Brownie: The Complete EmArcy Recordings of Clifford Brown

~ Veröffentlichung von Clifford Brown (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1Delilah
Clifford Brown8:05
2Darn That Dream
Clifford Brown4:02
3Parisian Thoroughfare
Clifford Brown7:16
4Jordu
Clifford Brown7:43
5Sweet Clifford
Clifford Brown6:40
6Sweet Clifford (Clifford’s Fantasy)
Clifford Brown1:46
7I Don’t Stand a Ghost of a Chance With You (alternate take)
Clifford Brown3:02
8I Don’t Stand a Ghost of a Chance With You
Clifford Brown7:19
9Stompin’ at the Savoy
Clifford Brown6:24
10I Get a Kick Out of You
Clifford Brown7:37
11I Get a Kick Out of You (alternate take)
Clifford Brown8:29
12I’ll String Along With You
Clifford Brown4:10
13Joy Spring
Clifford Brown6:47
14Joy Spring
Clifford Brown6:57
15Mildama (alternate take 1)
Clifford Brown3:41
16Mildama (alternate take 2)
Clifford Brown3:27
17Mildama
Clifford Brown3:58
18Mildama (alternate take 4)
Clifford Brown4:04
19Mildama (alternate take 5)
Clifford Brown2:17
20Mildama (alternate take 6)
Clifford Brown3:56
21Mildama
Clifford Brown4:34
22These Foolish Things
Clifford Brown3:42
23Daahoud
Clifford Brown4:04
24Daahoud
Clifford Brown4:07
25Coronado (alternate take 1)
Clifford Brown All Stars5:42
26Coronado
Clifford Brown All Stars17:56
27Coronado
Clifford Brown All Stars19:44
28You Go to My Head
Clifford Brown All Stars17:13
29Caravan
Clifford Brown All Stars15:10
30Caravan (The Boss Man)
Clifford Brown All Stars3:06
31Autumn in New York
Clifford Brown All Stars21:35
32Introduction by Bob Shad (live in Los Angeles / 1954)
Robert A. Shad1:14
33What Is This Thing Called Love? (live in Los Angeles / 1954)
live cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Dinah Washington14:54
34I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Dinah Washington5:26
35No More
cover recording of:
No More
Texter und Komponist(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Dinah Washington3:21
36Move (live in Los Angeles / 1954)
Dinah Washington14:37
37Darn That Dream (live in Los Angeles, 1954)
live cover recording of:
Darn That Dream
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
Dinah Washington5:16
38You Go to My Head
cover recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
Dinah Washington11:17
39Medley: My Funny Valentine / Don’t Worry ’Bout Me / Bess, You Is My Woman Now / It Might as Well Be Spring (live in Los Angeles / 1954)
Dinah Washington11:32
40Lover Come Back to Me
cover recording of:
Lover, Come Back to Me (from "The New Moon")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
Dinah Washington9:54
41Medley: Alone Together / Summertime / Come Rain or Come Shine
Dinah Washington7:21
42Crazy He Calls Me
cover recording of:
Crazy He Calls Me
Texter:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dinah Washington5:05
43There Is No Greater Love (live in Los Angeles, 1954)
live cover recording of:
There Is No Greater Love (in 1954)
Texter:
Marty Symes (lyricist)
Komponist(in):
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) und World Music, Inc.
Dinah Washington2:17
44I’ll Remember April
Dinah Washington11:48
45September Song
cover recording of:
Knickerbocker Holiday: September Song
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) und Crawford Music Corp. (am 1938-09-24)
Teil von:
Knickerbocker Holiday (Kurt Weill musical)
Sarah Vaughan5:44
46Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan3:59
47Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan3:59
48I’m Glad There Is You
cover recording of:
I’m Glad There Is You
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
Sarah Vaughan5:09
49You’re Not the Kind
cover recording of:
You’re Not the Kind
Verfasser(in):
Will Hudson und Irving Mills
Sarah Vaughan4:41
50Jim
cover recording of:
Jim
Texter:
Nelson Shawn
Komponist(in):
Edward Ross und Caesar Petrillo
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Sarah Vaughan5:50
51He’s My Guy
cover recording of:
He’s My Guy
Texter:
Don Raye
Komponist(in):
Gene de Paul
Sarah Vaughan4:11
52April in Paris
cover recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Sarah Vaughan6:19
53It’s Crazy
cover recording of:
It’s Crazy
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell S.A. und Crestview Music Corp.
Sarah Vaughan4:54
54Embraceable You
cover recording of:
Embraceable You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Sarah Vaughan4:49
55Don’t Explain
cover recording of:
Don’t Explain
Verfasser(in):
Arthur Herzog, Jr. und Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Helen Merrill5:11
56Born to Be Blue
cover recording of:
Born to Be Blue
Verfasser(in):
Mel Tormé (“The Velvet Fog”) und Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (beendet), Universal Music Publishing France (not for release label use!) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Helen Merrill5:13
57You’d Be So Nice to Come Home To
cover recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Helen Merrill4:18
58’s Wonderful
cover recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Helen Merrill3:13
59Yesterdays
cover recording of:
Yesterdays
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Helen Merrill5:59
60Falling in Love With Love
cover recording of:
Falling in Love With Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
Helen Merrill3:53
61What’s New
cover recording of:
What’s New?
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
Helen Merrill4:59
62Portrait of Jenny
Clifford Brown3:25
63What’s New
Clifford Brown3:25
64Yesterdays
Clifford Brown2:59
65Where or When
Clifford Brown3:28
66Can’t Help Lovin’ Dat Man
Clifford Brown3:44
67Smoke Gets in Your Eyes
Clifford Brown3:14
68Laura
Clifford Brown3:26
69Memories of You
Clifford Brown3:33
70Embraceable You
Clifford Brown3:01
71Blue Moon
Clifford Brown3:13
72Willow Weep for Me
Clifford Brown3:25
73Stardust
Clifford Brown3:24
74Gerkin for Perkin
Clifford Brown2:55
75Take the “A” Train
Clifford Brown4:17
76Lands End
Clifford Brown3:06
77Lands End
Clifford Brown4:54
78Swingin’
Clifford Brown2:52
79George’s Dilemma
Clifford Brown5:34
80If I Love Again
Clifford Brown3:22
81The Blues Walk
Clifford Brown6:44
82The Blues Walk
Clifford Brown6:50
83What Am I Here For?
Clifford Brown3:07
84Cherokee
Clifford Brown5:42
85Jacqui
Clifford Brown5:09
86Sandu
Clifford Brown4:54
87Gertrude’s Bounce
Produzent(in):
Bob Shad
Klavier:
Richie Powell (am 1956-01-04)
Kontrabass:
George Morrow (am 1956-01-04)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-01-04)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-01-04)
Trompete:
Clifford Brown (trumpet) (am 1956-01-04)
aufgenommen bei:
Capital Studios (New York) in New York, New York, Vereinigte Staaten (am 1956-01-04)
recording of:
Gertrude’s Bounce (am 1956-01-04)
Komponist(in):
Richie Powell
Clifford Brown4:10
88Step Lightly (Junior’s Arrival)
Produzent(in):
Bob Shad
Klavier:
Richie Powell (am 1956-01-04)
Kontrabass:
George Morrow (am 1956-01-04)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-01-04)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-01-04)
Trompete:
Clifford Brown (trumpet) (am 1956-01-04)
aufgenommen bei:
Capital Studios (New York) in New York, New York, Vereinigte Staaten (am 1956-01-04)
recording of:
Step Lightly (Junior's Arrival) (am 1956-01-04)
Verfasser(in):
Benny Golson (American jazz saxophonist and composer)
Clifford Brown3:33
89Powell’s Prances
recorded in:
New York, New York, Vereinigte Staaten (am 1956-01-04)
Produzent(in):
Bob Shad
Klavier:
Richie Powell (am 1956-01-04)
Kontrabass:
George Morrow (am 1956-01-04)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-01-04)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-01-04)
Trompete:
Clifford Brown (trumpet) (am 1956-01-04)
aufgenommen bei:
Capital Studios (New York) in New York, New York, Vereinigte Staaten (am 1956-01-04)
recording of:
Powell's Prances (am 1956-01-04)
Verfasser(in):
Richie Powell
Clifford Brown3:30
90I’ll Remember April
recorded in:
New York, New York, Vereinigte Staaten (am 1956-02-17)
Produzent(in):
Bob Shad
Klavier:
Richie Powell (am 1956-02-17)
Kontrabass:
George Morrow (am 1956-02-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-02-17)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-02-17)
Trompete:
Clifford Brown (trumpet) (am 1956-02-17)
aufgenommen bei:
Capital Studios (New York) in New York, New York, Vereinigte Staaten (am 1956-02-17)
instrumental recording of:
I’ll Remember April (am 1956-02-17)
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
Clifford Brown9:18
91I’ll Remember April
Clifford Brown1:29
92I’ll Remember April
Clifford Brown9:41
93Time
recorded in:
New York, New York, Vereinigte Staaten (am 1956-02-17)
Produzent(in):
Bob Shad
Celesta und Klavier:
Richie Powell (am 1956-02-17)
Kontrabass:
George Morrow (am 1956-02-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-02-17)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-02-17)
Trompete:
Clifford Brown (trumpet) (am 1956-02-17)
aufgenommen bei:
Capital Studios (New York) in New York, New York, Vereinigte Staaten (am 1956-02-17)
recording of:
Time (am 1956-02-17)
Verfasser(in):
Richie Powell
Clifford Brown5:08
94The Scene Is Clean
recorded in:
New York, New York, Vereinigte Staaten (am 1956-02-17)
Produzent(in):
Bob Shad
Klavier:
Richie Powell (am 1956-02-17)
Kontrabass:
George Morrow (am 1956-02-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-02-17)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-02-17)
Trompete:
Clifford Brown (trumpet) (am 1956-02-17)
aufgenommen bei:
Capital Studios (New York) in New York, New York, Vereinigte Staaten (am 1956-02-17)
recording of:
The Scene Is Clean (am 1956-02-17)
Komponist(in):
Tadd Dameron
arranger:
Joe Lovano (American jazz artist)
publisher:
Bregman, Vocco & Conn, Inc.
Clifford Brown6:14
95Flossie Lou
Clifford Brown4:52
96Flossie Lou
Clifford Brown4:04
97Flossie Lou
Clifford Brown3:30
98Flossie Lou
Clifford Brown3:59
99What Is This Thing Called Love
Clifford Brown8:37
100What Is This Thing Called Love
recorded in:
New York, New York, Vereinigte Staaten (am 1956-02-16)
Produzent(in):
Bob Shad
Klavier:
Richie Powell (am 1956-02-16)
Kontrabass:
George Morrow (am 1956-02-16)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-02-16)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-02-16)
Trompete:
Clifford Brown (trumpet) (am 1956-02-16)
aufgenommen bei:
Capital Studios (New York) in New York, New York, Vereinigte Staaten (am 1956-02-16)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1956-02-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Clifford Brown7:40
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