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Annotation

Copyright: 2011 EMI Music Germany GmbH & Co. KG This label copy information is the subject of copyright protection. All rights reserved. © EMI Music Germany GmbH & Co. KG
℗ 2011 EMI Music France

Annotation last modified on 2024-08-08 11:08 UTC.

Tracklist

1▶Digital Media
2▶Digital Media
3▶Digital Media
4▼Digital Media
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: Sinfonia
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart3:58
2Le nozze di Figaro, K. 492, Act 2 Scene 3: No. 11, Arietta, "Voi, che sapete che cosa è amor" (Cherubino)
mezzo-soprano vocals [Cherubino]:
Ann Murray (Irish mezzo-soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:58
3Le nozze di Figaro, K. 492, Act 3 Scene 8: "Dove sono i bei momenti" (Contessa)
soprano vocals [Contessa]:
Margaret Price (soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:20
4Don Giovanni, K. 527, Act 1 Scene 6: No. 4, Aria, "Madamina, il catalogo e questo" (Leporello)
bass-baritone vocals [Leporello]:
Samuel Ramey (bass-baritone) (from 1990-09-03 until 1990-09-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:48
5Don Giovanni, K. 527, Act 1 Scene 9: No. 7, Duettino, "Là ci darem la mano" (Don Giovanni, Zerlina)
baritone vocals [Don Giovanni]:
William Shimell (baritone)
soprano vocals [Zerlina]:
Susanne Mentzer (mezzo soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:20
6Don Giovanni, K. 527, Act 1 Scene 15: No. 11, Aria, "Fin ch'han dal vino" (Don Giovanni)
baritone vocals [Don Giovanni]:
William Shimell (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:16
7Don Giovanni, K. 527, Act 2 Scene 15: "Don Giovanni, a cenar teco … Da qual tremore insolito" (Il Commendatore, Don Giovanni, Chorus, Leporello)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:11
8Così fan tutte, K. 588, Act 1 Scene 6: No. 10, Terzettino, "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso)
bass-baritone vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
mezzo-soprano vocals [Dorabella]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:21
9Lucio Silla, K. 135, Act 3 Scene 5: No. 22, Aria, "Fra i pensieri piu funesti di morte" (Giunia)
producer:
Eric Macleod (producer)
soprano vocals:
Barbara Hendricks (soprano) (from 1984-06-12 until 1984-06-17)
orchestra:
English Chamber Orchestra (from 1984-06-12 until 1984-06-17)
conductor:
Jeffrey Tate (conductor) (from 1984-06-12 until 1984-06-17)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1984-06-12 until 1984-06-17)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1984-06-12 until 1984-06-17)
recording of:
Lucio Silla, K. 135: Act III, Scene V. No. 22 Aria "Fra i pensier più funesti di morte" (Giunia) (from 1984-06-12 until 1984-06-17)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giovanni de Gamerra
part of:
Lucio Silla, K. 135: Act III
Wolfgang Amadeus Mozart3:36
10La clemenza di Tito, K. 621, Act 1 Scene 9: No. 9, Aria, "Parto, parto, ma tu ben mio" (Sesto)
soprano vocals [Sesto]:
Ann Murray (Irish mezzo-soprano)
orchestra:
Scottish Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:00
11Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide)
producer:
Étienne Collard
soprano vocals:
Natalie Dessay (soprano) (from 2000-08-26 until 2000-09-01)
orchestra:
Orchestra of the Age of Enlightenment (from 2000-08-26 until 2000-09-01)
conductor:
Louis Langrée (conductor) (from 2000-08-26 until 2000-09-01)
balance engineer:
Arne Akselberg (from 2000-08-26 until 2000-09-01)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-08-26 until 2000-09-01)
recording of:
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide) (from 2000-08-26 until 2000-09-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Andreas Schachtner (Librettist)
part of:
Zaide, K. 336b/344: Akt I
Wolfgang Amadeus Mozart6:21
12Die Entführung aus dem Serail, K. 384, Act 2 Scene 3: No. 11, Arie, "Martern aller Arten (Konstanze)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
soprano vocals and soprano vocals [Konstanze]:
Anneliese Rothenberger (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:47
13Die Entführung aus dem Serail, K. 384, Act 2 Scene 6: No. 12, Arie, "Welche Wonne, welche Lust!" (Blonde)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
soprano vocals and soprano vocals [Blonde]:
Lucia Popp (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:29
14Die Zauberflöte, K. 620, Act 1 Scene 2: No. 2, Lied, "Der Vogelfänger bin ich ja" (Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
performer:
Bavarian RSO (Bavarian Radio Symphony Orchestra)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:48
15Die Zauberflöte, K. 620, Act 1 Scene 6: No. 4, Rezitativ und Arie, "O zittre nicht, mein lieber Sohn!" (Königin der Nacht)
soprano vocals [Die Königin der Nacht]:
Edita Gruberová (soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:03
16Die Zauberflöte, K. 620, Act 2 Scene 1: No. 10, Arie und Chor, "O Isis und Osiris" (Sarastro, Die Priester)
bass vocals [Sarastro]:
Roland Bracht (bass-baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:54
17Die Zauberflöte, K. 620, Act 2 Scene 8: No. 14, Arie, "Der Hölle Rache kocht in meinem Herzen" (Königin)
soprano vocals [Königin der Nacht]:
Edita Gruberová (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:51
18Die Zauberflöte, K. 620, Act 2 Scene 18: No. 17, Arie, "Ach, ich fühl's, es ist verschwunden!" (Pamina)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:14
19Die Zauberflöte, K. 620, Act 2 Scene 23: No. 20, Arie, "Ein Mädchen oder Weibchen" (Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:13
20Die Zauberflöte, K. 620, Act 2 Scene 29: Duetto, "Pa-pa-gena! … Pa-pa-geno!" (Papageno, Papagena)
baritone vocals:
Wolfgang Brendel (baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals:
Brigitte Linder (soprano)
vocals:
Wolfgang Brendel (baritone) and Brigitte Lindner (soprano)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
included in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:37
5▶Digital Media
6▶Digital Media