The Complete Recordings

~ Pubblicazione di Elgar; Sir Adrian Boult (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Packaging: box with booklet and 19CDs (each in cardboard sleeve)

Status: All 19 discs now have tracklists entered. All records I could find shared/merged. All ARs entered.

Still to do: Some editing for consistency. Linking (and creating if needed) works.

Annotazione modificata l'ultima volta il 2017-09-16 05:02 UTC.

Elenco tracce

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#TitoloArtistaValutazioneDurata
1The Apostles, op. 49: Part 2: Introduction
produttore:
Christopher Bishop (conductor/producer)
cori:
Choir of Downe House School, Choir of Downe House School (Purley) (dal 1973-10-23 al 1974-07-02) e London Philharmonic Choir (dal 1973-10-23 al 1974-07-02)
voce di basso [Jesus]:
John Carol Case (English baritone) (dal 1973-10-23 al 1974-07-02)
voce di basso [Judas]:
Clifford Grant (operatic bass and actor) (dal 1973-10-23 al 1974-07-02)
voce di basso [St. Peter]:
Benjamin Luxon (baritone) (dal 1973-10-23 al 1974-07-02)
voce di contralto [Mary Magdalene]:
Helen Watts (contralto) (dal 1973-10-23 al 1974-07-02)
voce di soprano [The Angel] e voce di soprano [The Blessed Virgin]:
Sheila Armstrong (soprano) (dal 1973-10-23 al 1974-07-02)
voce di tenore [St. John]:
Robert Tear (tenor) (dal 1973-10-23 al 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (dal 1973-10-23 al 1974-07-02)
direttore d'orchestra:
Sir Adrian Boult (conductor) (dal 1973-10-23 al 1974-07-02)
maestro del coro:
John Alldis (chorusmaster and conductor) (dal 1973-10-23 al 1974-07-02) e Dorothy Dickinson (choir music director) (dal 1973-10-23 al 1974-07-02)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
primo violino:
Rodney Friend (violinist) (dal 1973-10-23 al 1974-07-02)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (il 1973-10-23, dal 1973-10-29 al 1973-10-30, il 1973-11-05, il 1973-11-07, il 1973-12-20, il 1973-12-31, il 1974-07-02)
registrazione di:
The Apostles, op. 49: Part II: Introduction (dal 1973-10-23 al 1974-07-02)
compositore:
Edward Elgar (composer)
parte di:
The Apostles, op. 49: Part II
Edward Elgar4:20
2The Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass
produttore:
Christopher Bishop (conductor/producer)
cori:
Choir of Downe House School, Choir of Downe House School (Purley) (dal 1973-10-23 al 1974-07-02) e London Philharmonic Choir (dal 1973-10-23 al 1974-07-02)
voce di basso [Jesus]:
John Carol Case (English baritone) (dal 1973-10-23 al 1974-07-02)
voce di basso [Judas]:
Clifford Grant (operatic bass and actor) (dal 1973-10-23 al 1974-07-02)
voce di basso [St. Peter]:
Benjamin Luxon (baritone) (dal 1973-10-23 al 1974-07-02)
voce di contralto [Mary Magdalene]:
Helen Watts (contralto) (dal 1973-10-23 al 1974-07-02)
voce di soprano [The Angel] e voce di soprano [The Blessed Virgin]:
Sheila Armstrong (soprano) (dal 1973-10-23 al 1974-07-02)
voce di tenore [St. John]:
Robert Tear (tenor) (dal 1973-10-23 al 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (dal 1973-10-23 al 1974-07-02)
direttore d'orchestra:
Sir Adrian Boult (conductor) (dal 1973-10-23 al 1974-07-02)
maestro del coro:
John Alldis (chorusmaster and conductor) (dal 1973-10-23 al 1974-07-02) e Dorothy Dickinson (choir music director) (dal 1973-10-23 al 1974-07-02)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
primo violino:
Rodney Friend (violinist) (dal 1973-10-23 al 1974-07-02)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (il 1973-10-23, dal 1973-10-29 al 1973-10-30, il 1973-11-05, il 1973-11-07, il 1973-12-20, il 1973-12-31, il 1974-07-02)
registrazione parziale di:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (dal 1973-10-23 al 1974-07-02)
compositore:
Edward Elgar (composer)
parte di:
The Apostles, op. 49: Part II: IV. The Betrayal
registrazione di:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass"
compositore:
Edward Elgar (composer)
parte di:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar1:59
3The Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees
produttore:
Christopher Bishop (conductor/producer)
cori:
Choir of Downe House School, Choir of Downe House School (Purley) (dal 1973-10-23 al 1974-07-02) e London Philharmonic Choir (dal 1973-10-23 al 1974-07-02)
voce di basso [Jesus]:
John Carol Case (English baritone) (dal 1973-10-23 al 1974-07-02)
voce di basso [Judas]:
Clifford Grant (operatic bass and actor) (dal 1973-10-23 al 1974-07-02)
voce di basso [St. Peter]:
Benjamin Luxon (baritone) (dal 1973-10-23 al 1974-07-02)
voce di contralto [Mary Magdalene]:
Helen Watts (contralto) (dal 1973-10-23 al 1974-07-02)
voce di soprano [The Angel] e voce di soprano [The Blessed Virgin]:
Sheila Armstrong (soprano) (dal 1973-10-23 al 1974-07-02)
voce di tenore [St. John]:
Robert Tear (tenor) (dal 1973-10-23 al 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (dal 1973-10-23 al 1974-07-02)
direttore d'orchestra:
Sir Adrian Boult (conductor) (dal 1973-10-23 al 1974-07-02)
maestro del coro:
John Alldis (chorusmaster and conductor) (dal 1973-10-23 al 1974-07-02) e Dorothy Dickinson (choir music director) (dal 1973-10-23 al 1974-07-02)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
primo violino:
Rodney Friend (violinist) (dal 1973-10-23 al 1974-07-02)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (il 1973-10-23, dal 1973-10-29 al 1973-10-30, il 1973-11-05, il 1973-11-07, il 1973-12-20, il 1973-12-31, il 1974-07-02)
registrazione parziale di:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (dal 1973-10-23 al 1974-07-02)
compositore:
Edward Elgar (composer)
parte di:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar3:24
4The Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master!
produttore:
Christopher Bishop (conductor/producer)
cori:
Choir of Downe House School, Choir of Downe House School (Purley) (dal 1973-10-23 al 1974-07-02) e London Philharmonic Choir (dal 1973-10-23 al 1974-07-02)
voce di basso [Jesus]:
John Carol Case (English baritone) (dal 1973-10-23 al 1974-07-02)
voce di basso [Judas]:
Clifford Grant (operatic bass and actor) (dal 1973-10-23 al 1974-07-02)
voce di basso [St. Peter]:
Benjamin Luxon (baritone) (dal 1973-10-23 al 1974-07-02)
voce di contralto [Mary Magdalene]:
Helen Watts (contralto) (dal 1973-10-23 al 1974-07-02)
voce di soprano [The Angel] e voce di soprano [The Blessed Virgin]:
Sheila Armstrong (soprano) (dal 1973-10-23 al 1974-07-02)
voce di tenore [St. John]:
Robert Tear (tenor) (dal 1973-10-23 al 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (dal 1973-10-23 al 1974-07-02)
direttore d'orchestra:
Sir Adrian Boult (conductor) (dal 1973-10-23 al 1974-07-02)
maestro del coro:
John Alldis (chorusmaster and conductor) (dal 1973-10-23 al 1974-07-02) e Dorothy Dickinson (choir music director) (dal 1973-10-23 al 1974-07-02)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
primo violino:
Rodney Friend (violinist) (dal 1973-10-23 al 1974-07-02)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (il 1973-10-23, dal 1973-10-29 al 1973-10-30, il 1973-11-05, il 1973-11-07, il 1973-12-20, il 1973-12-31, il 1974-07-02)
registrazione parziale di:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (dal 1973-10-23 al 1974-07-02)
compositore:
Edward Elgar (composer)
parte di:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar5:01
5The Apostles, op. 49: Part 2: IV. The Betrayal: In the Place of the High Priest: Then Judas, which had betrayed him
produttore:
Christopher Bishop (conductor/producer)
cori:
Choir of Downe House School, Choir of Downe House School (Purley) (dal 1973-10-23 al 1974-07-02) e London Philharmonic Choir (dal 1973-10-23 al 1974-07-02)
voce di basso [Jesus]:
John Carol Case (English baritone) (dal 1973-10-23 al 1974-07-02)
voce di basso [Judas]:
Clifford Grant (operatic bass and actor) (dal 1973-10-23 al 1974-07-02)
voce di basso [St. Peter]:
Benjamin Luxon (baritone) (dal 1973-10-23 al 1974-07-02)
voce di contralto [Mary Magdalene]:
Helen Watts (contralto) (dal 1973-10-23 al 1974-07-02)
voce di soprano [The Angel] e voce di soprano [The Blessed Virgin]:
Sheila Armstrong (soprano) (dal 1973-10-23 al 1974-07-02)
voce di tenore [St. John]:
Robert Tear (tenor) (dal 1973-10-23 al 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (dal 1973-10-23 al 1974-07-02)
direttore d'orchestra:
Sir Adrian Boult (conductor) (dal 1973-10-23 al 1974-07-02)
maestro del coro:
John Alldis (chorusmaster and conductor) (dal 1973-10-23 al 1974-07-02) e Dorothy Dickinson (choir music director) (dal 1973-10-23 al 1974-07-02)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
primo violino:
Rodney Friend (violinist) (dal 1973-10-23 al 1974-07-02)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (il 1973-10-23, dal 1973-10-29 al 1973-10-30, il 1973-11-05, il 1973-11-07, il 1973-12-20, il 1973-12-31, il 1974-07-02)
registrazione di:
The Apostles, op. 49: Part II: IV. The Betrayal: The Temple (dal 1973-10-23 al 1974-07-02)
compositore:
Edward Elgar (composer)
parte di:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar3:57
6The Apostles, op. 49: Part 2: IV. The Betrayal: The Temple: Without the temple
produttore:
Christopher Bishop (conductor/producer)
cori:
Choir of Downe House School, Choir of Downe House School (Purley) (dal 1973-10-23 al 1974-07-02) e London Philharmonic Choir (dal 1973-10-23 al 1974-07-02)
voce di basso [Jesus]:
John Carol Case (English baritone) (dal 1973-10-23 al 1974-07-02)
voce di basso [Judas]:
Clifford Grant (operatic bass and actor) (dal 1973-10-23 al 1974-07-02)
voce di basso [St. Peter]:
Benjamin Luxon (baritone) (dal 1973-10-23 al 1974-07-02)
voce di contralto [Mary Magdalene]:
Helen Watts (contralto) (dal 1973-10-23 al 1974-07-02)
voce di soprano [The Angel] e voce di soprano [The Blessed Virgin]:
Sheila Armstrong (soprano) (dal 1973-10-23 al 1974-07-02)
voce di tenore [St. John]:
Robert Tear (tenor) (dal 1973-10-23 al 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (dal 1973-10-23 al 1974-07-02)
direttore d'orchestra:
Sir Adrian Boult (conductor) (dal 1973-10-23 al 1974-07-02)
maestro del coro:
John Alldis (chorusmaster and conductor) (dal 1973-10-23 al 1974-07-02) e Dorothy Dickinson (choir music director) (dal 1973-10-23 al 1974-07-02)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
primo violino:
Rodney Friend (violinist) (dal 1973-10-23 al 1974-07-02)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (il 1973-10-23, dal 1973-10-29 al 1973-10-30, il 1973-11-05, il 1973-11-07, il 1973-12-20, il 1973-12-31, il 1974-07-02)
registrazione di:
The Apostles, op. 49: Part II: IV. The Betrayal: Without the Temple (dal 1973-10-23 al 1974-07-02)
compositore:
Edward Elgar (composer)
parte di:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar9:04
7The Apostles, op. 49: Part 2: V. Golgotha
produttore:
Christopher Bishop (conductor/producer)
cori:
Choir of Downe House School, Choir of Downe House School (Purley) (dal 1973-10-23 al 1974-07-02) e London Philharmonic Choir (dal 1973-10-23 al 1974-07-02)
voce di basso [Jesus]:
John Carol Case (English baritone) (dal 1973-10-23 al 1974-07-02)
voce di basso [Judas]:
Clifford Grant (operatic bass and actor) (dal 1973-10-23 al 1974-07-02)
voce di basso [St. Peter]:
Benjamin Luxon (baritone) (dal 1973-10-23 al 1974-07-02)
voce di contralto [Mary Magdalene]:
Helen Watts (contralto) (dal 1973-10-23 al 1974-07-02)
voce di soprano [The Angel] e voce di soprano [The Blessed Virgin]:
Sheila Armstrong (soprano) (dal 1973-10-23 al 1974-07-02)
voce di tenore [St. John]:
Robert Tear (tenor) (dal 1973-10-23 al 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (dal 1973-10-23 al 1974-07-02)
direttore d'orchestra:
Sir Adrian Boult (conductor) (dal 1973-10-23 al 1974-07-02)
maestro del coro:
John Alldis (chorusmaster and conductor) (dal 1973-10-23 al 1974-07-02) e Dorothy Dickinson (choir music director) (dal 1973-10-23 al 1974-07-02)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
primo violino:
Rodney Friend (violinist) (dal 1973-10-23 al 1974-07-02)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (il 1973-10-23, dal 1973-10-29 al 1973-10-30, il 1973-11-05, il 1973-11-07, il 1973-12-20, il 1973-12-31, il 1974-07-02)
registrazione di:
The Apostles, op. 49: Part II: V. Golgotha (dal 1973-10-23 al 1974-07-02)
compositore:
Edward Elgar (composer)
parte di:
The Apostles, op. 49: Part II
Edward Elgar4:37
8The Apostles, op. 49: Part 2: VI. At the Sepulchre
produttore:
Christopher Bishop (conductor/producer)
cori:
Choir of Downe House School, Choir of Downe House School (Purley) (dal 1973-10-23 al 1974-07-02) e London Philharmonic Choir (dal 1973-10-23 al 1974-07-02)
voce di basso [Jesus]:
John Carol Case (English baritone) (dal 1973-10-23 al 1974-07-02)
voce di basso [Judas]:
Clifford Grant (operatic bass and actor) (dal 1973-10-23 al 1974-07-02)
voce di basso [St. Peter]:
Benjamin Luxon (baritone) (dal 1973-10-23 al 1974-07-02)
voce di contralto [Mary Magdalene]:
Helen Watts (contralto) (dal 1973-10-23 al 1974-07-02)
voce di soprano [The Angel] e voce di soprano [The Blessed Virgin]:
Sheila Armstrong (soprano) (dal 1973-10-23 al 1974-07-02)
voce di tenore [St. John]:
Robert Tear (tenor) (dal 1973-10-23 al 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (dal 1973-10-23 al 1974-07-02)
direttore d'orchestra:
Sir Adrian Boult (conductor) (dal 1973-10-23 al 1974-07-02)
maestro del coro:
John Alldis (chorusmaster and conductor) (dal 1973-10-23 al 1974-07-02) e Dorothy Dickinson (choir music director) (dal 1973-10-23 al 1974-07-02)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
primo violino:
Rodney Friend (violinist) (dal 1973-10-23 al 1974-07-02)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (il 1973-10-23, dal 1973-10-29 al 1973-10-30, il 1973-11-05, il 1973-11-07, il 1973-12-20, il 1973-12-31, il 1974-07-02)
registrazione di:
The Apostles, op. 49: Part II: VI. At the Sepulchre (dal 1973-10-23 al 1974-07-02)
compositore:
Edward Elgar (composer)
parte di:
The Apostles, op. 49: Part II
Edward Elgar4:24
9The Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He
produttore:
Christopher Bishop (conductor/producer)
cori:
Choir of Downe House School, Choir of Downe House School (Purley) (dal 1973-10-23 al 1974-07-02) e London Philharmonic Choir (dal 1973-10-23 al 1974-07-02)
voce di basso [Jesus]:
John Carol Case (English baritone) (dal 1973-10-23 al 1974-07-02)
voce di basso [Judas]:
Clifford Grant (operatic bass and actor) (dal 1973-10-23 al 1974-07-02)
voce di basso [St. Peter]:
Benjamin Luxon (baritone) (dal 1973-10-23 al 1974-07-02)
voce di contralto [Mary Magdalene]:
Helen Watts (contralto) (dal 1973-10-23 al 1974-07-02)
voce di soprano [The Angel] e voce di soprano [The Blessed Virgin]:
Sheila Armstrong (soprano) (dal 1973-10-23 al 1974-07-02)
voce di tenore [St. John]:
Robert Tear (tenor) (dal 1973-10-23 al 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (dal 1973-10-23 al 1974-07-02)
direttore d'orchestra:
Sir Adrian Boult (conductor) (dal 1973-10-23 al 1974-07-02)
maestro del coro:
John Alldis (chorusmaster and conductor) (dal 1973-10-23 al 1974-07-02) e Dorothy Dickinson (choir music director) (dal 1973-10-23 al 1974-07-02)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
primo violino:
Rodney Friend (violinist) (dal 1973-10-23 al 1974-07-02)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (il 1973-10-23, dal 1973-10-29 al 1973-10-30, il 1973-11-05, il 1973-11-07, il 1973-12-20, il 1973-12-31, il 1974-07-02)
registrazione di:
The Apostles, op. 49: Part II: VII. The Ascension: Moderato. "We trusted that it had been He" (dal 1973-10-23 al 1974-07-02)
compositore:
Edward Elgar (composer)
parte di:
The Apostles, op. 49: Part II: VII. The Ascension
Edward Elgar5:15
10The Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart
produttore:
Christopher Bishop (conductor/producer)
cori:
Choir of Downe House School, Choir of Downe House School (Purley) (dal 1973-10-23 al 1974-07-02) e London Philharmonic Choir (dal 1973-10-23 al 1974-07-02)
voce di basso [Jesus]:
John Carol Case (English baritone) (dal 1973-10-23 al 1974-07-02)
voce di basso [Judas]:
Clifford Grant (operatic bass and actor) (dal 1973-10-23 al 1974-07-02)
voce di basso [St. Peter]:
Benjamin Luxon (baritone) (dal 1973-10-23 al 1974-07-02)
voce di contralto [Mary Magdalene]:
Helen Watts (contralto) (dal 1973-10-23 al 1974-07-02)
voce di soprano [The Angel] e voce di soprano [The Blessed Virgin]:
Sheila Armstrong (soprano) (dal 1973-10-23 al 1974-07-02)
voce di tenore [St. John]:
Robert Tear (tenor) (dal 1973-10-23 al 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (dal 1973-10-23 al 1974-07-02)
direttore d'orchestra:
Sir Adrian Boult (conductor) (dal 1973-10-23 al 1974-07-02)
maestro del coro:
John Alldis (chorusmaster and conductor) (dal 1973-10-23 al 1974-07-02) e Dorothy Dickinson (choir music director) (dal 1973-10-23 al 1974-07-02)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
primo violino:
Rodney Friend (violinist) (dal 1973-10-23 al 1974-07-02)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (il 1973-10-23, dal 1973-10-29 al 1973-10-30, il 1973-11-05, il 1973-11-07, il 1973-12-20, il 1973-12-31, il 1974-07-02)
registrazione di:
The Apostles, op. 49: Part II: VII. The Ascension: In Heaven / On Earth (dal 1973-10-23 al 1974-07-02)
compositore:
Edward Elgar (composer)
parte di:
The Apostles, op. 49: Part II: VII. The Ascension
Edward Elgar9:21
11The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: General introduction
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:56
12The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: Introduction to The Apostles and The Kingdom
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:16
13The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ, the Man of Sorrows
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:49
14The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Spirit of the Lord
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:07
15The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ’s Loneliness
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:18
16The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Beatitudes
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult3:08
17The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Judas
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:42
18The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: St. Peter
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:26
19The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Gospel
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:51
20The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Church
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult0:40
21The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:17
22The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The New Faith (Christianity)
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult3:04
23The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: In the name of Jesus Christ
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult0:42
24The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The Real Presence (Christ)
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:10
25The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Light of Life
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult2:24
26The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Dream of Gerontius
produttore:
Christopher Bishop (conductor/producer)
voce parlata:
Sir Adrian Boult (conductor) (il 1974-06-24)
tecnico di bilanciamento:
Christopher Parker (classical recording and balance engineer, active from 1950s)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1974-06-24)
campionamenti da:
The Dream of Gerontius di Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) e The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” di Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
registrazione parziale di:
The Apostles & The Kingdom: An Illustrated Introduction (il 1974-06-24)
autore:
Sir Adrian Boult (conductor) e Michael Kennedy (classical music critic and writer)
si basa su:
The Apostles, op. 49
si basa su:
The Dream of Gerontius, op. 38
si basa su:
The Kingdom, op. 51
si basa su:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:48
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Accreditamenti

Pubblicazione

fabbricata a:EU (Europa)
stampata a:EU (Europa)
fotografia:Derek Allen (photographer)
note di libretto:Martin Cotton (nel 2013)
traduttore delle note di libretto:Dennis Collins (liner notes translator) (nel 2013)
Leandra Rhoese (liner notes translator) (nel 2013)
compilatore:Richard J. Bradburn (compiler)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Warner Classics (nel 2013)
ASIN:UK: B00C68FJ0K [info]

Gruppo di pubblicazioni

comprende:Choral Works
Enigma Variations / Pomp & Circumstance Marches Nos. 1–5 di Elgar (Edward Elgar, composer); London Symphony Orchestra, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 1 in A-flat / Serenade for Strings / Chanson de nuit / Chanson de matin di Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 2 in E-flat / Cockaigne Overture di Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)