Maria Callas Live - Remastered Recordings 1949-1964

~ Release by Maria Callas (see all versions of this release, 1 available)

Annotation

A collection of 20 live and 5 filmed performances. Incliudes 42 CDs, 3 Blu-Rays, and a 216-page booklet.

Annotation last modified on 2025-05-26 09:38 UTC.

Tracklist

1▶CD: Giuseppe Verdi: Nabucco (Parts 1 & 2)
2▶CD: Giuseppe Verdi: Nabucco (Parts 3 & 4)
3▶CD: Richard Wagner: Parsifal (Act 1 beginning)
4▶CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2)
5▶CD: Richard Wagner: Parsifal (Act 3)
6▶CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2)
7▶CD: Giuseppe Verdi: I vespri siciliani (Act 3)
8▶CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5)
9▶CD: Giuseppe Verdi: Aida (Acts 1 & 2)
10▶CD: Giuseppe Verdi: Aida (Acts 3 & 4)
11▶CD: Gioachino Rossini: Armida (Act 1)
12▶CD: Gioachino Rossini: Armida (Acts 2 & 3)
13▶CD: Giuseppe Verdi: Rigoletto (Act 1)
14▶CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3)
15▶CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning)
16▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2)
17▶CD: Giuseppe Verdi: Macbeth (Acts 1 & 2)
18▶CD: Giuseppe Verdi: Macbeth (Acts 3 & 4)
19▶CD: Luigi Cherubini: Medea (Act 1)
20▶CD: Luigi Cherubini: Medea (Acts 2 & 3)
21▶CD: Christoph Willibald Gluck: Alceste (Act 1)
22▶CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3)
23▶CD: Gaspare Spontini: La vestale (Act 1)
24▶CD: Gaspare Spontini: La vestale (Acts 2 & 3)
25▶CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2)
26▶CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4)
27▶CD: Vincenzo Bellini: La sonnambula (Act 1 beginning)
28▶CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2)
29▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1)
30▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3)
31▶CD: Gaetano Donizetti: Anna Bolena (Act 1)
32▶CD: Gaetano Donizetti: Anna Bolena (Act 2)
33▶CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2)
34▶CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4)
35▶CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1)
36▶CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3)
37▶CD: Vincenzo Bellini: Il pirata (Act 1)
38▶CD: Vincenzo Bellini: Il pirata (Act 2)
39▶CD: Gaetano Donizetti: Poliuto (Act 1)
40▶CD: Gaetano Donizetti: Poliuto (Acts 2 & 3)
41▶CD: Giacomo Puccini: Tosca (Act 1)
42▶CD: Giacomo Puccini: Tosca (Acts 2 & 3)
43▼Blu-ray: Paris 1958
#TitleArtistRatingLength
1Opening Introduction
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
spoken vocals [Narrator]:
Pierre Tchernia (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
[no artist]5:36
2Norma: Atto I. “Sediziose voci”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
bass vocals [Oroveso]:
Jacques Mars (operatic bass) (on 1958-12-19)
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus) (on 1958-12-19)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Norma: Atto I, scena 1. Recitativo “Sediziose voci” (Norma, Oroveso, Druidi, Guerrieri) (on 1958-12-19)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini4:52
3Norma: Atto I. “Casta Diva”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus) (on 1958-12-19)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (on 1958-12-19)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini7:16
4Norma: Atto I. “Fine al rito, e il sacro bosco”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus) (on 1958-12-19)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Norma: Atto I, scena 1. Recitativo “Fine al rito” (Norma, Oroveso, coro) (on 1958-12-19)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini1:32
5Norma: Atto I. “Ah! bello a mei ritorna”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus) (on 1958-12-19)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Norma: Atto I, scena 1. Cabaletta “Ah! bello a me ritorna” (Norma, Oroveso, coro) (on 1958-12-19)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini4:09
6Introduction to Il trovatore
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
spoken vocals [Narrator]:
Pierre Tchernia (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
[no artist]1:05
7Il trovatore: Parte IV. “Vanne… lasciami”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
soprano vocals [Leonora]:
Maria Callas (soprano) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (on 1958-12-19)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:31
8Il trovatore: Parte IV. “D'amor sull'ali rosee”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
soprano vocals [Leonora]:
Maria Callas (soprano) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (on 1958-12-19)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:24
9Il trovatore: Parte IV. “Miserere d'un'alma già vicina”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
choir vocals:
Chœurs de l’Opéra national de Paris (Paris National Opera Chorus) (on 1958-12-19)
soprano vocals [Leonora]:
Maria Callas (soprano) (on 1958-12-19)
tenor vocals [Manrico]:
Albert Lance (tenor) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (on 1958-12-19)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi6:31
10Introduction to Il barbiere di Siviglia
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
spoken vocals [Narrator]:
Pierre Tchernia (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
[no artist]1:04
11Il barbiere di Siviglia: Atto I. “Una voce poco fa”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
soprano vocals [Rosina]:
Maria Callas (soprano) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (on 1958-12-19)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:21
12Introduction to Tosca
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
spoken vocals [Narrator]:
Pierre Tchernia (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
[no artist]1:26
13Tosca: Atto II. “Tosca è un buon falco!”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (on 1958-12-19)
bass vocals [Sciarrone]:
Jean-Pierre Hurteau (operatic bass) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:10
14Tosca: Atto II. “Ha più forte”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (on 1958-12-19)
bass vocals [Sciarrone]:
Jean-Pierre Hurteau (operatic bass) (on 1958-12-19)
tenor vocals [Spoletta]:
Louis Rialland (French tenor) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:33
15Tosca: Atto II. “Egli è là”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (on 1958-12-19)
tenor vocals [Cavaradossi]:
Albert Lance (tenor) (on 1958-12-19)
tenor vocals [Spoletta]:
Louis Rialland (French tenor) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:22
16Tosca: Atto II. “Dov'è dunque Angelotti?”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (on 1958-12-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (on 1958-12-19)
tenor vocals [Cavaradossi]:
Albert Lance (tenor) (on 1958-12-19)
tenor vocals [Spoletta]:
Louis Rialland (French tenor) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:19
17Tosca: Atto II. “Ed or fra noi parliam da buoni amici”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (on 1958-12-19)
bass vocals [Sciarrone]:
Jean-Pierre Hurteau (operatic bass) (on 1958-12-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:42
18Tosca: Atto II. “Orsù, Tosca, parlate”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (on 1958-12-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (on 1958-12-19)
tenor vocals [Cavaradossi]:
Albert Lance (tenor) (on 1958-12-19)
tenor vocals [Spoletta]:
Louis Rialland (French tenor) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:41
19Tosca: Atto II. “Flora! - Amore…”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (on 1958-12-19)
bass vocals [Sciarrone]:
Jean-Pierre Hurteau (operatic bass) (on 1958-12-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (on 1958-12-19)
tenor vocals [Cavaradossi]:
Albert Lance (tenor) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:34
20Tosca: Atto II. “Vittoria! Vittoria!”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (on 1958-12-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (on 1958-12-19)
tenor vocals [Cavaradossi]:
Albert Lance (tenor) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:17
21Tosca: Atto II. “Se la giurata fede”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (on 1958-12-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:36
22Tosca: Atto II. “Vissi d'arte”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
soprano vocals [Tosca]:
Maria Callas (soprano) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:03
23Tosca: Atto II. “Vedi, le man giunte”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (on 1958-12-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (on 1958-12-19)
tenor vocals [Spoletta]:
Louis Rialland (French tenor) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:41
24Tosca: Atto II. “E qual via scegliete?”
engineer:
Andy Walter (engineer) and Peter Mew (senior sound engineer at Abbey Road Studios)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (on 1958-12-19)
soprano vocals [Tosca]:
Maria Callas (soprano) (on 1958-12-19)
orchestra:
Orchestre du Théâtre National l'Opéra de Paris (on 1958-12-19)
conductor:
Georges Sébastian (conductor) (on 1958-12-19)
video director:
Roger Benamou
recorded at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
shot at:
Palais Garnier in Paris, Île-de-France, France (on 1958-12-19)
live recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (on 1958-12-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini8:41
44▶Blu-ray: Hamburg 1959 & 1962
45▶Blu-ray: London 1962 & 1964
46▶CD