Salut les copains : 1959–1969 : Les Années radio, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
3CD
Nr.TitelKünstlerBewertungLänge
1Jingle SLC
Françoise Hardy0:25
2La Plus Belle pour aller danserSylvie Vartan2:33
3Les Mauvais Garçons
recording of:
Les Mauvais Garçons
Texter:
Ralph Bernet
Komponist(in):
Johnny Hallyday und Eddie Vartan
Johnny Hallyday1:56
4Vous permettez, monsieur ?
vocals:
Adamo (Belgian singer Salvatore Adamo)
recording of:
Vous permettez, monsieur ? (in 1964)
Texter und Komponist(in):
Adamo (Belgian singer Salvatore Adamo)
recording of:
Vous permettez Monsieur (italian lyrics)
Texter und Komponist(in):
Adamo (Belgian singer Salvatore Adamo)
Übersetzer:
Nisa (Italian lyricist Nicola Salerno)
übersetzte Version von:
Vous permettez, monsieur ?
Adamo3:00
5Yeh Yeh
recording of:
Yeh, Yeh
Texter:
Jon Hendricks
Komponist(in):
Rodgers Grant und Pat Patrick (American jazz musician)
publisher:
Mongo Music
Georgie Fame & the Blue Flames2:45
6Game of Love
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1965)
cover recording of:
Game of Love
Texter und Komponist(in):
Clint Ballard, Jr.
Wayne Fontana & The Mindbenders4.52:06
7J’y pense et puis j’oublie
vocals:
Claude François (in 1964)
Orchester:
Christian Chevallier et son orchestre (in 1964)
recording of:
J'y pense et puis j'oublie (in 1964)
Verfasser(in):
Bill Anderson (US country singer, songwriter & TV personality)
Übersetzer:
Claude François (in 1964)
übersetzte Version von:
It Comes and Goes
Claude François2:18
8Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.32:57
9You Never Can Tell
Produzent(in):
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess und Willie Dixon
E-Bass:
Louis Satterfield (von 1964-01-07 bis 1964-01-09)
Gitarre:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1964-01-07 bis 1964-01-09)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (von 1964-01-07 bis 1964-01-09)
Tenorsaxophon:
Rubin Cooper (von 1964-01-07 bis 1964-01-09) und George Patterson (von 1964-01-07 bis 1964-01-09)
vocals:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (von 1964-01-07 bis 1964-01-09)
recording of:
You Never Can Tell (von 1964-01-07 bis 1964-01-09)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. und Isalee Music (in 1994)
Chuck Berry4.252:41
10Je veux qu’il revienne
vocals:
Françoise Hardy (in 1964)
recording of:
Je veux qu’il revienne (Only You Can Do It) (in 1964)
Texter und Komponist(in):
Charles Blackwell (UK songwriter, arranger & record producer)
Übersetzer:
Françoise Hardy
Françoise Hardy32:45
11Je suis sous...
Klavier:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1963)
Orgel:
Eddy Louiss (in 1963)
vocals:
Claude Nougaro (in 1963)
Orchester:
Maurice Vander et sa formation (in 1963)
conductor:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1963)
recording of:
Je suis sous (in 1963)
Texter:
Claude Nougaro
Komponist(in):
Jacques Datin
Claude Nougaro43:20
12Downtown
vocals:
Petula Clark (English singer & actress) (in 1964)
arranger:
Tony Hatch
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1964)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 227)
recording of:
Downtown (in 1964)
Texter und Komponist(in):
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:08
13Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.352:36
14Scandale dans la famille
recording of:
Scandale dans la famille (Shame and Scandal in the Family)
Verfasser(in):
Lord Melody und Sir Lancelot
Übersetzer:
Maurice Tézé (lyricist)
übersetzte Version von:
Shame and Scandal in the Family
Sacha Distel3:38
15Chez Laurette
vocals:
Michel Delpech (in 1965)
conductor:
Roland Vincent (in 1965)
phonographisches Urheberrecht (℗) von:
Warner Chappell Music France
recording of:
Chez Laurette (in 1965)
Texter:
Michel Delpech
Komponist(in):
Roland Vincent
Michel Delpech43:30
16Les Yeux fermés
Thierry Vincent2:23
17Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
adaptations:
Setä pelimanni
The Byrds4.152:29
18Wooly Bully
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 24)
recording of:
Wooly Bully (in 1965)
Texter und Komponist(in):
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) und Melodie der Welt (publisher)
Sam the Sham & the Pharaohs3.752:21
19Fais attention
vocals:
Ronnie Bird (in 1965)
conductor:
Antoine Rubio und Paul Rako
recording of:
Fais attention (in 1965)
Verfasser(in):
Dennis Lambert und Lewis Pegues
Übersetzer:
Claude Righi
übersetzte Version von:
Find My Way Back Home
Ronnie Bird2:18
20Attends ou va-t’en
vocals:
France Gall (in 1965)
Orchester:
Alain Goraguer et son orchestre (in 1965)
recording of:
Attends ou va‐t’en (in 1965)
Texter und Komponist(in):
Serge Gainsbourg
publisher:
Bagatelle SA
France Gall2:29
21What’s New Pussycat?
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965)
recording of:
What’s New Pussycat? (in 1965)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 2)
Tom Jones3.52:04
22Les Marionnettes
recording of:
Les Marionnettes
Verfasser(in) und Komponist(in):
Christophe (French pop singer)
Christophe2:32
23Et s’il n’en reste qu’un
aufgenommen bei:
Pye Studios in London (Greater London), England, Vereinigtes Königreich (in 1965)
recording of:
Et s’il n’en reste qu’un
Texter:
Claude Moine
Komponist(in):
Jean-Pierre Bourtayre
Eddy Mitchell3:10
24Ticket de quai
Annie Philippe2:39
25Les Crayons de couleur
vocals:
Hugues Aufray
recording of:
Les Crayons de couleur
Texter und Komponist(in):
Marjorie Barton (songwriter)
Übersetzer:
Hugues Aufray und Pierre Delanoë
übersetzte Version von:
What Color (Is a Man)
Hugues Aufray2:56
26Docteur Jekyll et monsieur Hyde
recording of:
Docteur Jekyll et Monsieur Hyde
Texter und Komponist(in):
Serge Gainsbourg
Serge Gainsbourg1:59
27Eloise
phonographisches Urheberrecht (℗) von:
PolyGram GmbH (not for release label use!) (in 1969)
recording of:
Eloise
Texter und Komponist(in):
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation und Hill & Range (publisher)
Barry Ryan5:47
28Jingle SLC
Annie Philippe0:10
4CD

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