Sir Thomas Beecham

~ Veröffentlichung von Sir Thomas Beecham (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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ISBN 978-3-86735-175-1

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1Symphony no. 40 in G minor, KV 550: I. Molto allegro
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1937)
conductor:
Sir Thomas Beecham (conductor) (in 1937)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1937)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1937)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:23
2Symphony no. 40 in G minor, KV 550: II. Andante
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1937)
conductor:
Sir Thomas Beecham (conductor) (in 1937)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1937)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version) (in 1937)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:09
3Symphony no. 40 in G minor, KV 550: III. Menuetto: Allegretto
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1937)
conductor:
Sir Thomas Beecham (conductor) (in 1937)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1937)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version) (in 1937)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:43
4Symphony no. 40 in G minor, KV 550: IV. Allegro assai
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1937)
conductor:
Sir Thomas Beecham (conductor) (in 1937)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1937)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (in 1937)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:42
5Symphony no. 41 in C major, KV 551 "Jupiter": I. Allegro vivace
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1934-01-19)
conductor:
Sir Thomas Beecham (conductor) (am 1934-01-19)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1934-01-19)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": I. Allegro vivace) (am 1934-01-19)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:15
6Symphony no. 41 in C major, KV 551 "Jupiter": II. Andante cantabile
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1934-01-19)
conductor:
Sir Thomas Beecham (conductor) (am 1934-01-19)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1934-01-19)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": II. Andante cantabile) (am 1934-01-19)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:16
7Symphony no. 41 in C major, KV 551 "Jupiter": III. Menuetto & Trio
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1934-01-19)
conductor:
Sir Thomas Beecham (conductor) (am 1934-01-19)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1934-01-19)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": III. Minuetto. Allegretto) (am 1934-01-19)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart4:28
8Symphony no. 41 in C major, KV 551 "Jupiter": IV. Molto allegro
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1934-01-19)
conductor:
Sir Thomas Beecham (conductor) (am 1934-01-19)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1934-01-19)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": IV. Molto allegro) (am 1934-01-19)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart6:12
9Le nozze di Figaro, KV 492: Overture
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1937-03)
conductor:
Sir Thomas Beecham (conductor) (in 1937-03)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1937-03)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1937-03)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Die Hochzeit des Figaro (German translation)
Teil von:
Le nozze di Figaro, K. 492 (Die Hochzeit des Figaro, K 492)
Wolfgang Amadeus Mozart4:05
10Die Zauberflöte, KV 620: Overture
Orchester:
Royal Philharmonic Orchestra (am 1949-06-27)
conductor:
Sir Thomas Beecham (conductor) (am 1949-06-27)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1949-06-27)
recording of:
Die Zauberflöte: Ouvertüre (Die Zauberflöte, K. 620: Ouvertüre) (am 1949-06-27)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart6:54
11The Messiah: Overture
Orchester:
BBC Choir Symphony Orchestra (in 1927)
conductor:
Sir Thomas Beecham (conductor) (in 1927)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1927)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel3:58
12The Great Elopement (Ballet Suite arranged by Beecham): The Pump Room. The Linleys
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: The Pump Room (in 1945)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
Teil von:
Love in Bath
George Frideric Handel4:20
13The Great Elopement (Ballet Suite arranged by Beecham): Hunting Dance. Love Scene
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: Hunting Dance (in 1945)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
Teil von:
Love in Bath
recording of:
Love In Bath: Love Scene (in 1945)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
Teil von:
Love in Bath
George Frideric Handel3:55
14The Great Elopement (Ballet Suite arranged by Beecham): The Weary Flunkies. The Plot
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: The Plot (in 1945)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
Teil von:
Love in Bath
recording of:
Love In Bath: The Weary Flunkeys (in 1945)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
Teil von:
Love in Bath
George Frideric Handel3:55
15The Great Elopement (Ballet Suite arranged by Beecham): Sarabande. Hornpipe
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: Hornpipe (in 1945)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
Teil von:
Love in Bath
recording of:
Love In Bath: Sarabande (in 1945)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
Teil von:
Love in Bath
George Frideric Handel3:29
16The Great Elopement (Ballet Suite arranged by Beecham): Beau Nash. Second Love Scene
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: Beau Nash (in 1945)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
Teil von:
Love in Bath
recording of:
Love In Bath: Second Love Scene (in 1945)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
Teil von:
Love in Bath
George Frideric Handel4:08
17The Great Elopement (Ballet Suite arranged by Beecham): Interlude. Gigue
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: Interlude (in 1945)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
Teil von:
Love in Bath
George Frideric Handel4:41
18Symphony no. 93 in D major: I. Allegro assai
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1936-12-18)
conductor:
Sir Thomas Beecham (conductor) (am 1936-12-18)
recording of:
Symphony no. 93 in D major, Hob. I:93: I. Adagio - Allegro assai (am 1936-12-18)
Komponist(in):
Joseph Haydn (composer) (in 1791)
Teil von:
Symphony no. 93 in D major, Hob. I:93
Joseph Haydn6:43
19Symphony no. 93 in D major: II. Largo cantabile
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1936-12-18)
conductor:
Sir Thomas Beecham (conductor) (am 1936-12-18)
recording of:
Symphony no. 93 in D major, Hob. I:93: II. Largo cantabile (am 1936-12-18)
Komponist(in):
Joseph Haydn (composer) (in 1791)
Teil von:
Symphony no. 93 in D major, Hob. I:93
Joseph Haydn6:18
20Symphony no. 93 in D major: III. Menuetto: Allegro
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1936-12-18)
conductor:
Sir Thomas Beecham (conductor) (am 1936-12-18)
recording of:
Symphony no. 93 in D major, Hob. I:93: III. Menuetto. Allegro - Trio - Menuetto (am 1936-12-18)
Komponist(in):
Joseph Haydn (composer) (in 1791)
Teil von:
Symphony no. 93 in D major, Hob. I:93
Joseph Haydn4:09
21Symphony no. 93 in D major: IV. Presto ma non troppo
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1936-12-18)
conductor:
Sir Thomas Beecham (conductor) (am 1936-12-18)
recording of:
Symphony no. 93 in D major, Hob. I:93: IV. Finale. Presto ma non troppo (am 1936-12-18)
Komponist(in):
Joseph Haydn (composer) (in 1791)
Teil von:
Symphony no. 93 in D major, Hob. I:93
Joseph Haydn4:39
22Symphony no. 104 in D major “London”: I. Adagio. Allegro
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1939-01-18)
conductor:
Sir Thomas Beecham (conductor) (am 1939-01-18)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro (am 1939-01-18)
Komponist(in):
Joseph Haydn (composer) (in 1795)
Teil von:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn6:59
23Symphony no. 104 in D major “London”: II. Andante
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1939-01-18)
conductor:
Sir Thomas Beecham (conductor) (am 1939-01-18)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante (am 1939-01-18)
Komponist(in):
Joseph Haydn (composer) (in 1795)
Teil von:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn8:53
24Symphony no. 104 in D major “London”: III. Menuetto: Allegretto
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1939-01-18)
conductor:
Sir Thomas Beecham (conductor) (am 1939-01-18)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro (am 1939-01-18)
Komponist(in):
Joseph Haydn (composer) (in 1795)
Teil von:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn4:27
25Symphony no. 104 in D major “London”: IV. Allegro spiritoso
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1939-01-18)
conductor:
Sir Thomas Beecham (conductor) (am 1939-01-18)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso (am 1939-01-18)
Komponist(in):
Joseph Haydn (composer) (in 1795)
Teil von:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn4:39
26Symphony no. 5 in B-flat major, D. 485: I. Allegro
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1938-12-15 bis 1939-01-11)
conductor:
Sir Thomas Beecham (conductor) (von 1938-12-15 bis 1939-01-11)
recording of:
Symphony no. 5 in B-flat major, D. 485: I. Allegro (von 1938-12-15 bis 1939-01-11)
Komponist(in):
Franz Schubert (composer) (in 1816)
Teil von:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert5:41
27Symphony no. 5 in B-flat major, D. 485: II. Andante con moto
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1938-12-15 bis 1939-01-11)
conductor:
Sir Thomas Beecham (conductor) (von 1938-12-15 bis 1939-01-11)
recording of:
Symphony no. 5 in B-flat major, D. 485: II. Andante con moto (von 1938-12-15 bis 1939-01-11)
Komponist(in):
Franz Schubert (composer) (in 1816)
Teil von:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert10:08
28Symphony no. 5 in B-flat major, D. 485: III. Menuetto: Allegro molto
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1938-12-15 bis 1939-01-11)
conductor:
Sir Thomas Beecham (conductor) (von 1938-12-15 bis 1939-01-11)
recording of:
Symphony no. 5 in B-flat major, D. 485: III. Menuetto & Trio: Allegro molto (von 1938-12-15 bis 1939-01-11)
Komponist(in):
Franz Schubert (composer) (in 1816)
Teil von:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert4:39
29Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1938-12-15 bis 1939-01-11)
conductor:
Sir Thomas Beecham (conductor) (von 1938-12-15 bis 1939-01-11)
recording of:
Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace (von 1938-12-15 bis 1939-01-11)
Komponist(in):
Franz Schubert (composer) (in 1816)
Teil von:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert5:53
30Concerto for Piano and Orchestra no. 4 in G major, op. 37: I. Allegro moderato
Klavier:
Arthur Rubinstein (pianist) (am 1947-09-30)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1947-09-30)
conductor:
Sir Thomas Beecham (conductor) (am 1947-09-30)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato (am 1947-09-30)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1807)
Teil von:
Concerto for Piano and Orchestra no. 4 in G major, op. 58 (Klavierkonzert Nr. 4 G-Dur op. 58)
Ludwig van Beethoven16:42
31Concerto for Piano and Orchestra no. 4 in G major, op. 37: II. Andante con moto
Klavier:
Arthur Rubinstein (pianist) (am 1947-09-30)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1947-09-30)
conductor:
Sir Thomas Beecham (conductor) (am 1947-09-30)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (am 1947-09-30)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1807)
Teil von:
Concerto for Piano and Orchestra no. 4 in G major, op. 58 (Klavierkonzert Nr. 4 G-Dur op. 58)
Ludwig van Beethoven4:43
32Concerto for Piano and Orchestra no. 4 in G major, op. 37: III. Rondo: Vivace
Klavier:
Arthur Rubinstein (pianist) (am 1947-09-30)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1947-09-30)
conductor:
Sir Thomas Beecham (conductor) (am 1947-09-30)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace (Klavierkonzert Nr. 4, G-Dur, op. 58: III. Rondo. Vivace) (am 1947-09-30)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1807)
Teil von:
Concerto for Piano and Orchestra no. 4 in G major, op. 58 (Klavierkonzert Nr. 4 G-Dur op. 58)
Ludwig van Beethoven8:37
33Der Freischutz: Overture
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1937-11-27)
conductor:
Sir Thomas Beecham (conductor) (am 1937-11-27)
recording of:
Der Freischütz: Ouvertüre (am 1937-11-27)
Komponist(in):
Carl Maria von Weber (composer)
Teil von:
Der Freischütz
Carl Maria von Weber9:15
34Oberon: Overture
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1938-07-18)
conductor:
Sir Thomas Beecham (conductor) (am 1938-07-18)
recording of:
Oberon, J. 306: Overture (am 1938-07-18)
Komponist(in):
Carl Maria von Weber (composer)
Teil von:
Oberon, J. 306
Carl Maria von Weber8:30
35Die Meistersinger von Nürnberg: Prelude to Act I
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1936-06-19)
conductor:
Sir Thomas Beecham (conductor) (am 1936-06-19)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel (am 1936-06-19)
Komponist(in):
Richard Wagner (composer) (von 1863 bis 1867)
Teil von:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner9:06
36Tragic Overture
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1936-03-22)
conductor:
Sir Thomas Beecham (conductor) (am 1936-03-22)
recording of:
Tragische Ouvertüre, op. 81 (Tragic Overture, op. 81) (am 1936-03-22)
Komponist(in):
Johannes Brahms (German composer) (in 1880)
uraufgeführt von:
Hans Richter (conductor, 1843-1916) (am 1880-12-26) und Wiener Philharmoniker (am 1880-12-26)
Premiere bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (am 1880-12-26)
Teil von:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (Nummer: op. 81)
Johannes Brahms12:25
37Peer Gynt Suite No. 1, op. 46: I. Morgenstemning (Morning Mood)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1939)
conductor:
Sir Thomas Beecham (conductor) (in 1939)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1939)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:27
38Peer Gynt Suite No. 1, op. 46: II. Åses Død (The Death of Åse)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1939)
conductor:
Sir Thomas Beecham (conductor) (in 1939)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (in 1939)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 3. akt: Åses død
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:21
39Peer Gynt Suite No. 1, op. 46: III. Anitras Dans (Anitra’s Dance)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1939)
conductor:
Sir Thomas Beecham (conductor) (in 1939)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance) (in 1939)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 4. akt: Anitras dans
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:51
40Peer Gynt Suite No. 1, op. 46: IV. I Dovregubbens Hall (In the Hall of the Mountain King)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1939)
conductor:
Sir Thomas Beecham (conductor) (in 1939)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1939)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:22
41Les Contes d'Hoffmann: Barcarolle
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1936-06-19)
conductor:
Sir Thomas Beecham (conductor) (am 1936-06-19)
recording of:
Les Contes d’Hoffmann: Barcarolle (Hoffmanns Erzählungen: Barcarole, catch-all for arrangements) (am 1936-06-19)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Arrangement von:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach4:00
42Frühlingstimmen, op. 410
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1939-11-28)
conductor:
Sir Thomas Beecham (conductor) (am 1939-11-28)
recording of:
Frühlingsstimmen, op. 410 (Voices of Spring) (am 1939-11-28)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 410)
Johann Strauss6:25
43Prodaná nevesta (The Bartered Bride): Overture
Orchester:
Royal Philharmonic Orchestra (in 1947)
conductor:
Sir Thomas Beecham (conductor) (in 1947)
recording of:
Prodaná nevěsta: Overture (The Bartered Bride: Overture) (in 1947)
Komponist(in):
Bedřich Smetana (composer)
Teil von:
Die verkaufte Braut (The Bartered Bride)
Teil von:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana7:20
44Prodaná nevesta (The Bartered Bride): Polka
Orchester:
Royal Philharmonic Orchestra (in 1947)
conductor:
Sir Thomas Beecham (conductor) (in 1947)
recording of:
Prodaná nevěsta: Act I, Scene V. Polka (in 1947)
Komponist(in):
Bedřich Smetana (composer)
Teil von:
Prodaná nevěsta: Act I
Bedřich Smetana4:35
45Slavonic Rhapsody in A flat major, op. 4
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1935)
conductor:
Sir Thomas Beecham (conductor) (in 1935)
recording of:
Slavonic Rhapsody in A-flat major, op. 45 no. 3 (in 1935)
Komponist(in):
Antonín Dvořák (composer) (in 1878)
Teil von:
Slavonic Rhapsodies, op. 45
Antonín Dvořák13:18
46Legend in G Minor, op. 59 no. 3
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1935-04-25)
conductor:
Sir Thomas Beecham (conductor) (am 1935-04-25)
recording of:
Legends, op. 59, B. 122: III. Allegro giusto (G minor) (for orchestra) (am 1935-04-25)
Orchestrator(in):
Antonín Dvořák (composer) (von 1881-11-13 bis 1881-12-09)
Komponist(in):
Antonín Dvořák (composer) (bis 1881-03-22)
Orchestrierung von:
Legends, op. 59, B. 117: No. 3 in G minor. Allegro giusto (for piano duo)
Teil von:
Legends, op. 59, B. 122 (for orchestra)
Antonín Dvořák4:25
47Prince Igor: Polovtsian Dance
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1934-10-05)
conductor:
Sir Thomas Beecham (conductor) (am 1934-10-05)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (am 1934-10-05)
Komponist(in):
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) und Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
Alexander Borodin10:42
48Chovantschina: Dance of the Persian Slaves
Orchester:
Royal Philharmonic Orchestra (in 1947)
conductor:
Sir Thomas Beecham (conductor) (in 1947)
recording of:
Khovanshchina: Act IV, Scene I. Dance of the Persian Slave Girls (in 1947)
Komponist(in) und Librettist:
Modest Mussorgsky (Modest Mussorgski, composer)
Teil von:
Хованщина: Действие 4
Modest Mussorgsky6:45
49Francesca da Rimini - Symphonic Fantasy after Dante, op. 32
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1939-12)
conductor:
Sir Thomas Beecham (conductor) (in 1939-12)
recording of:
Francesca da Rimini, op. 32 (in 1939-12)
Premiere in:
Moscow (Moskau), Russland (am 1877-03-09)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1876-10 bis 1876-11)
gewidmet:
Сергей Танеев (Sergei Tanejew, Russian composer, pianist, teacher of composition, music theorist and author)
Premiere bei:
[concert] (1877-03-09) (premiere concert for Tchaikovsky's Francesca da Rimini)
publisher:
P. Jurgenson (in 1878)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 46), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 43) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 32)
basiert auf:
Inferno (first part of Dante Alighieri's Comedìa)
Peter Ilyich Tchaikovsky19:34
50Le Carnaval Romain, op. 9
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1936-11-27)
conductor:
Sir Thomas Beecham (conductor) (am 1936-11-27)
recording of:
Le Carnaval romain, ouverture pour orchestre, op. 9 (Le Carnaval Romain "Charakteristische Ouvertüre", op. 9) (am 1936-11-27)
Komponist(in):
Hector Berlioz (French composer) (in 1843)
Teil von:
Catalogue of the Works of Hector Berlioz (Nummer: H. 95)
Hector Berlioz8:57
51Le Corsaire, op. 21
Orchester:
Royal Philharmonic Orchestra (am 1946-11-06)
conductor:
Sir Thomas Beecham (conductor) (am 1946-11-06)
recording of:
Le Corsaire op. 21: Ouverture, H 101 (am 1946-11-06)
Komponist(in):
Hector Berlioz (French composer)
Teil von:
Catalogue of the Works of Hector Berlioz (Nummer: H. 101)
Hector Berlioz7:58
52L‘Arlésienne Suites 1 & 2 (excerpts): Prélude
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1936)
conductor:
Sir Thomas Beecham (conductor) (in 1936)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (in 1936)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet7:29
53L‘Arlésienne Suites 1 & 2 (excerpts): Minuet
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1936)
conductor:
Sir Thomas Beecham (conductor) (in 1936)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (in 1936)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:26
54L‘Arlésienne Suites 1 & 2 (excerpts): Adagietto
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1936)
conductor:
Sir Thomas Beecham (conductor) (in 1936)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (in 1936)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:35
55L‘Arlésienne Suites 1 & 2 (excerpts): Menuet
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1936)
conductor:
Sir Thomas Beecham (conductor) (in 1936)
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra) (in 1936)
Komponist(in):
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
Teil von:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet4:27
56L‘Arlésienne Suites 1 & 2 (excerpts): Farandole
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1936)
conductor:
Sir Thomas Beecham (conductor) (in 1936)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (in 1936)
Komponist(in):
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
Teil von:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:40
57Carmen Suite (excerpts): Prélude
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1939-04-12)
conductor:
Sir Thomas Beecham (conductor) (am 1939-04-12)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (am 1939-04-12)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
basiert auf:
Carmen : Prélude
Teil von:
Carmen Suite no. 1
Georges Bizet3:41
58Carmen Suite (excerpts): Entr‘acte. Intermezzo
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1939-04-12)
conductor:
Sir Thomas Beecham (conductor) (am 1939-04-12)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (am 1939-04-12)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
Teil von:
Carmen Suite no. 1
Georges Bizet4:40
59Carmen Suite (excerpts): La Garde Montante. Les Dragons d‘ Alcala
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1939-04-12)
conductor:
Sir Thomas Beecham (conductor) (am 1939-04-12)
recording of:
Carmen Suite no. 2: V. La Garde montante (am 1939-04-12)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
Teil von:
Carmen Suite no. 2
Georges Bizet4:11
60Carmen Suite (excerpts): Danse bohème
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1939-04-12)
conductor:
Sir Thomas Beecham (conductor) (am 1939-04-12)
recording of:
Carmen Suite no. 2: VI. Danse bohème (am 1939-04-12)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
Teil von:
Carmen Suite no. 2
Georges Bizet4:45
61Prélude à l‘après-midi d‘un faune
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1939-02-13)
conductor:
Sir Thomas Beecham (conductor) (am 1939-02-13)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (am 1939-02-13)
Komponist(in):
Claude Debussy (French composer) (von 1891 bis 1894-09)
gewidmet:
Raymond Bonheur (composer, 1861-1939)
Premiere bei:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
Teil von:
Classic 100: Music of France (2012) (Nummer: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (Nummer: L. 86) und Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (Nummer: CD 87)
Claude Debussy9:23
62Symphony in D minor: I. Lento. Allegro
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1940-01-03 bis 1940-01-04)
conductor:
Sir Thomas Beecham (conductor) (von 1940-01-03 bis 1940-01-04)
recording of:
Symphonie en ré mineur: I. Lento - Allegro non troppo (Symphony in D minor: I. Lento - Allegro non troppo) (von 1940-01-03 bis 1940-01-04)
Komponist(in):
César Franck (Belgian‐born French composer) (von 1886 bis 1888)
Teil von:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck16:13
63Symphony in D minor: II. Allegretto
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1940-01-03 bis 1940-01-04)
conductor:
Sir Thomas Beecham (conductor) (von 1940-01-03 bis 1940-01-04)
recording of:
Symphonie en ré mineur: II. Allegretto (Symphony in D minor: II. Allegretto) (von 1940-01-03 bis 1940-01-04)
Komponist(in):
César Franck (Belgian‐born French composer) (von 1886 bis 1888)
Teil von:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck10:43
64Symphony in D minor: III. Allegro non troppo
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1940-01-03 bis 1940-01-04)
conductor:
Sir Thomas Beecham (conductor) (von 1940-01-03 bis 1940-01-04)
recording of:
Symphonie en ré mineur: III. Allegro non troppo (Symphony in D minor: III. Allegro non troppo) (von 1940-01-03 bis 1940-01-04)
Komponist(in):
César Franck (Belgian‐born French composer) (von 1886 bis 1888)
Teil von:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck9:46
65España – Rhapsody for Orchestra
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1939-11-30)
conductor:
Sir Thomas Beecham (conductor) (am 1939-11-30)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1939-11-30)
recording of:
España (rhapsody for orchestra) (am 1939-11-30)
Komponist(in):
Emmanuel Chabrier (composer) (in 1883)
gewidmet:
Charles Lamoureux
Emmanuel Chabrier6:09
66Joyeuse – March for Orchestra
Orchester:
Royal Philharmonic Orchestra (am 1946-11-06)
conductor:
Sir Thomas Beecham (conductor) (am 1946-11-06)
recording of:
Joyeuse marche (for orchestra) (am 1946-11-06)
Komponist(in):
Emmanuel Chabrier (composer) (in 1888)
Emmanuel Chabrier3:34
67Gwendoline: Overture
Orchester:
Royal Philharmonic Orchestra (am 1955-12-20)
conductor:
Sir Thomas Beecham (conductor) (am 1955-12-20)
aufgenommen bei:
BBC Studios in London (Greater London), England, Vereinigtes Königreich (am 1955-12-20)
recording of:
Gwendoline: Ouverture (am 1955-12-20)
Komponist(in):
Emmanuel Chabrier (composer) (in 1886)
Teil von:
Gwendoline
Emmanuel Chabrier9:14
68Appalachia - Variations on an Old Slave Song: Introduction
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius5:38
69Appalachia - Variations on an Old Slave Song: Theme
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius0:28
70Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius0:28
71Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius0:20
72Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius0:57
73Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius4:27
74Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius0:49
75Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius2:21
76Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius1:41
77Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius2:58
78Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius1:48
79Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius3:29
80Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius1:52
81Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius2:03
82Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius1:28
83Appalachia - Variations on an Old Slave Song: Variations
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius2:37
84Appalachia - Variations on an Old Slave Song: Finale: Lento. Piu mosso
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
teilweise recording of:
Appalachia, RT ii/2 (in 1938-01)
Komponist(in):
Frederick Delius (English composer)
Version von:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius4:31
85Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Introduction
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: I. Introduction (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote (op 35; TrV 184)
Frederick Delius6:15
86Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Theme: Don Quixote, the Knight of the Sorrowful Countenance
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Thema: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss0:56
87Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Sancho Panza
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:06
88Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation I: The Adventure With the Windmills
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:28
89Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation II: The Battle With the Sheep
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:35
90Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation III: Dialogue of Knight and Squire
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss7:38
91Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation IV: The Adventure With the Penitents
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:58
92Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation V: The Knight‘s Vigil
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:02
93Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation VI: The False Dulcinea
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:09
94Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation VII: The Ride Through the Air
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:01
95Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation VIII: The Adventure of the Unchanted Boat
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:45
96Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation IX: The Combat With the Two Magicians
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:06
97Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation X: The Defeat of Don Quixote
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss3:54
98Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Finale: The Death of Don Quixote
Orchester:
New York Philharmonic (am 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (am 1932-04-07)
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) (am 1932-04-07)
Komponist(in):
Richard Strauss (German composer) (in 1897)
Teil von:
Don Quixote (op 35; TrV 184)
Richard Strauss4:34
99Symphony No. 2 in D major, op. 43: I. Allegretto
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1946-12 bis 1947-02)
conductor:
Sir Thomas Beecham (conductor) (von 1946-12 bis 1947-02)
recording of:
Sinfonia nro 2 D-duuri, op. 43: I. Allegretto (Symphony no. 2 in D major, op. 43: I. Allegretto) (von 1946-12 bis 1947-02)
Komponist(in):
Jean Sibelius (Finnish composer) (von 1900 bis 1902)
publisher:
Breitkopf & Härtel
Teil von:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius9:27
100Symphony No. 2 in D major, op. 43: II. Tempo andante, ma rubato
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1946-12 bis 1947-02)
conductor:
Sir Thomas Beecham (conductor) (von 1946-12 bis 1947-02)
recording of:
Sinfonia nro 2 D-duuri, op. 43: II. Tempo andante, ma rubato (Symphony no. 2 in D major, op. 43: II: Tempo andante, ma rubato) (von 1946-12 bis 1947-02)
Komponist(in):
Jean Sibelius (Finnish composer) (von 1900 bis 1902)
publisher:
Breitkopf & Härtel
Teil von:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius14:12
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