100 Love Songs & Love Ballads

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1At Last
produttore:
Leonard Chess, Phil Chess e Leonard and Phil Chess (legendary US production duo)
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
diritti fonografici (℗) detenuti da:
Windswept Pacific Music Ltd.
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 115) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 356)
registrazione cover di:
At Last (nel 1960-10)
autore:
Mack Gordon e Harry Warren (US composer and lyricist)
editore:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Etta James4.53:05
2Smoke Gets in Your Eyes
registrata a:
Paris, Île-de-France, Francia (il 1958-09-24)
produttore:
Buck Ram
voce principale:
Tony Williams (lead singer for The Platters)
esecutore:
The Platters
registrazione cover di:
Smoke Gets in Your Eyes (il 1958-09-24)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
The Platters3.752:43
3These Arms of Mine
registrazione di:
These Arms of Mine
paroliere e compositore:
Otis Redding
editore:
Irving Music, Inc. e Regent Music Corp. (BMI)
Otis Redding42:35
4True Love Ways
registrazione di:
True Love Ways
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly2:52
5When I Fall in Love
registrazione cover di:
When I Fall in Love
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole3:14
6You Send Me
produttore:
Robert “Bumps” Blackwell
basso :
Ted Brinson (il 1957-06-01)
batteria :
Earl Palmer (il 1957-06-01)
chitarra :
Clifton White (il 1957-06-01) e René Hall (il 1957-06-01)
voce di accompagnamento:
Charles Parlato, Alicia Adams (singer) (il 1957-06-01), Sue Allen (il 1957-06-01) e Lee Gotch (il 1957-06-01)
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”) (il 1957-06-01)
orchestra:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (il 1957-06-01)
direttore d'orchestra:
Glenn Osser (il 1957-06-01)
diritti fonografici (℗) detenuti da:
Keen (nel 1958)
registrata presso:
Specialty Studios in Los Angeles, California, Stati Uniti (il 1957-06-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 115)
registrazione di:
You Send Me (il 1957-06-01)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
autore aggiunto:
L. C. Cooke
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Sam Cooke42:45
7Love Me Tender
banjo :
Luther "Red" Roundtree (dal 1956-08-24 al 1956-09-04)
basso :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (dal 1956-08-24 al 1956-09-04)
batteria :
Richard Cornell (Percussion) (dal 1956-08-24 al 1956-09-04)
chitarra :
Vito Mumolo (Session Musician (Guitar)) (dal 1956-08-24 al 1956-09-04)
fisarmonica :
Carl Fortina (dal 1956-08-24 al 1956-09-04) e Dominic Frontiere (dal 1956-08-24 al 1956-09-04)
voce:
Jon Dodson (dal 1956-08-24 al 1956-09-04, il 1956-09-01), Charles Prescott (dal 1956-08-24 al 1956-09-04, il 1956-09-01) e Rad Robinson (dal 1956-08-24 al 1956-09-04, il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
20th Century Fox Music Stage 1 in Los Angeles, California, Stati Uniti (il 1956-08-24, il 1956-09-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 437)
registrazione di:
Love Me Tender (dal 1956-08-24 al 1956-09-04)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
Elvis Presley3.552:46
8Nature Boy
registrata a:
New York, New York, Stati Uniti (il 1947-08-22)
chitarra aggiunto:
Oscar Moore (il 1947-08-22)
contrabbasso :
Johnny Miller (part of the Nat King Cole Trio) (il 1947-08-22)
pianoforte :
Nat King Cole (il 1947-08-22)
violino :
Harry Bluestone (il 1947-08-22)
voce:
Nat King Cole (il 1947-08-22)
orchestra:
Frank De Vol Orchestra (il 1947-08-22)
registrazione di:
Nature Boy (il 1947-08-22)
paroliere e compositore:
eden ahbez (nel 1947)
editore:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole32:41
9Venus
voce:
Frankie Avalon (American actor, singer)
direttore d'orchestra e maestro del coro:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Chancellor Records Inc. (nel 1959)
registrazione di:
Venus
paroliere e compositore:
Ed Marshall
editore:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:25
10Can’t Help Falling in Love
produttore:
Hugo & Luigi (US producers Hugo Peretti & Luigi Creatore)
voce:
Elvis Presley (“The King of Rock and Roll”)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 394)
registrazione di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
Elvis Presley33:00
11Misty
registrazione di:
Misty
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Erroll Garner
editore:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
si basa su:
Misty (original instrumental work)
Johnny Mathis3:33
12(I Love You) for Sentimental Reasons
chitarra :
Oscar Moore (il 1946-08-22)
contrabbasso :
Johnny Miller (part of the Nat King Cole Trio) (il 1946-08-22)
pianoforte :
Nat King Cole (il 1946-08-22)
voce:
Nat King Cole (il 1946-08-22)
esecutore:
The Nat King Cole Trio (il 1946-08-22)
registrata presso:
WMCA Studios in New York, New York, Stati Uniti (il 1946-08-22)
registrazione cover di:
(I Love You) for Sentimental Reasons (il 1946-08-22)
paroliere:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
compositore:
William “Pat” Best
editore:
MCA Duchess Music Corporation e Peter Maurice Music Co. Ltd.
Nat King Cole42:57
13I’ve Got You Under My Skin
registrazione di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Frank Sinatra3:41
14Tell Laura I Love Her
registrazione cover di:
Tell Laura I Love Her
paroliere:
Ben Raleigh
compositore:
Jeff Barry
editore:
E.B. Marks Music Corp. e Steeplechase Music
Ricky Valance2:45
15That Ole Devil Called Love
batteria :
George Wettling (il 1944-11-08)
chitarra :
Carl Kress (il 1944-11-08)
contrabbasso :
Haig Stephens (il 1944-11-08)
pianoforte :
Dave Bowman (jazz pianist) (il 1944-11-08)
sassofono contralto :
Jack Cressey (il 1944-11-08) e Hymie Shertzer (il 1944-11-08)
sassofono tenore :
Larry Binyon (il 1944-11-08) e Dave Harris (tenor saxo) (il 1944-11-08)
tromba :
Russ Case (US trumpeter & bandleader) (il 1944-11-08)
voce:
Billie Holiday (il 1944-11-08)
registrazione di:
That Ole Devil Called Love (il 1944-11-08)
paroliere:
Doris Fisher (nel 1944)
compositore:
Allan Roberts (songwriter) (nel 1944)
editore:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:54
16I Can’t Stop Loving You
registrazione cover di:
I Can’t Stop Lovin’ You
paroliere e compositore:
Don Gibson (US songwriter and country musician)
editore:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC e Acuff-Rose Publications, Inc. (BMI) (il 1958-02-07)
Ray Charles4:14
17My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.93:38
18Magic Moments
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1957-12-03) e The Ray Charles Singers (il 1957-12-03)
orchestra:
Mitchell Ayres and His Orchestra (il 1957-12-03)
arrangiatore:
Joe Reisman
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1958)
registrazione di:
Magic Moments (il 1957-12-03)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Music Publishing Ltd. e MCA Music Ltd.
Perry Como3.152:43
19It Doesn’t Matter
registrazione di:
It Doesn’t Matter Anymore
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Robert Mellin Ltd.
Buddy Holly2:07
20Moon River
registrazione di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 1961 winner)
Andy Williams2:44
21You Made Me Love You
Nat King Cole2:59
22On the Street Where You Live
registrazione di:
On the Street Where You Live (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
My Fair Lady (full musical)
Vic Damone2:41
23Spanish Harlem
registrazione di:
Spanish Harlem
paroliere:
Jerry Leiber
compositore:
Phil Spector
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. e Unichappell Music
Ben E. King2:53
24La mer (Beyond the Sea)
registrazione di:
Beyond the Sea
paroliere:
Jack Lawrence (US songwriter)
compositore:
Charles Trenet
editore:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
versione tradotta di:
La Mer
Bobby Darin2:56
25Mack the Knife
produttore:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin
direttore d'orchestra:
Richard Wess
arrangiatore:
Richard Wess
parte di:
Grammy Award: Record of the Year nominees (numero: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (numero: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 40) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 251)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:05
26That’s Amore
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:06
27I Left My Heart in San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-01-23)
direttore d'orchestra:
Marty Manning
arrangiatore:
Marty Manning
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
Tony Bennett32:52
28Young at Heart
registrazione di:
Young at Heart (Frank Sinatra song)
paroliere:
Carolyn Leigh
compositore:
Johnny Richards
editore:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Frank Sinatra2:51
29Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
30Mona Lisa
registrazione cover di:
Mona Lisa
paroliere:
Raymond B. Evans (American songwriter)
compositore:
Jay Livingston
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-editore:
BMG Unisong Music Publishers BV
parte di:
The 23rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1950 winner)
Nat King Cole3:17
31You’re the One
pianoforte :
Stan Freeman (il 1951-01-16)
arrangiatore:
Axel Stordahl
registrazione di:
You’re the One (il 1951-01-16)
autore:
Ned Washington e Victor Young (American composer, arranger, violinist & conductor)
editore:
Barton Music Corp.
Frank Sinatra3:04
32Someone to Watch Over Me
registrata a:
New York, New York, Stati Uniti (il 1950-09-12)
produttore:
Milt Gabler
pianoforte :
Ellis Larkins
voce:
Ella Fitzgerald (American jazz singer) (il 1950-09-12)
registrazione cover di:
Someone to Watch Over Me (Oh, Kay!) (il 1950-09-12)
paroliere:
Ira Gershwin (nel 1926)
compositore:
George Gershwin (composer) (nel 1926)
editore:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28), Harms, Inc. (nel 1926) e WC Music Corp. (dal 2019-05-28 al 2022-01-01)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Crazy for You (1992 musical)
parte di:
Oh, Kay! (1926 musical)
Ella Fitzgerald3:16
33The Heart of a Man
registrazione di:
The Heart of a Man (1958 song)
paroliere:
Paddy Roberts (singer/songwriter)
compositore:
Peggy Cochrane (UK musician, composer, broadcaster 1902-1988)
Frankie Vaughan22:23
34Again
registrazione di:
Again
paroliere:
Dorcas Cochran
compositore:
Lionel Newman
Doris Day2:49
35The Great Pretender
registrata a:
Chicago, Illinois, Stati Uniti (nel 1955-09)
voce principale:
Tony Williams (lead singer for The Platters)
diritti fonografici (℗) detenuti da:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 352)
registrazione di:
The Great Pretender (nel 1955-09)
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters52:43
36Unchained Melody
registrazione cover di:
Unchained Melody
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Jimmy Young2:38
37Sea of Love
produttore:
Trevor Jones (South African score composer)
tecnico di missaggio:
John Richards (engineer)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 39)
registrazione di:
Sea of Love
editore:
Fort Knox Music Co e Tek Publishing
Phil Phillips4.52:24
38Why
registrazione di:
Why (1959 song)
paroliere:
Robert P. Marcucci
compositore:
Peter de Angelis
editore:
Debmar Publishing Co., Inc.
Frankie Avalon2:37
39Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson2:28
40Put Your Head on My Shoulder
registrazione di:
Put Your Head on My Shoulder
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Spanka Music (conclusa), Chrysalis Standards Inc. e Epa Publishing
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka2:45
41Stardust
registrazione di:
Stardust (the jazz standard)
paroliere:
Mitchell Parish (nel 1929)
compositore:
Hoagy Carmichael (nel 1927)
editore:
Mills Music, Inc. (conclusa), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. e Songs of Peer, Ltd. (ASCAP)
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
American Splendor
Nat King Cole3:17
42Am I the Man
registrazione cover di:
Am I the Man
autore:
Bob Hamilton (Doowop composer) e Tom King (50s & 60s songwriter)
Jackie Wilson2:39
43Tears on My Pillow
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 30) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 478)
registrazione di:
Tears on My Pillow
paroliere:
Al Lewis (Tin Pan Alley era lyricist)
compositore:
Sylvester Bradford
editore:
Gladys Music (nel 1958), Sovereign Music Co. (nel 1958) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1989)
Little Anthony & the Imperials2.52:15
44Love Letters in the Sand
registrazione di:
Love Letters in the Sand
paroliere:
Charles Kenny (songwriter, violinist) e Nick Kenny
compositore:
J. Fred Coots, Charles Kenny (songwriter, violinist) e Nick Kenny
editore:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. e Francis, Day & Hunter Ltd.
Pat Boone22:25
45I Fall to Pieces
produttore:
Owen Bradley
basso :
Harold Bradley
basso acustico :
Bob Moore (U.S. bassist and bandleader)
batteria :
Doug Kirkham
chitarra acustica :
Randy Hughes
chitarra elettrica :
Hank Garland
chitarra steel :
Ben Keith
pianoforte :
Hargus “Pig” Robbins
voce:
Patsy Cline
registrata presso:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1960-11-16)
parte di:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (numero: 40) e Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 72)
registrazione cover di:
I Fall to Pieces (il 1960-11-16)
compositore:
Hank Cochran (Nashville singer and songwriter) e Harlan Howard
Patsy Cline52:50
46Pledging My Love
orchestra:
Johnny Otis Orchestra
registrazione di:
Pledging My Love
autore:
Don Robey e Ferdinand Washington (blues and rhythm and blues songwriter)
editore:
Songs of Universal, Inc. (BMI), Spirit One Music e Wemar Music Corp.
Johnny Ace42:28
47Some Enchanted Evening
registrazione di:
Some Enchanted Evening (South Pacific)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company e Williamson Music, Inc.
parte di:
South Pacific (Rodgers & Hammerstein musical)
Perry Como3:36
48All of Me
registrazione di:
All of Me
autore:
Gerald Marks (nel 1932) e Seymour Simons (nel 1932)
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
Peermusic e 日音 Synch事業部 (NICHION, INC. Synch Division)
Frank Sinatra22:07
49Are You Lonesome Tonight
registrazione cover di:
Are You Lonesome Tonight?
paroliere:
Roy Turk
compositore:
Lou Handman
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music e Redwood Music Ltd. (Carlin)
Elvis Presley3:07
50Sealed With a Kiss
registrazione di:
Sealed With a Kiss
autore:
Gary Geld e Peter Udell
eseguita per la prima volta da:
The Four Voices (nel 1960-05)
editore:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) e Pogo Music Corp. (nel 1962)
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland2:41
51Twilight Time
registrazione di:
Twilight Time
paroliere:
Buck Ram
compositore:
Artie Dunn, Al Nevins e Morty Nevins
editore:
Chappell Music (UK), Devon Music Inc., EMI Davis Music Australia Pty Limited, Porgie Music, Songs of Universal, Inc. (BMI) e Victoria Music Publishing Co. Ltd.
versione tradotta di:
Al caer la noche
The Platters2:50
52Because of You
registrazione cover di:
Because of You
autore:
Arthur Hammerstein e Dudley Wilkinson
editore:
Julian Stearns Arena Music, Inc
Tony Bennett2:57
53Walking My Baby Back Home
registrazione di:
Walkin’ My Baby Back Home
paroliere:
Roy Turk (nel 1930)
compositore:
Fred Ahlert (nel 1930)
editore:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Johnnie Ray2:21
54That Old Black Magic
registrazione cover di:
That Old Black Magic
paroliere:
Johnny Mercer (nel 1942)
compositore:
Harold Arlen (nel 1942)
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Sammy Davis Jr.22:35
55Sentimental Journey
registrazione di:
Sentimental Journey
paroliere:
Bud Green (nel 1944)
compositore:
Les Brown (American big band & jazz musician) (nel 1944) e Ben Homer (nel 1944)
editore:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. e Morley Music Corp.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Doris Day3:14
56As I Love You
voce:
Shirley Bassey (Welsh singer)
orchestra:
Wally Stott & His Orchestra & Chorus
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1958)
registrazione di:
As I Love You (1958 song from the film "The Big Beat")
autore:
Ray Evans (American songwriter) e Jay Livingston
editore:
Larry Shayne Enterprises e Warner Chappell Music, Inc.
Shirley Bassey32:56
57In the Still of the Night
produttore:
Marty Kugell
batteria [drums] :
Bobby Mapp (nel 1956-02)
contrabbasso :
Doug Murray (double bassist) (nel 1956-02)
pianoforte :
Curlee Glover (nel 1956-02)
sassofono solista :
Vinny Mazzetta (nel 1956-02)
voce:
Al Denby (nel 1956-02), Jim Freeman (American singer and songwriter) (nel 1956-02), Ed Martin (nel 1956-02), Nat Mosley (nel 1956-02) e Fred Parris (nel 1956-02)
diritti fonografici (℗) detenuti da:
Standard Records (nel 1956)
registrata presso:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Stati Uniti (nel 1956-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 170)
registrazione di:
In the Still of the Night (Five Satins doo-wop song) (nel 1956-02)
paroliere e compositore:
Fred Parris
editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Llee Corp. (LLEE Corporation) (nel 1956)
The Five Satins4.53:05
58Donna
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Aberbach Musikverlag (German publisher) e Carlin Music Corporation
Ritchie Valens2:28
59Will You Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:44
60Young Love
registrata a:
Nashville, Tennessee, Stati Uniti (il 1956-10-30)
voce di accompagnamento:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-10-30)
voce principale:
Sonny James (US country singer and songwriter) (il 1956-10-30)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 40)
registrazione cover di:
Young Love (il 1956-10-30)
autore:
Ric Cartey (US rockabilly singer and songwriter) e Carole Joyner
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Sonny James2:32
61It’s Now or Never
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1960), BMG Music (nel 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1960) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
registrazione cover di:
It’s Now or Never (il 1960-04-03)
paroliere:
Wally Gold e Aaron Schroeder (1950s~1960s US songwriter)
compositore:
Eduardo Di Capua
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music e Williamson Music Company
versione di:
’O sole mio
Elvis Presley3.753:18
62Stranger in Paradise
registrata a:
New York, Stati Uniti (il 1953-10-13)
voce:
Tony Bennett (US jazz/standards vocalist), Tony Bennett (US jazz/standards vocalist) e The Ray Charles Singers
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (il 1953-10-13)
paroliere:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Frank Music Co. Ltd. (dal 1953 a oggi)
si basa su:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
parte di:
Kismet (full musical)
Tony Bennett3:07
63All I Have to Do Is Dream
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers2:21
64Sixteen Reasons
registrazione di:
Sixteen Reasons
autore:
Bill & Doree Post
Connie Stevens42:00
65I Only Have Eyes for You
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 157) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 175)
registrazione cover di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. e Warner Bros. Inc. (not for release label use!)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
The Flamingos4.253:24
66A Fool for You
registrata a:
Miami, Florida, Stati Uniti (il 1955-04-23)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
basso :
Roosevelt "Whiskey" Sheffield (il 1955-04-23)
batteria :
William Peeples (il 1955-04-23)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1955-04-23)
sassofono baritono [baritone sax] e sassofono contralto [alto sax] :
David “Fathead” Newman (American jazz saxophonist) (il 1955-04-23)
sassofono tenore [tenor sax] :
Donald Wilkerson (US jazz/R&B saxophonist) (il 1955-04-23)
tromba :
Joe Bridgewater (il 1955-04-23) e Riley Webb (il 1955-04-23)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1955-04-23)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrazione di:
A Fool for You (il 1955-04-23)
paroliere e compositore:
Ray Charles (soul musician, singer and songwriter)
Ray Charles23:02
67Wake Up Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:01
68Wild Cat
Gene Vincent2:27
69That’ll Be the Day
registrazione di:
That’ll Be the Day
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
The Crickets2:20
70I’ve Got a Woman
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
basso :
Jimmy Bell (jazz bassist) (il 1954-11-18)
batteria :
Glenn Brooks (il 1954-11-18)
chitarra :
Wesley Jackson (US R&B guitarist) (il 1954-11-18)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
sassofono baritono :
David “Fathead” Newman (American jazz saxophonist) (il 1954-11-18)
sassofono tenore solista :
Donald Wilkerson (US jazz/R&B saxophonist) (il 1954-11-18)
tromba :
Joe Bridgewater (il 1954-11-18) e Charles "Clanky" Whitley (il 1954-11-18)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
WGST Studio in Atlanta, Georgia, Stati Uniti (il 1954-11-18)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (numero: 2019) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 235)
registrazione di:
I Got a Woman (il 1954-11-18)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles4.52:50
71Come Softly to Me
registrazione di:
Come Softly to Me
autore:
Gretchen Christopher, Barbara Ellis e Gary Troxel (The Fleetwoods’ lead singer and songwriter)
editore:
Chappell Morris, EMI Unart Catalog Inc. e Unart Music Corp. (nel 1958, nel 1959)
The Fleetwoods2:26
72Only You (and You Alone)
pianoforte :
Buck Ram (il 1955-04-26)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey) (il 1955-04-26)
voce principale:
Tony Williams (lead singer for The Platters) (il 1955-04-26)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1955) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 10)
registrazione di:
Only You (il 1955-04-26)
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:37
73Pretty Blue Eyes
registrazione cover di:
Pretty Blue Eyes (1959 song)
autore:
Teddy Randazzo e Bob Weinstein (US film producer)
Craig Douglas2:13
74One Night
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-15 al 1957-01-18)
batteria :
D.J. Fontana (dal 1957-01-15 al 1957-01-18)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-15 al 1957-01-18) e Tiny Timbrell (dal 1957-01-15 al 1957-01-18)
pianoforte :
Dudley Brooks (dal 1957-01-15 al 1957-01-18)
voce:
The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-02-23)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957, nel 1959) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Paramount Scoring Stage in Los Angeles, California, Stati Uniti (dal 1957-01-15 al 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-02-23) e Metropolitan Sports Center in Bloomington, Minnesota, Stati Uniti (il 1976-10-17)
registrazione cover di:
One Night (dal 1957-01-15 al 1957-02-23)
autore:
Dave Bartholomew, Pearl King e Anita Steiman
editore:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) e Travis Music, Inc.
versione di:
One Night (of Sin)
registrazione dal vivo cover di:
One Night (il 1976-10-17)
autore:
Dave Bartholomew, Pearl King e Anita Steiman
editore:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) e Travis Music, Inc.
versione di:
One Night (of Sin)
registrazione di:
One Night
autore:
Dave Bartholomew, Pearl King e Anita Steiman
editore:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) e Travis Music, Inc.
versione di:
One Night (of Sin)
Elvis Presley2.72:33
75Save the Last Dance for Me
registrazione di:
Save the Last Dance for Me
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters2:37
76Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:21
77Love Potion, No. 9
registrazione di:
Love Potion No. 9
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Freddy Bienstock Music Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) e Sony/ATV Songs LLC
The Clovers1:52
78Summertime Blues
registrazione di:
Summertime Blues (nel 1958-05)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran1:56
79Lipstick on Your Collar
registrazione di:
Lipstick on Your Collar
paroliere:
Edna Lewis
compositore:
George Goehring
editore:
Anne-Rachel Music Corp.
Connie Francis2:16
80Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion22:51
81All Shook Up
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-12 al 1957-01-13)
batteria :
D.J. Fontana (dal 1957-01-12 al 1957-01-13)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-12 al 1957-01-13) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-01-12 al 1957-01-13)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1957-01-12 al 1957-01-13)
voce:
Elvis Presley (“The King of Rock and Roll”) e The Jordanaires (southern gospel group) (dal 1957-01-12 al 1957-01-13)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
remixer:
Dennis Ferrante
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-01-12 al 1957-01-13) e Bloch Arena in Honolulu, Hawaii, Stati Uniti (il 1961-03-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 353)
registrazione cover di:
All Shook Up (il 1957-01-12)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) e Shalimar Music Corp.
Elvis Presley3.652:03
82Do You Want to Dance
registrata a:
Stati Uniti
produttore:
Morty Palitz
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 39)
registrazione di:
Do You Want to Dance
paroliere e compositore:
Bobby Freeman
editore:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp. e Sherwin Music (publisher)
sub-editore:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
registrazione di:
Do You Want to Dance?
compositore:
Jerry Cohen, Gene McFadden e John Whitehead
Bobby Freeman3.52:34
83At the Hop
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors2:37
84Stupid Cupid
registrazione di:
Stupid Cupid
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
Connie Francis2:13
85Oh Boy
registrazione di:
Oh, Boy!
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) e Wren Music Co.
The Crickets2:07
86Surrender
produttore:
Steve Sholes
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-10-30)
batteria :
D.J. Fontana (il 1960-10-30) e Buddy Harman (Session drummer and songwriter) (il 1960-10-30)
chitarra :
Hank Garland (il 1960-10-30) e Scotty Moore (American guitarist and recording engineer) (il 1960-10-30)
pianoforte :
Floyd Cramer (il 1960-10-30)
sassofono :
Boots Randolph (il 1960-10-30)
strumenti:
Elvis Presley (“The King of Rock and Roll”) (il 1960-10-30)
voce:
Charlie Hodge (il 1960-10-30), The Jordanaires (southern gospel group) (il 1960-10-30) e Millie Kirkham (il 1960-10-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960, nel 1961) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-10-30)
registrazione di:
Surrender (il 1960-10-30)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
compositore:
Ernesto De Curtis (composer)
editore:
Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music e R&H Music
si basa su:
Torna a Surriento
Elvis Presley3.31:55
87Since I Don’t Have You
registrazione di:
Since I Don’t Have You
autore:
Jimmy Beaumont, William King III, Walter Lester, Larry Martin (US songwriter), Joe Rock (US songwriter/band manager), John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen e Janet Vogel
compositore:
Jimmy Beaumont, Joseph Rock (US songwriter/band manager), Walter Lester, Lennie Martin, John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen e Janet Vogel
editore:
Bonneyview Music Corp. (Bonneyview, Bonneyview Music), Bonnyview Music Corp., Calico Publishing Co. e Southern Music Publ. Co. Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Skyliners2:37
88To Know Him Is to Love Him
registrazione di:
To Know Him Is to Love Him
paroliere e compositore:
Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. e Vogue Music
The Teddy Bears2:23
89You Belong to Me
voce solista:
Jo Stafford
orchestra:
Paul Weston and His Orchestra
registrazione di:
You Belong to Me
autore:
Pee Wee King, Chilton Price e Redd Stewart
editore:
Hill & Range Inc. (publisher) e Ridgeway Music Co, Inc.
Jo Stafford3:05
90Who’s Sorry Now
voce:
Connie Francis (American former actress and chart-topping singer)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1958)
registrazione cover di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
registrazione di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
Connie Francis4.52:23
91What Do You Want
produttore:
John Barry (English score composer) e John Burgess (British record producer)
voce:
Adam Faith (il 1959-09-25)
direttore d'orchestra e esecutore:
John Barry (English score composer) (il 1959-09-25)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1959-09-25)
registrazione di:
What Do You Want? (il 1959-09-25)
paroliere e compositore:
Les Vandyke
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:39
92It Had to Be You
registrazione di:
It Had to Be You (il 1951-11-09)
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
Doris Day2:41
93Alone at Last
Jackie Wilson3:04
94This Magic Moment
registrazione di:
This Magic Moment
paroliere e compositore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Unichappell Music, Inc.
The Drifters2:29
95Whatever Will Be Will Be
voce:
Doris Day (il 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (il 1956-02-24)
direttore d'orchestra:
Frank De Vol (il 1956-02-24)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (dal 1956 a oggi)
registrazione cover di:
Que será, será (Whatever Will Be, Will Be) (il 1956-02-24)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
The 29th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1956 winner)
Doris Day2:06
96Dream Lover
registrazione di:
Dream Lover
paroliere e compositore:
Bobby Darin
editore:
Screen Gems–EMI Music Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Bobby Darin2:40
97Heartbeat
registrazione di:
Heartbeat
autore:
Bob Montgomery (USA) e Norman Petty
editore:
Melody Lane Publications Inc. e Peermusic (UK) Limited
Buddy Holly2:13
98Teenager in Love
esecutore:
Dion & The Belmonts
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 7)
registrazione di:
A Teenager in Love (nel 1959)
paroliere:
Doc Pomus
compositore:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:43
99Heartbreak Hotel
registrazione di:
Heartbreak Hotel
autore:
Mae Boren Axton, Tommy Durden e Elvis Presley (“The King of Rock and Roll”)
editore:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing e Unichappell Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Elvis Presley2:14
100What Do You Want to Make Those Eyes at Me For
registrazione di:
What Do You Want to Make Those Eyes at Me For?
paroliere:
Howard Johnson (songwriter / lyricist) e Joseph McCarthy (lyricist, 1885–1943)
compositore:
James V. Monaco
editore:
EMI United Partnership Ltd.
parte di:
Irene (the musical)
Emile Ford & the Checkmates22:05

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Allmusic:https://www.allmusic.com/album/mw0002496561 [info]