Baroque: The Greatest Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Surround Sound

Anmerkung zuletzt geändert am 2019-09-20 20:29 UTC.

Titelliste

1▶CD: Disc One
2▼CD: Disc Two
Nr.TitelKünstlerBewertungLänge
1Trumpet Voluntary
Orchester:
Camerata Romana (an Alfred Scholz pseudonym)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements)
Komponist(in):
Jeremiah Clarke (English baroque composer and organist)
Arrangement von:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:47
2Brandenburg Concerto no. 3 in G major, BWV 1048
Orchester:
Collegium Aureum
teilweise recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
gewidmet:
Christian Ludwig (Margrave of Brandenburg)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 1048)
Teil von:
Six concerts avec plusieurs instruments (Brandenburg Concertos, Brandenburg concertos)
Johann Sebastian Bach6:54
3Jesu, Joy of Man’s Desiring
Blechblasinstrumente:
St. Louis Brass Quintet
Orchester:
St. Louis Brass Quintet
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:55
4Royal Fireworks Music
Orchester:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), Český národní symfonický orchestr (Tschechisches Nationales Symphonieorchester), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, Musici di San Marco (an Alfred Scholz pseudonym), Radio Symphony Orchestra (SWR Sinfonieorchester Baden‐Baden und Freiburg), Slovak Philharmonic Chamber Orchestra (Slovak Chamber Orchestra) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Oliver von Dohnányi (conductor), Sidney Lark (conductor, possibly an Alfred Scholtz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Rolf Reinhardt (German conductor 1927-2006), Bernhard Stopler (conductor) und Bohdan Warchal (violinist, conductor)
aufgenommen bei:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slowakei
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel3:50
5Xerxes: Largo
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel3:09
6Canzona per Sonare no. 2
Interpret(in):
Chicago Chamber Brass
Giovanni Gabrieli2:36
7The Four Seasons: Spring: Allegro
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name)
Orchester:
Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) und Heribert Münchner (conductor, pseudonym for Alfred Scholz)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi54:01
8Orchestral Suite no. 3: Overture
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach9:32
9’Little’ Fugue
Interpret(in):
Chicago Chamber Brass
recording of:
Fugue in G minor, BWV 578 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Fugue in G minor, BWV 578 ("Little")
Johann Sebastian Bach3:22
10Christmas Oratorio -- Sinfonia
Orchester:
Stuttgart Radio Symphony (Radio-Sinfonieorchester Stuttgart des SWR)
conductor:
Garcia Navarro (conductor)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (vom 1986 bis heute)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:10
11Table of Music Overture
Orchester:
Camerata Würzburg
Georg Philipp Telemann13:56
12Gailliard Battaglia
Interpret(in):
St. Louis Brass Quintet
recording of:
Galliard Battaglia
Komponist(in):
Samuel Scheidt (composer)
Samuel Scheidt1:45
13Messiah: Overture
Orchester:
Royal Philharmonic Orchestra
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:19
14Messiah: Comfort Ye
vocals:
Royal Choral Society (The Royal Choral Society)
Orchester:
Royal Philharmonic Orchestra
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:44
15Messiah: Glory to God
Chorgesang:
Royal Philharmonic Chorus
vocals:
Royal Choral Society (The Royal Choral Society)
Orchester:
Royal Philharmonic Orchestra
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:07
16Messiah: Hallelujah!
Chorgesang:
Royal Choral Society (The Royal Choral Society) und Royal Philharmonic Chorus
Orchester:
Royal Philharmonic Orchestra
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:49