The Blues: The Absolutely Essention 3 CD Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1Goin' Down Slow
Bass:
Alfred Elkins
Klavier:
Roosevelt Sykes
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2002)
recording of:
Goin’ Down Slow
Texter und Komponist(in):
James Burke Oden (blues singer and songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Leeds Music, MCA Music Ltd. und Unichappell Music, Inc.
St. Louis Jimmy Oden3:11
2Good Morning Blues
recorded in:
New York, New York, Vereinigte Staaten (in 1947-02)
Gitarre und Sologesang:
Lead Belly (in 1947-02)
recording of:
Good Morning Blues (in 1947-02)
Texter, Komponist(in) und arranger:
Huddie William Ledbetter
publisher:
Kensington Music Ltd. und TRO-Folkways Music Publishers, Inc.
Lead Belly2:10
3It Hurts Me Too
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1940-05-10)
Bass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1940-05-10)
Gitarre und Kazoo:
Tampa Red (am 1940-05-10)
Klavier:
Blind John Davis (am 1940-05-10)
vocals:
Tampa Red (am 1940-05-10)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2012)
recording of:
It Hurts Me Too (am 1940-05-10)
Texter, Verfasser(in) und Komponist(in):
Hudson Whittaker
publisher:
Louise Music Ltd. (assoc w/ Lavelle White) und Universal Music Corporation (USA, affiliated with ASCAP)
Tampa Red2:31
4That's Alright Mama
Arthur “Big Boy” Crudup2:54
5Call It Stormy Monday (But Tuesday Is Just As Bad)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1983)
recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad)
Texter und Komponist(in):
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
publisher:
Wixen Music Publishing, Inc. (beendet), Burlington Music Co., Ltd., Songs Of The Knoll, 日音 Synch事業部 (NICHION, INC. Synch Division), Peermusic III, Ltd. (BMI) (bis 2018-11-01), Gregmark Music Inc (Gregmark) (vom 1959 bis heute), Lord and Walker Publishing (vom 1959 bis heute) und Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (vom 2018-11-01 bis heute)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
T‐Bone Walker3:02
6Boogie Chillen
John Lee Hooker3:09
7Automobile Blues
recorded in:
Houston, Texas, Vereinigte Staaten (in 1949)
Gitarre:
Lightnin’ Hopkins (in 1949)
vocals:
Lightnin’ Hopkins (in 1949)
recording of:
Automobile Blues (in 1949)
Texter und Komponist(in):
Lightnin’ Hopkins
publisher:
Prestige Music (US drum & bass) und The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management)
Lightnin’ Hopkins2:47
8Everyday I Have The Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1949)
alto saxophone:
Earl Brown (alto saxophonist) (in 1949)
Bass:
Billy Hadnott (in 1949)
Gitarre:
Lowell Fulson (in 1949)
Klavier:
Lloyd Glenn (in 1949)
Schlagzeug:
Bob Harvey (blues drummer with Lloyd Glenn and Lowell Fulson) (in 1949)
vocals:
Lowell Fulson (in 1949)
Lowell Fulson2:30
9That's All Right
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1950-08-15)
Gitarre:
Jimmy Rogers (blues artist) (am 1950-08-15)
Kontrabass:
Ernest "Big" Crawford (am 1950-08-15)
Mundharmonika:
Little Walter (blues performer and songwriter) (am 1950-08-15)
vocals:
Jimmy Rogers (blues artist) (am 1950-08-15)
recording of:
That’s All Right
Texter und Komponist(in):
Jimmy Rogers (blues artist)
publisher:
Arc Music (U.S. rock & blues publisher), BMG Platinum Songs US und Tristan Music Limited
Jimmy Rogers52:49
10Rollin' Stone
recording of:
Rollin’ Stone (Muddy Waters)
Texter und Komponist(in):
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Sony Music Publishing Ltd.
basiert auf:
Catfish Blues (Robert Petway)
Muddy Waters3:06
11Dust My Broom (I Believe My Time Ain't Long)
recording of:
Dust My Broom
Texter und Komponist(in):
Elmore James
zusätzlicher Texter und zusätzliche(r) Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
ARC Music (world and ethnic music label), Flair Publishing und MPCA King of Spades
Version von:
I Believe I’ll Dust My Broom
Elmore James2:46
12I'm In The Mood
Gitarre:
John Lee Hooker (US blues singer, songwriter & guitarist) und Eddie Kirkland (US blues guitarist, harmonicist, singer & songwriter)
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
recording of:
I’m in the Mood (am 1951-08-07)
Verfasser(in):
Bernard Besman (producer, label owner and songwriter) und John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
La Cienega Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
John Lee Hooker33:07
13Three O'Clock Blues
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1951-09)
Bass:
Tuff Green (in 1951-09)
Gitarre:
B.B. King (in 1951-09)
Klavier:
Johnny Ace (1950s rhythm & blues) (in 1951-09)
Saxophon:
Adolph "Billy" Duncan (in 1951-09) und Richard Sanders (saxophonist) (in 1951-09)
Schlagzeug:
Earl Forest (in 1951-09)
vocals:
B.B. King (in 1951-09)
cover recording of:
Three O’Clock Blues (First recorded in 1946) (in 1951-09)
Verfasser(in):
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. und Powerforce Music
recording of:
Three O’Clock Blues (First recorded in 1946)
Verfasser(in):
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. und Powerforce Music
B.B. King22:58
14The Things That I Used To Do
Guitar Slim3:01
15Mama, He Threats Your Daughter Mean
recording of:
(Mama) He Treats Your Daughter Mean
Verfasser(in):
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) und John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown2:00
16Reconsider Baby
Gitarre:
Lowell Fulson (am 1954-09-27)
Klavier:
Paul Drake (blues pianist) (am 1954-09-27)
membranophone:
Harold “Chick” Booth (am 1954-09-27)
Posaune:
Fats Morris (trombonist) (am 1954-09-27)
Saxophon:
Julian Beasley (am 1954-09-27), Choker Campbell (am 1954-09-27), Leroy Cooper (saxophonist) (am 1954-09-27) und David “Fathead” Newman (American jazz saxophonist) (am 1954-09-27)
Trompete:
Phil Gibeau (am 1954-09-27)
vocals:
Lowell Fulson (am 1954-09-27)
recording of:
Reconsider Baby (am 1954-09-27)
Texter und Komponist(in):
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Lowell Fulson3:14
17Space Guitar
Johnny “Guitar” Watson2:39
18I'm Your Hoochie Coochie Man
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1954-01-07)
Gitarre:
Muddy Waters (blues musician) (am 1954-01-07) und Jimmy Rogers (blues artist) (am 1954-01-07)
Klavier:
Otis Spann (am 1954-01-07)
Kontrabass:
Willie Dixon (am 1954-01-07)
Mundharmonika:
Little Walter (blues performer and songwriter) (am 1954-01-07)
Schlagzeug:
Fred Below (am 1954-01-07)
vocals:
Muddy Waters (blues musician) (am 1954-01-07)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1954)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1984), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 225)
recording of:
I’m Your Hoochie Coochie Man (am 1954-01-07)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Campbell Connelly, Hello Mr. Wilson, Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) und Willie Dixon Music
Muddy Waters3.752:51
19When My Heart Beats Like A HammerB.B. King2:55
20Last Night
Little Walter2:53
3CD

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