Work From Home with Bill Evans

~ Pubblicazione di Bill Evans (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1I’ve Got You Under My Skin
registrazione strumentale cover di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
3:24
2Who Can I Turn To?
registrazione cover di:
Who Can I Turn To (When Nobody Needs Me)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. e TRO Muscal Comedy Productions, Inc.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
4:54
3Let’s Go Back to the Waltz
registrazione strumentale cover di:
Let’s Go Back to the Waltz
paroliere e compositore:
Irving Berlin
editore:
Irving Berlin Music e Irving Berlin Music Company
4:33
4My Melancholy Baby
registrazione strumentale cover di:
My Melancholy Baby
paroliere:
George A. Norton (nel 1912)
compositore:
Ernie Burnett (songwriter, composer, and pianist) (nel 1911)
editore:
Francis, Day & Hunter Ltd. e Shapiro, Bernstein & Co., Inc.
versione di:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
5:16
5But Beautiful
registrazione strumentale cover di:
But Beautiful
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Jimmy Van Heusen
editore:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (nel 1947) e Onyx Music Corporation (nel 1947)
4:43
6Soiree
registrazione cover di:
Soirée
autore:
Earl Zindars
3:24
7Mother of Earl (live at the Montreux Jazz Festival, 1968)
registrata a:
Montreux, Vaud (Canton Vaud), Svizzera (nel 1968)
registrazione dal vivo cover di:
Mother of Earl (nel 1968)
compositore:
Earl Zindars
5:15
8Children’s Play Song
registrazione di:
Children's Play Song
compositore:
Bill Evans (pianist)
editore:
Ludlow Music
4:11
9Little Lulu (master take)
registrata a:
New York, New York, Stati Uniti (il 1963-12-18)
tecnico di registrazione:
Bob Simpson (US jazz engineer/producer) (il 1963-12-18)
produttore:
Creed Taylor
batteria :
Paul Motian (US jazz drummer, percussionist & composer) (il 1963-12-18)
contrabbasso [bass] :
Gary Peacock (American jazz bassist) (il 1963-12-18)
pianoforte :
Bill Evans (pianist) (il 1963-12-18)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1963-12-18)
registrazione strumentale cover di:
Little Lulu (il 1963-12-18)
autore:
Buddy Kaye, Sidney Lippman (American songwriter) e Fred Wise
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:52
10Walkin’ Up (live at the Montreux Jazz Festival, 1968)
registrata a:
Montreux, Vaud (Canton Vaud), Svizzera (nel 1968)
tecnico di registrazione:
Pierre Grandjean (il 1968-06-15), Jean-Claude Martin (il 1968-06-15) e Bob Schwarz (il 1968-06-15)
produttore:
Helen Keane
editor:
Bob Schwarz
batteria :
Jack DeJohnette (il 1968-06-15)
contrabbasso :
Eddie Gomez (jazz double bassist) (il 1968-06-15)
pianoforte :
Bill Evans (pianist) (il 1968-06-15)
remixer:
Bob Schwarz
registrata presso:
Montreux Casino (1st incarnation, 1881–1971) in Montreux, Vaud (Canton Vaud), Svizzera (il 1968-06-15)
registrazione dal vivo di:
Walkin' Up (il 1968-06-15)
compositore:
Bill Evans (pianist)
editore:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. e TRO-Acorn Music
registrazione dal vivo di:
Walkin' Up (nel 1968)
compositore:
Bill Evans (pianist)
editore:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. e TRO-Acorn Music
3:38
11Walk on the Wild Side
registrazione strumentale cover di:
Walk on the Wild Side
paroliere:
Mack David (American lyricist and songwriter)
compositore:
Elmer Bernstein (American score composer)
editore:
Columbia Pictures
parte di:
The 35th Academy Award for Best Original Song (numero: 2)
2:34
12Comrade Conrad
registrazione di:
Comrade Conrad
compositore:
Bill Evans (pianist)
editore:
Orpheum Music
4:36
13Jag Vet En Deglig Rosa
registrazione di:
Jag vet en dejlig rosa
autore e compositore:
[traditional] (special purpose artist)
editore:
Warner/Chappell Music Scandinavia AB
2:54
14Elsa
registrazione cover di:
Elsa
compositore:
Earl Zindars
editore:
Zindars Music e Zindars Publishing
4:20
15Israel
registrazione cover di:
Israel (Miles Davis/John Carisi's song)
compositore:
John Carisi (American trumpeter and composer)
editore:
Beechwood Music
4:47
16Love Theme From ’Spartacus’
registrazione strumentale cover di:
Love Theme (Spartacus)
paroliere:
Terry Callier e Alex North (US composer)
compositore:
Alex North (US composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Cristal Publishing, Northern Music (song publisher), Northern Music Corp., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e USI A Music Publishing
sub-editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ジ・インプレッションズ, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:08
17For Heaven’s Sake
tecnico di registrazione:
Bob Simpson (US jazz engineer/producer) (il 1963-12-18)
produttore:
Creed Taylor
basso e contrabbasso [bass] :
Gary Peacock (American jazz bassist) (il 1963-12-18)
batteria :
Paul Motian (US jazz drummer, percussionist & composer) (il 1963-12-18)
pianoforte :
Bill Evans (pianist) (il 1963-12-18)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1963-12-18)
registrazione strumentale cover di:
For Heaven’s Sake (il 1963-12-18)
compositore:
Elise Bretton, Sherman Edwards e Donald Meyer
editore:
Songs of Universal, Inc. (BMI)
registrazione cover di:
For Heaven’s Sake (il 1963-12-18)
compositore:
Elise Bretton, Sherman Edwards e Donald Meyer
editore:
Songs of Universal, Inc. (BMI)
registrazione strumentale di:
For Heaven’s Sake
compositore:
Elise Bretton, Sherman Edwards e Donald Meyer
editore:
Songs of Universal, Inc. (BMI)
registrazione di:
For Heaven’s Sake
compositore:
Elise Bretton, Sherman Edwards e Donald Meyer
editore:
Songs of Universal, Inc. (BMI)
4:27
18Dancing in the Dark
tecnico di registrazione:
Bob Simpson (US jazz engineer/producer) (il 1963-12-18)
produttore:
Creed Taylor
batteria :
Paul Motian (US jazz drummer, percussionist & composer) (il 1963-12-18)
contrabbasso [bass] :
Gary Peacock (American jazz bassist) (il 1963-12-18)
pianoforte :
Bill Evans (pianist) (il 1963-12-18)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1963-12-18)
registrazione strumentale cover di:
Dancing in the Dark (il 1963-12-18)
paroliere:
Howard Dietz (librettist)
compositore:
Arthur Schwartz
editore:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) e WC Music Corp.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Band Wagon (1953 film)
4:36
19Jazz Samba
registrazione cover di:
Jazz Samba
compositore:
Claus Ogerman
3:10
20It Must Be Love
3:57
21One for Helen (live at the Montreux Jazz Festival, 1968)
registrata a:
Montreux, Vaud (Canton Vaud), Svizzera (nel 1968)
registrazione dal vivo di:
One for Helen (nel 1968)
compositore:
Bill Evans (pianist)
editore:
Ludlow Music e Ludlow Music, Inc.
4:24
22Polka Dots and Moonbeams (live at the Village Vanguard, 1967)
registrata presso:
Village Vanguard in Greenwich Village, New York, New York, Stati Uniti (nel 1967)
registrazione dal vivo strumentale cover di:
Polka Dots and Moonbeams (nel 1967)
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Jimmy Van Heusen
editore:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher e Reganesque Music Company
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:24
23Star Eyes
registrazione cover di:
Star Eyes
compositore:
Gene de Paul e Don Raye
editore:
EMI Feist Catalog Inc. e Red Cape Songs
parte di:
I Dood It (1943)
4:58
24On a Clear Day (You Can See Forever)
registrazione strumentale cover di:
On a Clear Day (You Can See Forever) (On a Clear Day You Can See Forever)
paroliere:
Alan Jay Lerner (nel 1965)
compositore:
Burton Lane (nel 1965)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Estate of Alan Jay Lerner Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
eseguita per la prima volta presso:
Mark Hellinger Theatre in Manhattan, New York, New York, Stati Uniti (il 1965-10-17)
parte di:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
parte di:
On a Clear Day You Can See Forever (1970 film soundtrack)
parte di:
On a Clear Day You Can See Forever (1970 film soundtrack)
parte di:
On a Clear Day You Can See Forever (1970 film soundtrack)
4:51
25On Green Dolphin Street (live at the Village Vanguard / 1967)
registrata presso:
Village Vanguard in Greenwich Village, New York, New York, Stati Uniti (nel 1967)
registrazione dal vivo cover di:
On Green Dolphin Street (nel 1967)
paroliere:
Ned Washington (nel 1947)
compositore:
Bronisław Kaper (nel 1947)
editore:
Catharine Hinen Music, Leo Feist Inc. e Patti Washington Music
4:54
26Emily (live at the Village Vanguard, 1967)
registrata presso:
Village Vanguard in Greenwich Village, New York, New York, Stati Uniti (nel 1967)
registrazione dal vivo strumentale cover di:
Emily (Emily Theme from The Americanization of Emily)
paroliere:
Johnny Mercer
compositore:
Johnny Mandel (American composer and arranger)
editore:
EMI Miller Catalog, Inc., Primary Wave Songs e SBK Miller Catalog, Inc.
5:16
27If You Could See Me Now
registrazione strumentale cover di:
If You Could See Me Now (jazz standard)
paroliere:
Carl Sigman (nel 1946)
compositore:
Tadd Dameron (nel 1946)
editore:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:46
28What’s New
produttore:
Helen Keane
basso :
Eddie Gomez (jazz double bassist) (dal 1969-01-30 al 1969-03-11)
batteria :
Marty Morell (drums) (dal 1969-01-30 al 1969-03-11)
flauto :
Jeremy Steig (dal 1969-01-30 al 1969-03-11)
pianoforte :
Bill Evans (pianist) (dal 1969-01-30 al 1969-03-11)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (dal 1969-01-30 al 1969-03-11)
registrazione strumentale cover di:
What’s New? (dal 1969-01-30 al 1969-03-11)
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Bob Haggart
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Warner Bros., Inc. (not for release label use!)
4:53
29Medley: All the Things You Are / Midnight Mood
medley che comprende una registrazione strumentale cover di:
All the Things You Are (from “Very Warm for May”)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1939)
compositore:
Jerome Kern (nel 1939)
editore:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (conclusa), T.B. Harms Inc. (conclusa) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Broadway Rhythm (film)
medley che comprende una registrazione cover di:
Midnight Mood
compositore:
Ben Raleigh e Joe Zawinul (jazz and fusion keyboard player)
editore:
Helios Music e Helios Music Corp.
4:07
30Bemsha Swing
produttore:
Creed Taylor
pianoforte :
Bill Evans (pianist) (il 1963-02-09)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1963-02-09)
registrazione cover di:
Bemsha Swing (instrumental) (il 1963-02-09)
compositore:
Denzil Best e Thelonious Monk
editore:
Bayes Music Corporation, Bocu Music Ltd., Embassy Music Corporation, Second Floor Music e Thelonious Music
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) e 日音 Synch事業部 (NICHION, INC. Synch Division)
2:57
31Melinda
registrazione strumentale cover di:
Melinda (On a Clear Day You Can See Forever)
paroliere:
Alan Jay Lerner (nel 1965)
compositore:
Burton Lane (nel 1965)
editore:
Chappell & Co., Inc. (USA)
eseguita per la prima volta presso:
Mark Hellinger Theatre in Manhattan, New York, New York, Stati Uniti (il 1965-10-17)
parte di:
On a Clear Day You Can See Forever (1965 Lerner & Lane musical)
parte di:
On a Clear Day You Can See Forever (1970 film soundtrack)
5:07
32I Loves You Porgy (live at the Montreux Jazz Festival, 1968)
registrata a:
Montreux, Vaud (Canton Vaud), Svizzera (nel 1968)
registrazione dal vivo strumentale cover di:
I Loves You, Porgy (use this for non-operatic performances) (nel 1968)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America e Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
5:39
33Nardis (live at the Trident / 1964)
registrata presso:
The Trident Club in Sausalito, California, Stati Uniti (nel 1964)
registrazione dal vivo cover di:
Nardis (nel 1964)
compositore:
Miles Davis (jazz trumpeter, bandleader, songwriter)
editore:
Jazz Horn Music Corporation, Musical Frontiers e Sony/ATV Music Publishing (UK) Ltd.
5:38
34Alfie
registrazione strumentale cover di:
Alfie
paroliere:
Hal David (nel 1965)
compositore:
Burt Bacharach (nel 1965)
editore:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell e Sony/ATV Harmony
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 39th Academy Award for Best Original Song (numero: 2)
5:06
35My Love Is an April Song (live at the Trident / 1964)
registrata presso:
The Trident Club in Sausalito, California, Stati Uniti (nel 1964)
registrazione dal vivo di:
My Love Is An April Song (nel 1964)
autore:
Earl Zindars
5:30
36N.Y.C.’s No Lark
tecnico di registrazione:
Ray Hall (engineer) (il 1963-02-06)
tecnico:
Val Valentin
produttore:
Creed Taylor
pianoforte :
Bill Evans (pianist) (il 1963-02-06)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1963-02-06)
registrazione di:
N.Y.C.’s No Lark (il 1963-02-06)
compositore:
Bill Evans (pianist)
5:37
37Re: Person I Knew (live at the Village Vanguard / 1967)
registrata presso:
Village Vanguard in Greenwich Village, New York, New York, Stati Uniti (nel 1967)
registrazione di:
Re: Person I Knew (nel 1967)
compositore:
Bill Evans (pianist)
editore:
Folkways Music, Kensington Music Ltd. e TRO-Acorn Music
5:00
38Make Someone Happy (live at Town Hall, New York City, 1966)
registrata presso:
Town Hall in Theater District, New York, New York, Stati Uniti (nel 1966)
registrazione dal vivo strumentale cover di:
Make Someone Happy (Do Re Mi) (nel 1966)
orchestratore:
Bruce Coughlin
paroliere:
Betty Comden e Adolph Green
compositore:
Jule Styne
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Sole Selling Agent e Stratford Music Corporation
parte di:
Do Re Mi
4:32
39Goodbye
registrazione strumentale cover di:
Goodbye
paroliere e compositore:
Gordon Jenkins
autore:
Benny Goodman (clarinetist and bandleader)
editore:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) e WB Music Corp. (1929–2019)
5:11
40Never Let Me Go
registrazione strumentale cover di:
Never Let Me Go
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
14:43

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