Musical Highlights on Broadway

~ Release by The New York Theater Orchestra with The Broadway Choir (see all versions of this release, 5 available)

Annotation

"Performed by The New York Theater with The Broadway Choir · Recording supervised by Paul Whitehead · Recorded at Iliad by Bob Wright"
cdbaby releases have it as The New York Theater Orchestra and The Broadway Choir.
this Paul Whitehead (i believe), this article connects him to his Iliad Studio in Nashville.

Annotation last modified on 2022-05-15 02:48 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Phantom of the Opera
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
The Phantom of the Opera (Christine, The Phantom)
additional lyricist:
Mike Batt
lyricist:
Charles Hart (British lyricist) and Richard Stilgoe
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
revision of:
The Phantom of the Opera (lyrics without Charles Hart’s words)
Andrew Lloyd Webber4:17
2One Night in Bangkok
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
One Night in Bangkok
lyricist:
Tim Rice
composer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MdW (publisher) and RCA Music Ltd. (publisher)
part of:
Chess (full musical)
Björn Ulvaeus & Benny Andersson3:49
3Don't Cry for Me Argentina
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Don’t Cry for Me Argentina (Evita)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Andrew Lloyd Webber5:35
4Superstar
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Superstar
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) and Universal/MCA Music Ltd. (not for release label use!)
part of:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Andrew Lloyd Webber4:10
5Tonight
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Leonard Bernstein3:41
6Take That Look Off Your Face
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Take That Look Off Your Face
additional lyricist:
Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
lyricist:
Don Black (English lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and The Really Useful Company Ltd. (The Really Useful Company Limited)
part of:
Song & Dance (Andrew Lloyd Webber musical)
part of:
Tell Me on a Sunday (full musical)
Andrew Lloyd Webber3:03
7Only He (Has the Power to Move Me)
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Only He (Has the Power to Move Me) (Starlight Express)
lyricist:
Richard Stilgoe
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Ed. Really Useful Group Germany, Polygram Songs MV GmbH, The Really Useful Group Ltd. (not for release label use!) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Starlight Express (Andrew Lloyd Webber musical)
Andrew Lloyd Webber4:22
8On My Own
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
On My Own (Éponine)
lyricist:
Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd. and Faber Music
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Claude‐Michel Schönberg4:02
9On Broadway
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
Barry Mann, Cynthia Weil, Jerry Leiber & Mike Stoller3:01
10Stormy Weather
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Harold Arlen2:47
11Hello, Dolly!
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
cover recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Jerry Herman3:51
12Supercalifragilisticexpialidocious
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Supercalifragilisticexpialidocious (Mary Poppins)
additional lyricist:
Anthony Drewe
lyricist and composer:
Richard M. Sherman and Robert B. Sherman (American songwriter)
publisher:
Campbell Connelly & Co. Ltd. and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1963)
part of:
Mary Poppins (stage version)
part of:
Mary Poppins (1964 film version)
Richard M. Sherman & Robert B. Sherman2:12
2▼CD
#TitleArtistRatingLength
1Cabaret
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Cabaret (title song from the Kander & Ebb musical)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb3:40
2And All That Jazz
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
All That Jazz (Chicago)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Larry Shayne Enterprises, Inc. and Warner/Chappell North America
part of:
Chicago (Kander & Ebb musical)
Kander & Ebb3:00
3Somewhere
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1957)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
Leonard Bernstein1:57
4'S Wonderful
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
George Gershwin2:00
5Singin' in the Rain
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Singin’ in the Rain
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
Nacio Herb Brown3:36
6That's Why the Lady Is a Tramp
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Rodgers & Hart3:16
7Lullaby of Broadway
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 winner)
part of:
42nd Street (full musical)
Harry Warren5:05
8Big Spender
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Cy Coleman3:42
9Edelweiss
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Edelweiss (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company and Williamson Music Ltd.
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Rodgers & Hammerstein2:00
10As Time Goes By
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
As Time Goes By (the song from “Casablanca”)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Herman Hupfeld3:06
11Cheek to Cheek
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Irving Berlin3:01
12Ballad of Mack the Knife
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Kurt Weill3:08
3▼CD
#TitleArtistRatingLength
1New York, New York
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Theme From “New York, New York” (usually just titled “New York, New York”)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
Kander & Ebb3:20
2Money, Money
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Money, Money (Cabaret, 1972 film version)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Kander & Ebb3:00
3I Could Have Danced All Night
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
I Could Have Danced All Night (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
Lerner & Loewe3:48
4I've Got You Under My Skin
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Cole Porter3:35
5People
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
cover recording of:
People (Funny Girl)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Funny Girl (Broadway musical)
Jule Styne2:47
6There's No Business Like Show Business
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Annie Get Your Gun
Irving Berlin2:28
7Smoke Gets in Your Eyes
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Jerome Kern2:38
8Maria
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
West Side Story: Maria (Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
Leonard Bernstein2:30
9Over the Rainbow
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Harold Arlen2:52
10Night and Day
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Cole Porter3:57
11She's So Beautiful
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
She’s So Beautiful (from the Dave Clark musical "Time")
lyricist:
David Soames
writer and composer:
Hans Poulsen
publisher:
Spurs Music Publishing Ltd.
Hans Poulsen3:44
12Out Here on My Own
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Out Here on My Own
lyricist:
Lesley Gore
composer:
Michael Gore (composer)
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Michael Gore3:11
4▼CD
#TitleArtistRatingLength
1Memory
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
cover recording of:
Memory (Cats)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
Andrew Lloyd Webber4:03
2I Know Him So Well
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
I Know Him So Well (Chess)
lyricist:
Tim Rice and Björn Ulvaeus
composer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Chess (full musical)
Björn Ulvaeus & Benny Andersson4:18
3I Don't Know How to Love Him
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
I Don’t Know How to Love Him
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) and Universal/MCA Music Ltd. (not for release label use!)
part of:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Andrew Lloyd Webber3:40
4Let the Sunshine In
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Galt MacDermot4:43
5Good Morning Starshine
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Good Morning Starshine (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Catalogue Partnership
part of:
Hair (1967 musical)
Galt MacDermot2:27
6Send In the Clowns
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Send In the Clowns (A Little Night Music)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
Stephen Sondheim4:21
7Sunrise Sunset
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Sunrise, Sunset (Fiddler on the Roof)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
Jerry Bock3:28
8Anything You Can Do (I Can Do Better)
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Anything You Can Do (from “Annie Get Your Gun”)
lyricist and composer:
Irving Berlin
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) (ended) and Irving Berlin Music Corp.
part of:
Annie Get Your Gun
Irving Berlin2:56
9People Will Say We're in Love
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
People Will Say We’re in Love
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Rodgers & Hammerstein4:25
10Someone to Watch Over Me
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Someone to Watch Over Me (Oh, Kay!)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
George Gershwin3:37
11Getting to Know You
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Getting to Know You (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
Rodgers & Hammerstein2:47
12My Funny Valentine
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
Rodgers & Hart3:47

Credits

Release

photography:Richard Berenholtz (photographer)
miscellaneous support:Gilbert Lederman (task: marketed by)
Joost De Smedt (task: marketed by)
mastering:Uwe Teichert (Belgian mastering engineer)
rights society:SABAM (Belgium rights society; do not use this as a label or work publisher!)
copyrighted (©) by:Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
mastered at:Digipro (Brussels branch) in Brussels (Brussels-Capital Region), Belgium
Discogs:https://www.discogs.com/release/20072947 [info]
ASIN:DE: B003ZUV3SK [info]