| # | Title | Artist | Rating | Length |
|---|
| 1 | (Don’t Fear) The Reaper- recording engineer:
- Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
- engineer:
- Andy Abrams and Shelly Yakus
- producer:
- Murray Krugman, David Lucas and Sandy Pearlman
- mixer:
- Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976-03)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 55) and Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 60)
- recording of:
- (Don’t Fear) The Reaper (in 1976-03)
- lyricist and composer:
- Donald Roeser
- publisher:
- Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC , Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (in 1976)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Blue Öyster Cult | 4.55 | 5:09 |
| 2 | American Woman- producer:
- Nimbus 9 and Jack Richardson
- phonographic copyright (℗) by:
- RCA (in 1970) and Sony Music Entertainment (in 1972)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 3) and Huffington Post: 100 Best Canadian Songs Ever (number: 4)
- recording of:
- American Woman (from 1969-08 until 1969-11)
- writer:
- Randy Bachman , Burton Cummings, Jim Kale and Garry Peterson
- publisher:
- BMG Rights Management (UK) Ltd. , Bug Music , Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control , Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
| The Guess Who | 4.1 | 5:08 |
| 3 | At Seventeen | Janis Ian | | 4:40 |
| 4 | Back Stabbers | The O’Jays | 4.7 | 3:04 |
| 5 | Best of My Love | The Emotions | 4.15 | 3:40 |
| 6 | Black Magic Woman | Santana | 3.8 | 3:16 |
| 7 | Brandy (You’re a Fine Girl) | Looking Glass | 4.25 | 3:02 |
| 8 | Cat Scratch Fever | Ted Nugent | 3.45 | 3:38 |
| 9 | Coconut (remastered 2004) | Nilsson | 4.5 | 3:51 |
| 10 | Come and Get Your Love | Redbone | 4.45 | 3:26 |
| 11 | The Cover of “Rolling Stone” | Dr. Hook | | 2:52 |
| 12 | Dust in the Wind- additional engineer:
- Terry Diane Becker
- engineer:
- Jeff Glixman (from 1977-06 until 1977-07)
- producer:
- Jeff Glixman (in 1977-06)
- acoustic guitar and electric guitar:
- Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (from 1977-06 until 1977-07)
- bass guitar:
- Dave Hope (from 1977-06 until 1977-07)
- celesta, organ, synthesizer, vibraphone and lead vocals:
- Steve Walsh (from 1977-06 until 1977-07)
- cello, viola and violin [violins]:
- Robby Steinhardt (from 1977-06 until 1977-07)
- chimes, drums (drum set), gong and timpani:
- Phil Ehart (from 1977-06 until 1977-07)
- clavinet and synthesizer [synthesizers]:
- Kerry Livgren (from 1977-06 until 1977-07)
- percussion [additional percussion]:
- Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- piano:
- Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- background vocals:
- Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (from 1977-06 until 1977-07)
- arranger:
- Kansas
- phonographic copyright (℗) by:
- Sony Music (in 1976), CBS, Inc. (in 1977), Epic Records (in 1977), Sony Music Entertainment Inc. (in 1977) and CBS Records Inc. (in 1978)
- recorded at:
- Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
- mixed at:
- The Village in Los Angeles, California, United States (in 1977-08)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 39)
- recording of:
- Dust in the Wind (from 1977-06 until 1977-07)
- lyricist and composer:
- Kerry Livgren
- publisher:
- Blackwood Music Publishing , Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
- sub-publisher:
- フジパシフィックミュージック SBK事業部
- adaptations:
- As the Sun Rises
| Kansas | 4.1 | 3:29 |
| 13 | Got to Be Real | Cheryl Lynn | 5 | 5:07 |
| 14 | Hold the Line- recording engineer:
- Dana Latham, Gabe Veltri and Tom Knox
- assistant engineer:
- Dana Latham (task: assistant) and Gabe Veltri (task: assistant)
- engineer and mixer:
- Tom Knox
- producer:
- Bruce Dickinson and Toto
- bass:
- David Hungate and Michael Porcaro
- bass guitar:
- David Hungate (in 1978-08)
- drums (drum set):
- Jeffrey Porcaro (in 1978-08)
- electric guitar:
- Steve Lukather (in 1978-08)
- guitar:
- Steve Lukather
- keyboard:
- David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
- percussion:
- Jeffrey Porcaro and Lenny Castro (in 1978-08)
- piano:
- David Paich (in 1978-08)
- background vocals:
- Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
- lead vocals:
- Jean-Michel Byron and Bobby Kimball (in 1978-08)
- vocals:
- Bobby Kimball, David Paich, Steve Lukather and Steve Porcaro
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1977, in 1978), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), Columbia Records (in 1978), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment (in 1978)
- recorded at:
- Studio 55 in Los Angeles, California, United States (in 1978-08)
- part of:
- BILLIONS CLUB
- recording of:
- Hold the Line (in 1978-08)
- lyricist and composer:
- David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. , Sony/ATV Music Publishing Ltd. and Spirit Two Music
- sub-publisher:
- Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部
| Toto | 4.25 | 3:56 |
| 15 | I Can Help | Billy Swan | 4 | 4:00 |
| 16 | I Can See Clearly Now | Johnny Nash | 4.15 | 2:47 |
| 17 | I Go Crazy | Paul Davis | 5 | 3:53 |
| 18 | Lady Marmalade- cover recording of:
- Lady Marmalade
- writer:
- Bob Crewe and Kenny Nolan
- publisher:
- Ardmore and Beechwood Ltd., EMI , EMI April Music Inc., EMI Blackwood Music Inc., EMI Music , EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
| LaBelle | | 3:56 |
| 19 | Lean on Me- producer:
- Benorce Blackmon , Melvin Dunlap, James Gadson , Ray Jackson and Bill Withers
- drums (drum set) and percussion:
- James Gadson (in 1972)
- electric bass guitar:
- Melvin Dunlap (in 1972)
- electric guitar:
- Benorce Blackmon (in 1972)
- piano and lead vocals:
- Bill Withers (in 1972)
- Wurlitzer electric piano:
- Ray Jackson (in 1972)
- strings arranger:
- Ray Jackson
- phonographic copyright (℗) by:
- CBS Inc. (in 1972), CBS Records Ltd. (in 1972), Columbia Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 205) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 236)
- recording of:
- Lean on Me (in 1972)
- lyricist and composer:
- Bill Withers
- publisher:
- Copyright Control , EMI Music Publishing , EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , EMI Songs Ltd., Interior Music , Interior Music Corp., Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Bill Withers | 4.25 | 4:18 |
| 20 | Long Cool Woman (In a Black Dress) | The Hollies | 4.15 | 3:17 |
| 21 | Lowdown | Boz Scaggs | 4 | 5:16 |
| 22 | More Than a Feeling- assistant engineer:
- Bruce Hensal, Deni King and Doug Rider
- engineer:
- Warren Dewey and Tom Scholz
- producer:
- John Boylan and Tom Scholz
- assistant mixer:
- Steve Hodge
- acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
- Tom Scholz (from 1975 until 1976)
- drums (drum set) and percussion:
- Sib Hashian (from 1975 until 1976)
- lead vocals and lead vocals [Harmony]:
- Brad Delp (from 1975 until 1976)
- arranger:
- Brad Delp and Tom Scholz
- co-arranger:
- Jim Masdea
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1976), CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1976)
- mixed at:
- Westlake Audio in Los Angeles, California, United States
- earliest release:
- More Than a Feeling by Boston
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 63), Billboard: The 500 Best Pop Songs (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (number: 500)
- recording of:
- More Than a Feeling (from 1975 until 1976)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control , PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , WB Music Corp. and Pure Songs (in 1976)
| Boston | 3.95 | 4:45 |
| 23 | Play That Funky Music | Wild Cherry | 4 | 5:00 |
| 24 | Please Come to Boston (single version) | Dave Loggins | | 4:06 |
| 25 | September- producer:
- Maurice White
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1975, in 1978), Columbia Records (in 1978) and Sony Music Entertainment (in 1978)
- part of:
- Billboard: The 500 Best Pop Songs (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
- recording of:
- September
- writer:
- Al McKay, Maurice White and Allee Willis
- publisher:
- Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music , Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Earth, Wind & Fire | 4.6 | 3:35 |
| 26 | Two Tickets to Paradise- recording engineer:
- Andy Johns (in 1977-06)
- assistant engineer:
- Mike Clink (task: assistant), Roy Segal (task: assistant), Steven D. Smith (task: assistant) and Tom Lubin (task: assistant)
- engineer:
- Andy Johns (task: recording & mixing)
- producer:
- Bruce Botnick
- mixer:
- Andy Johns
- alto saxophone:
- Tom Scott
- bass:
- Lonnie Turner
- bass guitar:
- Lonnie Turner
- drums (drum set):
- Gary Mallaber
- guitar:
- Jimmy Lyon
- harmonica, saxophone and lead vocals:
- Eddie Money
- keyboard:
- Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols and Freddie Webb
- percussion:
- Kevin Calhoun , Gary Mallaber and Kevin Calhoun
- tenor saxophone:
- Tom Scott
- background vocals:
- Randy Nichols
- vocals:
- Eddie Money
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1977) and Sony BMG Music Entertainment (in 1978)
- recorded at:
- CBS Studios in San Francisco, California, United States (in 1977-06) and Record Plant in Hollywood, Los Angeles, California, United States (in 1977-06)
- recording of:
- Two Tickets to Paradise (in 1977-06)
- lyricist and composer:
- Eddie Money
- publisher:
- Cashola Music, Three Wise Boys Music LLC and ミュージック・セールス
| Eddie Money | 4.15 | 3:58 |
| 27 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | 4:13 |
| 28 | When Will I See You Again- producer:
- Kenneth Gamble and Leon Huff
- vocals:
- Sheila Ferguson (in 1973), Valerie Holiday (in 1973) and Fayette Pinkney (in 1973)
- performer:
- MFSB (in 1973)
- arranger:
- Bobby Martin
- phonographic copyright (℗) by:
- CBS, Inc. (in 1973), Sony Music Entertainment (in 1973), Sony BMG Music Entertainment (in 1974) and Sony Music Entertainment Inc. (in 1974)
- recorded at:
- Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
- recording of:
- When Will I See You Again (in 1973)
- writer:
- Kenneth Gamble and Leon Huff
- publisher:
- Copyright Control , Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner–Tamerlane Publishing Corp. and Warner/Chappell
| The Three Degrees | 4 | 2:59 |
| 29 | Wildfire | Michael Martin Murphey | 5 | 4:47 |
| 30 | All by Myself- assistant engineer:
- Joey Barbaria
- engineer:
- Jack Sherdel
- producer:
- Jimmy Ienner
- lead vocals:
- Eric Carmen (from 1975-08 until 1975-09)
- arranger:
- Eric Carmen
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1975) and Arista Records, LLC (in 1975)
- produced for:
- CAM Productions
- recorded at:
- O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
- recording of:
- All by Myself (from 1975-08 until 1975-09)
- lyricist:
- Eric Carmen
- composer:
- Eric Carmen and Sergei Rachmaninov
- publisher:
- Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control , Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
- is based on:
- Let’s Pretend
- is based on:
- Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
| Eric Carmen | 4.25 | 4:51 |
| 31 | Best Thing That Ever Happened to Me | Gladys Knight & the Pips | 4 | 3:45 |
| 32 | Magnet and Steel (single version) | Walter Egan | | 3:25 |
| 33 | Midnight Blue | Melissa Manchester | 4 | 3:58 |
| 34 | Miracles | Jefferson Starship | 4 | 6:53 |
| 35 | If You Don’t Know Me by Now | Harold Melvin & The Blue Notes | 3.75 | 3:26 |
| 36 | Free Ride | The Edgar Winter Group | 4.65 | 3:08 |
| 37 | Mississippi Queen | Mountain | 4.1 | 2:31 |
| 38 | No Time/ (single version) | The Guess Who | 4.4 | 3:46 |
| 39 | Rock and Roll, Hoochie Koo | Rick Derringer | 3 | 3:43 |
| 40 | Knock Three Times | Tony Orlando & Dawn | 4.35 | 2:58 |
| 41 | Brand New Key | Melanie | | 2:24 |
| 42 | Seasons in the Sun | Terry Jacks | 3.5 | 3:27 |
| 43 | Put Your Hand in the Hand | Ocean | | 2:55 |
| 44 | Didn’t I (Blow Your Mind This Time) | The Delfonics | 4.35 | 3:23 |
| 45 | O‐o‐h Child (Buddha remastered 2001) | The Five Stairsteps | 3.8 | 3:17 |
| 46 | Jolene (single) (2002 remaster) | Dolly Parton | 4.25 | 2:39 |
| 47 | Behind Closed Doors | Charlie Rich | 5 | 2:56 |
| 48 | Blue Eyes Crying in the Rain | Willie Nelson | 3.8 | 2:18 |
| 49 | Take This Job and Shove It | Johnny Paycheck | | 2:36 |
| 50 | When You’re Hot, You’re Hot | Jerry Reed | | 2:20 |
| 51 | He Ain’t Heavy, He’s My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 46)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation , Warner/Chappell Music Ltd. and ミュージック・セールス
| The Hollies | 3.85 | 4:18 |
| 52 | One Less Bell to Answer (remastered 2000) | The 5th Dimension | | 3:30 |
| 53 | Always and Forever | Heatwave | 4.35 | 6:14 |
| 54 | Brother Louie | Stories | 4.35 | 3:56 |
| 55 | Lay Down (Candles in the Rain) | Melanie | | 3:46 |
| 56 | One Toke Over the Line | Brewer & Shipley | | 3:19 |
| 57 | Lucretia Mac Evil | Blood, Sweat & Tears | 4 | 3:05 |
| 58 | Everybody Plays the Fool (remastered at BMG Studios, 1996) | The Main Ingredient | | 3:19 |
| 59 | Kiss and Say Goodbye (single version) | The Manhattans | 3.5 | 4:26 |
| 60 | Me and My Arrow | Nilsson | | 2:14 |
| 61 | Midnight Train to Georgia | Gladys Knight & the Pips | 4.5 | 4:40 |
| 62 | Ain’t No Sunshine | Bill Withers | 4.55 | 2:03 |
| 63 | Love or Let Me Be Lonely (digitally mastered – May–June, 1988) | The Friends of Distinction | | 3:23 |
| 64 | Here You Come Again (digitally mastered – May–June, 1988) | Dolly Parton | 4 | 2:52 |
| 65 | Me and Mrs. Jones | Billy Paul | 4.5 | 4:47 |
| 66 | Boogie Nights | Heatwave | 4.65 | 3:38 |
| 67 | Rose Garden (single version) | Lynn Anderson | 4.15 | 2:54 |
| 68 | Your Mama Don’t Dance | Loggins & Messina | 4.5 | 2:48 |
| 69 | You’ll Never Find Another Love Like Mine | Lou Rawls | | 4:26 |
| 70 | Indian Reservation (The Lament of the Cherokee Reservation Indian) | Paul Revere & the Raiders featuring Mark Lindsay | | 2:52 |
| 71 | Rock the Boat (digitally mastered – May–June, 1988) | The Hues Corporation | 4.4 | 3:07 |
| 72 | Saturday Night | Bay City Rollers | 5 | 2:55 |
| 73 | Frankenstein | The Edgar Winter Group | 4 | 4:44 |
| 74 | Ain’t No Stoppin’ Us Now | McFadden & Whitehead | | 7:01 |
| 75 | Close the Door | Teddy Pendergrass | | 5:26 |
| 76 | Cowboys to Girls | The Intruders | 2 | 2:37 |
| 77 | T.S.O.P. (The Sound of Philadelphia) | MFSB featuring The Three Degrees | | 5:48 |
| 78 | The Love I Lost | Harold Melvin & The Blue Notes | | 6:26 |
| 79 | Boogie Wonderland | Earth, Wind & Fire | 4.2 | 4:49 |
| 80 | Too Much, Too Little, Too Late | Johnny Mathis duet with Deniece Williams | 4 | 2:59 |
| 81 | You Don’t Have to Be a Star (to Be in My Show) | Marilyn McCoo & Billy Davis, Jr. | | 4:40 |
| 82 | Native New Yorker | Odyssey | 2.5 | 3:30 |
| 83 | Turn the Beat Around | Vicki Sue Robinson | 5 | 4:07 |
| 84 | Don’t Cry Out Loud- engineer:
- Milt Calise
- producer and mixer:
- Harry Maslin
- bass guitar:
- David Hungate
- drums (drum set):
- Jim Keltner
- guitar:
- Dennis Budimir and Lee Ritenour
- piano:
- Bill Payne
- lead vocals:
- Melissa Manchester
- arranger:
- Barry Fasman
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1978)
- produced for:
- Melissa Manchester Productions, Inc.
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States
- cover recording of:
- Don’t Cry Out Loud
- lyricist:
- Carole Bayer Sager (in 1976)
- composer:
- Peter Allen (in 1976)
- publisher:
- Begonia Melodies Inc., Chappell Music Co. Inc., Chappell Music Ltd., Irving Music , Rondor Music, Rondor Music (London) Ltd. and Woolnough Music
- sub-publisher:
- シンコーミュージック・エンタテイメント , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Melissa Manchester | 5 | 3:52 |
| 85 | Fire | The Pointer Sisters | 4.35 | 3:26 |
| 86 | All the Young Dudes- producer:
- David Bowie
- lead vocals:
- Ian Hunter
- arranger:
- David Bowie
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1972), CBS, Inc. (in 1972), Columbia Records (in 1972), Sony BMG Music Entertainment (in 1972) and Sony Music Entertainment Inc. (in 1972, in 1976)
- part of:
- Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (number: 253)
- recording of:
- All the Young Dudes
- lyricist and composer:
- David Bowie
- publisher:
- BMG Blue, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Music Publishing, Chrysalis Songs, EMI Music , EMI Music Publishing , EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Jones Music America, Mainman Ltd., Mainman Saag , MCA Music , Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
- sub-publisher:
- EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 , ヤマハミュージックEH(CM) , ワーナー・チャペル音楽出版 Synch事業部 , 渡辺音楽出版 CM事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
| Mott the Hoople | 4.2 | 3:31 |
| 87 | Hold Your Head Up | Argent | | 3:42 |
| 88 | Longer | Dan Fogelberg | 3.15 | 3:12 |
| 89 | Sara Smile (remastered 2003) | Daryl Hall & John Oates | 4.25 | 3:08 |
| 90 | More, More, More | Andrea True Connection | 4.75 | 3:03 |
| 91 | Dream Merchant | The New Birth | | 4:25 |
| 92 | Shame | Evelyn “Champagne” King | | 6:33 |
| 93 | Evil Ways- engineer:
- Bob Breault and Eric Prestidge
- producer:
- Brent Dangerfield and Santana
- bass guitar:
- David Brown (on 1969-05-12)
- congas and percussion:
- Michael Carabello (on 1969-05-12)
- congas, percussion and timbales:
- José “Chepito” Áreas (on 1969-05-12)
- drums (drum set):
- Michael Shrieve (on 1969-05-12)
- guitar:
- Carlos Santana (on 1969-05-12)
- organ and piano:
- Gregg Rolie (on 1969-05-12)
- vocals:
- Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
- arranger:
- Alberto Gianquinto
- phonographic copyright (℗) by:
- CBS, Inc. (in 1969), Sony BMG Music Entertainment (in 1969) and Sony Music Entertainment Inc. (in 1969)
- recorded at:
- Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
- mixed at:
- Pacific Recording Studio in San Mateo, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 69)
- cover recording of:
- Evil Ways (on 1969-05-12)
- lyricist and composer:
- Clarence “Sonny” Henry
- publisher:
- EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
| Santana | 4.15 | 3:53 |
| 94 | Baby Hold On- recording engineer:
- Andy Johns (in 1977-06)
- assistant engineer:
- Mike Clink (task: assistant), Roy Segal (task: assistant), Steven D. Smith (task: assistant) and Tom Lubin (task: assistant)
- engineer:
- Andy Johns (task: recording & mixing)
- producer:
- Bruce Botnick
- mixer:
- Andy Johns
- alto saxophone:
- Tom Scott
- bass:
- Lonnie Turner
- bass guitar:
- Lonnie Turner
- drums (drum set):
- Gary Mallaber
- guitar:
- Jimmy Lyon
- harmonica, saxophone and lead vocals:
- Eddie Money
- keyboard:
- Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols and Freddie Webb
- percussion:
- Kevin Calhoun , Gary Mallaber and Kevin Calhoun
- tenor saxophone:
- Tom Scott
- background vocals:
- Randy Nichols
- guest vocals:
- Jo Baker
- vocals:
- Eddie Money and Jo Baker
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1978)
- recorded at:
- CBS Studios in San Francisco, California, United States (in 1977-06) and Record Plant in Hollywood, Los Angeles, California, United States (in 1977-06)
- recording of:
- Baby Hold On (in 1977-06)
- writer:
- Jimmy Lyon and Eddie Money
- publisher:
- Cashola Music and Three Wise Boys Music LLC
- sub-publisher:
- ミュージック・セールス
| Eddie Money | 4.5 | 3:31 |
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