Sir Thomas Beecham

~ Release by Sir Thomas Beecham (see all versions of this release, 1 available)

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MP3-CD release: 104 files, 103 mp3 + pdf file

ISBN 978-3-86735-175-1

Annotation last modified on 2022-05-19 16:52 UTC.

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1Symphony no. 40 in G minor, KV 550: I. Molto allegro
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1937)
conductor:
Sir Thomas Beecham (conductor) (in 1937)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1937)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1937)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:23
2Symphony no. 40 in G minor, KV 550: II. Andante
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1937)
conductor:
Sir Thomas Beecham (conductor) (in 1937)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1937)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version) (in 1937)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:09
3Symphony no. 40 in G minor, KV 550: III. Menuetto: Allegretto
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1937)
conductor:
Sir Thomas Beecham (conductor) (in 1937)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1937)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version) (in 1937)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:43
4Symphony no. 40 in G minor, KV 550: IV. Allegro assai
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1937)
conductor:
Sir Thomas Beecham (conductor) (in 1937)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1937)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (in 1937)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:42
5Symphony no. 41 in C major, KV 551 "Jupiter": I. Allegro vivace
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1934-01-19)
conductor:
Sir Thomas Beecham (conductor) (on 1934-01-19)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1934-01-19)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (on 1934-01-19)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:15
6Symphony no. 41 in C major, KV 551 "Jupiter": II. Andante cantabile
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1934-01-19)
conductor:
Sir Thomas Beecham (conductor) (on 1934-01-19)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1934-01-19)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile (on 1934-01-19)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:16
7Symphony no. 41 in C major, KV 551 "Jupiter": III. Menuetto & Trio
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1934-01-19)
conductor:
Sir Thomas Beecham (conductor) (on 1934-01-19)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1934-01-19)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (on 1934-01-19)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart4:28
8Symphony no. 41 in C major, KV 551 "Jupiter": IV. Molto allegro
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1934-01-19)
conductor:
Sir Thomas Beecham (conductor) (on 1934-01-19)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1934-01-19)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (on 1934-01-19)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart6:12
9Le nozze di Figaro, KV 492: Overture
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1937-03)
conductor:
Sir Thomas Beecham (conductor) (in 1937-03)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1937-03)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1937-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:05
10Die Zauberflöte, KV 620: Overture
orchestra:
Royal Philharmonic Orchestra (on 1949-06-27)
conductor:
Sir Thomas Beecham (conductor) (on 1949-06-27)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1949-06-27)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (on 1949-06-27)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart6:54
11The Messiah: Overture
orchestra:
BBC Choir Symphony Orchestra (in 1927)
conductor:
Sir Thomas Beecham (conductor) (in 1927)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1927)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:58
12The Great Elopement (Ballet Suite arranged by Beecham): The Pump Room. The Linleys
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: The Pump Room (in 1945)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Love in Bath
George Frideric Handel4:20
13The Great Elopement (Ballet Suite arranged by Beecham): Hunting Dance. Love Scene
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: Hunting Dance (in 1945)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Love in Bath
recording of:
Love In Bath: Love Scene (in 1945)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Love in Bath
George Frideric Handel3:55
14The Great Elopement (Ballet Suite arranged by Beecham): The Weary Flunkies. The Plot
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: The Plot (in 1945)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Love in Bath
recording of:
Love In Bath: The Weary Flunkeys (in 1945)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Love in Bath
George Frideric Handel3:55
15The Great Elopement (Ballet Suite arranged by Beecham): Sarabande. Hornpipe
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: Hornpipe (in 1945)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Love in Bath
recording of:
Love In Bath: Sarabande (in 1945)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Love in Bath
George Frideric Handel3:29
16The Great Elopement (Ballet Suite arranged by Beecham): Beau Nash. Second Love Scene
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: Beau Nash (in 1945)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Love in Bath
recording of:
Love In Bath: Second Love Scene (in 1945)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Love in Bath
George Frideric Handel4:08
17The Great Elopement (Ballet Suite arranged by Beecham): Interlude. Gigue
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1945)
conductor:
Sir Thomas Beecham (conductor) (in 1945)
recording of:
Love In Bath: Interlude (in 1945)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Sir Thomas Beecham (conductor)
part of:
Love in Bath
George Frideric Handel4:41
18Symphony no. 93 in D major: I. Allegro assai
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1936-12-18)
conductor:
Sir Thomas Beecham (conductor) (on 1936-12-18)
recording of:
Symphony no. 93 in D major, Hob. I:93: I. Adagio - Allegro assai (on 1936-12-18)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 93 in D major, Hob. I:93
Joseph Haydn6:43
19Symphony no. 93 in D major: II. Largo cantabile
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1936-12-18)
conductor:
Sir Thomas Beecham (conductor) (on 1936-12-18)
recording of:
Symphony no. 93 in D major, Hob. I:93: II. Largo cantabile (on 1936-12-18)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 93 in D major, Hob. I:93
Joseph Haydn6:18
20Symphony no. 93 in D major: III. Menuetto: Allegro
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1936-12-18)
conductor:
Sir Thomas Beecham (conductor) (on 1936-12-18)
recording of:
Symphony no. 93 in D major, Hob. I:93: III. Menuetto. Allegro - Trio - Menuetto (on 1936-12-18)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 93 in D major, Hob. I:93
Joseph Haydn4:09
21Symphony no. 93 in D major: IV. Presto ma non troppo
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1936-12-18)
conductor:
Sir Thomas Beecham (conductor) (on 1936-12-18)
recording of:
Symphony no. 93 in D major, Hob. I:93: IV. Finale. Presto ma non troppo (on 1936-12-18)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 93 in D major, Hob. I:93
Joseph Haydn4:39
22Symphony no. 104 in D major “London”: I. Adagio. Allegro
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1939-01-18)
conductor:
Sir Thomas Beecham (conductor) (on 1939-01-18)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: I. Adagio - Allegro (on 1939-01-18)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn6:59
23Symphony no. 104 in D major “London”: II. Andante
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1939-01-18)
conductor:
Sir Thomas Beecham (conductor) (on 1939-01-18)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: II. Andante (on 1939-01-18)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn8:53
24Symphony no. 104 in D major “London”: III. Menuetto: Allegretto
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1939-01-18)
conductor:
Sir Thomas Beecham (conductor) (on 1939-01-18)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: III. Menuetto & Trio. Allegro (on 1939-01-18)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn4:27
25Symphony no. 104 in D major “London”: IV. Allegro spiritoso
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1939-01-18)
conductor:
Sir Thomas Beecham (conductor) (on 1939-01-18)
recording of:
Symphony no. 104 in D major, Hob. I:104 “London”: IV. Finale. Spiritoso (on 1939-01-18)
composer:
Joseph Haydn (composer) (in 1795)
part of:
Symphony no. 104 in D major, Hob. I:104 “London”
Joseph Haydn4:39
26Symphony no. 5 in B-flat major, D. 485: I. Allegro
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1938-12-15 until 1939-01-11)
conductor:
Sir Thomas Beecham (conductor) (from 1938-12-15 until 1939-01-11)
recording of:
Symphony no. 5 in B-flat major, D. 485: I. Allegro (from 1938-12-15 until 1939-01-11)
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert5:41
27Symphony no. 5 in B-flat major, D. 485: II. Andante con moto
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1938-12-15 until 1939-01-11)
conductor:
Sir Thomas Beecham (conductor) (from 1938-12-15 until 1939-01-11)
recording of:
Symphony no. 5 in B-flat major, D. 485: II. Andante con moto (from 1938-12-15 until 1939-01-11)
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert10:08
28Symphony no. 5 in B-flat major, D. 485: III. Menuetto: Allegro molto
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1938-12-15 until 1939-01-11)
conductor:
Sir Thomas Beecham (conductor) (from 1938-12-15 until 1939-01-11)
recording of:
Symphony no. 5 in B-flat major, D. 485: III. Menuetto & Trio: Allegro molto (from 1938-12-15 until 1939-01-11)
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert4:39
29Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1938-12-15 until 1939-01-11)
conductor:
Sir Thomas Beecham (conductor) (from 1938-12-15 until 1939-01-11)
recording of:
Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace (from 1938-12-15 until 1939-01-11)
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert5:53
30Concerto for Piano and Orchestra no. 4 in G major, op. 37: I. Allegro moderato
piano:
Arthur Rubinstein (pianist) (on 1947-09-30)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1947-09-30)
conductor:
Sir Thomas Beecham (conductor) (on 1947-09-30)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato (on 1947-09-30)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven16:42
31Concerto for Piano and Orchestra no. 4 in G major, op. 37: II. Andante con moto
piano:
Arthur Rubinstein (pianist) (on 1947-09-30)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1947-09-30)
conductor:
Sir Thomas Beecham (conductor) (on 1947-09-30)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (on 1947-09-30)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven4:43
32Concerto for Piano and Orchestra no. 4 in G major, op. 37: III. Rondo: Vivace
piano:
Arthur Rubinstein (pianist) (on 1947-09-30)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1947-09-30)
conductor:
Sir Thomas Beecham (conductor) (on 1947-09-30)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace (on 1947-09-30)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven8:37
33Der Freischutz: Overture
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1937-11-27)
conductor:
Sir Thomas Beecham (conductor) (on 1937-11-27)
recording of:
Der Freischütz: Ouvertüre (on 1937-11-27)
composer:
Carl Maria von Weber (composer)
part of:
Der Freischütz
Carl Maria von Weber9:15
34Oberon: Overture
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1938-07-18)
conductor:
Sir Thomas Beecham (conductor) (on 1938-07-18)
recording of:
Oberon, J. 306: Overture (on 1938-07-18)
composer:
Carl Maria von Weber (composer)
part of:
Oberon, J. 306
Carl Maria von Weber8:30
35Die Meistersinger von Nürnberg: Prelude to Act I
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1936-06-19)
conductor:
Sir Thomas Beecham (conductor) (on 1936-06-19)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Vorspiel (on 1936-06-19)
composer:
Richard Wagner (composer) (from 1863 until 1867)
part of:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner9:06
36Tragic Overture
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1936-03-22)
conductor:
Sir Thomas Beecham (conductor) (on 1936-03-22)
recording of:
Tragische Ouvertüre, op. 81 (Tragic Overture, op. 81) (on 1936-03-22)
composer:
Johannes Brahms (German composer) (in 1880)
premiered by:
Hans Richter (conductor, 1843-1916) (on 1880-12-26) and Wiener Philharmoniker (Vienna Philharmonic) (on 1880-12-26)
premiered at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1880-12-26)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: op. 81)
Johannes Brahms12:25
37Peer Gynt Suite No. 1, op. 46: I. Morgenstemning (Morning Mood)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1939)
conductor:
Sir Thomas Beecham (conductor) (in 1939)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1939)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:27
38Peer Gynt Suite No. 1, op. 46: II. Åses Død (The Death of Åse)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1939)
conductor:
Sir Thomas Beecham (conductor) (in 1939)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (in 1939)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:21
39Peer Gynt Suite No. 1, op. 46: III. Anitras Dans (Anitra’s Dance)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1939)
conductor:
Sir Thomas Beecham (conductor) (in 1939)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance) (in 1939)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:51
40Peer Gynt Suite No. 1, op. 46: IV. I Dovregubbens Hall (In the Hall of the Mountain King)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1939)
conductor:
Sir Thomas Beecham (conductor) (in 1939)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1939)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:22
41Les Contes d'Hoffmann: Barcarolle
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1936-06-19)
conductor:
Sir Thomas Beecham (conductor) (on 1936-06-19)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements) (on 1936-06-19)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach4:00
42Frühlingstimmen, op. 410
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1939-11-28)
conductor:
Sir Thomas Beecham (conductor) (on 1939-11-28)
recording of:
Frühlingsstimmen, op. 410 (Voices of Spring) (on 1939-11-28)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 410)
Johann Strauss6:25
43Prodaná nevesta (The Bartered Bride): Overture
orchestra:
Royal Philharmonic Orchestra (in 1947)
conductor:
Sir Thomas Beecham (conductor) (in 1947)
recording of:
Prodaná nevěsta: Overture (The Bartered Bride: Overture) (in 1947)
composer:
Bedřich Smetana (composer)
part of:
Die verkaufte Braut (The Bartered Bride)
part of:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana7:20
44Prodaná nevesta (The Bartered Bride): Polka
orchestra:
Royal Philharmonic Orchestra (in 1947)
conductor:
Sir Thomas Beecham (conductor) (in 1947)
recording of:
Prodaná nevěsta: Act I, Scene V. Polka (in 1947)
composer:
Bedřich Smetana (composer)
part of:
Prodaná nevěsta: Act I
Bedřich Smetana4:35
45Slavonic Rhapsody in A flat major, op. 4
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1935)
conductor:
Sir Thomas Beecham (conductor) (in 1935)
recording of:
Slavonic Rhapsody in A-flat major, op. 45 no. 3 (in 1935)
composer:
Antonín Dvořák (composer) (in 1878)
part of:
Slavonic Rhapsodies, op. 45
Antonín Dvořák13:18
46Legend in G Minor, op. 59 no. 3
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1935-04-25)
conductor:
Sir Thomas Beecham (conductor) (on 1935-04-25)
recording of:
Legends, op. 59, B. 122: III. Allegro giusto (G minor) (for orchestra) (on 1935-04-25)
orchestrator:
Antonín Dvořák (composer) (from 1881-11-13 until 1881-12-09)
composer:
Antonín Dvořák (composer) (until 1881-03-22)
orchestration of:
Legends, op. 59, B. 117: No. 3 in G minor. Allegro giusto (for piano duo)
part of:
Legends, op. 59, B. 122 (for orchestra)
Antonín Dvořák4:25
47Prince Igor: Polovtsian Dance
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1934-10-05)
conductor:
Sir Thomas Beecham (conductor) (on 1934-10-05)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (on 1934-10-05)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Alexander Borodin10:42
48Chovantschina: Dance of the Persian Slaves
orchestra:
Royal Philharmonic Orchestra (in 1947)
conductor:
Sir Thomas Beecham (conductor) (in 1947)
recording of:
Khovanshchina: Act IV, Scene I. Dance of the Persian Slave Girls (in 1947)
composer and librettist:
Modest Mussorgsky (composer)
part of:
Хованщина: Действие 4
Modest Mussorgsky6:45
49Francesca da Rimini - Symphonic Fantasy after Dante, op. 32
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1939-12)
conductor:
Sir Thomas Beecham (conductor) (in 1939-12)
recording of:
Francesca da Rimini, op. 32 (in 1939-12)
premiered in:
Moscow, Russia (on 1877-03-09)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1876-10 until 1876-11)
dedicated to:
Сергей Танеев (Sergei Taneyev, Russian composer, pianist, teacher of composition, music theorist and author)
premiered at:
[concert] (1877-03-09) (premiere concert for Tchaikovsky's Francesca da Rimini)
publisher:
P. Jurgenson (in 1878)
part of:
The Tchaikovsky Handbook (number: TH 46), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 43) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 32)
is based on:
Inferno (first part of Dante Alighieri's Comedìa)
Peter Ilyich Tchaikovsky19:34
50Le Carnaval Romain, op. 9
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1936-11-27)
conductor:
Sir Thomas Beecham (conductor) (on 1936-11-27)
recording of:
Le Carnaval romain, ouverture pour orchestre, op. 9 (The Roman Carnival Overture for Orchestra, op. 9) (on 1936-11-27)
composer:
Hector Berlioz (French composer) (in 1843)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 95)
Hector Berlioz8:57
51Le Corsaire, op. 21
orchestra:
Royal Philharmonic Orchestra (on 1946-11-06)
conductor:
Sir Thomas Beecham (conductor) (on 1946-11-06)
recording of:
Le Corsaire op. 21: Ouverture, H 101 (on 1946-11-06)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 101)
Hector Berlioz7:58
52L‘Arlésienne Suites 1 & 2 (excerpts): Prélude
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1936)
conductor:
Sir Thomas Beecham (conductor) (in 1936)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (in 1936)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet7:29
53L‘Arlésienne Suites 1 & 2 (excerpts): Minuet
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1936)
conductor:
Sir Thomas Beecham (conductor) (in 1936)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (in 1936)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:26
54L‘Arlésienne Suites 1 & 2 (excerpts): Adagietto
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1936)
conductor:
Sir Thomas Beecham (conductor) (in 1936)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (in 1936)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:35
55L‘Arlésienne Suites 1 & 2 (excerpts): Menuet
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1936)
conductor:
Sir Thomas Beecham (conductor) (in 1936)
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra) (in 1936)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet4:27
56L‘Arlésienne Suites 1 & 2 (excerpts): Farandole
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1936)
conductor:
Sir Thomas Beecham (conductor) (in 1936)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (in 1936)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:40
57Carmen Suite (excerpts): Prélude
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1939-04-12)
conductor:
Sir Thomas Beecham (conductor) (on 1939-04-12)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (on 1939-04-12)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet3:41
58Carmen Suite (excerpts): Entr‘acte. Intermezzo
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1939-04-12)
conductor:
Sir Thomas Beecham (conductor) (on 1939-04-12)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (on 1939-04-12)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet4:40
59Carmen Suite (excerpts): La Garde Montante. Les Dragons d‘ Alcala
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1939-04-12)
conductor:
Sir Thomas Beecham (conductor) (on 1939-04-12)
recording of:
Carmen Suite no. 2: V. La Garde montante (on 1939-04-12)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
Georges Bizet4:11
60Carmen Suite (excerpts): Danse bohème
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1939-04-12)
conductor:
Sir Thomas Beecham (conductor) (on 1939-04-12)
recording of:
Carmen Suite no. 2: VI. Danse bohème (on 1939-04-12)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:45
61Prélude à l‘après-midi d‘un faune
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1939-02-13)
conductor:
Sir Thomas Beecham (conductor) (on 1939-02-13)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (on 1939-02-13)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:23
62Symphony in D minor: I. Lento. Allegro
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1940-01-03 until 1940-01-04)
conductor:
Sir Thomas Beecham (conductor) (from 1940-01-03 until 1940-01-04)
recording of:
Symphonie en ré mineur: I. Lento - Allegro non troppo (Symphony in D minor: I. Lento - Allegro non troppo) (from 1940-01-03 until 1940-01-04)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck16:13
63Symphony in D minor: II. Allegretto
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1940-01-03 until 1940-01-04)
conductor:
Sir Thomas Beecham (conductor) (from 1940-01-03 until 1940-01-04)
recording of:
Symphonie en ré mineur: II. Allegretto (Symphony in D minor: II. Allegretto) (from 1940-01-03 until 1940-01-04)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck10:43
64Symphony in D minor: III. Allegro non troppo
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1940-01-03 until 1940-01-04)
conductor:
Sir Thomas Beecham (conductor) (from 1940-01-03 until 1940-01-04)
recording of:
Symphonie en ré mineur: III. Allegro non troppo (Symphony in D minor: III. Allegro non troppo) (from 1940-01-03 until 1940-01-04)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck9:46
65España – Rhapsody for Orchestra
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1939-11-30)
conductor:
Sir Thomas Beecham (conductor) (on 1939-11-30)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1939-11-30)
recording of:
España (rhapsody for orchestra) (on 1939-11-30)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier6:09
66Joyeuse – March for Orchestra
orchestra:
Royal Philharmonic Orchestra (on 1946-11-06)
conductor:
Sir Thomas Beecham (conductor) (on 1946-11-06)
recording of:
Joyeuse marche (for orchestra) (on 1946-11-06)
composer:
Emmanuel Chabrier (composer) (in 1888)
Emmanuel Chabrier3:34
67Gwendoline: Overture
orchestra:
Royal Philharmonic Orchestra (on 1955-12-20)
conductor:
Sir Thomas Beecham (conductor) (on 1955-12-20)
recorded at:
BBC Studios in London (Greater London), England, United Kingdom (on 1955-12-20)
recording of:
Gwendoline: Ouverture (on 1955-12-20)
composer:
Emmanuel Chabrier (composer) (in 1886)
part of:
Gwendoline
Emmanuel Chabrier9:14
68Appalachia - Variations on an Old Slave Song: Introduction
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius5:38
69Appalachia - Variations on an Old Slave Song: Theme
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius0:28
70Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius0:28
71Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius0:20
72Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius0:57
73Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius4:27
74Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius0:49
75Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius2:21
76Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius1:41
77Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius2:58
78Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius1:48
79Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius3:29
80Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius1:52
81Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius2:03
82Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius1:28
83Appalachia - Variations on an Old Slave Song: Variations
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius2:37
84Appalachia - Variations on an Old Slave Song: Finale: Lento. Piu mosso
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1938-01)
conductor:
Sir Thomas Beecham (conductor) (in 1938-01)
partial recording of:
Appalachia, RT ii/2 (in 1938-01)
composer:
Frederick Delius (English composer)
version of:
American Rhapsody, RT vi/12 "Appalachia" (for orchestra)
Frederick Delius4:31
85Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Introduction
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: I. Introduction (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Frederick Delius6:15
86Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Theme: Don Quixote, the Knight of the Sorrowful Countenance
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Thema: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss0:56
87Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Sancho Panza
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:06
88Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation I: The Adventure With the Windmills
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:28
89Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation II: The Battle With the Sheep
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:35
90Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation III: Dialogue of Knight and Squire
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss7:38
91Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation IV: The Adventure With the Penitents
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:58
92Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation V: The Knight‘s Vigil
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:02
93Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation VI: The False Dulcinea
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:09
94Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation VII: The Ride Through the Air
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:01
95Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation VIII: The Adventure of the Unchanted Boat
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:45
96Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation IX: The Combat With the Two Magicians
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:06
97Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Variation X: The Defeat of Don Quixote
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss3:54
98Don Quixote - Fantastic Variations for Viola, Cello and Orchestra, op. 35: Finale: The Death of Don Quixote
orchestra:
New York Philharmonic (on 1932-04-07)
conductor:
Sir Thomas Beecham (conductor) (on 1932-04-07)
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) (on 1932-04-07)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss4:34
99Symphony No. 2 in D major, op. 43: I. Allegretto
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1946-12 until 1947-02)
conductor:
Sir Thomas Beecham (conductor) (from 1946-12 until 1947-02)
recording of:
Sinfonia nro 2 D-duuri, op. 43: I. Allegretto (Symphony no. 2 in D major, op. 43: I. Allegretto) (from 1946-12 until 1947-02)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius9:27
100Symphony No. 2 in D major, op. 43: II. Tempo andante, ma rubato
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1946-12 until 1947-02)
conductor:
Sir Thomas Beecham (conductor) (from 1946-12 until 1947-02)
recording of:
Sinfonia nro 2 D-duuri, op. 43: II. Tempo andante, ma rubato (Symphony no. 2 in D major, op. 43: II: Tempo andante, ma rubato) (from 1946-12 until 1947-02)
composer:
Jean Sibelius (Finnish composer) (from 1900 until 1902)
publisher:
Breitkopf & Härtel
part of:
Sinfonia nro 2 D-duuri, op. 43 (Symphony no. 2 in D major, op. 43)
Jean Sibelius14:12
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