Complete Mozart Edition

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 17 available)

Tracklist

1▶CD: Volume 1: Symphonies
2▶CD: Volume 1: Symphonies
3▶CD: Volume 1: Symphonies
4▶CD: Volume 1: Symphonies
5▶CD: Volume 1: Symphonies
6▶CD: Volume 1: Symphonies
7▶CD: Volume 1: Symphonies
8▶CD: Volume 1: Symphonies
9▶CD: Volume 1: Symphonies
10▶CD: Volume 1: Symphonies
11▶CD: Volume 1: Symphonies
12▶CD: Volume 1: Symphonies
13▶CD: Volume 2: Serenades / Dances / Marches
14▶CD: Volume 2: Serenades / Dances / Marches
15▶CD: Volume 2: Serenades / Dances / Marches
16▶CD: Volume 2: Serenades / Dances / Marches
17▶CD: Volume 2: Serenades / Dances / Marches
18▶CD: Volume 2: Serenades / Dances / Marches
19▶CD: Volume 2: Serenades / Dances / Marches
20▶CD: Volume 2: Serenades / Dances / Marches
21▶CD: Volume 2: Serenades / Dances / Marches
22▶CD: Volume 2: Serenades / Dances / Marches
23▶CD: Volume 2: Serenades / Dances / Marches
24▶CD: Volume 2: Serenades / Dances / Marches
25▶CD: Volume 2: Serenades / Dances / Marches
26▶CD: Volume 3: Divertimenti / Serenades
27▶CD: Volume 3: Divertimenti / Serenades
28▶CD: Volume 3: Divertimenti / Serenades
29▶CD: Volume 3: Divertimenti / Serenades
30▶CD: Volume 3: Divertimenti / Serenades
31▶CD: Volume 3: Divertimenti / Serenades
32▶CD: Volume 3: Divertimenti / Serenades
33▶CD: Volume 3: Divertimenti / Serenades
34▶CD: Volume 3: Divertimenti / Serenades
35▶CD: Volume 3: Divertimenti / Serenades
36▶CD: Volume 3: Divertimenti / Serenades
37▶CD: Volume 4: Piano Concertos
38▶CD: Volume 4: Piano Concertos
39▶CD: Volume 4: Piano Concertos
40▶CD: Volume 4: Piano Concertos
41▶CD: Volume 4: Piano Concertos
42▶CD: Volume 4: Piano Concertos
43▶CD: Volume 4: Piano Concertos
44▶CD: Volume 4: Piano Concertos
45▶CD: Volume 4: Piano Concertos
46▶CD: Volume 4: Piano Concertos
47▶CD: Volume 4: Piano Concertos
48▶CD: Volume 4: Piano Concertos
49▶CD: Volume 5: Violin Concertos / Wind Concertos
50▶CD: Volume 5: Violin Concertos / Wind Concertos
51▶CD: Volume 5: Violin Concertos / Wind Concertos
52▶CD: Volume 5: Violin Concertos / Wind Concertos
53▶CD: Volume 5: Violin Concertos / Wind Concertos
54▶CD: Volume 5: Violin Concertos / Wind Concertos
55▶CD: Volume 5: Violin Concertos / Wind Concertos
56▶CD: Volume 5: Violin Concertos / Wind Concertos
57▶CD: Volume 5: Violin Concertos / Wind Concertos
58▶CD: Volume 6: Quintets, Quartets, Trios, etc.
59▶CD: Volume 6: Quintets, Quartets, Trios, etc.
60▶CD: Volume 6: Quintets, Quartets, Trios, etc.
61▶CD: Volume 6: Quintets, Quartets, Trios, etc.
62▶CD: Volume 6: Quintets, Quartets, Trios, etc.
63▶CD: Volume 6: Quintets, Quartets, Trios, etc.
64▶CD: Volume 6: Quintets, Quartets, Trios, etc.
65▶CD: Volume 6: Quintets, Quartets, Trios, etc.
66▶CD: Volume 7: String Quartets / String Quintets
67▶CD: Volume 7: String Quartets / String Quintets
68▶CD: Volume 7: String Quartets / String Quintets
69▶CD: Volume 7: String Quartets / String Quintets
70▶CD: Volume 7: String Quartets / String Quintets
71▶CD: Volume 7: String Quartets / String Quintets
72▶CD: Volume 7: String Quartets / String Quintets
73▶CD: Volume 7: String Quartets / String Quintets
74▶CD: Volume 7: String Quartets / String Quintets
75▶CD: Volume 7: String Quartets / String Quintets
76▶CD: Volume 7: String Quartets / String Quintets
77▶CD: Volume 8: Violin Sonatas / String Duos & Trios
78▶CD: Volume 8: Violin Sonatas / String Duos & Trios
79▶CD: Volume 8: Violin Sonatas / String Duos & Trios
80▶CD: Volume 8: Violin Sonatas / String Duos & Trios
81▶CD: Volume 8: Violin Sonatas / String Duos & Trios
82▶CD: Volume 8: Violin Sonatas / String Duos & Trios
83▶CD: Volume 8: Violin Sonatas / String Duos & Trios
84▶CD: Volume 8: Violin Sonatas / String Duos & Trios
85▶CD: Volume 8: Violin Sonatas / String Duos & Trios
86▶CD: Volume 9: Piano Music
87▶CD: Volume 9: Piano Music
88▶CD: Volume 9: Piano Music
89▶CD: Volume 9: Piano Music
90▶CD: Volume 9: Piano Music
91▶CD: Volume 9: Piano Music
92▶CD: Volume 9: Piano Music
93▶CD: Volume 9: Piano Music
94▶CD: Volume 9: Piano Music
95▶CD: Volume 9: Piano Music
96▶CD: Volume 9: Piano Music
97▶CD: Volume 9: Piano Music
98▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
99▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
100▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
101▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
102▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
103▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
104▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
105▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
106▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
107▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
108▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
109▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
110▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
111▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
112▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
113▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
114▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
115▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
116▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
117▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
118▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
119▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
120▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
121▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
122▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
123▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
124▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
125▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
126▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
127▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
128▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
129▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
130▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
131▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
132▶CD: Volume 13: Early Italian Operas
133▶CD: Volume 13: Early Italian Operas
134▶CD: Volume 13: Early Italian Operas
135▶CD: Volume 13: Early Italian Operas
136▶CD: Volume 13: Early Italian Operas
137▶CD: Volume 13: Early Italian Operas
138▶CD: Volume 13: Early Italian Operas
139▶CD: Volume 13: Early Italian Operas
140▶CD: Volume 13: Early Italian Operas
141▶CD: Volume 13: Early Italian Operas
142▶CD: Volume 13: Early Italian Operas
143▶CD: Volume 13: Early Italian Operas
144▶CD: Volume 13: Early Italian Operas
145▶CD: Volume 14: Middle Italian Operas
146▶CD: Volume 14: Middle Italian Operas
147▶CD: Volume 14: Middle Italian Operas
148▶CD: Volume 14: Middle Italian Operas
149▶CD: Volume 14: Middle Italian Operas
150▶CD: Volume 14: Middle Italian Operas
151▶CD: Volume 14: Middle Italian Operas
152▶CD: Volume 14: Middle Italian Operas
153▶CD: Volume 14: Middle Italian Operas
154▶CD: Volume 15: Late Italian Operas
155▶CD: Volume 15: Late Italian Operas
156▶CD: Volume 15: Late Italian Operas
157▶CD: Volume 15: Late Italian Operas
158▶CD: Volume 15: Late Italian Operas
159▶CD: Volume 15: Late Italian Operas
160▶CD: Volume 15: Late Italian Operas
161▶CD: Volume 15: Late Italian Operas
162▶CD: Volume 15: Late Italian Operas
163▶CD: Volume 15: Late Italian Operas
164▶CD: Volume 15: Late Italian Operas
165▶CD: Volume 16: German Operas
166▶CD: Volume 16: German Operas
167▶CD: Volume 16: German Operas
168▶CD: Volume 16: German Operas
169▶CD: Volume 16: German Operas
170▶CD: Volume 16: German Operas
171▶CD: Volume 16: German Operas
172▼CD: Volume 16: German Operas
#TitleRatingLength
1Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
0:14
2Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
3:22
3Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
1:26
4Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Robert Lloyd (operatic bass) (in 1978-11)
tenor vocals:
Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:26
5Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Hör, Alter, trink nicht zu viel" (Pedrillo, Osmin, Belmonte, Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Hör, Alter, trink nicht zu viel" (Pedrillo, Osmin, Belmonte, Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
1:30
6Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
4:12
7Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Norma Burrowes (soprano) (in 1978-11) and Christiane Eda‐Pierre (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11) and Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
6:38
8Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Norma Burrowes (soprano) (in 1978-11) and Christiane Eda‐Pierre (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11) and Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
4:43
9Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
7:46
10Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
0:18
11Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11) and Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
2:38
12Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
2:13
13Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Robert Lloyd (operatic bass) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
3:27
14Die Entführung aus dem Serail, K. 384: Akt III, Szene VI. Dialog "Was ist das für ein Lärm?" (Selim, Osmin, Konstanze, Belmonte)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VI. Dialog "Was ist das für ein Lärm?" (Selim, Osmin, Konstanze, Belmonte) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
2:38
15Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Christiane Eda‐Pierre (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
2:01
16Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze)
producer:
Erik Smith (British producer, pianist and harpsichordist)
soprano vocals:
Christiane Eda‐Pierre (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
6:42
17Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. Dialog "Nun, Belmonte Lostados!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. Dialog "Nun, Belmonte Lostados!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin) (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
2:17
18Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" / Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange"
producer:
Erik Smith (British producer, pianist and harpsichordist)
bass vocals:
Robert Lloyd (operatic bass) (in 1978-11)
choir vocals:
The John Alldis Choir (in 1978-11)
soprano vocals:
Norma Burrowes (soprano) (in 1978-11) and Christiane Eda‐Pierre (soprano) (in 1978-11)
tenor vocals:
Stuart Burrows (tenor) (in 1978-11) and Robert Tear (tenor) (in 1978-11)
orchestra:
Academy of St Martin in the Fields (in 1978-11)
conductor:
Sir Colin Davis (English conductor) (in 1978-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-11)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange" (in 1978-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
5:34
173▶CD: Volume 16: German Operas
174▶CD: Volume 16: German Operas
175▶CD: Volume 16: German Operas
176▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
177▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
178▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
179▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
180▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises

Credits

Release

transliterated/translated track listings:Mozart Les inédits by Wolfgang Amadeus Mozart (classical composer) & Ensemble de chambre de l'Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
ASIN:DE: B000050GG5 [info]