
tecnico di registrazione e tecnico di missaggio:
James Guthrie
assistente tecnico:
Nigel Adams, Peter Silver e Greg Walsh (producer and engineer)
produttore:
Barry Blue (singer, producer, and songwriter)
batteria :
Ernest (Bilbo) Berger
chitarra :
Eric Johns
chitarra basso :
Mario Mantese
percussione :
Ernest (Bilbo) Berger e Johnnie Wilder, Jr. (US vocalist for Heatwave)
tastiera :
Rod Temperton
voce di accompagnamento e voce principale:
Johnnie Wilder, Jr. (US vocalist for Heatwave)
direttore d'orchestra:
John Cameron (British composer, arranger and conductor)
orchestratore:
John Cameron (British composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1976)
è stato produttore per:
Indigo (production imprint used by Barry Blue)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Always and Forever
paroliere e compositore:
Rod Temperton
editore:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.356:14
54Brother Louie
esecutore:
Ian Lloyd (of Stories)
diritti fonografici (℗) detenuti da:
Kama Sutra (nel 1973) e Kama Sutra Records (nel 1973)
registrazione cover di:
Brother Louie
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated), Finchley Music e RAK Publishing Ltd.
Stories4.353:56
55Lay Down (Candles in the Rain)
registrazione di:
Lay Down
paroliere e compositore:
Melanie (US singer‐songwriter Melanie Safka)
Melanie3:46
56One Toke Over the Line
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1970)
registrazione di:
One Toke Over the Line
paroliere e compositore:
Mike Brewer (of Brewer & Shipley/Mastin & Brewer) e Tom Shipley (singer-songwriter, musician, vocals, guitar, bass, banjo)
editore:
Universal Music Careers
Brewer & Shipley3:19
57Lucretia Mac Evil
tecnico di registrazione:
Lou Waxman
tecnico:
Roy Halee
chitarra solista :
Steve (guitarist for Blood, Sweat & Tears)
arrangiatore:
Dick Halligan
registrazione di:
Lucretia Mac Evil
paroliere e compositore:
David Clayton‐Thomas
editore:
EMI Blackwood Music Inc.
Blood, Sweat & Tears43:05
58Everybody Plays the Fool (remastered at BMG Studios, 1996)
registrazione di:
Everybody Plays the Fool
autore:
J.R. Bailey (singer and songwriter), Rudy Clark (US songwriter) e Ken Williams (songwriter)
editore:
Trio Music Company, Alley Music Corp. (nel 1991) e Trio Music Co., Inc. (nel 1991)
The Main Ingredient3:19
59Kiss and Say Goodbye (single version)
strumenti:
MFSB (Mother Father Sister Brother)
voce di accompagnamento:
Carla Benson, Evette Benton, Barbara Ingram e The Manhattans (New Jersey vocal group, notable for “Kiss and Say Goodbye”)
voce parlata [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
voce principale [singing voice on 1st lead]:
Gerald Alston
registrazione di:
Kiss and Say Goodbye
paroliere e compositore:
Winfred Lovett (Lovett Winfred Lorenzo)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e EMI Songs Ltd.
The Manhattans3.54:26
60Me and My Arrow
Nilsson2:14
61Midnight Train to Georgia
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 432) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 470)
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:40
62Ain’t No Sunshine
tecnico di registrazione:
Bill Halverson (nel 1971) e Bill Lazarus (nel 1971)
produttore:
Booker T. Jones
tecnico di missaggio:
John Golden (mastering engineer)
basso elettrico :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1971)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1971)
chitarra acustica :
Stephen Stills (nel 1971)
voce principale:
Bill Withers (nel 1971)
arrangiatore archi :
Booker T. Jones
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1971) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 280) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 309)
registrazione di:
Ain’t No Sunshine (nel 1971)
paroliere e compositore:
Bill Withers
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Bill Withers4.552:03
63Love or Let Me Be Lonely (digitally mastered – May–June, 1988)
registrazione di:
Love or Let Me Be Lonely
autore:
Jerry Peters, Anita Porée e Skip Scarborough
editore:
Porpete Music (BMI)
The Friends of Distinction3:23
64Here You Come Again (digitally mastered – May–June, 1988)
voce:
Dolly Parton
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1977) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 60)
registrazione cover di:
Here You Come Again
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
Dyad Music Ltd., EMI Music Publishing Australia Pty. Limited (not for release label use!), Screen Gems–EMI Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Summerhill Music Songs e Summerhill Songs
Dolly Parton42:52
65Me and Mrs. Jones
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Billy Paul (American soul singer) (nel 1972)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1972)
arrangiatore archi e arrangiatore ottoni [horns] :
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Me and Mrs. Jones (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:47
66Boogie Nights
produttore:
Barry Blue (singer, producer, and songwriter)
diritti fonografici (℗) detenuti da:
GTO Records (nel 1976) e Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1976)
edit di:
Boogie Nights di Heatwave (70s/80s R&B/funk band)
registrazione di:
Boogie Nights (nel 1976)
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:38
67Rose Garden (single version)
registrazione cover di:
Rose Garden (nel 1970)
paroliere e compositore:
Joe South
editore:
BMG Music Publishing Ltd. e Sony/ATV Songs LLC
Lynn Anderson4.152:54
68Your Mama Don’t Dance
tecnico aggiunto:
John Fiore
registrazione di:
Your Mama Don’t Dance
autore:
Kenny Loggins e Jim Messina
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Loggins & Messina4.52:48
69You’ll Never Find Another Love Like Mine
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976)
registrazione di:
You’ll Never Find Another Love Like Mine
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lou Rawls4:26
70Indian Reservation (The Lament of the Cherokee Reservation Indian)
registrazione cover di:
Indian Reservation (The Lament of the Cherokee Reservation Indian)
paroliere e compositore:
John D. Loudermilk
Paul Revere & the Raiders featuring Mark Lindsay2:52
71Rock the Boat (digitally mastered – May–June, 1988)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974)
registrazione di:
Rock the Boat
paroliere e compositore:
Wally Holmes (songwriter)
editore:
Origin Network Pty Ltd e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:07
72Saturday Night
produttore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
arrangiatore:
Phil Coulter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 382)
registrazione di:
Saturday Night
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mews Music Ltd.
Bay City Rollers52:55
73Frankenstein
produttore:
Rick Derringer
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 97)
registrazione di:
Frankenstein
compositore:
Edgar Winter
editore:
Longitude Music (conclusa), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Edgar Winter Group44:44
74Ain’t No Stoppin’ Us Now
produttore:
Jerry Cohen, Gene McFadden e John Whitehead
arrangiatore:
Jack Faith
registrazione di:
Ain’t No Stoppin’ Us Now
autore:
Jerry Cohen, Gene McFadden e John Whitehead
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead7:01
75Close the Door
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
registrazione di:
Close the Door
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass5:26
76Cowboys to Girls
produttore:
Gamble-Huff
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
registrata presso:
Cameo-Parkway Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1967)
registrazione di:
Cowboys to Girls (nel 1967)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Blockbuster Music, Inc., EMI Blackwood Music Inc., Mijac Double Diamond Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Intruders22:37
77T.S.O.P. (The Sound of Philadelphia)
produttore:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) e Bobby Martin (US soul/R&B producer/arranger)
tecnico di missaggio:
Tom Moulton
voce:
Sheila Ferguson, Valerie Holiday e Fayette Pinkney
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
remix di:
TSOP (The Sound of Philadelphia) (Ferguson, Holiday, Pinkney) di MFSB (Mother Father Sister Brother) feat. The Three Degrees
registrazione di:
TSOP (The Sound of Philadelphia) (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mighty Three Music, Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB featuring The Three Degrees5:48
78The Love I Lost
registrazione di:
The Love I Lost
autore:
Gamble & Huff, Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes6:26
79Boogie Wonderland
produttore:
Al McKay e Maurice White (Earth, Wind & Fire)
voce:
The Emotions (Chicago soul, disco and R&B female vocal group) (nel 1979)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
campionamenti da:
I Am di Earth, Wind & Fire (nel 1979)
registrazione di:
Boogie Wonderland (nel 1979)
paroliere:
Allee Willis
compositore:
Jon Lind
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) e Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:49
80Too Much, Too Little, Too Late
produttore:
Jack Gold
esecutore:
Johnny Mathis (US pop/soul singer) e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1978)
registrazione di:
Too Much, Too Little, Too Late
autore:
Nat Kipner (Australian producer, songwriter, label owner & publisher) e John McIntyre Vallins
editore:
Homewood House Music e MCA Music Ltd.
Johnny Mathis duet with Deniece Williams42:59
81You Don’t Have to Be a Star (to Be in My Show)
Marilyn McCoo & Billy Davis, Jr.4:40
82Native New Yorker
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 404)
registrazione di:
Native New Yorker
autore:
Sandy Linzer e Denny Randell
editore:
Featherbed Music, Linz Music (US work publisher), Three Wise Boys Music LLC, Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Odyssey2.53:30
83Turn the Beat Around
registrazione di:
Turn the Beat Around
autore:
Gerald Jackson (American pianist and singer with group Touch of Class) e Pete Jackson (US disco producer)
Vicki Sue Robinson54:07
84Don’t Cry Out Loud
tecnico:
Milt Calise
produttore e tecnico di missaggio:
Harry Maslin
batteria :
Jim Keltner
chitarra :
Dennis Budimir e Lee Ritenour
chitarra basso :
David Hungate
pianoforte :
Bill Payne
voce principale:
Melissa Manchester
arrangiatore:
Barry Fasman
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1978)
è stato produttore per:
Melissa Manchester Productions, Inc.
registrata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
Don’t Cry Out Loud
paroliere:
Carole Bayer Sager (nel 1976)
compositore:
Peter Allen (Australian singer‐songwriter) (nel 1976)
editore:
Begonia Melodies Inc., Chappell Music Co. Inc., Chappell Music Ltd., Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd. e Woolnough Music
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Melissa Manchester53:52
85Fire
produttore:
Richard Perry (producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1996)
registrazione cover di:
Fire
paroliere e compositore:
Bruce Springsteen (nel 1977-05)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters4.353:26
86All the Young Dudes
produttore:
David Bowie (English singer‐songwriter)
voce principale:
Ian Hunter (Mott the Hoople)
arrangiatore:
David Bowie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1972), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1976)
parte di:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 166) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 253)
registrazione di:
All the Young Dudes
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tintoretto Music
sub-editore:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Mott the Hoople4.23:31
87Hold Your Head Up
registrazione di:
Hold Your Head Up
autore:
Rod Argent e Chris White (UK bassist for The Zombies)
editore:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA e Verulum Music Co Ltd
sub-editore:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent3:42
88Longer
tecnico:
Jeff Guercio e Marty Lewis (engineer)
produttore:
Dan Fogelberg, Marty Lewis (engineer) e Norbert Putnam
tecnico di missaggio:
Marty Lewis (engineer)
arpa :
Gayle Levant (American studio musician, harpist)
chitarra acustica :
Dan Fogelberg
flicorno soprano solista :
Jerry Hey
voce:
Dan Fogelberg
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) e Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (nel 1980)
mixata presso:
Quadrafonic Sound Studios in Nashville, Tennessee, Stati Uniti
registrazione di:
Longer
paroliere e compositore:
Dan Fogelberg
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Hickory Grove Music
Dan Fogelberg3.153:12
89Sara Smile (remastered 2003)
produttore:
Chris Bond (producer, active circa 1970s) e Daryl Hall & John Oates
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1975)
registrazione di:
Sara Smile
paroliere:
Daryl Hall e John Oates
compositore:
Daryl Hall
editore:
Unichappell Music, Inc.
Daryl Hall & John Oates4.253:08
90More, More, More
produttore:
Gregg Diamond
tecnico di missaggio:
Tom Moulton
arrangiatore:
Gregg Diamond
diritti fonografici (℗) detenuti da:
Buddah Records, Inc. (nel 1976)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
registrazione di:
More, More, More
paroliere e compositore:
Gregg Diamond
editore:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (nel 1976) e Gee Diamond Music (nel 1976)
Andrea True Connection4.753:03
91Dream Merchant
The New Birth4:25
92Shame
Evelyn “Champagne” King6:33
93Evil Ways
tecnico:
Bob Breault e Eric Prestidge
produttore:
Brent Dangerfield e Santana (US Latin, blues, & rock band)
batteria :
Michael Shrieve (drummer) (il 1969-05-12)
chitarra :
Carlos Santana (il 1969-05-12)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1969-05-12)
congas e percussione :
Michael Carabello (percussionist) (il 1969-05-12)
congas, percussione e timbales :
José “Chepito” Áreas (il 1969-05-12)
organo e pianoforte :
Gregg Rolie (keyboardist and vocalist) (il 1969-05-12)
voce:
Gregg Rolie (keyboardist and vocalist) (il 1969-05-12) e Carlos Santana (il 1969-05-12)
arrangiatore:
Alberto Gianquinto
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1969) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
registrata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti (il 1969-05-12)
mixata presso:
Pacific Recording Studio in San Mateo, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 69)
registrazione cover di:
Evil Ways (il 1969-05-12)
paroliere e compositore:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
editore:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music e Universal–Songs of PolyGram International, Inc.
Santana4.153:53
94Baby Hold On
tecnico di registrazione:
Andy Johns (nel 1977-06)
assistente tecnico:
Mike Clink (incarico: assistant), Roy Segal (incarico: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (incarico: assistant) e Tom Lubin (incarico: assistant)
tecnico:
Andy Johns (incarico: recording & mixing)
produttore:
Bruce Botnick
tecnico di missaggio:
Andy Johns
armonica (a bocca) , sassofono e voce principale:
Eddie Money
basso :
Lonnie Turner
batteria :
Gary Mallaber
chitarra :
Jimmy Lyon (rock guitarist, worked with Eddie Money)
chitarra basso :
Lonnie Turner
percussione :
Kevin Calhoun (percussionist), Gary Mallaber e Kevin Calhoun (composer)
sassofono contralto :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sassofono tenore :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols e Freddie Webb (keyboardist)
voce:
Eddie Money e Jo Baker (US singer, involved with Elvin Bishop)
voce di accompagnamento:
Randy Nichols
voce ospite:
Jo Baker (US singer, involved with Elvin Bishop)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti (nel 1977-06) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1977-06)
registrazione di:
Baby Hold On (nel 1977-06)
autore:
Jimmy Lyon (rock guitarist, worked with Eddie Money) e Eddie Money
editore:
Cashola Music e Three Wise Boys Music LLC
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.53:31
95Don’t Look Back
assistente tecnico:
Eric Carr (Engineer), Dennis Coscia e Rob Rosati
tecnico e produttore:
Tom Scholz
tecnico di missaggio:
Wally Traugott (engineer, mastering engineer, cutting engineer, remastering, mixing engineer lacquer-cutting)
basso e percussione :
Fran Sheehan
batteria e percussione :
Sib Hashian
chitarra a 12 corde, chitarra acustica, basso, chitarra elettrica, organo e pianoforte :
Tom Scholz
chitarra, percussione e chitarra slide :
Barry Goudreau
voce:
Brad Delp
arrangiatore:
Tom Scholz
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso e mixata presso:
Tom Scholz Hideaway Studio in Massachusetts, Stati Uniti
registrazione di:
Don’t Look Back
paroliere e compositore:
Tom Scholz
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Pure Songs (nel 1978)
Boston35:57
96You’re So Vain (live)
Carly Simon4:45
97Top Forty
Sha Na Na2:38
98Get It On
Chase Anthony2:58
99Somewhere in My Lifetime
tecnico:
Michael Delugg
produttore:
Ron Dante e Barry Manilow
batteria :
Ron Zito (nel 1978-08)
chitarra :
Sid McGinnis (American musician and guitarist) (nel 1978-08)
chitarra basso [bass] :
Bob Babbitt (nel 1978-08)
percussione :
Jimmy Maeulin (percussion) (nel 1978-08)
pianoforte :
Barry Manilow (nel 1978-08) e Paul Shaffner (pianist, bandleader, Dave Letterman's sidekick) (nel 1978-08)
voce di accompagnamento:
Gordon Grody (nel 1978-08) e Phyllis Hyman (nel 1978-08)
voce principale:
Phyllis Hyman (nel 1978-08)
arrangiatore archi e arrangiatore ottoni [horns] :
Dick Behrke
arrangiatore:
Barry Manilow
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1978)
registrata presso:
Media Sound Studios in New York, New York, Stati Uniti (nel 1978-08) e United Western Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1978-08)
registrazione di:
Somewhere in My Lifetime (nel 1978-08)
paroliere e compositore:
Jesús Álvarez (Cuban–American funk/soul musician)
editore:
Burning River Music e Good Music (US work publisher, affiliated with BMI)
Phyllis Hyman3:29
100The Devil Went Down to Georgia
parte di:
Grammy Award: Best Country Performance by a Duo or Group nominees (numero: 1980 winner)
registrazione di:
The Devil Went Down to Georgia
autore:
Charlie Daniels, Joel "Taz" DiGregorio, Fred Edwards (drummer and songwriter), Charlie Hayward (Member of The Charlie Daniels Band), John Crain e James W. Marshall
editore:
Songs of Universal, Inc. (BMI) e Hat Band Music (nel 1979)
Charlie Daniels3:34

Accreditamenti

Pubblicazione

copyright (©) detenuto da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2009)
streaming gratuito:https://open.spotify.com/album/6gpQC2uJRJGThhD3rzWXTS [info]