Salut les copains : 1959–1969 : Les Années radio, Volume 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Jingle SLC
Françoise Hardy0:25
2La Plus Belle pour aller danser
recording of:
La plus belle pour aller danser
lyricist:
Charles Aznavour
composer:
Georges Garvarentz
Sylvie Vartan2:33
3Les Mauvais Garçons
recording of:
Les Mauvais Garçons
lyricist:
Ralph Bernet
composer:
Johnny Hallyday and Eddie Vartan
Johnny Hallyday1:56
4Vous permettez, monsieur ?
vocals:
Adamo (Belgian singer Salvatore Adamo)
recording of:
Vous permettez, monsieur ? (in 1964)
lyricist and composer:
Adamo (Belgian singer Salvatore Adamo)
recording of:
Vous permettez Monsieur (italian lyrics)
lyricist and composer:
Adamo (Belgian singer Salvatore Adamo)
translator:
Nisa (Italian lyricist Nicola Salerno)
translated version of:
Vous permettez, monsieur ?
Adamo3:00
5Yeh Yeh
recording of:
Yeh, Yeh
lyricist:
Jon Hendricks
composer:
Rodgers Grant and Pat Patrick (American jazz musician)
publisher:
Mongo Music
Georgie Fame & the Blue Flames2:45
6Game of Love
phonographic copyright (℗) by:
Phonogram Ltd. (not for release label use!) (in 1965)
cover recording of:
Game of Love
lyricist and composer:
Clint Ballard, Jr.
Wayne Fontana & The Mindbenders4.52:06
7J’y pense et puis j’oublie
vocals:
Claude François (in 1964)
orchestra:
Christian Chevallier et son orchestre (in 1964)
recording of:
J'y pense et puis j'oublie (in 1964)
writer:
Bill Anderson (US country singer, songwriter & TV personality)
translator:
Claude François (in 1964)
translated version of:
It Comes and Goes
Claude François2:18
8Pretty Woman
recorded in:
Nashville, Tennessee, United States (on 1964-08-01)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:57
9You Never Can Tell
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
Chuck Berry4.252:41
10Je veux qu’il revienne
vocals:
Françoise Hardy (in 1964)
recording of:
Je veux qu’il revienne (Only You Can Do It) (in 1964)
lyricist and composer:
Charles Blackwell (UK songwriter, arranger & record producer)
translator:
Françoise Hardy
Françoise Hardy32:45
11Je suis sous...
organ:
Eddy Louiss (in 1963)
piano:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1963)
vocals:
Claude Nougaro (in 1963)
orchestra:
Maurice Vander et sa formation (in 1963)
conductor:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1963)
recording of:
Je suis sous (in 1963)
lyricist:
Claude Nougaro
composer:
Jacques Datin
Claude Nougaro43:20
12Downtown
vocals:
Petula Clark (English singer & actress) (in 1964)
arranger:
Tony Hatch
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1964)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 227)
recording of:
Downtown (in 1964)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:08
13Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-08-13)
bass:
James Jamerson (on 1964-08-13)
drums (drum set):
Richard "Pistol" Allen (on 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (on 1964-08-13)
guitar:
Eddie Willis (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
piano:
Earl Van Dyke (on 1964-08-13)
tenor saxophone:
Henry Cosby (on 1964-08-13)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.352:36
14Scandale dans la famille
recording of:
Scandale dans la famille (Shame and Scandal in the Family)
writer:
Lord Melody and Sir Lancelot
translator:
Maurice Tézé (lyricist)
translated version of:
Shame and Scandal in the Family
Sacha Distel3:38
15Chez Laurette
vocals:
Michel Delpech (in 1965)
conductor:
Roland Vincent (in 1965)
phonographic copyright (℗) by:
Warner Chappell Music France
recording of:
Chez Laurette (in 1965)
lyricist:
Michel Delpech
composer:
Roland Vincent
Michel Delpech43:30
16Les Yeux fermés
Thierry Vincent2:23
17Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-01-20)
producer:
Terry Melcher
12 string guitar:
Jim McGuinn (on 1965-01-20)
bass guitar:
Chris Hillman (on 1965-01-20)
drums (drum set):
Michael Clarke (drummer for the 1960s rock group The Byrds) (on 1965-01-20)
guitar:
David Crosby (on 1965-01-20)
tambourine:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (on 1965-01-20), David Crosby (on 1965-01-20), Chris Hillman (on 1965-01-20) and Jim McGuinn (on 1965-01-20)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 79) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 230)
cover recording of:
Mr. Tambourine Man (on 1965-01-20)
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
adaptations:
Setä pelimanni
The Byrds4.152:29
18Wooly Bully
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 24)
recording of:
Wooly Bully (in 1965)
lyricist and composer:
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) and Melodie der Welt (publisher)
Sam the Sham & the Pharaohs3.752:21
19Fais attention
vocals:
Ronnie Bird (in 1965)
conductor:
Antoine Rubio and Paul Rako
recording of:
Fais attention (in 1965)
writer:
Dennis Lambert and Lewis Pegues
translator:
Claude Righi
translated version of:
Find My Way Back Home
Ronnie Bird2:18
20Attends ou va-t’en
vocals:
France Gall (in 1965)
orchestra:
Alain Goraguer et son orchestre (in 1965)
recording of:
Attends ou va‐t’en (in 1965)
lyricist and composer:
Serge Gainsbourg
publisher:
Bagatelle SA
France Gall2:29
21What’s New Pussycat?
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965)
recording of:
What’s New Pussycat? (in 1965)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label) and EMI United Partnership Ltd.
part of:
The 38th Academy Award for Best Original Song (number: 2)
Tom Jones3.52:04
22Les Marionnettes
recording of:
Les Marionnettes
writer and composer:
Christophe (French pop singer)
Christophe2:32
23Et s’il n’en reste qu’un
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (in 1965)
recording of:
Et s’il n’en reste qu’un
lyricist:
Claude Moine
composer:
Jean-Pierre Bourtayre
Eddy Mitchell3:10
24Ticket de quai
Annie Philippe2:39
25Les Crayons de couleur
vocals:
Hugues Aufray
recording of:
Les Crayons de couleur
lyricist and composer:
Marjorie Barton (songwriter)
translator:
Hugues Aufray and Pierre Delanoë
translated version of:
What Color (Is a Man)
Hugues Aufray2:56
26Docteur Jekyll et monsieur Hyde
recording of:
Docteur Jekyll et Monsieur Hyde
lyricist and composer:
Serge Gainsbourg
Serge Gainsbourg1:59
27Eloise
phonographic copyright (℗) by:
PolyGram GmbH (not for release label use!) (in 1969)
recording of:
Eloise
lyricist and composer:
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation and Hill & Range (publisher)
Barry Ryan5:47
28Jingle SLC
Annie Philippe0:10
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