100 Love Songs & Love Ballads

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1At Last
Produzent(in):
Leonard Chess, Phil Chess und Leonard and Phil Chess (legendary US production duo)
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographisches Urheberrecht (℗) von:
Windswept Pacific Music Ltd.
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 115) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 356)
cover recording of:
At Last (in 1960-10)
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Etta James4.53:05
2Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, Frankreich (am 1958-09-24)
Produzent(in):
Buck Ram
Sologesang:
Tony Williams (lead singer for The Platters)
Interpret(in):
The Platters
cover recording of:
Smoke Gets in Your Eyes (am 1958-09-24)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters3.752:43
3These Arms of Mine
recording of:
These Arms of Mine
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc. und Regent Music Corp. (BMI)
Otis Redding42:35
4True Love Ways
recording of:
True Love Ways
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly2:52
5When I Fall in Love
cover recording of:
When I Fall in Love
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole3:14
6You Send Me
Produzent(in):
Robert “Bumps” Blackwell
Bass:
Ted Brinson (am 1957-06-01)
Gitarre:
Clifton White (am 1957-06-01) und René Hall (am 1957-06-01)
Schlagzeug:
Earl Palmer (am 1957-06-01)
Hintergrundgesang:
Charles Parlato, Alicia Adams (singer) (am 1957-06-01), Sue Allen (am 1957-06-01) und Lee Gotch (am 1957-06-01)
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”) (am 1957-06-01)
Orchester:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (am 1957-06-01)
conductor:
Glenn Osser (am 1957-06-01)
phonographisches Urheberrecht (℗) von:
Keen (in 1958)
aufgenommen bei:
Specialty Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-06-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 115)
recording of:
You Send Me (am 1957-06-01)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
zusätzliche(r) Verfasser(in):
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Sam Cooke42:45
7Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
Elvis Presley3.552:46
8Nature Boy
recorded in:
New York, New York, Vereinigte Staaten (am 1947-08-22)
Geige / Violine:
Harry Bluestone (am 1947-08-22)
Klavier:
Nat King Cole (am 1947-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-08-22)
zusätzlich Gitarre:
Oscar Moore (am 1947-08-22)
vocals:
Nat King Cole (am 1947-08-22)
Orchester:
Frank De Vol Orchestra (am 1947-08-22)
recording of:
Nature Boy (am 1947-08-22)
Texter und Komponist(in):
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole32:41
9Venus
vocals:
Frankie Avalon (American actor, singer)
conductor und chorus master:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Chancellor Records Inc. (in 1959)
recording of:
Venus
Texter und Komponist(in):
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:25
10Can’t Help Falling in Love
Produzent(in):
Hugo & Luigi (US producers Hugo Peretti & Luigi Creatore)
vocals:
Elvis Presley (“The King of Rock and Roll”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 394)
recording of:
Can’t Help Falling in Love
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
Elvis Presley33:00
11Misty
recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Johnny Mathis3:33
12(I Love You) for Sentimental Reasons
Gitarre:
Oscar Moore (am 1946-08-22)
Klavier:
Nat King Cole (am 1946-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-08-22)
vocals:
Nat King Cole (am 1946-08-22)
Interpret(in):
The Nat King Cole Trio (am 1946-08-22)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (am 1946-08-22)
Texter:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
Komponist(in):
William “Pat” Best
publisher:
MCA Duchess Music Corporation und Peter Maurice Music Co. Ltd.
Nat King Cole42:57
13I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Frank Sinatra3:41
14Tell Laura I Love Her
cover recording of:
Tell Laura I Love Her
Texter:
Ben Raleigh
Komponist(in):
Jeff Barry
publisher:
E.B. Marks Music Corp. und Steeplechase Music
Ricky Valance2:45
15That Ole Devil Called Love
alto saxophone:
Jack Cressey (am 1944-11-08) und Hymie Shertzer (am 1944-11-08)
Gitarre:
Carl Kress (am 1944-11-08)
Klavier:
Dave Bowman (jazz pianist) (am 1944-11-08)
Kontrabass:
Haig Stephens (am 1944-11-08)
Schlagzeug:
George Wettling (am 1944-11-08)
Tenorsaxophon:
Larry Binyon (am 1944-11-08) und Dave Harris (tenor saxo) (am 1944-11-08)
Trompete:
Russ Case (US trumpeter & bandleader) (am 1944-11-08)
vocals:
Billie Holiday (am 1944-11-08)
recording of:
That Ole Devil Called Love (am 1944-11-08)
Texter:
Doris Fisher (in 1944)
Komponist(in):
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:54
16I Can’t Stop Loving You
cover recording of:
I Can’t Stop Lovin’ You
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC und Acuff-Rose Publications, Inc. (BMI) (am 1958-02-07)
Ray Charles4:14
17My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:38
18Magic Moments
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1957-12-03) und The Ray Charles Singers (am 1957-12-03)
Orchester:
Mitchell Ayres and His Orchestra (am 1957-12-03)
arranger:
Joe Reisman
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1958)
recording of:
Magic Moments (am 1957-12-03)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Music Publishing Ltd. und MCA Music Ltd.
Perry Como3.152:43
19It Doesn’t Matter
recording of:
It Doesn’t Matter Anymore
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Robert Mellin Ltd.
Buddy Holly2:07
20Moon River
recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Andy Williams2:44
21You Made Me Love You
Nat King Cole2:59
22On the Street Where You Live
recording of:
On the Street Where You Live (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
Vic Damone2:41
23Spanish Harlem
recording of:
Spanish Harlem
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
Ben E. King2:53
24La mer (Beyond the Sea)
recording of:
Beyond the Sea
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
übersetzte Version von:
La Mer
Bobby Darin2:56
25Mack the Knife
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 40) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:05
26That’s Amore
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:06
27I Left My Heart in San Francisco
Produzent(in):
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1962-01-23)
conductor:
Marty Manning
arranger:
Marty Manning
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 485)
cover recording of:
I Left My Heart in San Francisco (am 1962-01-23)
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. und EMI April Music Inc.
Tony Bennett32:52
28Young at Heart
recording of:
Young at Heart (Frank Sinatra song)
Texter:
Carolyn Leigh
Komponist(in):
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Frank Sinatra2:51
29Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
30Mona Lisa
cover recording of:
Mona Lisa
Texter:
Raymond B. Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1950 winner)
Nat King Cole3:17
31You’re the One
Klavier:
Stan Freeman (am 1951-01-16)
arranger:
Axel Stordahl
recording of:
You’re the One (am 1951-01-16)
Verfasser(in):
Ned Washington und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Barton Music Corp.
Frank Sinatra3:04
32Someone to Watch Over Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1950-09-12)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Ella Fitzgerald3:16
33The Heart of a Man
recording of:
The Heart of a Man (1958 song)
Texter:
Paddy Roberts (singer/songwriter)
Komponist(in):
Peggy Cochrane (UK musician, composer, broadcaster 1902-1988)
Frankie Vaughan22:23
34Again
recording of:
Again
Texter:
Dorcas Cochran
Komponist(in):
Lionel Newman
Doris Day2:49
35The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:43
36Unchained Melody
cover recording of:
Unchained Melody
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
Jimmy Young2:38
37Sea of Love
Produzent(in):
Trevor Jones (South African score composer)
Mix:
John Richards (engineer)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 39)
recording of:
Sea of Love
publisher:
Fort Knox Music Co und Tek Publishing
Phil Phillips4.52:24
38Why
recording of:
Why (1959 song)
Texter:
Robert P. Marcucci
Komponist(in):
Peter de Angelis
publisher:
Debmar Publishing Co., Inc.
Frankie Avalon2:37
39Poetry in Motion
cover recording of:
Poetry in Motion
Verfasser(in):
Mike Anthony (US songwriter) und Paul Kaufman (songwriter)
Johnny Tillotson2:28
40Put Your Head on My Shoulder
recording of:
Put Your Head on My Shoulder
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (beendet), Chrysalis Standards Inc. und Epa Publishing
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka2:45
41Stardust
recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Nat King Cole3:17
42Am I the Man
cover recording of:
Am I the Man
Verfasser(in):
Bob Hamilton (Doowop composer) und Tom King (50s & 60s songwriter)
Jackie Wilson2:39
43Tears on My Pillow
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 30) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 478)
recording of:
Tears on My Pillow
Texter:
Al Lewis (Tin Pan Alley era lyricist)
Komponist(in):
Sylvester Bradford
publisher:
Gladys Music (in 1958), Sovereign Music Co. (in 1958) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1989)
Little Anthony & the Imperials2.52:15
44Love Letters in the Sand
recording of:
Love Letters in the Sand
Texter:
Charles Kenny (songwriter, violinist) und Nick Kenny
Komponist(in):
J. Fred Coots, Charles Kenny (songwriter, violinist) und Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. und Francis, Day & Hunter Ltd.
Pat Boone22:25
45I Fall to Pieces
Produzent(in):
Owen Bradley
Akustikgitarre:
Randy Hughes
akustische Bassgitarre:
Bob Moore (U.S. bassist and bandleader)
Bass:
Harold Bradley
E-Gitarre:
Hank Garland
Klavier:
Hargus “Pig” Robbins
Schlagzeug:
Doug Kirkham
Steel-Gitarre:
Ben Keith
vocals:
Patsy Cline
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1960-11-16)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 40) und Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 72)
cover recording of:
I Fall to Pieces (am 1960-11-16)
Komponist(in):
Hank Cochran (Nashville singer and songwriter) und Harlan Howard
Patsy Cline52:50
46Pledging My Love
Orchester:
Johnny Otis Orchestra
recording of:
Pledging My Love
Verfasser(in):
Don Robey und Ferdinand Washington (blues and rhythm and blues songwriter)
publisher:
Songs of Universal, Inc. (BMI), Spirit One Music und Wemar Music Corp.
Johnny Ace42:28
47Some Enchanted Evening
recording of:
Some Enchanted Evening (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music, Inc.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Perry Como3:36
48All of Me
recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
Frank Sinatra22:07
49Are You Lonesome Tonight
cover recording of:
Are You Lonesome Tonight?
Texter:
Roy Turk
Komponist(in):
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music und Redwood Music Ltd. (Carlin)
Elvis Presley3:07
50Sealed With a Kiss
recording of:
Sealed With a Kiss
Verfasser(in):
Gary Geld und Peter Udell
uraufgeführt von:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) und Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland2:41
51Twilight Time
recording of:
Twilight Time
Texter:
Buck Ram
Komponist(in):
Artie Dunn, Al Nevins und Morty Nevins
publisher:
Chappell Music (UK), Devon Music Inc., EMI Davis Music Australia Pty Limited, Porgie Music, Songs of Universal, Inc. (BMI) und Victoria Music Publishing Co. Ltd.
übersetzte Version von:
Al caer la noche
The Platters2:50
52Because of You
cover recording of:
Because of You
Verfasser(in):
Arthur Hammerstein und Dudley Wilkinson
publisher:
Julian Stearns Arena Music, Inc
Tony Bennett2:57
53Walking My Baby Back Home
recording of:
Walkin’ My Baby Back Home
Texter:
Roy Turk (in 1930)
Komponist(in):
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Johnnie Ray2:21
54That Old Black Magic
cover recording of:
That Old Black Magic
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Sammy Davis Jr.22:35
55Sentimental Journey
recording of:
Sentimental Journey
Texter:
Bud Green (in 1944)
Komponist(in):
Les Brown (American big band & jazz musician) (in 1944) und Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. und Morley Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Doris Day3:14
56As I Love You
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Wally Stott & His Orchestra & Chorus
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1958)
recording of:
As I Love You (1958 song from the film "The Big Beat")
Verfasser(in):
Ray Evans (American songwriter) und Jay Livingston
publisher:
Larry Shayne Enterprises und Warner Chappell Music, Inc.
Shirley Bassey32:56
57In the Still of the Night
Produzent(in):
Marty Kugell
Klavier:
Curlee Glover (in 1956-02)
Kontrabass:
Doug Murray (double bassist) (in 1956-02)
Schlagzeug [drums]:
Bobby Mapp (in 1956-02)
Solo-Saxophon:
Vinny Mazzetta (in 1956-02)
vocals:
Al Denby (in 1956-02), Jim Freeman (American singer and songwriter) (in 1956-02), Ed Martin (in 1956-02), Nat Mosley (in 1956-02) und Fred Parris (in 1956-02)
phonographisches Urheberrecht (℗) von:
Standard Records (in 1956)
aufgenommen bei:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Vereinigte Staaten (in 1956-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 170)
recording of:
In the Still of the Night (Five Satins doo-wop song) (in 1956-02)
Texter und Komponist(in):
Fred Parris
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Llee Corp. (LLEE Corporation) (in 1956)
The Five Satins4.53:05
58Donna
recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Aberbach Musikverlag (German publisher) und Carlin Music Corporation
Ritchie Valens2:28
59Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:44
60Young Love
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-10-30)
Hintergrundgesang:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-10-30)
Sologesang:
Sonny James (US country singer and songwriter) (am 1956-10-30)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 40)
cover recording of:
Young Love (am 1956-10-30)
Verfasser(in):
Ric Cartey (US rockabilly singer and songwriter) und Carole Joyner
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Sonny James2:32
61It’s Now or Never
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
cover recording of:
It’s Now or Never (am 1960-04-03)
Texter:
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
Komponist(in):
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music und Williamson Music Company
Version von:
’O sole mio
Elvis Presley3.753:18
62Stranger in Paradise
recorded in:
New York, Vereinigte Staaten (am 1953-10-13)
Stimme/Gesang:
Tony Bennett (US jazz/standards vocalist) und The Ray Charles Singers
vocals:
Tony Bennett (US jazz/standards vocalist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (am 1953-10-13)
Texter:
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
Komponist(in):
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Frank Music Co. Ltd. (vom 1953 bis heute)
basiert auf:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
Teil von:
Kismet (full musical)
Tony Bennett3:07
63All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers2:21
64Sixteen Reasons
recording of:
Sixteen Reasons
Verfasser(in):
Bill & Doree Post
Connie Stevens42:00
65I Only Have Eyes for You
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 157) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 175)
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
The Flamingos4.253:24
66A Fool for You
recorded in:
Miami, Florida, Vereinigte Staaten (am 1955-04-23)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
alto saxophone [alto sax] und baritone saxophone [baritone sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1955-04-23)
Bass:
Roosevelt "Whiskey" Sheffield (am 1955-04-23)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1955-04-23)
Schlagzeug:
William Peeples (am 1955-04-23)
Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1955-04-23)
Trompete:
Joe Bridgewater (am 1955-04-23) und Riley Webb (am 1955-04-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1955-04-23)
arranger:
Ray Charles (soul musician, singer and songwriter)
recording of:
A Fool for You (am 1955-04-23)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
Ray Charles23:02
67Wake Up Little Susie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:01
68Wild Cat
Gene Vincent2:27
69That’ll Be the Day
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets2:20
70I’ve Got a Woman
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (am 1954-11-18)
Bass:
Jimmy Bell (jazz bassist) (am 1954-11-18)
Gitarre:
Wesley Jackson (US R&B guitarist) (am 1954-11-18)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
Schlagzeug:
Glenn Brooks (am 1954-11-18)
Solo-Tenorsaxophon:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1954-11-18)
Trompete:
Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
WGST Studio in Atlanta, Georgia, Vereinigte Staaten (am 1954-11-18)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2019) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 235)
recording of:
I Got a Woman (am 1954-11-18)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles4.52:50
71Come Softly to Me
recording of:
Come Softly to Me
Verfasser(in):
Gretchen Christopher, Barbara Ellis und Gary Troxel (The Fleetwoods’ lead singer and songwriter)
publisher:
Chappell Morris, EMI Unart Catalog Inc. und Unart Music Corp. (in 1958, in 1959)
The Fleetwoods2:26
72Only You (and You Alone)
Klavier:
Buck Ram (am 1955-04-26)
Sologesang:
Tony Williams (lead singer for The Platters) (am 1955-04-26)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey) (am 1955-04-26)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 10)
recording of:
Only You (am 1955-04-26)
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:37
73Pretty Blue Eyes
cover recording of:
Pretty Blue Eyes (1959 song)
Verfasser(in):
Teddy Randazzo und Bob Weinstein (US film producer)
Craig Douglas2:13
74One Night
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-15 bis 1957-01-18)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-15 bis 1957-01-18) und Tiny Timbrell (von 1957-01-15 bis 1957-01-18)
Klavier:
Dudley Brooks (von 1957-01-15 bis 1957-01-18)
Schlagzeug:
D.J. Fontana (von 1957-01-15 bis 1957-01-18)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-02-23)
vocals:
The Jordanaires (southern gospel group) (von 1957-01-15 bis 1957-01-18)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957, in 1959) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Paramount Scoring Stage in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-15 bis 1957-01-18), Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-02-23) und Metropolitan Sports Center in Bloomington, Minnesota, Vereinigte Staaten (am 1976-10-17)
cover recording of:
One Night (von 1957-01-15 bis 1957-02-23)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
live cover recording of:
One Night (am 1976-10-17)
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
recording of:
One Night
Verfasser(in):
Dave Bartholomew, Pearl King und Anita Steiman
publisher:
Elvis Presley Music Inc., Sony/ATV Music Publishing LLC (1995–2020) und Travis Music, Inc.
Version von:
One Night (of Sin)
Elvis Presley2.72:33
75Save the Last Dance for Me
recording of:
Save the Last Dance for Me
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters2:37
76Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:21
77Love Potion, No. 9
recording of:
Love Potion No. 9
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Freddy Bienstock Music Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) und Sony/ATV Songs LLC
The Clovers1:52
78Summertime Blues
recording of:
Summertime Blues (in 1958-05)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran1:56
79Lipstick on Your Collar
recording of:
Lipstick on Your Collar
Texter:
Edna Lewis
Komponist(in):
George Goehring
publisher:
Anne-Rachel Music Corp.
Connie Francis2:16
80Runaround Sue
recording of:
Runaround Sue
Texter:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
Komponist(in):
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. und Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion22:51
81All Shook Up
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-12 bis 1957-01-13)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-12 bis 1957-01-13) und Elvis Presley (“The King of Rock and Roll”) (von 1957-01-12 bis 1957-01-13)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1957-01-12 bis 1957-01-13)
Schlagzeug:
D.J. Fontana (von 1957-01-12 bis 1957-01-13)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (southern gospel group) (von 1957-01-12 bis 1957-01-13)
remixer:
Dennis Ferrante
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-01-12 bis 1957-01-13) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 353)
cover recording of:
All Shook Up (am 1957-01-12)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) und Shalimar Music Corp.
Elvis Presley3.652:03
82Do You Want to Dance
recorded in:
Vereinigte Staaten
Produzent(in):
Morty Palitz
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 39)
recording of:
Do You Want to Dance
Texter und Komponist(in):
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp. und Sherwin Music (publisher)
sub-publisher:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
recording of:
Do You Want to Dance?
Komponist(in):
Jerry Cohen, Gene McFadden und John Whitehead
Bobby Freeman3.52:34
83At the Hop
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors2:37
84Stupid Cupid
recording of:
Stupid Cupid
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
Connie Francis2:13
85Oh Boy
recording of:
Oh, Boy!
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
The Crickets2:07
86Surrender
Produzent(in):
Steve Sholes
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-10-30)
Gitarre:
Hank Garland (am 1960-10-30) und Scotty Moore (American guitarist and recording engineer) (am 1960-10-30)
Instrumente:
Elvis Presley (“The King of Rock and Roll”) (am 1960-10-30)
Klavier:
Floyd Cramer (am 1960-10-30)
Saxophon:
Boots Randolph (am 1960-10-30)
Schlagzeug:
D.J. Fontana (am 1960-10-30) und Buddy Harman (Session drummer and songwriter) (am 1960-10-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Charlie Hodge (am 1960-10-30), The Jordanaires (southern gospel group) (am 1960-10-30) und Millie Kirkham (am 1960-10-30)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960, in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-10-30)
recording of:
Surrender (am 1960-10-30)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
Komponist(in):
Ernesto De Curtis (composer)
publisher:
Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music und R&H Music
basiert auf:
Torna a Surriento
Elvis Presley3.31:55
87Since I Don’t Have You
recording of:
Since I Don’t Have You
Verfasser(in):
Jimmy Beaumont, William King III, Walter Lester, Larry Martin (US songwriter), Joe Rock (US songwriter/band manager), John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen und Janet Vogel
Komponist(in):
Jimmy Beaumont, Joseph Rock (US songwriter/band manager), Walter Lester, Lennie Martin, John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen und Janet Vogel
publisher:
Bonneyview Music Corp. (Bonneyview, Bonneyview Music), Bonnyview Music Corp., Calico Publishing Co. und Southern Music Publ. Co. Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Skyliners2:37
88To Know Him Is to Love Him
recording of:
To Know Him Is to Love Him
Texter und Komponist(in):
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Bourne Music Ltd., Mother Bertha Music Inc. und Vogue Music
The Teddy Bears2:23
89You Belong to Me
Solo vocals:
Jo Stafford
Orchester:
Paul Weston and His Orchestra
cover recording of:
You Belong to Me
Verfasser(in):
Pee Wee King, Chilton Price (country music songwriter) und Redd Stewart
publisher:
Hill & Range Inc. (publisher) und Ridgeway Music Co, Inc.
Jo Stafford3:05
90Who’s Sorry Now
vocals:
Connie Francis (American former actress and chart-topping singer)
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1958)
cover recording of:
Who’s Sorry Now? (1923 song)
Texter:
Bert Kalmar (in 1923) und Harry Ruby (in 1923)
Komponist(in):
Ted Snyder (in 1923)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (am 1923-03-07) und Mills Music Corporation (in 1929)
Connie Francis4.52:23
91What Do You Want
Produzent(in):
John Barry (English score composer) und John Burgess (British record producer)
vocals:
Adam Faith (am 1959-09-25)
conductor und Interpret(in):
John Barry (English score composer) (am 1959-09-25)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1959-09-25)
recording of:
What Do You Want? (am 1959-09-25)
Texter und Komponist(in):
Les Vandyke
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:39
92It Had to Be You
recording of:
It Had to Be You (am 1951-11-09)
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Doris Day2:41
93Alone at Last
Jackie Wilson3:04
94This Magic Moment
recording of:
This Magic Moment
Texter und Komponist(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Unichappell Music, Inc.
The Drifters2:29
95Whatever Will Be Will Be
vocals:
Doris Day (am 1956-02-24)
Orchester:
Frank De Vol and His Orchestra (am 1956-02-24)
conductor:
Frank De Vol (am 1956-02-24)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (vom 1956 bis heute)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (am 1956-02-24)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1956 winner)
Doris Day2:06
96Dream Lover
recording of:
Dream Lover
Texter und Komponist(in):
Bobby Darin
publisher:
Screen Gems–EMI Music Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Bobby Darin2:40
97Heartbeat
recording of:
Heartbeat
Verfasser(in):
Bob Montgomery (USA) und Norman Petty
publisher:
Melody Lane Publications Inc. und Peermusic (UK) Limited
Buddy Holly2:13
98Teenager in Love
Interpret(in):
Dion & The Belmonts
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 7)
recording of:
A Teenager in Love (in 1959)
Texter:
Doc Pomus
Komponist(in):
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:43
99Heartbreak Hotel
recording of:
Heartbreak Hotel
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Elvis Presley2:14
100What Do You Want to Make Those Eyes at Me For
recording of:
What Do You Want to Make Those Eyes at Me For?
Texter:
Howard Johnson (songwriter / lyricist) und Joseph McCarthy (lyricist, 1885–1943)
Komponist(in):
James V. Monaco
publisher:
EMI United Partnership Ltd.
Teil von:
Irene (the musical)
Emile Ford & the Checkmates22:05

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Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0002496561 [Info]