Complete Mozart Edition

~ Uitgave van Wolfgang Amadeus Mozart (Bekijk alle versies van deze uitgave, 17 beschikbaar)

Nummerlijst

1▶cd: Volume 1: Symphonies
2▶cd: Volume 1: Symphonies
3▶cd: Volume 1: Symphonies
4▶cd: Volume 1: Symphonies
5▶cd: Volume 1: Symphonies
6▶cd: Volume 1: Symphonies
7▶cd: Volume 1: Symphonies
8▶cd: Volume 1: Symphonies
9▶cd: Volume 1: Symphonies
10▶cd: Volume 1: Symphonies
11▶cd: Volume 1: Symphonies
12▶cd: Volume 1: Symphonies
13▶cd: Volume 2: Serenades / Dances / Marches
14▶cd: Volume 2: Serenades / Dances / Marches
15▶cd: Volume 2: Serenades / Dances / Marches
16▶cd: Volume 2: Serenades / Dances / Marches
17▶cd: Volume 2: Serenades / Dances / Marches
18▶cd: Volume 2: Serenades / Dances / Marches
19▶cd: Volume 2: Serenades / Dances / Marches
20▶cd: Volume 2: Serenades / Dances / Marches
21▶cd: Volume 2: Serenades / Dances / Marches
22▶cd: Volume 2: Serenades / Dances / Marches
23▶cd: Volume 2: Serenades / Dances / Marches
24▶cd: Volume 2: Serenades / Dances / Marches
25▶cd: Volume 2: Serenades / Dances / Marches
26▶cd: Volume 3: Divertimenti / Serenades
27▶cd: Volume 3: Divertimenti / Serenades
28▶cd: Volume 3: Divertimenti / Serenades
29▶cd: Volume 3: Divertimenti / Serenades
30▶cd: Volume 3: Divertimenti / Serenades
31▶cd: Volume 3: Divertimenti / Serenades
32▶cd: Volume 3: Divertimenti / Serenades
33▶cd: Volume 3: Divertimenti / Serenades
34▶cd: Volume 3: Divertimenti / Serenades
35▶cd: Volume 3: Divertimenti / Serenades
36▶cd: Volume 3: Divertimenti / Serenades
37▶cd: Volume 4: Piano Concertos
38▶cd: Volume 4: Piano Concertos
39▶cd: Volume 4: Piano Concertos
40▶cd: Volume 4: Piano Concertos
41▶cd: Volume 4: Piano Concertos
42▶cd: Volume 4: Piano Concertos
43▶cd: Volume 4: Piano Concertos
44▶cd: Volume 4: Piano Concertos
45▶cd: Volume 4: Piano Concertos
46▶cd: Volume 4: Piano Concertos
47▶cd: Volume 4: Piano Concertos
48▶cd: Volume 4: Piano Concertos
49▶cd: Volume 5: Violin Concertos / Wind Concertos
50▶cd: Volume 5: Violin Concertos / Wind Concertos
51▶cd: Volume 5: Violin Concertos / Wind Concertos
52▶cd: Volume 5: Violin Concertos / Wind Concertos
53▶cd: Volume 5: Violin Concertos / Wind Concertos
54▶cd: Volume 5: Violin Concertos / Wind Concertos
55▶cd: Volume 5: Violin Concertos / Wind Concertos
56▶cd: Volume 5: Violin Concertos / Wind Concertos
57▶cd: Volume 5: Violin Concertos / Wind Concertos
58▶cd: Volume 6: Quintets, Quartets, Trios, etc.
59▶cd: Volume 6: Quintets, Quartets, Trios, etc.
60▶cd: Volume 6: Quintets, Quartets, Trios, etc.
61▶cd: Volume 6: Quintets, Quartets, Trios, etc.
62▶cd: Volume 6: Quintets, Quartets, Trios, etc.
63▶cd: Volume 6: Quintets, Quartets, Trios, etc.
64▶cd: Volume 6: Quintets, Quartets, Trios, etc.
65▶cd: Volume 6: Quintets, Quartets, Trios, etc.
66▶cd: Volume 7: String Quartets / String Quintets
67▶cd: Volume 7: String Quartets / String Quintets
68▶cd: Volume 7: String Quartets / String Quintets
69▶cd: Volume 7: String Quartets / String Quintets
70▶cd: Volume 7: String Quartets / String Quintets
71▶cd: Volume 7: String Quartets / String Quintets
72▶cd: Volume 7: String Quartets / String Quintets
73▶cd: Volume 7: String Quartets / String Quintets
74▶cd: Volume 7: String Quartets / String Quintets
75▶cd: Volume 7: String Quartets / String Quintets
76▶cd: Volume 7: String Quartets / String Quintets
77▶cd: Volume 8: Violin Sonatas / String Duos & Trios
78▶cd: Volume 8: Violin Sonatas / String Duos & Trios
79▶cd: Volume 8: Violin Sonatas / String Duos & Trios
80▶cd: Volume 8: Violin Sonatas / String Duos & Trios
81▶cd: Volume 8: Violin Sonatas / String Duos & Trios
82▶cd: Volume 8: Violin Sonatas / String Duos & Trios
83▶cd: Volume 8: Violin Sonatas / String Duos & Trios
84▶cd: Volume 8: Violin Sonatas / String Duos & Trios
85▶cd: Volume 8: Violin Sonatas / String Duos & Trios
86▶cd: Volume 9: Piano Music
87▶cd: Volume 9: Piano Music
88▶cd: Volume 9: Piano Music
89▶cd: Volume 9: Piano Music
90▶cd: Volume 9: Piano Music
91▶cd: Volume 9: Piano Music
92▶cd: Volume 9: Piano Music
93▶cd: Volume 9: Piano Music
94▶cd: Volume 9: Piano Music
95▶cd: Volume 9: Piano Music
96▶cd: Volume 9: Piano Music
97▶cd: Volume 9: Piano Music
98▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
99▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
100▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
101▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
102▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
103▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
104▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
105▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
106▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
107▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
108▶cd: Volume 10: Missae / Requiem / Organ Sonatas & Solos
109▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
110▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
111▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
112▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
113▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
114▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
115▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
116▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
117▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
118▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
119▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
120▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
121▶cd: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
122▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
123▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
124▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
125▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
126▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
127▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
128▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
129▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
130▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
131▶cd: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
132▶cd: Volume 13: Early Italian Operas
133▶cd: Volume 13: Early Italian Operas
134▶cd: Volume 13: Early Italian Operas
135▶cd: Volume 13: Early Italian Operas
136▶cd: Volume 13: Early Italian Operas
137▶cd: Volume 13: Early Italian Operas
138▶cd: Volume 13: Early Italian Operas
139▶cd: Volume 13: Early Italian Operas
140▶cd: Volume 13: Early Italian Operas
141▶cd: Volume 13: Early Italian Operas
142▶cd: Volume 13: Early Italian Operas
143▶cd: Volume 13: Early Italian Operas
144▶cd: Volume 13: Early Italian Operas
145▶cd: Volume 14: Middle Italian Operas
146▶cd: Volume 14: Middle Italian Operas
147▶cd: Volume 14: Middle Italian Operas
148▶cd: Volume 14: Middle Italian Operas
149▶cd: Volume 14: Middle Italian Operas
150▶cd: Volume 14: Middle Italian Operas
151▶cd: Volume 14: Middle Italian Operas
152▶cd: Volume 14: Middle Italian Operas
153▶cd: Volume 14: Middle Italian Operas
154▶cd: Volume 15: Late Italian Operas
155▶cd: Volume 15: Late Italian Operas
156▶cd: Volume 15: Late Italian Operas
157▶cd: Volume 15: Late Italian Operas
158▶cd: Volume 15: Late Italian Operas
159▶cd: Volume 15: Late Italian Operas
160▶cd: Volume 15: Late Italian Operas
161▶cd: Volume 15: Late Italian Operas
162▶cd: Volume 15: Late Italian Operas
163▶cd: Volume 15: Late Italian Operas
164▶cd: Volume 15: Late Italian Operas
165▶cd: Volume 16: German Operas
166▶cd: Volume 16: German Operas
167▶cd: Volume 16: German Operas
168▶cd: Volume 16: German Operas
169▶cd: Volume 16: German Operas
170▶cd: Volume 16: German Operas
171▶cd: Volume 16: German Operas
172▼cd: Volume 16: German Operas
#TitelWaarderingDuur
1Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo)
producent:
Erik Smith (British producer, pianist and harpsichordist)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt II
0:14
2Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo)
producent:
Erik Smith (British producer, pianist and harpsichordist)
tenorvocalen:
Robert Tear (tenor) (in 1978-11)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt II
3:22
3Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo)
producent:
Erik Smith (British producer, pianist and harpsichordist)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt II
1:26
4Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
producent:
Erik Smith (British producer, pianist and harpsichordist)
basvocalen:
Robert Lloyd (operatic bass) (in 1978-11)
tenorvocalen:
Robert Tear (tenor) (in 1978-11)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt II
2:26
5Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Hör, Alter, trink nicht zu viel" (Pedrillo, Osmin, Belmonte, Konstanze)
producent:
Erik Smith (British producer, pianist and harpsichordist)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Hör, Alter, trink nicht zu viel" (Pedrillo, Osmin, Belmonte, Konstanze) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt II
1:30
6Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte)
producent:
Erik Smith (British producer, pianist and harpsichordist)
tenorvocalen:
Stuart Burrows (tenor) (in 1978-11)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt II
4:12
7Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde)
producent:
Erik Smith (British producer, pianist and harpsichordist)
sopraanvocalen:
Norma Burrowes (soprano) (in 1978-11) en Christiane Eda‐Pierre (soprano) (in 1978-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1978-11) en Robert Tear (tenor) (in 1978-11)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt II
6:38
8Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde)
producent:
Erik Smith (British producer, pianist and harpsichordist)
sopraanvocalen:
Norma Burrowes (soprano) (in 1978-11) en Christiane Eda‐Pierre (soprano) (in 1978-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1978-11) en Robert Tear (tenor) (in 1978-11)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt II
4:43
9Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte)
producent:
Erik Smith (British producer, pianist and harpsichordist)
tenorvocalen:
Stuart Burrows (tenor) (in 1978-11)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt III
7:46
10Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte)
producent:
Erik Smith (British producer, pianist and harpsichordist)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt III
0:18
11Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte)
producent:
Erik Smith (British producer, pianist and harpsichordist)
tenorvocalen:
Stuart Burrows (tenor) (in 1978-11) en Robert Tear (tenor) (in 1978-11)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt III
2:38
12Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin)
producent:
Erik Smith (British producer, pianist and harpsichordist)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt III
2:13
13Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin)
producent:
Erik Smith (British producer, pianist and harpsichordist)
basvocalen:
Robert Lloyd (operatic bass) (in 1978-11)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt III
3:27
14Die Entführung aus dem Serail, K. 384: Akt III, Szene VI. Dialog "Was ist das für ein Lärm?" (Selim, Osmin, Konstanze, Belmonte)
producent:
Erik Smith (British producer, pianist and harpsichordist)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VI. Dialog "Was ist das für ein Lärm?" (Selim, Osmin, Konstanze, Belmonte) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt III
2:38
15Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze)
producent:
Erik Smith (British producer, pianist and harpsichordist)
sopraanvocalen:
Christiane Eda‐Pierre (soprano) (in 1978-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1978-11)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt III
2:01
16Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze)
producent:
Erik Smith (British producer, pianist and harpsichordist)
sopraanvocalen:
Christiane Eda‐Pierre (soprano) (in 1978-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1978-11)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt III
6:42
17Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. Dialog "Nun, Belmonte Lostados!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin)
producent:
Erik Smith (British producer, pianist and harpsichordist)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. Dialog "Nun, Belmonte Lostados!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin) (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt III
2:17
18Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" / Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange"
producent:
Erik Smith (British producer, pianist and harpsichordist)
basvocalen:
Robert Lloyd (operatic bass) (in 1978-11)
koor:
The John Alldis Choir (in 1978-11)
sopraanvocalen:
Norma Burrowes (soprano) (in 1978-11) en Christiane Eda‐Pierre (soprano) (in 1978-11)
tenorvocalen:
Stuart Burrows (tenor) (in 1978-11) en Robert Tear (tenor) (in 1978-11)
orkest:
Academy of St Martin in the Fields (in 1978-11)
was dirigent:
Sir Colin Davis (English conductor) (in 1978-11)
opgenomen bij:
Walthamstow Assembly Hall in London (Greater London), England, Verenigd Koninkrijk (in 1978-11)
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt III
is een opname van:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange" (in 1978-11)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
deel van:
Die Entführung aus dem Serail, K. 384: Akt III
5:34
173▶cd: Volume 16: German Operas
174▶cd: Volume 16: German Operas
175▶cd: Volume 16: German Operas
176▶cd: Volume 17: Theatre and Ballet Music / Rarities / Surprises
177▶cd: Volume 17: Theatre and Ballet Music / Rarities / Surprises
178▶cd: Volume 17: Theatre and Ballet Music / Rarities / Surprises
179▶cd: Volume 17: Theatre and Ballet Music / Rarities / Surprises
180▶cd: Volume 17: Theatre and Ballet Music / Rarities / Surprises

Relaties

Uitgave

getranscribeerde/vertaalde nummerlijsten:Mozart Les inédits van Wolfgang Amadeus Mozart (classical composer) & Ensemble de chambre de l'Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
ASIN:DE: B000050GG5 [info]