100 Rock Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Sultans of Swing
Techniker(in):
Rhett Davies
Produzent(in):
Muff Winwood (bass player, songwriter, producer)
Bassgitarre:
John Illsley (in 1978-02)
Gitarre:
David Knopfler (in 1978-02) und Mark Knopfler (in 1978-02)
Schlagzeug:
Pick Withers (in 1978-02)
Sologesang:
Mark Knopfler (in 1978-02)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1978), Phonogram Ltd. (London) (company name, NOT a label!) (in 1978, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022) und Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
aufgenommen bei:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 33) und Cachitos Nochevieja 2022 (Nummer: 156)
recording of:
Sultans of Swing (in 1978-02)
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music und Straitjacket Songs
Dire Straits4.25:49
2Sleeping Bag
Techniker(in):
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others) und Bob Ludwig (mastering engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass:
Dusty Hill
E-Gitarre und Sologesang:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Sleeping Bag
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic und Hamstein Music Company (publisher) (in 1985)
ZZ Top3.454:02
3Guilty of Love
recording of:
Guilty of Love
Texter und Komponist(in):
David Coverdale
Premiere bei:
Ruisrock 1983: 1. päivä (1983-08-13)
Whitesnake23:19
4I’m Eighteen
Techniker(in):
Brian Christian
leitende(r) Produzent(in):
Jack Richardson
Produzent(in):
Bob Ezrin und Jack Richardson
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper)
Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Mundharmonika und Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
Schlagzeug:
Neal Smith (former Alice Cooper drummer)
Hintergrundgesang:
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
arranger:
Alice Cooper (the band, active 1964–1974/5) und Bob Ezrin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
aufgenommen bei:
RCA Mid-America in Chicago, Illinois, Vereinigte Staaten
Musikvideos:
I’m Eighteen (live, 1971: German TV music show, Beat Club) von Alice Cooper (the band, active 1964–1974/5)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 482)
recording of:
I’m Eighteen
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, EMI Blackwood Music Inc., Ezra Music Corp., Famous Chappell, Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.12:59
5T.V. Eye
recording of:
T.V. Eye
Verfasser(in):
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton und Iggy Pop
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stooges4:17
6Photograph
recording of:
Photograph (Nickelback)
Texter:
Chad Kroeger
Komponist(in):
Nickelback
Nickelback3.554:19
718 and Life
recording engineer, Produzent(in) und Mix:
Michael Wagener
zusätzliche(r) Techniker(in):
Dave Kent (engineer)
Bassgitarre:
Rachel Bolan
Gitarre:
Scotti Hill und Dave “The Snake” Sabo
Schlagzeug:
Rob Affuso
Hintergrundgesang:
Rachel Bolan, Scotti Hill und Dave “The Snake” Sabo
Sologesang:
Sebastian Bach (Canadian metal singer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989)
aufgenommen bei:
Royal Recorders in Lake Geneva, Wisconsin, Vereinigte Staaten (in 1988)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 60)
recording of:
18 and Life
Verfasser(in):
Rachel Bolan und Dave “The Snake” Sabo
Skid Row3.853:51
8Rock the Nation
Montrose3:03
9I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:05
10For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:34
11Space Truckin’
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1971-12)
assistierende(r) Techniker(in):
Jeremy Gee
Techniker(in):
Martin Birch
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (in 1971-12)
E-Gitarre:
Ritchie Blackmore (in 1971-12)
Hammond-Orgel:
Jon Lord (in 1971-12)
Schlagzeug:
Ian Paice (in 1971-12)
Sologesang:
Ian Gillan (in 1971-12)
aufgenommen bei:
Rolling Stones Mobile Studio in Vereinigtes Königreich (in 1971-12)
recording of:
Space Truckin’ (in 1971-12)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple3.84:35
12Alone Again Or
Techniker(in):
Bruce Botnick
Produzent(in):
Bruce Botnick und Arthur Lee
Akustikgitarre und Sologesang:
Bryan MacLean (am 1967-09-10)
E-Bass:
Ken Forssi (am 1967-09-10)
Schlagzeug:
Michael Stuart-Ware (US drummer for Love) (am 1967-09-10)
zusätzlich Sologesang:
Arthur Lee (in 1967-09)
Horn arranger und Saiteninstrumente arranger:
David Angel (composer and arranger) (am 1967-09-10)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-09-10)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 436)
recording of:
Alone Again Or (am 1967-09-10)
Texter und Komponist(in):
Bryan MacLean
Love4.23:16
13Windy
Produzent(in):
Bones Howe
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 310)
recording of:
Windy
Texter und Komponist(in):
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:57
14Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.94:29
15I Wanna Be Sedated
assistierende(r) Techniker(in):
Ray Janos
Techniker(in) und Produzent(in):
Thomas Erdelyi (Tommy Ramone) und Ed Stasium (US record producer & audio engineer)
Bassgitarre:
Dee Dee Ramone
Gitarre:
Johnny Ramone
Schlagzeug:
Marky Ramone (Marc Bell)
Sologesang:
Joey Ramone
aufgenommen bei:
Media Sound in New York, New York, Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 19) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 144)
recording of:
I Wanna Be Sedated (von 1978-05 bis 1978-07)
Verfasser(in):
Douglas Glenn Colvin, Jeffrey Hyman und John Cummings
Komponist(in):
Ramones (US punk rock band)
publisher:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ramones4.152:29
16Valentine
recording of:
Valentine (Nils Lofgren)
Texter und Komponist(in):
Nils Lofgren
publisher:
EMI April Music Inc. und Hilmer Music Publishing Co. Inc.
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) und EMI Songs France (27, rue de Berri)
Nils Lofgren6:13
17Sweet Jane
Produzent(in):
Geoffrey Haslam, Shel Kagan und The Velvet Underground (Lou Reed’s seminal rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 335)
recording of:
Sweet Jane
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
18Casey Jones
Techniker(in) und Produzent(in):
Alembic (Instrument makers & sound consultants), Betty Cantor‐Jackson, Grateful Dead und Bob Matthews
leitende(r) Produzent(in):
Bob Matthews
Partner-Produzent(in):
Betty Cantor‐Jackson und Grateful Dead
Banjo, Pedal-Steel-Gitarre und Sologesang:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02)
Bassgitarre:
Phil Lesh (in 1970-02)
Gitarre:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02) und Bob Weir (in 1970-02)
Keyboard und Mundharmonika:
Ron “Pigpen” McKernan (in 1970-02)
Perkussion und Schlagzeug:
Mickey Hart (drummer for The Grateful Dead) (in 1970-02) und Bill Kreutzmann (in 1970-02)
vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-02), Phil Lesh (in 1970-02), Ron “Pigpen” McKernan (in 1970-02) und Bob Weir (in 1970-02)
recording of:
Casey Jones (Grateful Dead song) (in 1970-02)
Texter:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
Komponist(in):
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Version von:
The Ballad of Casey Jones
Grateful Dead44:25
19Long Hot Summer
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
recording of:
Long Hot Summer
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band4:45
20Slow Ride
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1975) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
Bearbeitung von:
Slow Ride (long version) von Foghat
recording of:
Slow Ride
Texter und Komponist(in):
Dave Peverett
publisher:
Kohaw Music Inc. und WC Music Corp.
Foghat4.53:58
21Bang a Gong (Get It on)
Techniker(in):
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen und Martin Rushent
Produzent(in):
Tony Visconti
E-Bass:
Steve Currie (von 1971-03 bis 1971-06)
E-Gitarre und Sologesang:
Marc Bolan (von 1971-03 bis 1971-06)
Keyboard:
Rick Wakeman (von 1971-03 bis 1971-06)
Perkussion:
Mickey Finn (musician and T. Rex member) (von 1971-03 bis 1971-06)
Schlagzeug:
Bill Legend (von 1971-03 bis 1971-06)
Hintergrundgesang:
Howard Kaylan (von 1971-03 bis 1971-06) und Mark Volman (von 1971-03 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) und Tarantula Productions (in 1971)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 41)
recording of:
Get It On (Bang a Gong) (von 1971-03 bis 1971-06)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
T. Rex4.654:27
22Don’t Want to Know If You Are Lonely
Techniker(in):
Steve Fjelstad (von 1985-10 bis 1986-01)
Produzent(in):
Grant Hart (von 1985-10 bis 1986-01) und Bob Mould (von 1985-10 bis 1986-01)
Bass:
Greg Norton (von 1985-10 bis 1986-01)
Gitarre:
Bob Mould (von 1985-10 bis 1986-01)
Schlagzeug:
Grant Hart (von 1985-10 bis 1986-01)
vocals:
Grant Hart (von 1985-10 bis 1986-01) und Bob Mould (von 1985-10 bis 1986-01)
aufgenommen bei und mixed at:
Nicollet Studios in Minneapolis, Minnesota, Vereinigte Staaten (von 1985-10 bis 1986-01)
recording of:
Don’t Want to Know If You Are Lonely (von 1985-10 bis 1986-01)
Texter und Komponist(in):
Grant Hart
Hüsker Dü4.53:31
23We’re Not Gonna Take It
recording engineer und Mix:
Geoff Workman
assistierende(r) Techniker(in):
Gary McGachan
Techniker(in):
John Agnello (engineer & producer), Greg Laney und Geoff Workman
Produzent(in):
Tom Werman
Bassgitarre:
Mark Mendoza (Twisted Sister bassist)
E-Gitarre:
Jay Jay French und Eddie Ojeda
Schlagzeug:
A.J. Pero
Hintergrundgesang:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero und Dee Snider
Sologesang:
Dee Snider
arranger:
Twisted Sister und Tom Werman
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1984-02 bis 1984-03) und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 47) und Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 81)
recording of:
We’re Not Gonna Take It
Texter und Komponist(in):
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Tunes
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 7)
Twisted Sister4.353:40
24Never Tear Us Apart
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
INXS (in 1987)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) und PolyGram International Music B.V. (not for release label use!) (in 1987)
Musikvideos:
Never Tear Us Apart (music video) von INXS
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2025 (Australian Songs)) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 282)
recording of:
Never Tear Us Apart
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
MCA Music Ltd., Stuffed Monkey und Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.83:05
25Cold Sweat
Techniker(in):
Chris Tsangarides und Andrew Warwick (producer/engineer)
Produzent(in):
Thin Lizzy (Irish hard rock band) und Chris Tsangarides
Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und John Sykes
Keyboard:
Darren Wharton
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
recording of:
Cold Sweat
Verfasser(in):
Phil Lynott und John Sykes
Thin Lizzy3.63:07
26Walk
Artdirection:
Bob Defrin (US art director & graphic designer)
Techniker(in), Produzent(in) und Mix:
Terry Date (American record producer and engineer) und Vinnie Paul
Koproduzent(in):
Pantera (US groove metal band, Arlington, TX)
E-Bass:
Rex Brown
Gitarre:
Diamond Darrell
Schlagzeug:
Vinnie Paul
Sologesang:
Philip Anselmo
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei und mixed at:
Pantego Sound Studio in Pantego, Texas, Vereinigte Staaten
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 29)
recording of:
Walk
Verfasser(in):
Phil Anselmo, Rex Brown, Darrell Lance Abbott und Vinnie Paul
Pantera3.95:15
27Marquee Moon
assistierende(r) Techniker(in):
Jim Boyer (producer/engineer)
Techniker(in) und Mix:
Andy Johns
Produzent(in):
Andy Johns und Tom Verlaine
assistierende(r) Mix:
Jimmy Douglass (engineer) und Randy Mason
Bassgitarre:
Fred Smith (bassist)
Gitarre:
Richard Lloyd (American guitarist and singer, Television) und Tom Verlaine
Schlagzeug:
Billy Ficca
Solo-Gitarre [after the second chorus]:
Richard Lloyd (American guitarist and singer, Television)
Solo-Gitarre [after the third chorus] und Sologesang:
Tom Verlaine
aufgenommen bei:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Marquee Moon
Texter und Komponist(in):
Tom Verlaine
publisher:
Double Exposure Music Ltd.
Television4.510:45
28Smokin’ in the Boy’s Room
Techniker(in):
Michael Delugg
Produzent(in):
Doug Morris (record executive) und Eric Stevens (producer active in the 1970s)
phonographisches Urheberrecht (℗) von:
Big Tree Records (1970s/80s US) (in 1973) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Smokin’ in the Boys Room
Verfasser(in):
Cub Koda und Michael Lutz
publisher:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing und Walden Music, Inc.
Brownsville Station52:58
29Ooh La La
assistierende(r) Techniker(in):
Phil Chapman (engineer)
Techniker(in) und Produzent(in):
Glyn Johns
Akustikgitarre:
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Harmonium und Klavier:
Ian McLagan
Perkussion und Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Sologesang:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 246)
recording of:
Ooh La La
Texter:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Komponist(in):
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:35
30Epic
Techniker(in):
Jim “Watts” Vereecke und Matt Wallace (US producer & engineer)
Produzent(in):
Faith No More und Matt Wallace (US producer & engineer)
Mix:
Matt Wallace (US producer & engineer)
Bassgitarre:
Billy Gould
Gitarre:
Jim Martin (ex-Faith No More guitarist)
Keyboard:
Roddy Bottum
Schlagzeug:
Mike Bordin (American drummer)
Sologesang:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
phonographisches Urheberrecht (℗) von:
Slash Records (company, do not use as release label!) (in 1986)
Musikvideos:
Epic von Faith No More
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 54) und Indie 88: Top 500 Indie Rock Songs (Nummer: 483)
recording of:
Epic
Texter:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
Komponist(in):
Mike Bordin (American drummer), Roddy Bottum, Billy Gould und Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.34:54
31Love in Action
Utopia3:28
32Evil (single version)
Cactus3:16
33Cry No More
assistierende(r) Techniker(in):
Keith Rose (US engineer)
Techniker(in):
Simon Hanhart (engineer, producer)
Produzent(in):
Yngwie Malmsteen
Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
Sologesang:
Göran Edman
recording of:
Cry No More
Texter:
Göran Edman und Yngwie Malmsteen
Komponist(in):
Yngwie Malmsteen
Yngwie Malmsteen55:17
34Stra (Illusions of My Childhood, Part One) / You Keep Me Hanging On / Wber (Illusions of My Childhood‐part Two)
Vanilla Fudge7:26
35House of Pain
Produzent(in) und Mix:
John Jansen (US recording engineer and producer)
Bassgitarre:
Eric Stacy
Gitarre:
Brent Muscat und Greg Steele
Schlagzeug:
Mark Michals
Sologesang:
Taime Downe
recording of:
House of Pain
Verfasser(in):
Taime Downe und Greg Steele
publisher:
Gypsy Fetish Music
Faster Pussycat55:47
36Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:29
37Thankfully Not Living in Yorkshire It Doesn’t Apply (Manchester Square demo)
Dexys Midnight Runners2:54
38Wicked Sensation
Produzent(in):
Lynch Mob (US hard rock band) und Max Norman
Mix:
Max Norman
Bassgitarre:
Anthony Esposito
Gitarre:
George Lynch
Schlagzeug:
Mick Brown (US drummer, formerly of Dokken)
Sologesang:
Oni Logan
recording of:
Wicked Sensation
Texter:
Oni Logan
Komponist(in):
George Lynch
Lynch Mob3.254:42
39Bagful of Boogie
Techniker(in):
Jerry Masters (US bassist & engineer, in The Hombres) und Steve Melton (engineer)
Produzent(in):
Barry Beckett und Roger Hawkins (drummer and producer)
Gitarre [lead guitar]:
Henry Vestine (in 1973-09)
Keyboard:
Ed Beyer (in 1973-09)
Mundharmonika:
Bob "The Bear" Hite (in 1973-09)
Saiteninstrumente [rhythm guitar, bass]:
James Shane (in 1973-09)
Schlagzeug und Perkussion:
Adolfo "Fito" De La Parra (in 1973-09)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (in 1973-09)
recording of:
Bagful of Boogie (in 1973-09)
Verfasser(in):
Ed Beyer, Fito de la Parra, Richard Hite und James Shane
publisher:
New Rage Music
Canned Heat3:35
40Homicide
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
Bassgitarre:
Jon Watson
Gitarre:
Nick Cash (UK punk vocalist/guitarist for 999) und Guy Days
Schlagzeug:
Pablo Labritain
vocals:
Nick Cash (UK punk vocalist/guitarist for 999) und Guy Days
recording of:
Homicide (999)
Verfasser(in):
Nick Cash (UK punk vocalist/guitarist for 999) und Guy Days
publisher:
R.L. August Music Co.
9994:26
41I Guess You’re Right
recording of:
I Guess You’re Right
Verfasser(in):
Jon Auer, Matt Harris (bassist & vocalist of Oranger & Lossy Coils), Darius Minwalla und Ken Stringfellow
publisher:
Invisible Chocolate Glove Music, Number 23 Songs, Pubco und Soft Rebellion Songs
The Posies4.53:32
42Towards the Skies
The Gods3:25
43Tinker, Tailor, Soldier, Sailor
recording of:
Tinker, Tailor, Soldier, Sailor
Verfasser(in):
Jim McCarty (UK drummer, Yardbirds member) und Jimmy Page
The Yardbirds2:45
44Charity Ball (single version)
recording of:
Charity Ball
Verfasser(in):
Alice de Buhr, Jean Millington und June Millington
Fanny2:30
45I Don’t Care
Airrace3:41
46That’s Your Way Out
The Pandoras2:49
47Lock Up the Wolves
Dio8:33
48Too Much Ain’t Enough
Andy McCoy3:38
49Beanie G. And the Rose Tattoo
recording of:
Beanie G. and the Rose Tattoo
Texter und Komponist(in):
Daryl Hall
Daryl Hall & John Oates3:03
50Lips Like Sugar
Techniker(in):
Stuart Barry (studio audio engineer) und Paul Gomersall
Produzent(in):
Laurie Latham
assistierende(r) Mix:
Alex Haas (Trance remixer/producer. Member of Cypher 7) und Don Rodenbach
Mix:
Bruce Lampcov
E-Bass [bass]:
Les Pattinson
Gitarre:
Ian McCulloch (Echo & the Bunnymen) und Will Sergeant
Schlagzeug [drums]:
Pete de Freitas
vocals:
Ian McCulloch (Echo & the Bunnymen)
mixed at:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Lips Like Sugar
Texter:
Ian McCulloch (Echo & the Bunnymen)
Komponist(in):
Ian McCulloch (Echo & the Bunnymen), Leslie Pattinson, Pete de Freitas und William Sergeant
publisher:
WB Music Corp. (1929–2019)
Echo & the Bunnymen4.254:52
51Come Down Hard
Badfinger53:49
52Walks Like a Woman
Techniker(in):
Mark Atura, Cliff Hudgson, Jon Mathias (engineer) und Nelson “Go‐Go” Ayers (engineer)
Produzent(in):
Jack Ponti
Mix:
Jon Mathias (engineer) und Jack Ponti
Bassgitarre:
Scott Bender
Gitarre:
David Cremin und Kelly Keeling
Gitarre [lead and rhythm guitar]:
Lance Bulen
Keyboard:
David Cremin
Perkussion und Schlagzeug:
Corky McClellan
zusätzlich Keyboard:
Randy Cantor und Bobby Gordon (keyboardist)
zusätzlich Perkussion:
Frankie LaRocka
zusätzlich Schlagzeug:
Joe Franco
Hintergrundgesang:
Scott Bender, Lance Bulen, David Cremin und Corky McClellan
Sologesang:
Kelly Keeling
arranger:
Lance Bulen, Kelly Keeling, Jack Ponti und Vic Pepe
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
recording of:
Walks Like a Woman
Verfasser(in):
Lance Bulen, Kelly Keeling und Jack Ponti
publisher:
Jack Ponti Music, Snoody Tunes, Universal Music Corp. (USA, affiliated with ASCAP) und WB Music Corp. (1929–2019)
Baton Rouge3:54
53Train, Train
recording of:
Train, Train
Texter und Komponist(in):
Shorty Medlock
publisher:
BobNal Music
Blackfoot4.53:37
54Silver Machine (single version)
Produzent(in):
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) und Hawkwind
Bassgitarre und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (am 1972-02-13)
flute und Saxophon:
Nik Turner (am 1972-02-13)
Gitarre:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13)
Schlagzeug:
Simon King (drummer) (am 1972-02-13)
Synthesizer:
Dik Mik Davies (am 1972-02-13) und Del Dettmar (am 1972-02-13)
zusätzlich Bassgitarre und zusätzlich Gitarre:
Guy Pratt (am 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (am 1972-02-13) und Nik Turner (am 1972-02-13)
remixer:
The Scourge of the Earth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
Bearbeitung von:
Silver Machine (12″ mix) von Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (am 1972-02-13)
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
recording of:
Silver Machine
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
Hawkwind3.654:41
55Androgynous
Techniker(in):
Steve Fjelstad
Produzent(in):
Steve Fjelstad, Peter Jesperson und Paul Westerberg
Perkussion und Klavier und Sologesang:
Paul Westerberg (von 1983-08 bis 1984-02)
aufgenommen bei:
Blackberry Way Studios in Minneapolis, Minnesota, Vereinigte Staaten (von 1983-08 bis 1984-02)
recording of:
Androgynous (von 1983-08 bis 1984-02)
Texter und Komponist(in):
Paul Westerberg
The Replacements3.753:12
56Make It With You
Bassgitarre, Gitarre, Saiteninstrumente, Hintergrundgesang und Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
Schlagzeug:
Michael Botts
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 13)
recording of:
Make It With You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
57Alone Again
zusätzliche(r) Techniker(in):
Gary McGachan
Partner-Produzent(in):
Roy Thomas Baker (producer)
Produzent(in):
Tom Werman
Mix:
Michael Wagener
Bassgitarre und Keyboard:
Jeff Pilson
Gitarre:
Don Dokken und George Lynch
Schlagzeug:
Mick Brown (US drummer, formerly of Dokken)
Hintergrundgesang:
Mick Brown (US drummer, formerly of Dokken) und Jeff Pilson
Sologesang:
Don Dokken
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1984) und Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1984)
recording of:
Alone Again
Verfasser(in):
Mick Brown (US drummer, formerly of Dokken), Don Dokken, George Lynch und Jeff Pilson
publisher:
E/A Music Inc., Megadude Music, WB Music Corp. (1929–2019) und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Dokken3.654:20
58Stop
Techniker(in):
Ronnie S. Champagne
zusätzliche(r) Techniker(in):
Bob Lacivita
Produzent(in):
Perry Farrell und Dave Jerden
Musikvideos:
Stop (Music video) von Jane’s Addiction
recording of:
Stop!
Verfasser(in):
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) und Stephen Perkins (American drummer)
Jane’s Addiction4.654:15
59Good Mornin’ Blues
T.S.O.L.4:18
60Are You Gonna Be My Girl
assistierende(r) Techniker(in):
Evil Chris
Techniker(in):
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
zusätzliche(r) Techniker(in):
Greg Gordon (producer/engineer)
Produzent(in) und Mix:
Brooklyn’s own Dave Sardy (American score composer)
Editing:
Greg Gordon (producer/engineer)
Bassgitarre:
Mark Wilson (Bass player for Jet)
Gitarre:
Cam Muncey und Nic Cester
Schlagzeug:
Chris Cester
zusätzlich Gitarre:
Brooklyn’s own Dave Sardy (American score composer)
vocals:
Cam Muncey, Chris Cester und Nic Cester
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Are You Gonna Be My Girl von Jet (Australian garage rock band)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 23), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2003), Sean Michaels: The Top 30 Songs of 2003 (Nummer: runner-up) und Indie 88: Top 500 Indie Rock Songs (Nummer: 364)
recording of:
Are You Gonna Be My Girl
Verfasser(in):
Nic Cester und Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:35
61Sucker for a Pretty Face
Eric Martin Band3:55
62Who’s the King
Techniker(in), Produzent(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
zusätzliche(r) Techniker(in):
Tom Bender (engineer)
E-Bass [bass]:
Dave Neabore (rocker from the USA)
E-Gitarre [guitar]:
Dan Nastasi und Sean Kilkenny
Schlagzeug:
Dave Maltby (US drummer for Dog Eat Dog)
Sologesang [vocals]:
John Connor
vocals:
Dan Nastasi und Dave Neabore (rocker from the USA)
zusätzlich Gast Sologesang:
Darryl Jenifer
aufgenommen bei:
Ambient Recording Co. in Stamford, Connecticut, Vereinigte Staaten
recording of:
Who’s the King?
Verfasser(in):
John Connor, Dave Maltby (US drummer for Dog Eat Dog), Dan Nastasi, Dave Neabore (rocker from the USA) und Sean Kilkenny
publisher:
Roadblock Music, Inc.
Dog Eat Dog43:55
63Beat Your Heart Out
Musikvideos:
Beat Your Heart Out von The Distillers
recording of:
Beat Your Heart Out
Texter und Komponist(in):
Brody Dalle
The Distillers52:49
64The Order of Death
Public Image Ltd4:50
65Another Way Out
Brave Belt3:31
66Cool From the Wire
Dirty Looks3:32
67Sand
Clear Light2:39
68Union Man
Cate Brothers54:48
69Pay My Dues
Blues Image3:49
70Walking in Memphis
recording engineer, Techniker(in) und Mix:
Ben Wisch
Produzent(in):
Marc Cohn und Ben Wisch
Bass und Orgel:
John Leventhal
Gitarre:
Marc Cohn und John Leventhal
Hammond-Orgel:
Chris Palmaro
Keyboard:
Eric Rehl
Schlagzeug:
Dennis McDermott
Gast Hintergrundgesang:
James Taylor (singer-songwriter and guitarist)
Hintergrundgesang:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) und Darryl Tookes
vocals:
Marc Cohn
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) und Warner Music H.K. Ltd. (in 1997)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 415)
recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:16
71Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:47
72Like Princes Do
Diesel Park West3:05
73A Lifetime of Trouble
The Del-Lords4:06
74Winning
The Sound4:18
75Who Do You Love (single version)
Ronnie Hawkins2:39
76Birdhouse in Your Soul
recording engineer und Mix:
Roger Moutenot
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
E-Gitarre:
John Flansburgh
Geige / Violine:
Mark Feldman (American violinist)
Keyboard, Hintergrundgesang und Sologesang:
John Linnell
Trompete [sampled]:
Frank London
recording of:
Birdhouse in Your Soul
Verfasser(in):
John Flansburgh und John Linnell
publisher:
TMBG Music
They Might Be Giants4.553:19
77Baby Won’t Ya
MC55:32
78Launch Window
recording of:
Launch Window
Verfasser(in):
Jon Auer, King Buzzo, Dale Crover, Eric Erlandson, Javier Escovedo, Pat Fear, Roger Manning (anti‐folk singer‐songwriter, active from the late ’80s to the mid‐’90s) und Vicki Peterson
White Flag3:34
79Who Listens to the Radio
Produzent(in):
Pete Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1978), Mushroom Records (in 1979, in 1996) und Stiff Records (in 1979)
recording of:
Who Listens to the Radio?
Texter und Komponist(in):
Stephen Cummings und Andrew Pendlebury
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Pty. Ltd., EMI Music (do not use as release label! this is a music publisher) (in 1979) und Street Music Ltd. (in 1979)
The Sports3:16
80Easy Rider (Let the Wind Pay the Way)
recording of:
Easy Rider (Let the Wind Pay the Way)
Verfasser(in):
Ron Bushy, Lee Dorman, Robert Woods Edmonson, Doug Ingle, Mike Pinera und Larry “Rhino” Reinhardt
Iron Butterfly53:06
81Aeroplane Head Woman
Pete Brown & Piblokto!6:45
82Holidays in the Sun
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Bill Price (UK producer/engineer) und Chris Thomas (UK record producer / remixer)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (am 1977-06-18)
recording of:
Holidays in the Sun
Verfasser(in):
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) und Sid Vicious
publisher:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
Sex Pistols4.13:23
83Taking the Easy Way Out Again (single version)
Man3:19
84Ghost Town
phonographisches Urheberrecht (℗) von:
Atlantic Records (do not use as release label, use “Atlantic” instead) (in 1982)
recording of:
Ghost Town
Texter und Komponist(in):
Rusty Young
publisher:
Pirooting Publishing
Poco5:36
85Only One Woman
cover recording of:
Only One Woman
Texter und Komponist(in):
Barry Gibb, Maurice Gibb und Robin Gibb
Alien4:12
86Radar Love
cover recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
White Lion5:58
87Love for Sale
recording of:
Love for Sale
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Index Music, Inc.
Talking Heads4:32
88Crystal Baller
Techniker(in):
Sean Beresford und Jason Carmer
Koproduzent(in):
Jason Carmer und Arion Salazar
Produzent(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Mix:
Jason Carmer
Sologesang:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
recording of:
Crystal Baller
Texter und Komponist(in):
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
Third Eye Blind4.854:16
89Beacon Light
recording of:
Beacon Light
publisher:
Ween (US alternative rock band)
Verfasser(in):
Ween (US alternative rock band)
publisher:
Browndog Music, Ver Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ween4:02
90Standing in the Rain
recording engineer:
Kenneth Hamann (engineer)
Produzent(in):
James Gang (US rock group)
Mix:
Tom Dowd und Kenneth Hamann (engineer)
Bassgitarre:
Dale Peters
Gitarre und Moog:
Tommy Bolin (guitarist, and songwriter)
Perkussion:
Jim Fox (American percussionist), Roy Kenner und Dale Peters
Schlagzeug:
Jim Fox (American percussionist)
Hintergrundgesang:
Tommy Bolin (guitarist, and songwriter), Roy Kenner und Dale Peters
Sologesang:
Roy Kenner
Saiteninstrumente arranger:
Jimmie Haskell
aufgenommen bei:
Cleveland Recording (1970-1977) in Cleveland, Ohio, Vereinigte Staaten
remixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten und Cleveland Recording (1970-1977) in Cleveland, Ohio, Vereinigte Staaten
recording of:
Standing in the Rain
Verfasser(in):
Tommy Bolin (guitarist, and songwriter)
The James Gang5:05
91Fun City
Tuff Darts2:57
92Uptight, Out of Sight
The Sunsets7:42
93Native Son
The Judybats3:19
94Surf Rider
recording of:
Spudnik (Surf Rider)
Komponist(in):
Bob Bogle, Nokie Edwards und Don Wilson (US guitarist, member or The Ventures)
publisher:
Universal–Songs of PolyGram International, Inc. und Vogue Music
sub-publisher:
Universal Music Publishing France (not for release label use!)
The Lively Ones3.23:21
95Wells Fargo
Techniker(in):
Tony Clark (engineer, Abbey Road) und Kete Go (engineer)
Produzent(in):
Nick Mobbs und Alan Shacklock
recording of:
Wells Fargo
Komponist(in):
Alan Shacklock
Babe Ruth6:17
96If Love Should Go
The Streets4:11
97I Wanna Go Where the People Go
Techniker(in):
Pete 'Pee Wee' Coleman
Produzent(in):
Simon Efemey und The Wildhearts
Mix:
Al Clay
aufgenommen bei und mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
produced at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Wanna Go Where the People Go von The Wildhearts
recording of:
I Wanna Go Where the People Go
Texter und Komponist(in):
Ginger Wildheart (frontman of The Wildhearts)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Wildhearts5:06
98Better Than Them
Produzent(in):
Mark Freegard
Gitarre:
Justin Sullivan
Schlagzeug:
Robert Heaton
vocals:
Justin Sullivan
recording of:
Better Than Them
Komponist(in):
Robert Heaton und Justin Sullivan
New Model Army3:11
99Under My Thumb
cover recording of:
Under My Thumb
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Westminster Music Ltd., ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und 日本アブコ音楽出版 (ABKCO Japan Publishing)
Streetheart6:40
100Plan B
The Impossibles2:19