The Complete Recordings on Erato

~ Release by John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

1▶CD: Purcell: Ode for the Birthday of Queen Mary / Music for the funeral of Queen Mary
2▶CD: Dixit Dominus / Coronation Anthem no. 1
3▶CD: Rameau: Les Fêtes d’Hébé (La Danse)
4▶CD: Handel: The ways of Zion do mourn
5▶CD: Massenet: Scènes dramatiques / Scènes de féerie / Le Dernier Sommeil de la Vierge
6▶CD: Massenet: Scènes alsaciennes / Scènes pittoresques / Don Quichotte (2 Interludes)
7▶CD: Handel: Israel in Egypt: Exodus & Moses’ Song (beginning)
8▶CD: Handel: Israel in Egypt: Moses’ Song (conclusion)
9▶CD: Music of the “Chapels Royal”
10▶CD: Purcell: The Tempest
11▶CD: Purcell: The Indian Queen
12▶CD: Messe des morts (Requiem)
13▶CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 1)
14▶CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 2 & 3)
15▶CD: J.S. Bach: Mottets BWV 226 & 228–231 · Cantata BWV 118 / Kuhnau: Motet BWV 1149
16▶CD: J.S. Bach: Mottets BWV 225 & 227 · Cantata BWV 50
17▶CD: Handel: Concerti Grossi, op. 3
18▶CD: Handel: Water Music
19▶CD: J.S. Bach: Cantatas BWV 4 & 131
20▶CD: Handel: Semele, HWV 58 (beginning)
21▶CD: Handel: Semele, HWV 58 (conclusion)
22▶CD: Gluck: Don Juan ou Le Festin de Pierre
23▶CD: Purcell: Hail! Bright Cecilia
24▶CD: Monteverdi: Balli e Balletti
25▶CD: Rameau: Dardanus, suite d’orchestre
26▶CD: Rameau: Les Boréades (beginning)
27▶CD: Rameau: Les Boréades (continuation)
28▶CD: Rameau: Les Boréades (conclusion)
29▶CD: J. S. Bach: Orchestral Suites no. 1 & 2 / Choral BWV 299
30▶CD: J. S. Bach: Orchestral Suites no. 3 & 4
31▶CD: Purcell: King Arthur or The British Worthy (beginning)
32▶CD: Purcell: King Arthur or The British Worthy (conclusion)
33▶CD: Scarlatti: Stabat Mater / Cavalli: Salve Regina / Gesualdo: Ave dulcissima Maria / Clément: O Maria, vernans rosa
34▶CD: Handel: Ballet Music (Alcina / Terpsichore / Il pastor fido)
35▶CD: Chabrier: L’Étoile (beginning)
36▶CD: Chabrier: L’Étoile (conclusion)
37▶CD: Handel: Tamerlano (beginning)
38▶CD: Handel: Tamerlano (continuation)
39▶CD: Handel: Tamerlano (conclusion)
40▶CD: Leclair: Scylla et Glaucus (beginning)
41▶CD: Leclair: Scylla et Glaucus (continuation)
42▶CD: Leclair: Scylla et Glaucus (conclusion)
43▶CD: Schubert: Symphonies nos. 8 “Unfinished” & 9 “The Great”
44▶CD: Bizet: Symphony in C major / L’Arlésienne
45▶CD: Berlioz: L’Enfance du Christ (beginning)
46▶CD: Berlioz: L’Enfance du Christ (conclusion)
47▶CD: Messager: Fortunio (Acte 1 & 2)
48▶CD: Messager: Fortunio (Acte 3 & 4)
49▶CD: Gluck: Iphigénie en Aulide (beginning)
50▶CD: Gluck: Iphigénie en Aulide (conclusion)
51▼CD: Purcell: Timon of Athens / Dioclesian (beginning)
#TitleArtistRatingLength
1Timon of Athens, Z. 632: Overture
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 1. Overture (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:41
2Timon of Athens, Z. 632: A symphony of Pipes imitating the chirping of Birds. “Hark! how the songsters of the grove sing” (Two Nymphs)
producer:
Yolanta Skura
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19) and Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens: A Symphony of Pipes Imitating the Chirping of Birds (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
is based on:
Timon of Athens (semi-opera)
Henry Purcell1:41
3Timon of Athens, Z. 632: “Love in their little veins” (Second Nymph)
producer:
Yolanta Skura
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 3. Solo "Love in their little veins inspires" (Cupid) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:23
4Timon of Athens, Z. 632: “But ah! how much are our delights” (Two Nymphs, Shepherd)
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19) and Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 4. Trio "But ah! How much are our delights" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:12
5Timon of Athens, Z. 632: A Bacchanal. “Hence with your trifling deity!” (Third Bacchanal) – “But over us no grief prevail” (Bacchanals)
producer:
Yolanta Skura
bass vocals:
Michael George (operatic bass) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-12-11 until 1987-12-19) and Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 5. Solo "Hence with your trifling deity" (Bass) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:33
6Timon of Athens, Z. 632: “Come all, come all to me” (Cupid)
producer:
Yolanta Skura
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 7. Solo "Come, come all to me" (Cupid) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:12
7Timon of Athens, Z. 632: “Who can resist” (Chorus)
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 8. Chorus "Who can resist such mighty charms" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:34
8Timon of Athens, Z. 632: “Return, revolting rebels!” (Bacchus)
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 9. Solo "Return, revolting rebels" (Bacchus (Bass)) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:47
9Timon of Athens, Z. 632: “The cares of lovers” (Second Nymph)
producer:
Yolanta Skura
soprano vocals:
Lynne Dawson (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 10. Solo "The cares of lovers" (Cupid) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:38
10Timon of Athens, Z. 632: “Love quickly is pall’d” (First Bacchanal)
producer:
Yolanta Skura
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 11. Solo "Love quickly is pall'd" (Alto) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:04
11Timon of Athens, Z. 632: “Come, let us agree” (Cupid, Bacchus, Chorus)
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 12. Duet "Come, let us agree" (Cupid (Soprano) and Bacchus (Bass)) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:57
12Timon of Athens, Z. 632: Curtain Tune on a ground
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
Timon of Athens, Z. 632: 14. Curtain Tune on a Ground (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:26
13Dioclesian, Z. 627: First Music
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 1. First musick (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
librettist:
Thomas Betterton (English actor and theatre manager; librettist of The Fairy‐Queen)
part of:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell2:13
14Dioclesian, Z. 627: Second Music
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 2. Second musick (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell1:26
15Dioclesian, Z. 627: Overture
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: 3. Ouverture (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627
Henry Purcell4:16
16Dioclesian, Z. 627: Act 1. First Act Tune. Hornpipe
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 1. First Act Tune (Hornpipe) (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 1
Henry Purcell0:42
17Dioclesian, Z. 627: Act 2. First Song: “Great Diocles” – “Sing lo’s” (Chorus)
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude, Aria and Chorus "Great Diocles the Boar has kill'd" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell2:16
18Dioclesian, Z. 627: Act 2. Second song, by a woman: “Charon, the peaceful shade” – Sinfonia – “Let all mankind the pleasure share” (Chorus)
producer:
Yolanta Skura
bass vocals:
Michael George (operatic bass) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude and Aria "Charon the peaceful Shade invites" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell4:25
19Dioclesian, Z. 627: Act 2. Martial Song: “Let the soldiers rejoice” – “Rejoice, rejoice” (Chorus)
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Prelude, Aria and Chorus "Let the soldier's rejoice" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell1:53
20Dioclesian, Z. 627: Act 2. Ritornello and Trio: “To Mars let ’em raise” – Ritornello
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
bass vocals:
Michael George (operatic bass) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Trio and Chorus "To Mars let 'em raise" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell2:33
21Dioclesian, Z. 627: Act 2. A Symphony of flutes in the air – “Since the toils” – “Let the Priests” – “All sing great Diocles’ glory”
producer:
Yolanta Skura
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1987-12-11 until 1987-12-19)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1987-12-11 until 1987-12-19)
soprano vocals:
Gillian Fisher (soprano) (from 1987-12-11 until 1987-12-19)
tenor vocals:
Rogers Covey‐Crump (tenor) (from 1987-12-11 until 1987-12-19) and Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1987-12-11 until 1987-12-19)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Aria and Chorus "Since the toils and hazards of war" (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell5:11
22Dioclesian, Z. 627: Act 2. Dance of Furies
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Dance of the furies (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell3:22
23Dioclesian, Z. 627: Act 2. Second Act Tune
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2. Second act tune (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 2
Henry Purcell0:40
24Dioclesian, Z. 627: Act 3. Chaconne (Two in one upon a Ground)
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1987-12-11 until 1987-12-19)
conductor:
John Eliot Gardiner (from 1987-12-11 until 1987-12-19)
balance engineer:
Jacques Doll and Yolanta Skura
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1988)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1987-12-11 until 1987-12-19)
recording of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3. Two in one upon a Ground, Chaconne for flutes (from 1987-12-11 until 1987-12-19)
composer:
Henry Purcell (Baroque composer)
librettist:
Thomas Betterton (English actor and theatre manager; librettist of The Fairy‐Queen)
part of:
The Prophetess, or The History of Dioclesian, Z. 627: Act 3
Henry Purcell2:38
52▶CD: Purcell: Dioclesian (conclusion)
53▶CD: Offenbach: Les Brigands (Acte 1)
54▶CD: Offenbach: Les Brigands (Acte 2–3)
55▶CD: Couperin: Le Parnasse / Concert “dans le goût théatral” / Concert instrumental
56▶CD: Ravel: Shéhérazade · 2 Mélodies hébraïques · 5 Mélodies populaires grecques · Vocalise‐étude en forme de habanera / Duparc: 6 Mélodies
57▶CD: Carissimi: Judicium Extremum / Historia di Jonas / Historia di Jepthe
58▶CD: Gluck: Orphée et Eurydice (beginning)
59▶CD: Gluck: Orphée et Eurydice (conclusion)
60▶CD: Berlioz: Les Nuits d’été & other mélodies
61▶CD: Tchaikovsky: Rococo Variations · Nocturne · Pezzo capriccioso / Glazunov: Two Pieces · Chant du ménestrel / Rimsky‐Korsakov: Sérénade / Cui: Deux Morceaux
62▶CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 1–2)
63▶CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 3)
64▶CD: England, my England (Purcell)