100 Rock Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Sultans of Swing
engineer:
Rhett Davies
producer:
Muff Winwood (bass player, songwriter, producer)
bass guitar:
John Illsley (in 1978-02)
drums (drum set):
Pick Withers (in 1978-02)
guitar:
David Knopfler (in 1978-02) and Mark Knopfler (in 1978-02)
lead vocals:
Mark Knopfler (in 1978-02)
phonographic copyright (℗) by:
Phonogram Ltd. (not for release label use!) (in 1978), Phonogram Ltd. (London) (company name, NOT a label!) (in 1978, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022) and Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1978-02)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 33) and Cachitos Nochevieja 2022 (number: 156)
recording of:
Sultans of Swing (in 1978-02)
lyricist and composer:
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music and Straitjacket Songs
Dire Straits4.25:49
2Sleeping Bag
engineer:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others) and Bob Ludwig (mastering engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Sleeping Bag
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic and Hamstein Music Company (publisher) (in 1985)
ZZ Top3.454:02
3Guilty of Love
recording of:
Guilty of Love
lyricist and composer:
David Coverdale
premiered at:
Ruisrock 1983: 1. päivä (1983-08-13)
Whitesnake23:19
4I’m Eighteen
engineer:
Brian Christian
executive producer:
Jack Richardson
producer:
Bob Ezrin and Jack Richardson
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
drums (drum set):
Neal Smith (former Alice Cooper drummer)
guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
harmonica and lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
background vocals:
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
arranger:
Alice Cooper (the band, active 1964–1974/5) and Bob Ezrin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recorded at:
RCA Mid-America in Chicago, Illinois, United States
music videos:
I’m Eighteen (live, 1971: German TV music show, Beat Club) by Alice Cooper (the band, active 1964–1974/5)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 482)
recording of:
I’m Eighteen
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, EMI Blackwood Music Inc., Ezra Music Corp., Famous Chappell, Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.12:59
5T.V. Eye
recording of:
T.V. Eye
writer:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton and Iggy Pop
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stooges4:17
6Photograph
recording of:
Photograph (Nickelback)
lyricist:
Chad Kroeger
composer:
Nickelback
Nickelback3.554:19
718 and Life
recording engineer, producer and mixer:
Michael Wagener
additional engineer:
Dave Kent (engineer)
bass guitar:
Rachel Bolan
drums (drum set):
Rob Affuso
guitar:
Scotti Hill and Dave “The Snake” Sabo
background vocals:
Rachel Bolan, Scotti Hill and Dave “The Snake” Sabo
lead vocals:
Sebastian Bach (Canadian metal singer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989)
recorded at:
Royal Recorders in Lake Geneva, Wisconsin, United States (in 1988)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 60)
recording of:
18 and Life
writer:
Rachel Bolan and Dave “The Snake” Sabo
Skid Row3.853:51
8Rock the Nation
Montrose3:03
9I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:05
10For What It’s Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.252:34
11Space Truckin’
recorded in:
Montreux, Vaud (Canton of Vaud), Switzerland (in 1971-12)
assistant engineer:
Jeremy Gee
engineer:
Martin Birch
producer:
Deep Purple
drums (drum set):
Ian Paice (in 1971-12)
electric bass guitar:
Roger Glover (in 1971-12)
electric guitar:
Ritchie Blackmore (in 1971-12)
Hammond organ:
Jon Lord (in 1971-12)
lead vocals:
Ian Gillan (in 1971-12)
recorded at:
Rolling Stones Mobile Studio in United Kingdom (in 1971-12)
recording of:
Space Truckin’ (in 1971-12)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
Glenwood Music Corp., HEC Music and Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Deep Purple3.84:35
12Alone Again Or
engineer:
Bruce Botnick
producer:
Bruce Botnick and Arthur Lee
acoustic guitar and lead vocals:
Bryan MacLean (on 1967-09-10)
drums (drum set):
Michael Stuart-Ware (US drummer for Love) (on 1967-09-10)
electric bass guitar:
Ken Forssi (on 1967-09-10)
additional lead vocals:
Arthur Lee (in 1967-09)
horn arranger and strings arranger:
David Angel (composer and arranger) (on 1967-09-10)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1967-09-10)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 436)
recording of:
Alone Again Or (on 1967-09-10)
lyricist and composer:
Bryan MacLean
Love4.23:16
13Windy
producer:
Bones Howe
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 310)
recording of:
Windy
lyricist and composer:
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:57
14Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes3.854:29
15I Wanna Be Sedated
assistant engineer:
Ray Janos
engineer and producer:
Thomas Erdelyi (Tommy Ramone) and Ed Stasium (US record producer & audio engineer)
bass guitar:
Dee Dee Ramone
drums (drum set):
Marky Ramone (Marc Bell)
guitar:
Johnny Ramone
lead vocals:
Joey Ramone
recorded at:
Media Sound in New York, New York, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 19) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 144)
recording of:
I Wanna Be Sedated (from 1978-05 until 1978-07)
writer:
Douglas Glenn Colvin, Jeffrey Hyman and John Cummings
composer:
Ramones (US punk rock band)
publisher:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ramones4.252:29
16Valentine
recording of:
Valentine (Nils Lofgren)
lyricist and composer:
Nils Lofgren
publisher:
EMI April Music Inc. and Hilmer Music Publishing Co. Inc.
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) and EMI Songs France (27, rue de Berri)
Nils Lofgren6:13
17Sweet Jane
producer:
Geoffrey Haslam, Shel Kagan and The Velvet Underground (Lou Reed’s seminal rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 335)
recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
18Casey Jones
engineer and producer:
Alembic (Instrument makers & sound consultants), Betty Cantor‐Jackson, Grateful Dead and Bob Matthews
associate producer:
Betty Cantor‐Jackson and Grateful Dead
executive producer:
Bob Matthews
banjo, pedal steel guitar and lead vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02)
bass guitar:
Phil Lesh (in 1970-02)
drums (drum set) and percussion:
Mickey Hart (drummer for The Grateful Dead) (in 1970-02) and Bill Kreutzmann (in 1970-02)
guitar:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02) and Bob Weir (in 1970-02)
harmonica and keyboard:
Ron “Pigpen” McKernan (in 1970-02)
vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02), Phil Lesh (in 1970-02), Ron “Pigpen” McKernan (in 1970-02) and Bob Weir (in 1970-02)
recording of:
Casey Jones (Grateful Dead song) (in 1970-02)
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
version of:
The Ballad of Casey Jones
Grateful Dead44:25
19Long Hot Summer
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
recording of:
Long Hot Summer
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band4:45
20Slow Ride
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1975) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
edit of:
Slow Ride (long version) by Foghat
recording of:
Slow Ride
lyricist and composer:
Dave Peverett
publisher:
Kohaw Music Inc. and WC Music Corp.
Foghat4.53:58
21Bang a Gong (Get It on)
engineer:
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen and Martin Rushent
producer:
Tony Visconti
drums (drum set):
Bill Legend (from 1971-03 until 1971-06)
electric bass guitar:
Steve Currie (from 1971-03 until 1971-06)
electric guitar and lead vocals:
Marc Bolan (from 1971-03 until 1971-06)
keyboard:
Rick Wakeman (from 1971-03 until 1971-06)
percussion:
Mickey Finn (musician and T. Rex member) (from 1971-03 until 1971-06)
background vocals:
Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
phonographic copyright (℗) by:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 41)
recording of:
Get It On (Bang a Gong) (from 1971-03 until 1971-06)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
T. Rex4.654:27
22Don’t Want to Know If You Are Lonely
engineer:
Steve Fjelstad (from 1985-10 until 1986-01)
producer:
Grant Hart (from 1985-10 until 1986-01) and Bob Mould (from 1985-10 until 1986-01)
bass:
Greg Norton (from 1985-10 until 1986-01)
drums (drum set):
Grant Hart (from 1985-10 until 1986-01)
guitar:
Bob Mould (from 1985-10 until 1986-01)
vocals:
Grant Hart (from 1985-10 until 1986-01) and Bob Mould (from 1985-10 until 1986-01)
recorded at and mixed at:
Nicollet Studios in Minneapolis, Minnesota, United States (from 1985-10 until 1986-01)
recording of:
Don’t Want to Know If You Are Lonely (from 1985-10 until 1986-01)
lyricist and composer:
Grant Hart
Hüsker Dü4.53:31
23We’re Not Gonna Take It
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer), Greg Laney and Geoff Workman
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist)
drums (drum set):
A.J. Pero
electric guitar:
Jay Jay French and Eddie Ojeda
background vocals:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero and Dee Snider
lead vocals:
Dee Snider
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
recording of:
We’re Not Gonna Take It
lyricist and composer:
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Tunes
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 7)
Twisted Sister4.353:40
24Never Tear Us Apart
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
INXS (in 1987)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) and PolyGram International Music B.V. (not for release label use!) (in 1987)
music videos:
Never Tear Us Apart (music video) by INXS
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 2025 (Australian Songs)) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 282)
recording of:
Never Tear Us Apart
lyricist and composer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey and Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.83:05
25Cold Sweat
engineer:
Chris Tsangarides and Andrew Warwick (producer/engineer)
producer:
Thin Lizzy (Irish hard rock band) and Chris Tsangarides
bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and John Sykes
keyboard:
Darren Wharton
recording of:
Cold Sweat
writer:
Phil Lynott and John Sykes
Thin Lizzy3.63:07
26Walk
art direction:
Bob Defrin (US art director & graphic designer)
engineer, producer and mixer:
Terry Date (American record producer and engineer) and Vinnie Paul
co-producer:
Pantera (metal band)
drums (drum set):
Vinnie Paul
electric bass guitar:
Rex Brown
guitar:
Diamond Darrell
lead vocals:
Philip Anselmo
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at and mixed at:
Pantego Sound Studio in Pantego, Texas, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 29)
recording of:
Walk
writer:
Phil Anselmo, Rex Brown, Darrell Lance Abbott and Vinnie Paul
Pantera3.95:15
27Marquee Moon
assistant engineer:
Jim Boyer (producer/engineer)
engineer and mixer:
Andy Johns
producer:
Andy Johns and Tom Verlaine
assistant mixer:
Jimmy Douglass (engineer) and Randy Mason
bass guitar:
Fred Smith (bassist)
drums (drum set):
Billy Ficca
guitar:
Richard Lloyd (American guitarist and singer, Television) and Tom Verlaine
solo guitar [after the second chorus]:
Richard Lloyd (American guitarist and singer, Television)
solo guitar [after the third chorus] and lead vocals:
Tom Verlaine
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Marquee Moon
lyricist and composer:
Tom Verlaine
publisher:
Double Exposure Music Ltd.
Television4.510:45
28Smokin’ in the Boy’s Room
engineer:
Michael Delugg
producer:
Doug Morris (record executive) and Eric Stevens (producer active in the 1970s)
phonographic copyright (℗) by:
Big Tree Records (1970s/80s US) (in 1973) and Warner Music International (trademark of Warner Music International the company) (in 1973)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
Smokin’ in the Boys Room
writer:
Cub Koda and Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing and Walden Music, Inc.
Brownsville Station52:58
29Ooh La La
assistant engineer:
Phil Chapman (engineer)
engineer and producer:
Glyn Johns
acoustic guitar:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
drums (drum set) and percussion:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
harmonium and piano:
Ian McLagan
lead vocals:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 246)
recording of:
Ooh La La
lyricist:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
composer:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:35
30Epic
engineer:
Jim “Watts” Vereecke and Matt Wallace (US producer & engineer)
producer:
Faith No More and Matt Wallace (US producer & engineer)
mixer:
Matt Wallace (US producer & engineer)
bass guitar:
Billy Gould
drums (drum set):
Mike Bordin (American drummer)
guitar:
Jim Martin (ex-Faith No More guitarist)
keyboard:
Roddy Bottum
lead vocals:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
phonographic copyright (℗) by:
Slash Records (company, do not use as release label!) (in 1986)
music videos:
Epic by Faith No More
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 54) and Indie 88: Top 500 Indie Rock Songs (number: 483)
recording of:
Epic
lyricist:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
composer:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould and Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.34:54
31Love in Action
Utopia3:28
32Evil (single version)
Cactus3:16
33Cry No More
assistant engineer:
Keith Rose (US engineer)
engineer:
Simon Hanhart (engineer, producer)
producer:
Yngwie Malmsteen
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
lead vocals:
Göran Edman
recording of:
Cry No More
lyricist:
Göran Edman and Yngwie Malmsteen
composer:
Yngwie Malmsteen
Yngwie Malmsteen55:17
34Stra (Illusions of My Childhood, Part One) / You Keep Me Hanging On / Wber (Illusions of My Childhood‐part Two)
Vanilla Fudge7:26
35House of Pain
producer and mixer:
John Jansen (US recording engineer and producer)
bass guitar:
Eric Stacy
drums (drum set):
Mark Michals
guitar:
Brent Muscat and Greg Steele
lead vocals:
Taime Downe
recording of:
House of Pain
writer:
Taime Downe and Greg Steele
publisher:
Gypsy Fetish Music
Faster Pussycat55:47
36Werewolves of London
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar [guitars]:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (from 2007 to present)
recorded at:
The Sound Factory in Tucson, Arizona, United States (in 2007)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music Inc. (BMI)
Warren Zevon4.93:29
37Thankfully Not Living in Yorkshire It Doesn’t Apply (Manchester Square demo)
Dexys Midnight Runners2:54
38Wicked Sensation
producer:
Lynch Mob (US hard rock band) and Max Norman
mixer:
Max Norman
bass guitar:
Anthony Esposito
drums (drum set):
Mick Brown (US drummer, formerly of Dokken)
guitar:
George Lynch
lead vocals:
Oni Logan
recording of:
Wicked Sensation
lyricist:
Oni Logan
composer:
George Lynch
Lynch Mob3.254:42
39Bagful of Boogie
engineer:
Jerry Masters (US bassist & engineer, in The Hombres) and Steve Melton (engineer)
producer:
Barry Beckett and Roger Hawkins (drummer and producer)
drums (drum set) and percussion:
Adolfo "Fito" De La Parra (in 1973-09)
guitar [lead guitar]:
Henry Vestine (in 1973-09)
harmonica:
Bob "The Bear" Hite (in 1973-09)
keyboard:
Ed Beyer (in 1973-09)
strings [rhythm guitar, bass]:
James Shane (in 1973-09)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (in 1973-09)
recording of:
Bagful of Boogie (in 1973-09)
writer:
Ed Beyer, Fito de la Parra, Richard Hite and James Shane
publisher:
New Rage Music
Canned Heat3:35
40Homicide
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
bass guitar:
Jon Watson
drums (drum set):
Pablo Labritain
guitar:
Nick Cash (UK punk vocalist/guitarist for 999) and Guy Days
vocals:
Nick Cash (UK punk vocalist/guitarist for 999) and Guy Days
recording of:
Homicide (999)
writer:
Nick Cash (UK punk vocalist/guitarist for 999) and Guy Days
publisher:
R.L. August Music Co.
9994:26
41I Guess You’re RightThe Posies4.53:32
42Towards the Skies
The Gods3:25
43Tinker, Tailor, Soldier, Sailor
recording of:
Tinker, Tailor, Soldier, Sailor
writer:
Jim McCarty (UK drummer, Yardbirds member) and Jimmy Page
The Yardbirds2:45
44Charity Ball (single version)Fanny2:30
45I Don’t Care
Airrace3:41
46That’s Your Way Out
The Pandoras2:49
47Lock Up the Wolves
Dio8:33
48Too Much Ain’t Enough
Andy McCoy3:38
49Beanie G. And the Rose Tattoo
recording of:
Beanie G. and the Rose Tattoo
lyricist and composer:
Daryl Hall
Daryl Hall & John Oates3:03
50Lips Like Sugar
engineer:
Stuart Barry (studio audio engineer) and Paul Gomersall
producer:
Laurie Latham
assistant mixer:
Alex Haas (Trance remixer/producer. Member of Cypher 7) and Don Rodenbach
mixer:
Bruce Lampcov
drums (drum set) [drums]:
Pete de Freitas
electric bass guitar [bass]:
Les Pattinson
guitar:
Ian McCulloch (Echo & the Bunnymen) and Will Sergeant
vocals:
Ian McCulloch (Echo & the Bunnymen)
mixed at:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Lips Like Sugar
lyricist:
Ian McCulloch (Echo & the Bunnymen)
composer:
Ian McCulloch (Echo & the Bunnymen), Leslie Pattinson, Pete de Freitas and William Sergeant
publisher:
WB Music Corp. (1929–2019)
Echo & the Bunnymen4.254:52
51Come Down Hard
Badfinger53:49
52Walks Like a Woman
engineer:
Mark Atura, Cliff Hudgson, Jon Mathias (engineer) and Nelson “Go‐Go” Ayers (engineer)
producer:
Jack Ponti
mixer:
Jon Mathias (engineer) and Jack Ponti
additional drums (drum set):
Joe Franco
additional keyboard:
Randy Cantor and Bobby Gordon (keyboardist)
additional percussion:
Frankie LaRocka
bass guitar:
Scott Bender
drums (drum set) and percussion:
Corky McClellan
guitar:
David Cremin and Kelly Keeling
guitar [lead and rhythm guitar]:
Lance Bulen
keyboard:
David Cremin
background vocals:
Scott Bender, Lance Bulen, David Cremin and Corky McClellan
lead vocals:
Kelly Keeling
arranger:
Lance Bulen, Kelly Keeling, Jack Ponti and Vic Pepe
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
recording of:
Walks Like a Woman
writer:
Lance Bulen, Kelly Keeling and Jack Ponti
publisher:
Jack Ponti Music, Snoody Tunes, Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
Baton Rouge3:54
53Train, Train
recording of:
Train, Train
lyricist and composer:
Shorty Medlock
publisher:
BobNal Music
Blackfoot4.53:37
54Silver Machine (single version)
producer:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Hawkwind
additional bass guitar and additional guitar:
Guy Pratt (on 1972-02-13)
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (on 1972-02-13)
drums (drum set):
Simon King (drummer) (on 1972-02-13)
flute and saxophone:
Nik Turner (on 1972-02-13)
guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13)
synthesizer:
Dik Mik Davies (on 1972-02-13) and Del Dettmar (on 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (on 1972-02-13) and Nik Turner (on 1972-02-13)
remixer:
The Scourge of the Earth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
edit of:
Silver Machine (12″ mix) by Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (on 1972-02-13)
lyricist:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music and United Partnership Ltd.
recording of:
Silver Machine
lyricist:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music and United Partnership Ltd.
Hawkwind3.654:41
55Androgynous
engineer:
Steve Fjelstad
producer:
Steve Fjelstad, Peter Jesperson and Paul Westerberg
percussion and piano and lead vocals:
Paul Westerberg (from 1983-08 until 1984-02)
recorded at:
Blackberry Way Studios in Minneapolis, Minnesota, United States (from 1983-08 until 1984-02)
recording of:
Androgynous (from 1983-08 until 1984-02)
lyricist and composer:
Paul Westerberg
The Replacements3.753:12
56Make It With You
bass guitar, guitar, strings, background vocals and lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Michael Botts
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) and Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 13)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
57Alone Again
additional engineer:
Gary McGachan
associate producer:
Roy Thomas Baker (producer)
producer:
Tom Werman
mixer:
Michael Wagener
bass guitar and keyboard:
Jeff Pilson
drums (drum set):
Mick Brown (US drummer, formerly of Dokken)
guitar:
Don Dokken and George Lynch
background vocals:
Mick Brown (US drummer, formerly of Dokken) and Jeff Pilson
lead vocals:
Don Dokken
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1984) and Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1984)
recording of:
Alone Again
writer:
Mick Brown (US drummer, formerly of Dokken), Don Dokken, George Lynch and Jeff Pilson
publisher:
E/A Music Inc., Megadude Music, WB Music Corp. (1929–2019) and エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Dokken3.654:20
58Stop
additional engineer:
Bob Lacivita
engineer:
Ronnie S. Champagne
producer:
Perry Farrell and Dave Jerden
music videos:
Stop (Music video) by Jane’s Addiction
recording of:
Stop!
writer:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) and Stephen Perkins (American drummer)
Jane’s Addiction4.654:15
59Good Mornin’ Blues
T.S.O.L.4:18
60Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles, California, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
music videos:
Are You Gonna Be My Girl by Jet (Australian garage rock band)
part of:
triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:35
61Sucker for a Pretty Face
Eric Martin Band3:55
62Who’s the King
additional engineer:
Tom Bender (engineer)
engineer, producer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
drums (drum set):
Dave Maltby (US drummer for Dog Eat Dog)
electric bass guitar [bass]:
Dave Neabore (rocker from the USA)
electric guitar [guitar]:
Dan Nastasi and Sean Kilkenny
additional guest lead vocals:
Darryl Jenifer
lead vocals [vocals]:
John Connor
vocals:
Dan Nastasi and Dave Neabore (rocker from the USA)
recorded at:
Ambient Recording Co. in Stamford, Connecticut, United States
recording of:
Who’s the King?
writer:
John Connor, Dave Maltby (US drummer for Dog Eat Dog), Dan Nastasi, Dave Neabore (rocker from the USA) and Sean Kilkenny
publisher:
Roadblock Music, Inc.
Dog Eat Dog43:55
63Beat Your Heart Out
music videos:
Beat Your Heart Out by The Distillers
recording of:
Beat Your Heart Out
lyricist and composer:
Brody Dalle
The Distillers52:49
64The Order of Death
Public Image Ltd4:50
65Another Way Out
Brave Belt3:31
66Cool From the Wire
Dirty Looks3:32
67Sand
Clear Light2:39
68Union Man
Cate Brothers54:48
69Pay My Dues
Blues Image3:49
70Walking in Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) and Warner Music H.K. Ltd. (in 1997)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 415)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:16
71Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4.54:47
72Like Princes Do
Diesel Park West3:05
73A Lifetime of Trouble
The Del-Lords4:06
74Winning
The Sound4:18
75Who Do You Love (single version)
Ronnie Hawkins2:39
76Birdhouse in Your Soul
recording engineer and mixer:
Roger Moutenot
producer:
Clive Langer and Alan Winstanley (English record producer)
electric guitar:
John Flansburgh
keyboard, background vocals and lead vocals:
John Linnell
trumpet [sampled]:
Frank London
violin:
Mark Feldman (American violinist)
recording of:
Birdhouse in Your Soul
writer:
John Flansburgh and John Linnell
publisher:
TMBG Music
They Might Be Giants4.553:19
77Baby Won’t Ya
MC55:32
78Launch Window
recording of:
Launch Window
writer:
Jon Auer, King Buzzo, Dale Crover, Eric Erlandson, Javier Escovedo, Pat Fear, Roger Manning (anti‐folk singer‐songwriter, active from the late ’80s to the mid‐’90s) and Vicki Peterson
White Flag3:34
79Who Listens to the Radio
producer:
Pete Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1978), Mushroom Records (in 1979, in 1996) and Stiff Records (in 1979)
recording of:
Who Listens to the Radio?
lyricist and composer:
Stephen Cummings and Andrew Pendlebury
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Pty. Ltd., EMI Music (do not use as release label! this is a music publisher) (in 1979) and Street Music Ltd. (in 1979)
The Sports3:16
80Easy Rider (Let the Wind Pay the Way)Iron Butterfly53:06
81Aeroplane Head Woman
Pete Brown & Piblokto!6:45
82Holidays in the Sun
engineer:
Bill Price (UK producer/engineer)
producer:
Bill Price (UK producer/engineer) and Chris Thomas (UK record producer / remixer)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (on 1977-06-18)
recording of:
Holidays in the Sun
writer:
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) and Sid Vicious
publisher:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
Sex Pistols4.13:23
83Taking the Easy Way Out Again (single version)
Man3:19
84Ghost Town
phonographic copyright (℗) by:
Atlantic Records (do not use as release label, use “Atlantic” instead) (in 1982)
recording of:
Ghost Town
lyricist and composer:
Rusty Young
publisher:
Pirooting Publishing
Poco5:36
85Only One Woman
cover recording of:
Only One Woman
lyricist and composer:
Barry Gibb, Maurice Gibb and Robin Gibb
Alien4:12
86Radar Love
cover recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Sony/ATV Music Publishing
White Lion5:58
87Love for Sale
recording of:
Love for Sale
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Index Music, Inc.
Talking Heads4:32
88Crystal Baller
engineer:
Sean Beresford and Jason Carmer
co-producer:
Jason Carmer and Arion Salazar
producer:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
mixer:
Jason Carmer
lead vocals:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
recording of:
Crystal Baller
lyricist and composer:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Third Eye Blind4.854:16
89Beacon Light
recording of:
Beacon Light
publisher:
Ween (US alternative rock band)
writer:
Ween (US alternative rock band)
publisher:
Browndog Music, Ver Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ween4:02
90Standing in the Rain
recording engineer:
Kenneth Hamann (engineer)
producer:
James Gang (US rock group)
mixer:
Tom Dowd and Kenneth Hamann (engineer)
bass guitar:
Dale Peters
drums (drum set):
Jim Fox (American percussionist)
guitar and Moog:
Tommy Bolin (guitarist, and songwriter)
percussion:
Jim Fox (American percussionist), Roy Kenner and Dale Peters
background vocals:
Tommy Bolin (guitarist, and songwriter), Roy Kenner and Dale Peters
lead vocals:
Roy Kenner
strings arranger:
Jimmie Haskell
recorded at:
Cleveland Recording (1970-1977) in Cleveland, Ohio, United States
remixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States and Cleveland Recording (1970-1977) in Cleveland, Ohio, United States
recording of:
Standing in the Rain
writer:
Tommy Bolin (guitarist, and songwriter)
The James Gang5:05
91Fun City
Tuff Darts2:57
92Uptight, Out of Sight
The Sunsets7:42
93Native Son
The Judybats3:19
94Surf Rider
recording of:
Spudnik (Surf Rider)
composer:
Bob Bogle, Nokie Edwards and Don Wilson (US guitarist, member or The Ventures)
publisher:
Universal–Songs of PolyGram International, Inc. and Vogue Music
sub-publisher:
Universal Music Publishing France (not for release label use!)
The Lively Ones3.23:21
95Wells Fargo
engineer:
Tony Clark (engineer, Abbey Road) and Kete Go (engineer)
producer:
Nick Mobbs and Alan Shacklock
recording of:
Wells Fargo
composer:
Alan Shacklock
Babe Ruth6:17
96If Love Should Go
The Streets4:11
97I Wanna Go Where the People Go
engineer:
Pete 'Pee Wee' Coleman
producer:
Simon Efemey and The Wildhearts
mixer:
Al Clay
recorded at and mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
produced at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
music videos:
I Wanna Go Where the People Go by The Wildhearts
recording of:
I Wanna Go Where the People Go
lyricist and composer:
Ginger Wildheart (frontman of The Wildhearts)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Wildhearts5:06
98Better Than ThemNew Model Army3:11
99Under My Thumb
cover recording of:
Under My Thumb
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Westminster Music Ltd., ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
Streetheart6:40
100Plan B
The Impossibles2:19