Musical Highlights on Broadway

~ Release by The New York Theater Orchestra with The Broadway Choir (see all versions of this release, 5 available)

Annotation

"Performed by The New York Theater with The Broadway Choir · Recording supervised by Paul Whitehead · Recorded at Iliad by Bob Wright"
cdbaby releases have it as The New York Theater Orchestra and The Broadway Choir.
this Paul Whitehead (i believe), this article connects him to his Iliad Studio in Nashville.

Annotation last modified on 2022-05-15 02:48 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Cabaret
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Cabaret (title song from the Kander & Ebb musical)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb3:40
2And All That Jazz
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
All That Jazz (Chicago)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Larry Shayne Enterprises, Inc. and Warner/Chappell North America
part of:
Chicago (Kander & Ebb musical)
Kander & Ebb3:00
3Somewhere
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1957)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
Leonard Bernstein1:57
4'S Wonderful
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
George Gershwin2:00
5Singin' in the Rain
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Singin’ in the Rain
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
Nacio Herb Brown3:36
6That's Why the Lady Is a Tramp
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Rodgers & Hart3:16
7Lullaby of Broadway
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 winner)
part of:
42nd Street (full musical)
Harry Warren5:05
8Big Spender
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Cy Coleman3:42
9Edelweiss
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Edelweiss (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company and Williamson Music Ltd.
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Rodgers & Hammerstein2:00
10As Time Goes By
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Herman Hupfeld3:06
11Cheek to Cheek
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Irving Berlin3:01
12Ballad of Mack the Knife
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Kurt Weill3:08
3▶CD
4▶CD

Credits

Release

photography:Richard Berenholtz (photographer)
miscellaneous support:Gilbert Lederman (task: marketed by)
Joost De Smedt (task: marketed by)
mastering:Uwe Teichert (Belgian mastering engineer)
rights society:SABAM (Belgium rights society; do not use this as a label or work publisher!)
copyrighted (©) by:Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
mastered at:Digipro (Brussels branch) in Brussels (Brussels-Capital Region), Belgium
Discogs:https://www.discogs.com/release/20072947 [info]
ASIN:DE: B003ZUV3SK [info]