Work From Home with Bill Evans

~ Veröffentlichung von Bill Evans (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1Digitales Medium
Nr.TitelBewertungLänge
1I’ve Got You Under My Skin
instrumental cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
3:24
2Who Can I Turn To?4:54
3Let’s Go Back to the Waltz
instrumental cover recording of:
Let’s Go Back to the Waltz
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music und Irving Berlin Music Company
4:33
4My Melancholy Baby
instrumental cover recording of:
My Melancholy Baby
Texter:
George A. Norton (in 1912)
Komponist(in):
Ernie Burnett (songwriter, composer, and pianist) (in 1911)
publisher:
Francis, Day & Hunter Ltd. und Shapiro, Bernstein & Co., Inc.
Version von:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
5:16
5But Beautiful
instrumental cover recording of:
But Beautiful
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) und Onyx Music Corporation (in 1947)
4:43
6Soiree
cover recording of:
Soirée
Verfasser(in):
Earl Zindars
3:24
7Mother of Earl (live at the Montreux Jazz Festival, 1968)
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1968)
live cover recording of:
Mother of Earl (in 1968)
Komponist(in):
Earl Zindars
5:15
8Children’s Play Song
recording of:
Children's Play Song
Komponist(in):
Bill Evans (pianist)
publisher:
Ludlow Music
4:11
9Little Lulu (master take)
recorded in:
New York, New York, Vereinigte Staaten (am 1963-12-18)
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1963-12-18)
instrumental cover recording of:
Little Lulu (am 1963-12-18)
Verfasser(in):
Buddy Kaye, Sidney Lippman (American songwriter) und Fred Wise
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:52
10Walkin’ Up (live at the Montreux Jazz Festival, 1968)
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1968)
recording engineer:
Pierre Grandjean (am 1968-06-15), Jean-Claude Martin (am 1968-06-15) und Bob Schwarz (am 1968-06-15)
Produzent(in):
Helen Keane
Editing:
Bob Schwarz
Klavier:
Bill Evans (pianist) (am 1968-06-15)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-15)
Schlagzeug:
Jack DeJohnette (am 1968-06-15)
remixer:
Bob Schwarz
aufgenommen bei:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Kanton Waadt), Schweiz (am 1968-06-15)
live recording of:
Walkin' Up (am 1968-06-15)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. und TRO-Acorn Music
live recording of:
Walkin' Up (in 1968)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. und TRO-Acorn Music
3:38
11Walk on the Wild Side
instrumental cover recording of:
Walk on the Wild Side
Texter:
Mack David (American lyricist and songwriter)
Komponist(in):
Elmer Bernstein (American score composer)
publisher:
Columbia Pictures
Teil von:
The 35th Academy Award for Best Original Song (Nummer: 2)
2:34
12Comrade Conrad
recording of:
Comrade Conrad
Komponist(in):
Bill Evans (pianist)
publisher:
Orpheum Music
4:36
13Jag Vet En Deglig Rosa
recording of:
Jag vet en dejlig rosa
Verfasser(in) und Komponist(in):
[traditional] (special purpose artist)
publisher:
Warner/Chappell Music Scandinavia AB
2:54
14Elsa
cover recording of:
Elsa
Komponist(in):
Earl Zindars
publisher:
Zindars Music und Zindars Publishing
4:20
15Israel
cover recording of:
Israel (Miles Davis/John Carisi's song)
Komponist(in):
John Carisi (American trumpeter and composer)
publisher:
Beechwood Music
4:47
16Love Theme From ’Spartacus’
instrumental cover recording of:
Love Theme (Spartacus)
Texter:
Terry Callier und Alex North (US composer)
Komponist(in):
Alex North (US composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Cristal Publishing, Northern Music (song publisher), Northern Music Corp., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und USI A Music Publishing
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ジ・インプレッションズ, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:08
17For Heaven’s Sake
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Bass und Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1963-12-18)
instrumental cover recording of:
For Heaven’s Sake (am 1963-12-18)
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
cover recording of:
For Heaven’s Sake (am 1963-12-18)
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
instrumental recording of:
For Heaven’s Sake
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
recording of:
For Heaven’s Sake
Komponist(in):
Elise Bretton, Sherman Edwards und Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:27
18Dancing in the Dark
recording engineer:
Bob Simpson (US jazz engineer/producer) (am 1963-12-18)
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-12-18)
Kontrabass [bass]:
Gary Peacock (American jazz bassist) (am 1963-12-18)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1963-12-18)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1963-12-18)
instrumental cover recording of:
Dancing in the Dark (am 1963-12-18)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
4:36
19Jazz Samba
cover recording of:
Jazz Samba
Komponist(in):
Claus Ogerman
3:10
20It Must Be Love
3:57
21One for Helen (live at the Montreux Jazz Festival, 1968)
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1968)
live recording of:
One for Helen (in 1968)
Komponist(in):
Bill Evans (pianist)
publisher:
Ludlow Music und Ludlow Music, Inc.
4:24
22Polka Dots and Moonbeams (live at the Village Vanguard, 1967)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (in 1967)
live instrumental cover recording of:
Polka Dots and Moonbeams (in 1967)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:24
23Star Eyes
cover recording of:
Star Eyes
Komponist(in):
Gene de Paul und Don Raye
publisher:
EMI Feist Catalog Inc. und Red Cape Songs
Teil von:
I Dood It (1943)
4:58
24On a Clear Day (You Can See Forever)
instrumental cover recording of:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
4:51
25On Green Dolphin Street (live at the Village Vanguard / 1967)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (in 1967)
live cover recording of:
On Green Dolphin Street (in 1967)
Texter:
Ned Washington (in 1947)
Komponist(in):
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. und Patti Washington Music
4:54
26Emily (live at the Village Vanguard, 1967)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (in 1967)
live instrumental cover recording of:
Emily (Emily Theme from The Americanization of Emily)
Texter:
Johnny Mercer
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs und SBK Miller Catalog, Inc.
5:16
27If You Could See Me Now
instrumental cover recording of:
If You Could See Me Now (jazz standard)
Texter:
Carl Sigman (in 1946)
Komponist(in):
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:46
28What’s New
Produzent(in):
Helen Keane
Bass:
Eddie Gomez (jazz double bassist) (von 1969-01-30 bis 1969-03-11)
flute:
Jeremy Steig (von 1969-01-30 bis 1969-03-11)
Klavier:
Bill Evans (pianist) (von 1969-01-30 bis 1969-03-11)
Schlagzeug:
Marty Morell (drums) (von 1969-01-30 bis 1969-03-11)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (von 1969-01-30 bis 1969-03-11)
instrumental cover recording of:
What’s New? (von 1969-01-30 bis 1969-03-11)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
4:53
29Medley: All the Things You Are / Midnight Mood
medley including a instrumental cover recording of:
All the Things You Are (from “Very Warm for May”)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
medley including a cover recording of:
Midnight Mood
Komponist(in):
Ben Raleigh und Joe Zawinul (jazz and fusion keyboard player)
publisher:
Helios Music und Helios Music Corp.
4:07
30Bemsha Swing
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-02-09)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1963-02-09)
cover recording of:
Bemsha Swing (instrumental) (am 1963-02-09)
Komponist(in):
Denzil Best und Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music und Thelonious Music
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:57
31Melinda
instrumental cover recording of:
Melinda (On a Clear Day You Can See Forever)
Texter:
Alan Jay Lerner (in 1965)
Komponist(in):
Burton Lane (in 1965)
publisher:
Chappell & Co., Inc. (USA)
Premiere bei:
Mark Hellinger Theatre in Manhattan, New York, New York, Vereinigte Staaten (am 1965-10-17)
Teil von:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
Teil von:
On a Clear Day You Can See Forever (1970 film soundtrack)
5:07
32I Loves You Porgy (live at the Montreux Jazz Festival, 1968)
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1968)
live instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1968)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
5:39
33Nardis (live at the Trident / 1964)
aufgenommen bei:
The Trident Club in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1964)
live cover recording of:
Nardis (in 1964)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers und Sony/ATV Music Publishing (UK) Ltd.
5:38
34Alfie
instrumental cover recording of:
Alfie
Texter:
Hal David (in 1965)
Komponist(in):
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 39th Academy Award for Best Original Song (Nummer: 2)
5:06
35My Love Is an April Song (live at the Trident / 1964)
aufgenommen bei:
The Trident Club in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1964)
live recording of:
My Love Is An April Song (in 1964)
Verfasser(in):
Earl Zindars
5:30
36N.Y.C.’s No Lark
recording engineer:
Ray Hall (engineer) (am 1963-02-06)
Techniker(in):
Val Valentin
Produzent(in):
Creed Taylor
Klavier:
Bill Evans (pianist) (am 1963-02-06)
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1963-02-06)
recording of:
N.Y.C.’s No Lark (am 1963-02-06)
Komponist(in):
Bill Evans (pianist)
5:37
37Re: Person I Knew (live at the Village Vanguard / 1967)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (in 1967)
recording of:
Re: Person I Knew (in 1967)
Komponist(in):
Bill Evans (pianist)
publisher:
Folkways Music, Kensington Music Ltd. und TRO-Acorn Music
5:00
38Make Someone Happy (live at Town Hall, New York City, 1966)
aufgenommen bei:
Town Hall in Theater District, New York, New York, Vereinigte Staaten (in 1966)
live instrumental cover recording of:
Make Someone Happy (Do Re Mi) (in 1966)
Orchestrator(in):
Bruce Coughlin
Texter:
Betty Comden und Adolph Green
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Sole Selling Agent und Stratford Music Corporation
Teil von:
Do Re Mi
4:32
39Goodbye
instrumental cover recording of:
Goodbye
Texter und Komponist(in):
Gordon Jenkins
Verfasser(in):
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) und WB Music Corp. (1929–2019)
5:11
40Never Let Me Go
instrumental cover recording of:
Never Let Me Go
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
14:43

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Veröffentlichungsgruppe

Teil von:Work From Home (Reihenfolge: 7)