Nostalgie What a Feeling! The Big 5: Slow Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Skinny Love
Techniker(in) und Mix:
Paul ‘P Dub’ Walton
Produzent(in):
Alex H.N.Gilbert (A&R at UK label 14th Floor Records)
Klavier:
Birdy (UK singer Jasmine van den Bogaerde)
vocals:
Birdy (UK singer Jasmine van den Bogaerde)
aufgenommen bei:
Dean St. Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Skinny Love (music video) von Birdy (UK singer Jasmine van den Bogaerde)
cover recording of:
Skinny Love
Texter und Komponist(in):
Justin Vernon
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Birdy3.553:23
2Mandy
Koproduzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Ron Dante und Barry Manilow
Sologesang:
Barry Manilow (in 1978)
Saiteninstrumente arranger:
Joe Renzetti (US film composer, session musician)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974) und Bell Records (50s-70s US/UK pop, later became Arista) (in 1974)
cover recording of:
Brandy (more popularly known as Mandy) (in 1978)
Texter:
Scott English
Komponist(in):
Richard Kerr
publisher:
Chappell Morris (publisher), Chappell/Morris Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Barry Manilow43:20
3I’m Not in Love
recording engineer:
10cc (in 1974)
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Bass und Gitarre:
Graham Gouldman (in 1974)
Effektgerät [musical effects], Hybrid-Piano und Sologesang:
Eric Stewart (in 1974)
Klavier:
Lol (in 1974)
Moog:
Kevin (in 1974)
Synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) und Eric Stewart (in 1974)
Hintergrundgesang:
Graham Gouldman (in 1974), Kevin (in 1974) und Lol (in 1974)
sonstiger Gesang [whisper vocals]:
Kathy Redfern (in 1974)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) und Mercury Records Ltd. (not for release label use!) (in 1996)
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1974)
Musikvideos:
I’m Not in Love von 10cc
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 319)
recording of:
I’m Not in Love (in 1974)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc3.856:04
4Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bangles3.753:59
5The Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.353:57
6Do That to Me One More Time
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979)
recording of:
Do That to Me One More Time
Texter und Komponist(in):
Toni Tennille
publisher:
Fujipacific Music, Inc. und Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille4.653:45
7You Are So Beautiful
Produzent(in):
Don Was
Akustikgitarre:
Dean Parks (American session guitarist)
Bass:
Hutch Hutchinson (American bassist)
Bratsche / Viola:
Denyse Buffum und Evan Wilson (viola player)
Cello:
Suzie Katayama und Rudy Stein
Geige / Violine:
Peter Kent (violinist) und Sid Page
Hammond-Orgel [Hammond B3 organ]:
Billy Preston
Klavier:
Chris Stainton (keyboard player, session musician and songwriter)
Perkussion und Schlagzeug:
Kenny Aronoff und Jim Keltner
Resonatorgitarre [dobro]:
Greg Leisz
Synthesizer:
Jamie Muhoberac
Hintergrundgesang:
Merry Clayton, Portia Griffin, Maxine Sharp und Myrna Smith
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
cover recording of:
You Are So Beautiful
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) und Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker3.82:43
8If You Don’t Know Me by Now
assistierende(r) Techniker(in):
Clark Germain und Karl Lever
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Produzent(in):
Stewart Levine (record producer and saxophonist)
zusätzliche(r) Produzent(in):
Mick Hucknall (lead singer of Simply Red)
Bass:
Tony Bowers
Gitarre:
Heitor T. P.
Keyboard:
Tim Kellett und Fritz McIntyre
Perkussion:
Lennie Castro
Saxophon:
Ian Kirkham
Schlagzeug:
Chris Joyce (drummer for Simply Red)
Trompete:
Tim Kellett
Hintergrundgesang:
Fritz McIntyre und Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
Sologesang:
Mick Hucknall (lead singer of Simply Red)
Interpret(in):
Simply Red (English soul and pop band)
phonographisches Urheberrecht (℗) von:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (in 1989), Warner Music UK Ltd. (not for release label use!) (in 1989) und WEA Records Ltd. (holding company based in the UK) (in 1989)
produced for:
Oliverea Productions Ltd
cover recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:26
9What’s a Woman
assistierende(r) Produzent(in):
Marc François
Produzent(in):
Dani Klein (Belgian singer (Vaya Con Dios)) und Dirk Schoufs
arranger:
Michael Gielen (Austrian conductor and composer) und Dirk Schoufs
phonographisches Urheberrecht (℗) von:
BMG Ariola Belgium NV/SA (do not use this as an imprint!) (in 1990)
recording of:
What’s a Woman?
Texter:
Dani Klein (Belgian singer (Vaya Con Dios))
Komponist(in):
Michael Gielen (Austrian conductor and composer), Dani Klein (Belgian singer (Vaya Con Dios)) und Dirk Schoufs
publisher:
BMG Ariola Belgium NV/SA (do not use this as an imprint!) und Vaya Con Dios Sprl
Vaya Con Dios3.53:52
10Can’t Help Falling in Love
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-03-23)
Celesta [celeste]:
Dudley Brooks (am 1961-03-23)
Gitarre:
Hank Garland (am 1961-03-23), Scotty Moore (American guitarist and recording engineer) (am 1961-03-23) und Tiny Timbrell (am 1961-03-23)
Klavier:
Dudley Brooks (am 1961-03-23) und Floyd Cramer (am 1961-03-23)
Mundharmonika:
George Fields (am 1961-03-23)
Saxophon:
Boots Randolph (am 1961-03-23)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1961-03-23), D.J. Fontana (am 1961-03-23) und Bernie Mattinson (am 1961-03-23)
Steel-Gitarre:
Alvino Rey (am 1961-03-23)
Ukulele:
Bernie Lewis (am 1961-03-23) und Fred Tavares (am 1961-03-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1961-03-23)
vocals:
The Jordanaires (southern gospel group) (am 1961-03-23) und The Surfers (a.k.a. The Hawaiian Surfers) (am 1961-03-23)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1961-03-23)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 137)
recording of:
Can’t Help Falling in Love (am 1961-03-23)
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
Elvis Presley4.12:57
11Hello
Produzent(in):
James Anthony Carmichael und Lionel Richie
Interpret(in):
Ocobamba
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
Texter und Komponist(in):
Lionel Richie
zusätzliche(r) Verfasser(in):
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:09
12I Will Always Love You
Techniker(in):
David Reitzas, Bill Schnee und Peter Yianilos
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Whitney Houston
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
David Reitzas
künstlerische Leitung:
Rickey Minor (bass player, music director, composer, music producer)
Solo-Saxophon:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 60), New York Post: 100 Greatest Covers (2007) (Nummer: 59), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 60) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 94)
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
Whitney Houston4.54:28
13Domino
recording of:
Domino (from ‘Of zo’ by Clouseau)
Texter und Komponist(in):
Jan Savenberg (Belgian songwriter)
publisher:
Kalzoo Music
Clouseau4:07
14Tonight, I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
Techniker(in):
Howard Wolin und Jeremy Smith (producer/engineer)
Produzent(in):
Michael Masser
Mix:
Dick Bogart (Recording and mixing engineer) und Russ Terrano
Bassgitarre [bass]:
Nathan East (in 1983)
Gitarre:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
Klavier:
Randy Kerber (in 1983)
Schlagzeug:
Carlos Vega (in 1983)
vocals:
Peabo Bryson (in 1983) und Roberta Flack (singer and pianist) (in 1983)
arranger:
Michael Masser und Gene Page (conductor, composer, arranger and record producer)
Orchestrator(in):
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
A&M Records Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983) und Studio Sound in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Tonight, I Celebrate My Love (in 1983)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:30
15She’s Like the Wind
assistierende(r) Techniker(in):
Dan Nebenzal
Techniker(in):
Carmine Rubino
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
Sologesang:
Patrick Swayze
vocals:
Wendy Fraser
zusätzliche(r) Orchestrator(in):
John D’Andrea
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
produced for:
Mike Curb Productions
aufgenommen bei:
Michael Lloyd Studio in Beverly Hills, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
She’s Like the Wind (music video) von Patrick Swayze
recording of:
She’s Like the Wind
Verfasser(in):
Patrick Swayze (in 1984) und Stacy Widelitz (in 1984)
publisher:
Plainview Diner Music, Very Tony Music, Strawberry Fork Music, Inc. (in 1987) und Troph Productions, Inc. (in 1987)
Patrick Swayze & Wendy Fraser4.353:49
16Je t’attends
recording of:
Je t’attends
Texter:
Richard Seff
Komponist(in):
Daniel Seff
publisher:
Angel's Way, Editions Banlieue Sud und Sony/ATV Music Publishing LLC (1995–2020)
Axelle Red3:33
17She Goes Nana
recording of:
She Goes Nana
Verfasser(in):
Ronny Mosuse (Belgian songwriter & musician) und Bart Peeters (Belgian singer, songwriter, TV host)
The Radios3:44
18Mad About You
membranophone-Programmierung:
Phil Chill
Produzent(in):
Alex Callier (member of Hooverphonic) und Roland Herrington
assistierende(r) Mix:
Mark Ryan (mixer)
Mix:
Alex Callier (member of Hooverphonic)
conductor:
Matt Dunkley
Saiteninstrumente arranger:
Matt Dunkley
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Belgium) S.A./N.V. (not for release label use! BE subsidiary of SBE until 2005-7) (in 2000)
mixed at:
SynSound (recording studio) in Brussels (Region Brüssel-Hauptstadt), Belgien
Musikvideos:
Mad About You / V1 von Hooverphonic (Belgian Pop & Trip-Hop band) und Mad About You / V2 von Hooverphonic (Belgian Pop & Trip-Hop band)
Teil von:
ZAMU Award: Song (Nummer: 2000)
recording of:
Mad About You
Texter und Komponist(in):
Alex Callier (member of Hooverphonic)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Hoover Music
Hooverphonic4.353:43
19Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
20How You Gonna See Me Now
leitende(r) Produzent(in):
Shep Gordon
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
recording of:
How You Gonna See Me Now
Texter:
Alice Cooper (the singer, active as a solo artist 1975‐present) und Bernie Taupin
Komponist(in):
Alice Cooper (the singer, active as a solo artist 1975‐present) und Dick Wagner
publisher:
Candlewood Mountain Music Publishing Inc., Early Frost Music Corp., Ezra Music Corp., Little Mole Music, Rouge Booze, Inc., Sony/ATV Songs LLC, Spirit One Music, Warner Bros. Music (publisher; do NOT use as release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Candlewood Mountain Music Corp. (in 1978), Ezra Music (in 1978) und Jodrell Music Inc. (in 1978)
Alice Cooper53:56
21I’ll Stand by You
Techniker(in):
Steve Williams (UK recording engineer, aka Syco)
Produzent(in):
Ian Stanley
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Adam Seymour
Schlagzeug:
Jimmy Copley und J.F.T. Hood
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 2000) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
Verfasser(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) und Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music, Kobalt Music Publishing Australia P/L und Kobalt Publishing Ltd.
Pretenders3.554:00
22Wrong
Novastar3:34
23Love Hurts
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton (singer-songwriter and guitarist)
Bassgitarre:
Pete Agnew (singer-songwriter and bassist)
Gitarre und Synthesizer:
Manny Charlton (singer-songwriter and guitarist)
Schlagzeug:
Darrell Sweet (drummer and songwriter)
Hintergrundgesang:
Pete Agnew (singer-songwriter and bassist) und Darrell Sweet (drummer and songwriter)
Sologesang:
Dan McCafferty (singer, songwriter)
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) und USM Copyrights Ltd. (in 1975)
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich und Escape Studios in Kent, England, Vereinigtes Königreich
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 75)
cover recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.43:53
24Wuthering Heights
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recording of:
Wuthering Heights
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush (am 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 1978 bis heute)
Kate Bush3:26
25Sailing
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Hintergrundgesang und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Synthesizer:
Rob Meurer
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Schlagzeug:
Tommy Taylor (US drummer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979, in 1981, in 2001)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sailing
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:16
26If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.23:54
27Nothing Compares 2 U
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (in 1990)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor3.654:40
28Nights in White Satin
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clark (engineer, Abbey Road)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues4.44:27
29The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:28
30It Must Have Been Love (Christmas for the Broken‐Hearted)
recording of:
It Must Have Been Love
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette44:48
31Classic
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
recording of:
Classic
Texter und Komponist(in):
Adrian Gurvitz
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp. und RAK Publishing Ltd.
Adrian Gurvitz33:41
32True
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet5:45
33Can’t Stay Away From You
recording engineer und Mix:
Eric C. Schilling
Produzent(in):
Lawrence Dermer (producer, singer-songwriter, synthesizer player), Joe Galdo (US drummer & percussionist) und Rafael Vigil
vocals:
Gloria M. Estefan
arranger:
Lawrence Dermer (producer, singer-songwriter, synthesizer player) und Joe Galdo (US drummer & percussionist)
aufgenommen bei und mixed at:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Can’t Stay Away From You
Texter und Komponist(in):
Gloria M. Estefan
Gloria Estefan & Miami Sound Machine3.53:59
34Kayleigh (1998 Remaster)
recording engineer:
Thomas Stiehler (von 1985-03 bis 1985-05)
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985)
Remix von:
Kayleigh (alternative mix) von Marillion (British progressive rock band)
Bearbeitung von:
Kayleigh von Marillion (British progressive rock band)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion4.353:35
35I’m Yours (radio edit)
recording of:
I’m Yours
Texter und Komponist(in):
Jason Mraz
publisher:
Goo Eyed Music
Jason Mraz3.53:34
36You Are the Reason
Sarah De Koster & Koen Wauters3:30
37What If
vocals:
Kate Winslet
Musikvideos:
What If von Kate Winslet
recording of:
What If
Texter und Komponist(in):
Wayne Hector und Steve Mac (British pop producer/songwriter Steve McCutcheon)
publisher:
Rokstone Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Kate Winslet2.54:04

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Parlophone Music Belgium (in 2013)
kostenlos streamen:https://open.spotify.com/album/52OLev8IPM5hrEjE2H3l6U [Info]