Peter Bagge’s Rockin’, Poppin’ Favorites!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Come On In
recording of:
Come On In
Verfasser(in):
Jo Mapes
The Association3:18
2This Whole World
Techniker(in) und Mix:
Stephen W. Desper
Produzent(in):
The Beach Boys (American rock band), Brian Wilson (Beach Boys co‐founder) und Carl Wilson (Beach Boys)
Sologesang:
Carl Wilson (Beach Boys)
recording of:
This Whole World
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
The Beach Boys2.51:55
3It Wouldn’t Have Made Any Difference
Produzent(in):
Todd Rundgren
Instrumente und vocals:
Todd Rundgren
arranger:
Todd Rundgren
recording of:
It Wouldn’t Have Made Any Difference
Texter und Komponist(in):
Todd Rundgren
publisher:
Fiction Music Inc., Humanoid Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Todd Rundgren53:51
4The New Girl in School
recording of:
The New Girl in School
Verfasser(in):
Jan Berry, Roger Christian (US radio personality and lyricist), Bob Norberg (singer and guitarist) und Brian Wilson (Beach Boys co‐founder)
Jan & Dean2:31
5Down at Lulu's
Produzent(in):
Jerry Kasenetz und Jeff Katz (music producer)
Bassgitarre:
Dean Kastran
Gitarre:
Doug Grassel und Dale Powers
Keyboard:
Jim Pfayler
Schlagzeug und Perkussion:
Tim Corwin
Hintergrundgesang:
Dean Kastran und Jim Pfayler
vocals:
Dale Powers
recording of:
Down at Lulu's
Texter und Komponist(in):
Joseph Edward Levine und Kristin Resnick
publisher:
Kaskat Music Inc., Peanut Butter Publishing, Inc. (publishing entity) und Super Bubble Music Corp.
sub-publisher:
Warner Chappell Music France
Ohio Express1:54
6Sweet Pea
recording of:
Sweet Pea
Verfasser(in):
Tommy Roe
Tommy Roe2:10
7A Must to Avoid
recording of:
A Must to Avoid
Verfasser(in):
Steve Barri und P.F. Sloan
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Herman’s Hermits1:54
8I Can’t Let Go
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2011)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-01-13, am 1966-01-18)
cover recording of:
I Can't Let Go (von 1966-01-13 bis 1966-01-18)
Verfasser(in):
Al Gorgoni (guitarist, composer, arranger, and producer) und Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music und WB Music Corp. (1929–2019)
recording of:
I Can't Let Go
Verfasser(in):
Al Gorgoni (guitarist, composer, arranger, and producer) und Chip Taylor (US singer/songwriter)
publisher:
April Music AB (Swedish subsidiary of April Music), EMI Blackwood Music Inc., M. Carey Songs, Sony Songs Inc., Wallyworld Music und WB Music Corp. (1929–2019)
The Hollies2.52:24
9I’m So Crazy (’Bout You)
KC and the Sunshine Band33:05
10Stop
zusätzliche Programmierung:
Mike Higham (British score composer) (am 1998-06-09)
Techniker(in):
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Produzent(in):
Absolute (UK house/garage/production/songwriting team)
assistierende(r) Mix:
Paul "P. Dub"
Mix:
Mark “Spike” Stent (producer, engineer)
Blechblasinstrumente:
Kick Horns (am 1998-06-09)
Gitarre:
Milton McDonald (am 1998-06-09)
Instrumente:
Absolute (UK house/garage/production/songwriting team) (am 1998-06-09)
vocals:
Victoria Beckham (née Adams) (am 1998-06-09), Emma Bunton (am 1998-06-09), Melanie C (am 1998-06-09), Geri Halliwell (am 1998-06-09) und Mel B (Mel B) (am 1998-06-09)
aufgenommen bei:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italien (am 1998-06-09)
live recording of:
Stop (am 1998-06-09)
Verfasser(in):
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson (member of “Absolute”) und Victoria Beckham (née Adams)
Spice Girls3.853:23
11Count Me Out
recording of:
Count Me Out
Verfasser(in):
Vincent Brantley (R&B/soul producer/songwriter) und Rick Timas
New Edition4:08
12Give It Up
Techniker(in):
Tom Perry (engineer)
Partner-Produzent(in):
Greg Phillinganes
Produzent(in):
The Jacksons (formerly “The Jackson 5”)
Sologesang:
Marlon Jackson und Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1980)
The Jacksons4:19
13The Sacro‐Iliac
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Bassgitarre, Gitarre und Perkussion:
Graham Gouldman (in 1974)
Gitarre und Keyboard:
Eric Stewart (in 1974)
Gitarre, Keyboard und Perkussion:
Lol Creme (in 1974)
vocals:
Lol Creme (in 1974), Kevin Godley (in 1974), Graham Gouldman (in 1974) und Eric Stewart (in 1974)
phonographisches Urheberrecht (℗) von:
Jonathan King Enterprises (in 2007)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1974)
recording of:
The Sacro-Iliac (in 1974)
Verfasser(in):
Kevin Godley und Graham Gouldman
10cc2:31
14I May Hate You Sometimes
assistierende(r) Techniker(in):
Ken Stringfellow
Techniker(in) und Mix:
Jon Auer
Produzent(in):
Jon Auer und Ken Stringfellow
recording of:
I May Hate You Sometimes
Verfasser(in):
Jon Auer und Ken Stringfellow
The Posies53:22
15Tonight
The Raspberries3:40
16It’s You
recording of:
It’s You
Verfasser(in):
Berton Averre und Doug Fieger (in The Knack)
The Knack42:09
17Sunday Girl
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
recording of:
Sunday Girl (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc (in 1978)
Blondie3.83:12
18C30, C60, C90, Go
assistierende(r) Produzent(in):
Martin Levan
Produzent(in):
Malcolm McLaren
recording of:
C·30 C·60 C·90 Go
Verfasser(in):
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) und Malcolm McLaren
Bow Wow Wow52:58
19Fun Flies
The Action Suits2:54