| # | Title | Artist | Rating | Length |
|---|
| 1 | Fidelio: Nr. 11 Introduktion und Arie : "Gott! - Welch Dunkel hier!" | Ludwig van Beethoven | | 5:26 |
| 2 | Fidelio: Nr. 11 Introduktion und Arie : "In des Lebens Frühlingstagen" | Ludwig van Beethoven | | 4:48 |
| 3 | Fidelio: Nr. 12 Melodram und Duett : "Wie kalt es ist" | Ludwig van Beethoven | | 2:02 |
| 4 | Fidelio: Nr. 12 Melodram und Duett : "Nur hurtig fort, nur frisch gegraben" | Ludwig van Beethoven | | 4:43 |
| 5 | Fidelio: Nr. 13 Terzett : "Euch werde Lohn"- assistant engineer:
- Tobias Lehmann, Jens Schünemann and Stefan Witzel
- engineer:
- Michael Brammann
- producer:
- Helmut Mühle
- solo bass vocals [Don Pizarro]:
- Sergei Leiferkus (in 1994-06)
- solo bass vocals [Rocco]:
- László Polgár (in 1994-06)
- solo soprano vocals [Leonore]:
- Charlotte Margiono (in 1994-06)
- solo tenor vocals [Florestan]:
- Peter Seiffert (in 1994-06)
- orchestra:
- Chamber Orchestra of Europe (in 1994-06)
- conductor:
- Nikolaus Harnoncourt (in 1994-06)
- recorded at:
- Stefaniensaal in Graz, Steiermark , Austria (in 1994-06)
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1994-06)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1994-06)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
| Ludwig van Beethoven | | 6:14 |
| 6 | Fidelio: Nr. 14 Quartett : "Er sterbe!"- assistant engineer:
- Tobias Lehmann, Jens Schünemann and Stefan Witzel
- engineer:
- Michael Brammann
- producer:
- Helmut Mühle
- solo bass vocals [Don Pizarro]:
- Sergei Leiferkus (in 1994-06)
- solo bass vocals [Rocco]:
- László Polgár (in 1994-06)
- solo soprano vocals [Leonore]:
- Charlotte Margiono (in 1994-06)
- solo tenor vocals [Florestan]:
- Peter Seiffert (in 1994-06)
- solo tenor vocals [Jaquino]:
- Deon van der Walt (in 1994-06)
- orchestra:
- Chamber Orchestra of Europe (in 1994-06)
- conductor:
- Nikolaus Harnoncourt (in 1994-06)
- recorded at:
- Stefaniensaal in Graz, Steiermark , Austria (in 1994-06)
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1994-06)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1994-06)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Akt II
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (in 1994-06)
- composer:
- Ludwig van Beethoven
- part of:
- Fidelio, op. 72: Akt II
| Ludwig van Beethoven | | 5:46 |
| 7 | Fidelio: Nr. 15 Duett : "O namenlose Freude!" | Ludwig van Beethoven | | 3:49 |
| 8 | Fidelio: Nr. 16 Finale : "Heil sei dem Tag"- assistant engineer:
- Tobias Lehmann, Jens Schünemann and Stefan Witzel
- engineer:
- Michael Brammann
- producer:
- Helmut Mühle
- choir vocals:
- Arnold Schoenberg Chor (in 1994-06)
- orchestra:
- Chamber Orchestra of Europe (in 1994-06)
- conductor:
- Nikolaus Harnoncourt (in 1994-06)
- recorded at:
- Stefaniensaal in Graz, Steiermark , Austria (in 1994-06)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (in 1994-06)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| Ludwig van Beethoven | | 1:54 |
| 9 | Fidelio: Nr. 16 Finale : "Des besten Königs Wink und Wille"- assistant engineer:
- Tobias Lehmann, Jens Schünemann and Stefan Witzel
- engineer:
- Michael Brammann
- producer:
- Helmut Mühle
- choir vocals:
- Arnold Schoenberg Chor (in 1994-06)
- solo bass vocals [Don Pizarro]:
- Sergei Leiferkus (in 1994-06)
- solo bass vocals [Rocco]:
- László Polgár (in 1994-06)
- solo bass-baritone vocals [Don Fernando]:
- Boje Skovhus (in 1994-06)
- solo soprano vocals [Leonore]:
- Charlotte Margiono (in 1994-06)
- solo soprano vocals [Marzelline]:
- Barbara Bonney (in 1994-06)
- solo tenor vocals [Florestan]:
- Peter Seiffert (in 1994-06)
- solo tenor vocals [Jaquino]:
- Deon van der Walt (in 1994-06)
- orchestra:
- Chamber Orchestra of Europe (in 1994-06)
- conductor:
- Nikolaus Harnoncourt (in 1994-06)
- recorded at:
- Stefaniensaal in Graz, Steiermark , Austria (in 1994-06)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (in 1994-06)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (in 1994-06)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (in 1994-06)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (in 1994-06)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| Ludwig van Beethoven | | 8:35 |
| 10 | Fidelio: Nr. 16 Finale : "Wer ein holdes Weib errungen"- assistant engineer:
- Tobias Lehmann, Jens Schünemann and Stefan Witzel
- engineer:
- Michael Brammann
- producer:
- Helmut Mühle
- solo bass vocals [Rocco]:
- László Polgár (in 1994-06)
- solo bass-baritone vocals [Don Fernando]:
- Boje Skovhus (in 1994-06)
- solo soprano vocals [Leonore]:
- Charlotte Margiono (in 1994-06)
- solo soprano vocals [Marzelline]:
- Barbara Bonney (in 1994-06)
- solo tenor vocals [Florestan]:
- Peter Seiffert (in 1994-06)
- solo tenor vocals [Jaquino]:
- Deon van der Walt (in 1994-06)
- orchestra:
- Chamber Orchestra of Europe (in 1994-06)
- conductor:
- Nikolaus Harnoncourt (in 1994-06)
- recorded at:
- Stefaniensaal in Graz, Steiermark , Austria (in 1994-06)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1994-06)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| Ludwig van Beethoven | | 4:09 |
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