Brownie: The Complete EmArcy Recordings of Clifford Brown

~ Pubblicazione di Clifford Brown (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Delilah
Clifford Brown8:05
2Darn That Dream
Clifford Brown4:02
3Parisian Thoroughfare
Clifford Brown7:16
4Jordu
Clifford Brown7:43
5Sweet Clifford
Clifford Brown6:40
6Sweet Clifford (Clifford’s Fantasy)
Clifford Brown1:46
7I Don’t Stand a Ghost of a Chance With You (alternate take)
Clifford Brown3:02
8I Don’t Stand a Ghost of a Chance With You
Clifford Brown7:19
9Stompin’ at the Savoy
Clifford Brown6:24
10I Get a Kick Out of You
Clifford Brown7:37
11I Get a Kick Out of You (alternate take)
Clifford Brown8:29
12I’ll String Along With You
Clifford Brown4:10
13Joy Spring
Clifford Brown6:47
14Joy Spring
Clifford Brown6:57
15Mildama (alternate take 1)
Clifford Brown3:41
16Mildama (alternate take 2)
Clifford Brown3:27
17Mildama
Clifford Brown3:58
18Mildama (alternate take 4)
Clifford Brown4:04
19Mildama (alternate take 5)
Clifford Brown2:17
20Mildama (alternate take 6)
Clifford Brown3:56
21Mildama
Clifford Brown4:34
22These Foolish Things
Clifford Brown3:42
23Daahoud
Clifford Brown4:04
24Daahoud
Clifford Brown4:07
25Coronado (alternate take 1)
Clifford Brown All Stars5:42
26Coronado
Clifford Brown All Stars17:56
27Coronado
Clifford Brown All Stars19:44
28You Go to My Head
Clifford Brown All Stars17:13
29Caravan
Clifford Brown All Stars15:10
30Caravan (The Boss Man)
Clifford Brown All Stars3:06
31Autumn in New York
Clifford Brown All Stars21:35
32Introduction by Bob Shad (live in Los Angeles / 1954)
Robert A. Shad1:14
33What Is This Thing Called Love? (live in Los Angeles / 1954)
registrazione dal vivo cover di:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
Dinah Washington14:54
34I’ve Got You Under My Skin
registrazione cover di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Dinah Washington5:26
35No More
registrazione cover di:
No More
paroliere e compositore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Dinah Washington3:21
36Move (live in Los Angeles / 1954)
Dinah Washington14:37
37Darn That Dream (live in Los Angeles, 1954)
registrazione dal vivo cover di:
Darn That Dream
paroliere:
Eddie DeLange (nel 1939)
compositore:
Jimmy Van Heusen (nel 1939)
editore:
Scarsdale Music Corp. (ASCAP)
parte di:
Swingin’ the Dream
Dinah Washington5:16
38You Go to My Head
registrazione cover di:
You Go to My Head
paroliere:
Haven Gillespie (nel 1938)
compositore:
J. Fred Coots (nel 1938)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) e Warner Bros. Music Corp.
Dinah Washington11:17
39Medley: My Funny Valentine / Don’t Worry ’Bout Me / Bess, You Is My Woman Now / It Might as Well Be Spring (live in Los Angeles / 1954)
Dinah Washington11:32
40Lover Come Back to Me
registrazione cover di:
Lover, Come Back to Me (from "The New Moon")
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1928)
autore:
Sigmund Romberg
compositore:
Sigmund Romberg (nel 1928)
editore:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1928)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The New Moon: Act II
Dinah Washington9:54
41Medley: Alone Together / Summertime / Come Rain or Come Shine
Dinah Washington7:21
42Crazy He Calls Me
registrazione cover di:
Crazy He Calls Me
paroliere:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
compositore:
Carl Sigman
editore:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dinah Washington5:05
43There Is No Greater Love (live in Los Angeles, 1954)
registrazione dal vivo cover di:
There Is No Greater Love (nel 1954)
paroliere:
Marty Symes (lyricist)
compositore:
Isham Jones
editore:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) e World Music, Inc.
Dinah Washington2:17
44I’ll Remember April
Dinah Washington11:48
45September Song
registrazione cover di:
Knickerbocker Holiday: September Song
paroliere:
Maxwell Anderson
compositore:
Kurt Weill (composer)
editore:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (nel 1938), TRO-Hampshire House Publishing Corp. (nel 1938) e Crawford Music Corp. (il 1938-09-24)
parte di:
Knickerbocker Holiday (Kurt Weill musical)
Sarah Vaughan5:44
46Lullaby of Birdland
registrazione cover di:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
paroliere:
B. Y. Forster (pseudonym of George David Weiss)
autore:
George David Weiss
compositore:
George Shearing (British jazz pianist)
editore:
EMI Longitude Music, Good Music Limited e Planetary Nom (London) Ltd.
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan3:59
47Lullaby of Birdland
registrazione cover di:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
paroliere:
B. Y. Forster (pseudonym of George David Weiss)
autore:
George David Weiss
compositore:
George Shearing (British jazz pianist)
editore:
EMI Longitude Music, Good Music Limited e Planetary Nom (London) Ltd.
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan3:59
48I’m Glad There Is You
registrazione cover di:
I’m Glad There Is You
autore:
Jimmy Dorsey e Paul Madeira (Paul Madeira Mertz)
editore:
Chappell/Morris Ltd. e Mayfair Music Corp.
Sarah Vaughan5:09
49You’re Not the Kind
registrazione cover di:
You’re Not the Kind
autore:
Will Hudson e Irving Mills
Sarah Vaughan4:41
50Jim
registrazione cover di:
Jim
paroliere:
Nelson Shawn
compositore:
Edward Ross e Caesar Petrillo
editore:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Sarah Vaughan5:50
51He’s My Guy
registrazione cover di:
He’s My Guy
paroliere:
Don Raye
compositore:
Gene de Paul
Sarah Vaughan4:11
52April in Paris
registrazione cover di:
April in Paris
paroliere:
Yip Harburg (nel 1932)
compositore:
Vernon Duke (nel 1932)
editore:
Chappell Music Ltd.
parte di:
The Real Book (compilation of jazz standards, volume I)
Sarah Vaughan6:19
53It’s Crazy
registrazione cover di:
It’s Crazy
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Richard Rodgers (composer)
editore:
Chappell S.A. e Crestview Music Corp.
Sarah Vaughan4:54
54Embraceable You
registrazione cover di:
Embraceable You
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Sarah Vaughan4:49
55Don’t Explain
registrazione cover di:
Don’t Explain
autore:
Arthur Herzog, Jr. e Billie Holiday
editore:
Duchess Music Corporation (BMI-affiliated) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Helen Merrill5:11
56Born to Be Blue
registrazione cover di:
Born to Be Blue
autore:
Mel Tormé (“The Velvet Fog”) e Robert Wells (songwriter)
editore:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e PW 3 ASCAP Songs
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (conclusa), Universal Music Publishing France (not for release label use!) e ロックンロール ミュージック (Rock ’n’ Roll Music)
Helen Merrill5:13
57You’d Be So Nice to Come Home To
registrazione cover di:
You’d Be So Nice to Come Home To
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Helen Merrill4:18
58’s Wonderful
registrazione cover di:
’S Wonderful
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
Helen Merrill3:13
59Yesterdays
registrazione cover di:
Yesterdays
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
Helen Merrill5:59
60Falling in Love With Love
registrazione cover di:
Falling in Love With Love
paroliere:
Lorenz Hart (nel 1938)
compositore:
Richard Rodgers (composer) (nel 1938)
editore:
Chappell & Co. e Chappell & Co., Inc. (USA)
parte di:
The Boys From Syracuse
parte di:
The Real Book (compilation of jazz standards, volume I)
Helen Merrill3:53
61What’s New
registrazione cover di:
What’s New?
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Bob Haggart
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Warner Bros., Inc. (not for release label use!)
Helen Merrill4:59
62Portrait of Jenny
Clifford Brown3:25
63What’s New
Clifford Brown3:25
64Yesterdays
Clifford Brown2:59
65Where or When
Clifford Brown3:28
66Can’t Help Lovin’ Dat Man
Clifford Brown3:44
67Smoke Gets in Your Eyes
Clifford Brown3:14
68Laura
Clifford Brown3:26
69Memories of You
Clifford Brown3:33
70Embraceable You
Clifford Brown3:01
71Blue Moon
Clifford Brown3:13
72Willow Weep for Me
Clifford Brown3:25
73Stardust
Clifford Brown3:24
74Gerkin for Perkin
Clifford Brown2:55
75Take the “A” Train
Clifford Brown4:17
76Lands End
Clifford Brown3:06
77Lands End
Clifford Brown4:54
78Swingin’
Clifford Brown2:52
79George’s Dilemma
Clifford Brown5:34
80If I Love Again
Clifford Brown3:22
81The Blues Walk
Clifford Brown6:44
82The Blues Walk
Clifford Brown6:50
83What Am I Here For?
Clifford Brown3:07
84Cherokee
Clifford Brown5:42
85Jacqui
Clifford Brown5:09
86Sandu
Clifford Brown4:54
87Gertrude’s Bounce
produttore:
Bob Shad
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1956-01-04)
contrabbasso :
George Morrow (il 1956-01-04)
pianoforte :
Richie Powell (il 1956-01-04)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1956-01-04)
tromba :
Clifford Brown (trumpet) (il 1956-01-04)
registrata presso:
Capital Studios (New York) in New York, New York, Stati Uniti (il 1956-01-04)
registrazione di:
Gertrude’s Bounce (il 1956-01-04)
compositore:
Richie Powell
Clifford Brown4:10
88Step Lightly (Junior’s Arrival)
produttore:
Bob Shad
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1956-01-04)
contrabbasso :
George Morrow (il 1956-01-04)
pianoforte :
Richie Powell (il 1956-01-04)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1956-01-04)
tromba :
Clifford Brown (trumpet) (il 1956-01-04)
registrata presso:
Capital Studios (New York) in New York, New York, Stati Uniti (il 1956-01-04)
registrazione di:
Step Lightly (Junior's Arrival) (il 1956-01-04)
autore:
Benny Golson (American jazz saxophonist and composer)
Clifford Brown3:33
89Powell’s Prances
registrata a:
New York, New York, Stati Uniti (il 1956-01-04)
produttore:
Bob Shad
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1956-01-04)
contrabbasso :
George Morrow (il 1956-01-04)
pianoforte :
Richie Powell (il 1956-01-04)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1956-01-04)
tromba :
Clifford Brown (trumpet) (il 1956-01-04)
registrata presso:
Capital Studios (New York) in New York, New York, Stati Uniti (il 1956-01-04)
registrazione di:
Powell's Prances (il 1956-01-04)
autore:
Richie Powell
Clifford Brown3:30
90I’ll Remember April
registrata a:
New York, New York, Stati Uniti (il 1956-02-17)
produttore:
Bob Shad
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1956-02-17)
contrabbasso :
George Morrow (il 1956-02-17)
pianoforte :
Richie Powell (il 1956-02-17)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1956-02-17)
tromba :
Clifford Brown (trumpet) (il 1956-02-17)
registrata presso:
Capital Studios (New York) in New York, New York, Stati Uniti (il 1956-02-17)
registrazione strumentale di:
I’ll Remember April (il 1956-02-17)
paroliere:
Patricia Johnston e Don Raye
compositore:
Gene de Paul
editore:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) e Universal Music Corp. (USA, affiliated with ASCAP)
Clifford Brown9:18
91I’ll Remember April
Clifford Brown1:29
92I’ll Remember April
Clifford Brown9:41
93Time
registrata a:
New York, New York, Stati Uniti (il 1956-02-17)
produttore:
Bob Shad
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1956-02-17)
celesta e pianoforte :
Richie Powell (il 1956-02-17)
contrabbasso :
George Morrow (il 1956-02-17)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1956-02-17)
tromba :
Clifford Brown (trumpet) (il 1956-02-17)
registrata presso:
Capital Studios (New York) in New York, New York, Stati Uniti (il 1956-02-17)
registrazione di:
Time (il 1956-02-17)
autore:
Richie Powell
Clifford Brown5:08
94The Scene Is Clean
registrata a:
New York, New York, Stati Uniti (il 1956-02-17)
produttore:
Bob Shad
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1956-02-17)
contrabbasso :
George Morrow (il 1956-02-17)
pianoforte :
Richie Powell (il 1956-02-17)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1956-02-17)
tromba :
Clifford Brown (trumpet) (il 1956-02-17)
registrata presso:
Capital Studios (New York) in New York, New York, Stati Uniti (il 1956-02-17)
registrazione di:
The Scene Is Clean (il 1956-02-17)
compositore:
Tadd Dameron
arrangiatore:
Joe Lovano (American jazz artist)
editore:
Bregman, Vocco & Conn, Inc.
Clifford Brown6:14
95Flossie Lou
Clifford Brown4:52
96Flossie Lou
Clifford Brown4:04
97Flossie Lou
Clifford Brown3:30
98Flossie Lou
Clifford Brown3:59
99What Is This Thing Called Love
Clifford Brown8:37
100What Is This Thing Called Love
registrata a:
New York, New York, Stati Uniti (il 1956-02-16)
produttore:
Bob Shad
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1956-02-16)
contrabbasso :
George Morrow (il 1956-02-16)
pianoforte :
Richie Powell (il 1956-02-16)
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1956-02-16)
tromba :
Clifford Brown (trumpet) (il 1956-02-16)
registrata presso:
Capital Studios (New York) in New York, New York, Stati Uniti (il 1956-02-16)
registrazione strumentale di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (il 1956-02-16)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
registrazione di:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
Clifford Brown7:40
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