Annotazione

Small box, separate CDs in card sleeves
CD1 CatNo: BX 887312
CD2 CatNo: BX 887322
CD3 CatNo: BX 887332
CD4 CatNo: BX 887342
CD5 CatNo: BX 887352
CD6 CatNo: BX 887362
CD7 CatNo: BX 887372
CD8 CatNo: BX 887382
CD9 CatNo: BX 887392
CD10 CatNo: BX 887302

Annotazione modificata l'ultima volta il 2022-09-17 12:48 UTC.

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Summer in the City
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) e Trio Music Co., Inc.
Lovin’ Spoonful2:40
2I Hear You Knockin’
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1970) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
3Walkin’ Back to Happiness
registrazione di:
Walking Back to Happiness
autore:
Mike Hawker e John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro2:31
4Popcorn
diritti fonografici (℗) detenuti da:
Musicor (American record label) (nel 1972)
registrazione cover di:
Popcorn (nel 1972)
compositore:
Gershon Kingsley
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:33
5I Can’t Leave You Alone
diritti fonografici (℗) detenuti da:
T.K. Records Ltd. (Miami‐based disco label) (nel 1974)
registrazione di:
I Can’t Leave You Alone
autore:
Harry Wayne Casey e Richard Finch
editore:
Peer Music
George McCrae3:08
6Won’t Somebody Dance With Me
diritti fonografici (℗) detenuti da:
MAM Records Ltd. (nel 1973)
registrazione di:
Won't Somebody Dance With Me
paroliere e compositore:
Lynsey de Paul
Lynsey de Paul3:53
7Tom Tom Turn Around
registrazione di:
Tom Tom Turnaround
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
Universal Music Publishing MGB Australia
New World3:17
8You’ll Never Walk Alone
esecutore:
Gerry and the Pacemakers
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1963) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione cover di:
You’ll Never Walk Alone (Carousel)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company e Williamson Music, Inc.
parte di:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:40
9Love Grows Where My Rosemary Goes
produttore:
Tony Macaulay
voce:
Tony Burrows (nel 1970)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1970) e Demon Music Group (nel 1970)
video musicali:
Love Grows (Where My Rosemary Goes) di Edison Lighthouse
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 40) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 416)
registrazione di:
Love Grows (Where My Rosemary Goes) (nel 1970)
autore:
Tony Macaulay e Barry Mason (English songwriter)
editore:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. e Universal Music Publishing MGB Australia
Edison Lighthouse3.82:46
10Always Something There to Remind Me (Letter to Breshnev)
registrazione di:
(There’s) Always Something There to Remind Me
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
Sandie Shaw2:47
11Ruby Tuesday
voce:
Melanie (US singer‐songwriter Melanie Safka) (nel 1970)
registrazione cover di:
Ruby Tuesday (nel 1970)
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:39
12When Will I Be Loved
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione di:
When Will I Be Loved? (il 1960-02-18)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:02
13Diamonds Are Forever
produttore:
John Barry (English score composer)
tecnico di missaggio:
John Richards (engineer)
voce principale:
Shirley Bassey (Welsh singer)
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Liberty Records, Inc. (nel 1971)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Diamonds Are Forever (main title theme)
paroliere:
Don Black (English lyricist)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd.
parte di:
James Bond themes
parte di:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:41
14Hippy Hippy Shake
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963) e HMV Records Ltd. (nel 1963)
registrazione cover di:
Hippy Hippy Shake
paroliere e compositore:
Chan Romero
editore:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) e Universal Music Careers
The Swinging Blue Jeans3.751:45
15Oh Boy
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1975)
registrazione cover di:
Oh, Boy!
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) e Wren Music Co.
Mud22:52
16Sandy
produttore:
John Farrar
tecnico di missaggio:
David J. Holman
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1978) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
registrazione di:
Sandy (Grease, 1978 film)
paroliere:
Scott Simon
compositore:
Louis St. Louis (American songwriter, music arranger and singer)
editore:
Ensign Music Corp. (nel 1978) e Unichappell Music (nel 1978)
parte di:
Grease (1978 film)
John Travolta3.752:34
17Spanish Eyes
produttore:
Tom Morgan (producer)
direttore d'orchestra:
Peter de Angelis (nel 1965)
arrangiatore:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1965)
registrazione cover di:
Spanish Eyes (Moon Over Naples) (nel 1965)
paroliere:
Charles Singleton (composer/lyricist) e Eddie Snyder
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
versione di:
Moon Over Naples
Al Martino2.52:47
18I’m Telling You NowFreddie & the Dreamers2:09
19Proud Mary
tecnico:
Brent Maher
produttore:
Ike Turner
strumenti:
Ike Turner & the Kings of Rhythm
voce:
Ike Turner
voce di accompagnamento:
The Ikettes
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971) e Liberty Records, Inc. (nel 1971)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 69) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 420)
registrazione cover di:
Proud Mary
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (il 1968-12-27) e Jondora Musikverlag (publisher) (nel 1970)
Ike & Tina Turner4.654:56
20We’ve Gotta Get Out of This Place
produttore:
Mickie Most (English record producer)
voce:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1965) e Columbia Pictures Industries, Inc. (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 233)
registrazione di:
We Gotta Get Out of This Place
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Francis, Day & Hunter (nel 1979)
sub-editore:
EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Animals3.83:13
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Accreditamenti

Pubblicazione

design:Studio van Dijken (ICT, media and graphic design studio)
distribuito da e commercializzata da:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (nel 1998)
licenziata da:A.T. Hiller
Antoine Domino
Barnaby Records, Inc.
Broadley Records Ltd.
Buddah Records (revived/renamed in 1998 as Buddha Records)
Celebrity Licensing, Inc.
Chelsea/Roxbury/Wes Sky Industries Inc.
Chrysalis Copyrights Ltd.
Creole Records Ltd.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Janus Records Inc.
Jimmy Joe Lee
Jonathan King Enterprises Ltd.
K-Tel Entertainment Ltd. (multinational budget record label, do not use for copyrights, distribution, etc. label-release relationships)
Laurence Myers Ltd.
Mole Records
Munnycroft Ltd.
Negus Fancey Co. Ltd.
Nestshare Ltd.
Red Bullet (Dutch independent label)
Repertoire Records (Hamburg‐based multinational reissue label)
Roadshow Music Corp.
State Records Ltd.
Templemill Ltd.
The Hit Label
Tree Productions, Inc. (Nashville, TN)
Trojan Records
Valdene Records
Discogs:https://www.discogs.com/release/469039 [info]
ASIN:DE: B0000242OY [info]