The Beat Goes On: The Greatest Hits of the 60’s and 70’s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Small box, separate CDs in card sleeves
CD1 CatNo: BX 887312
CD2 CatNo: BX 887322
CD3 CatNo: BX 887332
CD4 CatNo: BX 887342
CD5 CatNo: BX 887352
CD6 CatNo: BX 887362
CD7 CatNo: BX 887372
CD8 CatNo: BX 887382
CD9 CatNo: BX 887392
CD10 CatNo: BX 887302

Annotation last modified on 2022-09-17 12:48 UTC.

Tracklist

1CD
#TitleArtistRatingLength
1Summer in the City
recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) and Trio Music Co., Inc.
Lovin’ Spoonful2:40
2I Hear You Knockin’
producer:
Dave Edmunds
phonographic copyright (℗) by:
EMI Records UK (company credits only; file no releases here!) (in 1970) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
lyricist and composer:
Dave Bartholomew and Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier and World Music (publisher)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
3Walkin’ Back to Happiness
recording of:
Walking Back to Happiness
writer:
Mike Hawker and John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro2:31
4Popcorn
phonographic copyright (℗) by:
Musicor (American record label) (in 1972)
cover recording of:
Popcorn (in 1972)
composer:
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:33
5I Can’t Leave You Alone
phonographic copyright (℗) by:
T.K. Records Ltd. (Miami‐based disco label) (in 1974)
recording of:
I Can’t Leave You Alone
writer:
Harry Wayne Casey and Richard Finch
publisher:
Peer Music
George McCrae3:08
6Won’t Somebody Dance With Me
phonographic copyright (℗) by:
MAM Records Ltd. (in 1973)
recording of:
Won't Somebody Dance With Me
lyricist and composer:
Lynsey de Paul
Lynsey de Paul3:53
7Tom Tom Turn Around
recording of:
Tom Tom Turnaround
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
Universal Music Publishing MGB Australia
New World3:17
8You’ll Never Walk Alone
performer:
Gerry and the Pacemakers
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc. (in 1963) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
You’ll Never Walk Alone (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:40
9Love Grows Where My Rosemary Goes
producer:
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographic copyright (℗) by:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) and Demon Music Group (in 1970)
music videos:
Love Grows (Where My Rosemary Goes) by Edison Lighthouse
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 40) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
writer:
Tony Macaulay and Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. and Universal Music Publishing MGB Australia
Edison Lighthouse3.82:46
10Always Something There to Remind Me (Letter to Breshnev)
recording of:
(There’s) Always Something There to Remind Me
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
Sandie Shaw2:47
11Ruby Tuesday
vocals:
Melanie (US singer‐songwriter Melanie Safka) (in 1970)
cover recording of:
Ruby Tuesday (in 1970)
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:39
12When Will I Be Loved
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
recording of:
When Will I Be Loved? (on 1960-02-18)
lyricist and composer:
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:02
13Diamonds Are Forever
producer:
John Barry (English score composer)
mixer:
John Richards (engineer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1971)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Diamonds Are Forever (main title theme)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:41
14Hippy Hippy Shake
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963) and HMV Records Ltd. (in 1963)
cover recording of:
Hippy Hippy Shake
lyricist and composer:
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) and Universal Music Careers
The Swinging Blue Jeans3.751:45
15Oh Boy
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
RAK Records Ltd. (in 1975)
cover recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Mud22:52
16Sandy
producer:
John Farrar
mixer:
David J. Holman
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1978) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Sandy (Grease, 1978 film)
lyricist:
Scott Simon
composer:
Louis St. Louis (American songwriter, music arranger and singer)
publisher:
Ensign Music Corp. (in 1978) and Unichappell Music (in 1978)
part of:
Grease (1978 film)
John Travolta3.752:34
17Spanish Eyes
producer:
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
Moon Over Naples
Al Martino2.52:47
18I’m Telling You NowFreddie & the Dreamers2:09
19Proud Mary
engineer:
Brent Maher
producer:
Ike Turner
instruments:
Ike Turner & the Kings of Rhythm
background vocals:
The Ikettes
lead vocals:
Tina Turner
vocals:
Ike Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971) and Liberty Records, Inc. (in 1971)
part of:
New York Post: 100 Greatest Covers (2007) (number: 69) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 420)
cover recording of:
Proud Mary
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner4.654:56
20We’ve Gotta Get Out of This Place
producer:
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) and Columbia Pictures Industries, Inc. (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 233)
recording of:
We Gotta Get Out of This Place
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Francis, Day & Hunter (in 1979)
sub-publisher:
EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Animals3.83:13
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9CD
10CD

Credits

Release

design:Studio van Dijken (ICT, media and graphic design studio)
distributed by and marketed by:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
copyrighted (©) by and phonographic copyright (℗) by:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (in 1998)
licensed from:A.T. Hiller
Antoine Domino
Barnaby Records, Inc.
Broadley Records Ltd.
Buddah Records (revived/renamed in 1998 as Buddha Records)
Celebrity Licensing, Inc.
Chelsea/Roxbury/Wes Sky Industries Inc.
Chrysalis Copyrights Ltd.
Creole Records Ltd.
EMI (EMI Records, or EMI Music only if there is no other imprint)
Janus Records Inc.
Jimmy Joe Lee
Jonathan King Enterprises Ltd.
K-Tel Entertainment Ltd. (multinational budget record label, do not use for copyrights, distribution, etc. label-release relationships)
Laurence Myers Ltd.
Mole Records
Munnycroft Ltd.
Negus Fancey Co. Ltd.
Nestshare Ltd.
Red Bullet (Dutch independent label)
Repertoire Records (Hamburg‐based multinational reissue label)
Roadshow Music Corp.
State Records Ltd.
Templemill Ltd.
The Hit Label
Tree Productions, Inc. (Nashville, TN)
Trojan Records
Valdene Records
Discogs:https://www.discogs.com/release/469039 [info]
ASIN:DE: B0000242OY [info]