Peter Bagge’s Rockin’, Poppin’ Favorites!

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Come On In
recording of:
Come On In
writer:
Jo Mapes
The Association3:18
2This Whole World
engineer and mixer:
Stephen W. Desper
producer:
The Beach Boys (American rock band), Brian Wilson (Beach Boys co‐founder) and Carl Wilson (Beach Boys)
lead vocals:
Carl Wilson (Beach Boys)
recording of:
This Whole World
composer:
Brian Wilson (Beach Boys co‐founder)
The Beach Boys2.51:55
3It Wouldn’t Have Made Any Difference
producer:
Todd Rundgren
instruments and vocals:
Todd Rundgren
arranger:
Todd Rundgren
recording of:
It Wouldn’t Have Made Any Difference
lyricist and composer:
Todd Rundgren
publisher:
Fiction Music Inc., Humanoid Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Todd Rundgren53:51
4The New Girl in School
recording of:
The New Girl in School
writer:
Jan Berry, Roger Christian (US radio personality and lyricist), Bob Norberg (singer and guitarist) and Brian Wilson (Beach Boys co‐founder)
Jan & Dean2:31
5Down at Lulu's
producer:
Jerry Kasenetz and Jeff Katz (music producer)
bass guitar:
Dean Kastran
drums (drum set) and percussion:
Tim Corwin
guitar:
Doug Grassel and Dale Powers
keyboard:
Jim Pfayler
background vocals:
Dean Kastran and Jim Pfayler
vocals:
Dale Powers
recording of:
Down at Lulu's
lyricist and composer:
Joseph Edward Levine and Kristin Resnick
publisher:
Kaskat Music Inc., Peanut Butter Publishing, Inc. (publishing entity) and Super Bubble Music Corp.
sub-publisher:
Warner Chappell Music France
Ohio Express1:54
6Sweet Pea
recording of:
Sweet Pea
writer:
Tommy Roe
Tommy Roe2:10
7A Must to Avoid
recording of:
A Must to Avoid
writer:
Steve Barri and P.F. Sloan
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Herman’s Hermits1:54
8I Can’t Let Go
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2011)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-01-13, on 1966-01-18)
cover recording of:
I Can't Let Go (from 1966-01-13 until 1966-01-18)
writer:
Al Gorgoni (guitarist, composer, arranger, and producer) and Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music and WB Music Corp. (1929–2019)
recording of:
I Can't Let Go
writer:
Al Gorgoni (guitarist, composer, arranger, and producer) and Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music and WB Music Corp. (1929–2019)
The Hollies2.52:24
9I’m So Crazy (’Bout You)
KC and the Sunshine Band33:05
10Stop
additional programming:
Mike Higham (British score composer) (on 1998-06-09)
engineer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
producer:
Absolute (UK house/garage/production/songwriting team)
assistant mixer:
Paul "P. Dub"
mixer:
Mark “Spike” Stent (producer, engineer)
brass:
Kick Horns (on 1998-06-09)
guitar:
Milton McDonald (on 1998-06-09)
instruments:
Absolute (UK house/garage/production/songwriting team) (on 1998-06-09)
vocals:
Victoria Beckham (née Adams) (on 1998-06-09), Emma Bunton (on 1998-06-09), Melanie C (on 1998-06-09), Geri Halliwell (on 1998-06-09) and Mel B (Mel B) (on 1998-06-09)
recorded at:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italy (on 1998-06-09)
live recording of:
Stop (on 1998-06-09)
writer:
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson (member of “Absolute”) and Victoria Beckham (née Adams)
Spice Girls3.853:23
11Count Me Out
recording of:
Count Me Out
writer:
Vincent Brantley (R&B/soul producer/songwriter) and Rick Timas
New Edition4:08
12Give It Up
engineer:
Tom Perry (engineer)
associate producer:
Greg Phillinganes
producer:
The Jacksons (formerly “The Jackson 5”)
lead vocals:
Marlon Jackson and Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1980)
The Jacksons4:19
13The Sacro‐Iliac
engineer and mixer:
Eric Stewart
producer:
10cc
bass guitar, guitar and percussion:
Graham Gouldman (in 1974)
guitar and keyboard:
Eric Stewart (in 1974)
guitar, keyboard and percussion:
Lol Creme (in 1974)
vocals:
Lol Creme (in 1974), Kevin Godley (in 1974), Graham Gouldman (in 1974) and Eric Stewart (in 1974)
phonographic copyright (℗) by:
Jonathan King Enterprises (in 2007)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
recording of:
The Sacro-Iliac (in 1974)
writer:
Kevin Godley and Graham Gouldman
10cc2:31
14I May Hate You Sometimes
assistant engineer:
Ken Stringfellow
engineer and mixer:
Jon Auer
producer:
Jon Auer and Ken Stringfellow
recording of:
I May Hate You Sometimes
writer:
Jon Auer and Ken Stringfellow
The Posies53:22
15Tonight
The Raspberries3:40
16It’s You
recording of:
It’s You
writer:
Berton Averre and Doug Fieger (in The Knack)
The Knack42:09
17Sunday Girl
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Sunday Girl (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc (in 1978)
Blondie3.83:12
18C30, C60, C90, Go
assistant producer:
Martin Levan
producer:
Malcolm McLaren
recording of:
C·30 C·60 C·90 Go
writer:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) and Malcolm McLaren
Bow Wow Wow52:58
19Fun Flies
The Action Suits2:54