Baroque: The Greatest Hits

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Surround Sound

Annotation last modified on 2019-09-20 20:29 UTC.

Tracklist

1▶CD: Disc One
2▼CD: Disc Two
#TitleArtistRatingLength
1Trumpet Voluntary
orchestra:
Camerata Romana (an Alfred Scholz pseudonym)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements)
composer:
Jeremiah Clarke (English baroque composer and organist)
arrangement of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:47
2Brandenburg Concerto no. 3 in G major, BWV 1048
orchestra:
Collegium Aureum
partial recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
dedicated to:
Christian Ludwig (Margrave of Brandenburg)
part of:
Bach-Werke-Verzeichnis (number: BWV 1048)
part of:
Six concerts avec plusieurs instruments (Brandenburg Concertos, Brandenburg concertos)
Johann Sebastian Bach6:54
3Jesu, Joy of Man’s Desiring
brass:
St. Louis Brass Quintet
orchestra:
St. Louis Brass Quintet
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:55
4Royal Fireworks Music
orchestra:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), Český národní symfonický orchestr (Czech National Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, Musici di San Marco (an Alfred Scholz pseudonym), Radio Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra), Slovak Philharmonic Chamber Orchestra (Slovak Chamber Orchestra) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Oliver von Dohnányi (conductor), Sidney Lark (conductor, possibly an Alfred Scholtz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Rolf Reinhardt (German conductor 1927-2006), Bernhard Stopler (conductor) and Bohdan Warchal (violinist, conductor)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel3:50
5Xerxes: Largo
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel3:09
6Canzona per Sonare no. 2
performer:
Chicago Chamber Brass
Giovanni Gabrieli2:36
7The Four Seasons: Spring: Allegro
violin:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
orchestra:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi54:01
8Orchestral Suite no. 3: Overture
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach9:32
9’Little’ Fugue
performer:
Chicago Chamber Brass
recording of:
Fugue in G minor, BWV 578 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Fugue in G minor, BWV 578 ("Little")
Johann Sebastian Bach3:22
10Christmas Oratorio -- Sinfonia
orchestra:
Stuttgart Radio Symphony (Stuttgart Radio Symphony Orchestra)
conductor:
Garcia Navarro (conductor)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1986 to present)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:10
11Table of Music Overture
orchestra:
Camerata Würzburg
Georg Philipp Telemann13:56
12Gailliard Battaglia
performer:
St. Louis Brass Quintet
recording of:
Galliard Battaglia
composer:
Samuel Scheidt (composer)
Samuel Scheidt1:45
13Messiah: Overture
orchestra:
Royal Philharmonic Orchestra
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:19
14Messiah: Comfort Ye
vocals:
Royal Choral Society (The Royal Choral Society)
orchestra:
Royal Philharmonic Orchestra
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:44
15Messiah: Glory to God
choir vocals:
Royal Philharmonic Chorus
vocals:
Royal Choral Society (The Royal Choral Society)
orchestra:
Royal Philharmonic Orchestra
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:07
16Messiah: Hallelujah!
choir vocals:
Royal Choral Society (The Royal Choral Society) and Royal Philharmonic Chorus
orchestra:
Royal Philharmonic Orchestra
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:49