The Blues: The Absolutely Essention 3 CD Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Goin' Down Slow
bass:
Alfred Elkins
piano:
Roosevelt Sykes
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2002)
recording of:
Goin’ Down Slow
lyricist and composer:
James Burke Oden (blues singer and songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Leeds Music, MCA Music Ltd. and Unichappell Music, Inc.
St. Louis Jimmy Oden3:11
2Good Morning Blues
recorded in:
New York, New York, United States (in 1947-02)
guitar and lead vocals:
Lead Belly (in 1947-02)
recording of:
Good Morning Blues (in 1947-02)
lyricist, composer and arranger:
Huddie William Ledbetter
publisher:
Kensington Music Ltd. and TRO-Folkways Music Publishers, Inc.
Lead Belly2:10
3It Hurts Me Too
recorded in:
Chicago, Illinois, United States (on 1940-05-10)
bass:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1940-05-10)
guitar and kazoo:
Tampa Red (on 1940-05-10)
piano:
Blind John Davis (on 1940-05-10)
vocals:
Tampa Red (on 1940-05-10)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2012)
recording of:
It Hurts Me Too (on 1940-05-10)
lyricist, writer and composer:
Hudson Whittaker
publisher:
Louise Music Ltd. (assoc w/ Lavelle White) and Universal Music Corporation (USA, affiliated with ASCAP)
Tampa Red2:31
4That's Alright Mama
Arthur “Big Boy” Crudup2:54
5Call It Stormy Monday (But Tuesday Is Just As Bad)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1983)
recording of:
Call It Stormy Monday (but Tuesday Is Just as Bad)
lyricist and composer:
T‐Bone Walker (US blues musician & songwriter, 1910–1975)
publisher:
Wixen Music Publishing, Inc. (ended), Burlington Music Co., Ltd., Songs Of The Knoll, 日音 Synch事業部 (NICHION, INC. Synch Division), Peermusic III, Ltd. (BMI) (until 2018-11-01), Gregmark Music Inc (Gregmark) (from 1959 to present), Lord and Walker Publishing (from 1959 to present) and Raleigh Music Group (RALEIGH MUSIC PUBLISHING LLC) (from 2018-11-01 to present)
sub-publisher:
EMI Music Scandinavia AB (in 1994)
T‐Bone Walker3:02
6Boogie Chillen
John Lee Hooker3:09
7Automobile Blues
recorded in:
Houston, Texas, United States (in 1949)
guitar:
Lightnin’ Hopkins (in 1949)
vocals:
Lightnin’ Hopkins (in 1949)
recording of:
Automobile Blues (in 1949)
lyricist and composer:
Lightnin’ Hopkins
publisher:
Prestige Music (US drum & bass) and The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management)
Lightnin’ Hopkins2:47
8Everyday I Have The Blues
recorded in:
Los Angeles, California, United States (in 1949)
alto saxophone:
Earl Brown (alto saxophonist) (in 1949)
bass:
Billy Hadnott (in 1949)
drums (drum set):
Bob Harvey (blues drummer with Lloyd Glenn and Lowell Fulson) (in 1949)
guitar:
Lowell Fulson (in 1949)
piano:
Lloyd Glenn (in 1949)
vocals:
Lowell Fulson (in 1949)
Lowell Fulson2:30
9That's All Right
recorded in:
Chicago, Illinois, United States (on 1950-08-15)
double bass:
Ernest "Big" Crawford (on 1950-08-15)
guitar:
Jimmy Rogers (blues artist) (on 1950-08-15)
harmonica:
Little Walter (blues performer and songwriter) (on 1950-08-15)
vocals:
Jimmy Rogers (blues artist) (on 1950-08-15)
recording of:
That’s All Right
lyricist and composer:
Jimmy Rogers (blues artist)
publisher:
Arc Music (U.S. rock & blues publisher), BMG Platinum Songs US and Tristan Music Limited
Jimmy Rogers52:49
10Rollin' Stone
recording of:
Rollin’ Stone (Muddy Waters)
lyricist and composer:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Sony Music Publishing Ltd.
is based on:
Catfish Blues (Robert Petway)
Muddy Waters3:06
11Dust My Broom (I Believe My Time Ain't Long)
recording of:
Dust My Broom
additional lyricist and additional composer:
Robert Johnson (1930s blues legend)
lyricist and composer:
Elmore James
publisher:
ARC Music (world and ethnic music label), Flair Publishing and MPCA King of Spades
version of:
I Believe I’ll Dust My Broom
Elmore James2:46
12I'm In The Mood
guitar:
John Lee Hooker (US blues singer, songwriter & guitarist) and Eddie Kirkland (US blues guitarist, harmonicist, singer & songwriter)
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist)
recording of:
I’m in the Mood (on 1951-08-07)
writer:
Bernard Besman (producer, label owner and songwriter) and John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
La Cienega Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
John Lee Hooker33:07
13Three O'Clock Blues
recorded in:
Memphis, Tennessee, United States (in 1951-09)
bass:
Tuff Green (in 1951-09)
drums (drum set):
Earl Forest (in 1951-09)
guitar:
B.B. King (in 1951-09)
piano:
Johnny Ace (1950s rhythm & blues) (in 1951-09)
saxophone:
Adolph "Billy" Duncan (in 1951-09) and Richard Sanders (saxophonist) (in 1951-09)
vocals:
B.B. King (in 1951-09)
cover recording of:
Three O’Clock Blues (First recorded in 1946) (in 1951-09)
writer:
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. and Powerforce Music
recording of:
Three O’Clock Blues (First recorded in 1946)
writer:
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. and Powerforce Music
B.B. King22:58
14The Things That I Used To Do
Guitar Slim3:01
15Mama, He Threats Your Daughter Mean
recording of:
(Mama) He Treats Your Daughter Mean
writer:
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) and John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown2:00
16Reconsider Baby
guitar:
Lowell Fulson (on 1954-09-27)
membranophone:
Harold “Chick” Booth (on 1954-09-27)
piano:
Paul Drake (blues pianist) (on 1954-09-27)
saxophone:
Julian Beasley (on 1954-09-27), Choker Campbell (on 1954-09-27), Leroy Cooper (saxophonist) (on 1954-09-27) and David “Fathead” Newman (American jazz saxophonist) (on 1954-09-27)
trombone:
Fats Morris (trombonist) (on 1954-09-27)
trumpet:
Phil Gibeau (on 1954-09-27)
vocals:
Lowell Fulson (on 1954-09-27)
recording of:
Reconsider Baby (on 1954-09-27)
lyricist and composer:
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Lowell Fulson3:14
17Space Guitar
Johnny “Guitar” Watson2:39
18I'm Your Hoochie Coochie Man
recorded in:
Chicago, Illinois, United States (on 1954-01-07)
double bass:
Willie Dixon (on 1954-01-07)
drums (drum set):
Fred Below (on 1954-01-07)
guitar:
Muddy Waters (blues musician) (on 1954-01-07) and Jimmy Rogers (blues artist) (on 1954-01-07)
harmonica:
Little Walter (blues performer and songwriter) (on 1954-01-07)
piano:
Otis Spann (on 1954-01-07)
vocals:
Muddy Waters (blues musician) (on 1954-01-07)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1954)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1984), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 225)
recording of:
I’m Your Hoochie Coochie Man (on 1954-01-07)
lyricist and composer:
Willie Dixon
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Bug Music Ltd., Campbell Connelly, Hello Mr. Wilson, Hoochie Coochie Music, Jewel Music Pub Co Ltd (publisher; do NOT use as release label) and Willie Dixon Music
Muddy Waters3.752:51
19When My Heart Beats Like A Hammer
recording of:
When My Heart Beats Like a Hammer
writer:
B.B. King and Jules Taub
publisher:
Careers–BMG Music Publishing, Inc., Powerforce Music and Universal/MCA Music Ltd. (not for release label use!)
B.B. King2:55
20Last Night
Little Walter2:53
3▶CD